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Sprawling epic covering the life of a Texas cattle rancher and his family and associates.
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◎译 名 巨人传/巨人2 Z' i+ ~$ h/ R; ]# `8 _
◎片 名 Giant! U7 q/ p, I& |& Q$ B
◎年 代 19562 F M) n0 f+ }* q2 T+ P' J
◎产 地 美国
, \+ \6 t# z* o Z4 T1 F$ R; R◎类 别 剧情/爱情/西部# E, n9 B4 u$ k7 h2 F( w- [
◎语 言 英语/西班牙语
) W: b$ C; K. [3 h8 a◎上映日期 1956-11-24(美国)
. g3 a! V. E( u3 ]: E" R1 @" B◎IMDb评分 7.6/10 from 38,616 users
: e b) j$ O. ]; v5 b* s◎IMDb链接 https://www.imdb.com/title/tt0049261/
$ n8 a5 g g F◎豆瓣评分 8.0/10 from 2,856 users7 k2 F- c* h) T+ Z. D6 t! f3 d& v. x
◎豆瓣链接 https://movie.douban.com/subject/1298289/
) v; B- E# {8 { i◎文件格式 x265 + DTS6 S# c7 {( T) I1 @: I, U5 w7 q' ]" J" B$ a9 C
◎视频尺寸 3840 x 21608 z( N5 o: G' f* J8 A1 S- l
◎文件大小 1DVD 90.55 GiB
" e* {8 H: @/ i% D- F◎片 长 3:21:10.641 (h:m:s.ms)
& Q- X. G/ ~# ]2 v2 R: ?◎导 演 乔治·史蒂文斯 George Stevens( r) d% g( X5 ?) x& X5 f$ a
◎编 剧 弗雷德·吉奥尔 Fred Guiol% x* Y, {! `) B
伊凡·莫弗特 Ivan Moffat% \1 q6 J7 F' d1 k6 u
艾德娜·费勃 Edna Ferber
+ i1 m: z; v" p+ b0 k1 e◎演 员 罗克·赫德森 Rock Hudson
& b- X6 l) Q1 [7 J 伊丽莎白·泰勒 Elizabeth Taylor
' v1 Q; U# v( b2 Z s 詹姆斯·迪恩 James Dean: ]2 y$ G& O- l: J5 P$ d" v
杰克·洛马斯 Jack Lomas7 ]! b/ s" H- M W' P8 o6 t
蒂娜·梅纳德 Tina Menard
3 N7 G' J0 A6 O0 ]/ s Judy Lent
L/ h- J; B6 `" D' i5 l 罗伯特·尼克尔斯 Robert Nichols' v5 q, p9 q3 n
哈罗德·米勒 Harold Miller
% J: q2 P; A; L' U( T$ b 汤姆·梦露 Tom Monroe# y w( ?2 {( W, a7 c, d
Maxine Gates
+ H% C8 S& @: V+ c- C& N: Q 肯纳G.肯普 Kenner G. Kemp
# O. x4 a6 `3 h& p Maurice Jara
( J! Z% t* i# D# b2 ]0 a$ k! l6 l* M Paul Kruger9 c" k* u8 |5 v$ V# A
查尔斯梅瑞狄斯 Charles Meredith
1 h5 T( E9 c+ y' w" }% c+ b Jill Lent* U* z, b% W* `, Z+ c
维克托·米兰 Victor Millan; ^7 d7 U2 a* m* o9 } n
Kermit Maynard7 c; G6 E: t# u7 X
亚历山大·斯库比 Alexander Scourby
! \$ g _" M: {, h: O! r 罗德·泰勒 Rod Taylor
2 V- j; ]7 y" S5 i, s: Q 杰弗里·塞尔 Jeffrey Sayre
# y' x8 S% L: [# Y+ J, E Napoleon Whiting- i* N6 v( d( R% k% D! H$ Q. ]
John Wiley
, } S( x' X8 u" v7 A 丹·怀特 Dan White o# U1 h/ M2 ] O
谢布·伍利 Sheb Wooley
+ N0 p: U8 d& C1 v4 ~" y* g Rush Williams
( u) K" d4 P! J: Q 简·维特尔斯 Jane Withers
/ g0 |7 P" z: X+ g) k& Z( ^( w6 n Guy Teague7 B3 T, n, M3 j
伯特史蒂文斯 Bert Stevens
! b6 r0 ]4 k* P: O d Natividad Vacío: B& Q4 J& p& q& m' T
Mickey Simpson
9 x9 F4 T* Y- ~7 I Max Terhune0 [9 ]/ G5 f# n" v$ x
Slim Talbot. F7 C M$ T- U8 C
Felipe Turich
Y8 \( v/ Y% R6 q Julian Rivero6 Z2 Y; _+ M/ ?* |1 F
弗兰·本内特 Fran Bennett9 i. K7 W. b1 {' r* ]: i) `- l* G% B
山姆·哈里斯 Sam Harris
- L" |# y. s& f- ~) I; { Marc Hamilton1 ^ x3 i, J. D, F' U+ R& S- y
卡罗尔·贝克 Carroll Baker. s1 u6 Y; Y) {$ T8 v3 N
保罗·菲克斯 Paul Fix
# E( v% G6 m5 i z$ s; _' S! L0 L 厄尔·霍利曼 Earl Holliman9 K6 h! d& [: f' P5 Y: @( {# S+ y
丹尼斯·霍珀 Dennis Hopper
6 o" K& g U) d D 查尔斯瓦茨 Charles Watts9 i" M; |( P6 y1 \2 b
雷·惠特利 Ray Whitley- M4 ]5 E* H( P+ c6 ^, Y1 y# R
梅赛德丝·麦坎布雷奇 Mercedes McCambridge$ o& }7 h: S: }/ i4 \
蒙特·黑尔 Monte Hale
3 F* q/ }6 k8 G 芭芭拉·蓓丽 Barbara Barrie# j! j B6 N7 g6 s
萨尔·米涅奥 Sal Mineo) q: ]! l. X8 `5 ^1 K
齐尔·威尔斯 Chill Wills
6 P! F. ?7 u, e6 n! ]/ L( b* [ 尼克·亚当斯 Nick Adams
2 p; o8 l4 h- n/ D Elsa Aguirre
! h2 ?6 D# ~4 K2 q 埃迪·贝克 Eddie Baker
$ C# Q, N; u0 l' n2 v Ray Bennett+ F9 Y# [# p1 Y3 N7 c" C
斯图尔特·霍姆斯 Stuart Holmes
9 N: V* T0 E; x8 w- ~' |, L% l2 f7 L Ethel Greenwood, i7 [' Z& J8 g: {4 k. u
Pilar Del Rey
( t) k c# \1 @6 U8 g+ ` 朱迪思·伊夫林 Judith Evelyn1 `9 M Z' U5 P5 \6 |+ c
乔治·邓恩 George Dunn& \6 H$ C: n+ T7 e+ E
Dana Dillaway
J6 u H+ B" } K Tex Driscoll3 o" j. F+ C5 ]+ t' Z+ _
Ella Ethridge2 ] }' x# d# G) E! b3 U
Juney Ellis
5 X( w/ r5 K. m a3 W% Z! P$ S Pete Dunn
8 D+ C: |4 y$ t, D6 _9 @ 埃尔莎·卡德纳斯 Elsa Cárdenas
1 I3 G( K$ O" |5 F h Georgann Cashen
* C, d6 k; T& w& n! a Carolyn Craig6 h- z0 _. q8 F2 [, O7 X
Mary Ann Cashen# R# ]( t1 s$ {% n! A; F
Fran Bennett* {. l' P W3 Z: _& Y, Y" g! L Z
诺琳·纳什 Noreen Nash
7 t/ O* T9 ~0 l5 x: F 乔治·史蒂文斯 George Stevens, V$ }; L; T; S
亨利·金斯伯格 Henry Ginsberg
; a' C' M8 h! u \1 K5 l 迪米特里·迪奥姆金 Dimitri Tiomkin1 T+ ^+ B. s+ `7 P
威廉·C·梅勒 William C. Mellor
3 a. L# {- v- u% g 威廉·霍恩贝克 William Hornbeck
$ ^' u% s4 g, J. M. h* V 鲍里斯·莱文 Boris Leven2 I/ H" G. I9 k+ U
拉尔夫·S·赫斯特 Ralph S. Hurst
" I+ c4 ~2 ]. |+ A+ _& ^. ` 玛约莉·拜斯特 Marjorie Best- R/ \; V7 q ], D9 G6 ]: c6 \$ U
Gordon Bau; L+ T1 y3 l! c: d
Joseph E. Rickards* K- K2 m/ a5 S) H1 J `) z
弗雷德·吉奥尔 Fred Guiol
: j" q+ x! S+ g) R# I 杰克·科斯格罗夫 Jack Cosgrove
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◎标 签 美国 | JamesDean | 伊丽莎白·泰勒 | 1956 | 爱情 | 美国电影 | 经典 | 西部2 B' o5 ^3 J* k6 {
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故事发生在阳光普照的得克萨斯州,比克(洛克·哈德森 Rock Hudson 饰)是成长和生活在那里的一名牧场主人,德州和煦的阳光将他的性格也照耀得温厚而老实。东部来的漂亮女人莱斯利(伊丽莎白·泰勒 Elizabeth Taylor 饰)吸引了比克的目光,常年生活在西部的他从未见过像她一样的女人,很快,两人就坠入了情网之中,并且最终携手步入了婚姻的殿堂,就这样,莱斯利成为了农场的女主人。4 x2 w+ \- K- W: a
# M: N6 ~+ ?6 U. G% c 杰特(詹姆斯·迪恩 James Dean 饰)是在比克农场里打工的长工,一次偶然的机会里,他获得了一块可以自行开垦的荒地。哪知道杰特走了大运,在这块地的地底下竟然埋藏着价值连城的石油,杰特一夜暴富。5 V+ ? T7 y( s# |0 z0 ?7 R0 s
7 J9 x- H/ d# p" N7 ]# h, t Jordan 'Bick' Benedict Jr., is a wealthy landowner and cattle rancher who marries a spoiled and wealthy Virginian woman. When the two return to his cattle empire in Texas, conflicts around race, class and changing traditions including former cowboy and now rich oil tycoon Jett Rink rise to epic proportions through the years and test the unity of the family and surrounding community.
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}; N5 c: \" L! x3 I- DISC INFO:: p5 h8 N4 R9 d) e. J# Y
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- Disc Title: Giant.1956.2160p.BluRayCD.HEVC.DTS-HD.MA.2.0-MAXAGAZ
0 X9 o0 L# v* ^# w - Disc Size: 96,949,956,624 bytes- D' V! @% y3 i( p, P/ l
- Protection: AACS2
: x4 T0 f" a' P! Z- r - Extras: Ultra HD, BD-Java# X5 y2 M7 v) E& O: `, b1 U
- BDInfo: 0.7.5.9 (compatible layout created by DVDFab 12.0.7.3)7 G3 j! V1 A! X
# E6 o+ ], M: ~- PLAYLIST REPORT:
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- Name: 00800.MPLS 2 b# N# I9 P o6 O/ ^. i3 _9 l
- Length: 3:21:10.641 (h:m:s.ms)
$ c7 P& n. a5 L) d# A; L# b - Size: 94,067,613,696 bytes3 Q j' }5 T/ p# q& a
- Total Bitrate: 62.34 Mbps
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5 [+ w; n$ y3 e3 f4 i* e- Video:; o" [* O. ^- P2 D7 m
# k# m# j W' A/ J- o; r4 Y4 J9 i- Codec Bitrate Description : [6 e( s9 a, i6 b
- ----- ------- -----------
7 A( o3 [2 r9 n2 J5 w - MPEG-H HEVC Video 56063 kbps 2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 4000nits / HDR10 / BT.2020
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7 i; ^4 ~* f: a/ W- AUDIO:
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- Codec Language Bitrate Description
+ _" D9 m( R! L0 d d - ----- -------- ------- -----------
, g: w0 F! q2 |' b - DTS-HD Master Audio English 1783 kbps 2.0 / 48 kHz / 1783 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit)5 L5 B# O$ f) O
- Dolby Digital Audio French 192 kbps 1.0 / 48 kHz / 192 kbps* Q* m3 W4 S; D
- Dolby Digital Audio German 192 kbps 1.0 / 48 kHz / 192 kbps/ P! h3 ~; N1 @( L4 t
- Dolby Digital Audio Italian 192 kbps 1.0 / 48 kHz / 192 kbps4 }# y' |6 e% M A2 H- D
- Dolby Digital Audio Spanish 192 kbps 1.0 / 48 kHz / 192 kbps
8 J- w8 `3 L0 D% j) x; f. z - Dolby Digital Audio Spanish 192 kbps 1.0 / 48 kHz / 192 kbps; M3 E( f, f. S" u
- Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps. m [* \* c. [; g! h" ?
1 J2 l* W9 x; U! N5 p+ K- SUBTITLES:3 B9 r: d9 {+ D" m+ |
, e! b0 H2 q* f( U1 ~( a; ~- Codec Language Bitrate Description ! D. G9 L1 ?7 }, q; q6 w& t
- ----- -------- ------- -----------
+ H( o; \" U1 I7 }. z - Presentation Graphics English 31.557 kbps
" D3 s2 z% {2 `3 R! H* G1 Z( M - Presentation Graphics French 19.481 kbps
2 s; {9 N" w" a( f" }$ e - Presentation Graphics German 32.005 kbps
: R2 e6 R: q: @ - Presentation Graphics Italian 29.466 kbps # n, y4 F- s1 @
- Presentation Graphics Spanish 21.529 kbps 0 [9 q3 O3 ]2 i6 [
- Presentation Graphics Dutch 20.541 kbps 4 e6 X/ O$ ]7 I( M
- Presentation Graphics Spanish 26.227 kbps # e# R ]# R* H; Y0 c
- Presentation Graphics German 0.123 kbps ( c' e; p/ o4 s( F( c J
- Presentation Graphics Italian 0.117 kbps ; F! |$ ~5 w5 ]4 h
- Presentation Graphics Spanish 0.148 kbps
$ T1 E D1 N2 T L - Presentation Graphics Spanish 0.145 kbps
复制代码 Giant 4K Blu-ray, Video Quality ( P* l$ s) F$ g! k7 x
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NOTE: This review's screenshots were sourced from the 4K disc but downsampled to 1080p SDR. Although they obviously do not reflect the 4K disc's true on-screen appearance with HDR10 enabled, it nonetheless reveals tangible differences in fine detail, grain structure, framing, and of course color timing in comparison to the Blu-ray.For better or worse, Giant's new 4K restoration shares several key similarities with Warner Bros.' other recent UHD catalog offerings, such as The Shawshank Redemption, A Clockwork Orange, and The Outsiders. The first obvious strength is that it offers a very clean image overall; one that's free from dirt and blemishes but smooth and polished without the excessive use of digital noise reduction. ("Grain management" has obviously been employed to a certain extent, but more on that later.) Likewise, image detail is striking on clothing patterns and even background details, although it doesn't yield a night-and-day improvement over the older Blu-ray presentation. That earlier release was likewise the result of a 4K scan of the original negative which was restored and color-corrected by MPI and, despite a subtle difference in framing that allows for more legroom and information on the left-hand side, retains the original intended aspect ratio of 1.66:1. Color strength (again, more on that later) is likewise in line with the earlier Blu-ray, retaining a generally even saturation dominated by earth tones and not prone to significant bleeding." A3 {) X+ ~7 c1 ], h5 h
Disc encoding yields more clear-cut improvements, as Giant has been afforded a full triple-layered (100GB) disc that runs at an extremely high bit rate -- Giant's lengthy running time eats up almost all of that storage too, aside from minimal disc space used by the included mono audio tracks. Whereas the earlier Blu-ray was absolutely loaded with artifacts and chunky noise that untrained eyes might recognize as film grain, this 4K disc runs circles around the older release for its clean, crisp appearance that's likewise not adversely affected by banding, posterization, noise, or other eyesores. Black crush seems to appear during some of the darkest moments, but this may be nothing more than a byproduct of added filters, such as a recurring day-for-night establishing shot that's always looked awful.3 M# N! J* j R9 @$ d7 ], }
5 r" o. @& P3 p2 I4 IThe start of the inevitable bad news begins softly, and quite appropriately with the disclaimer that significant portions of Giant have never looked great on home video. Countless shots sprinkled throughout the film's lengthy lifespan are blurry and soft, likely when dupes were used in place of the camera negative due to source issues, not to mention other inconsistencies with clarity that can be traced back to unavoidable culprits like optical effects and primary dissolves. While these source issues alone obviously aren't any real cause for concern, it means that portions of Giant's 2160p transfer look quite inconsistent and, combined with the previously mentioned "grain management" and new color timing mentioned below, often take on the underwhelming appearance of a standard-def upscale.
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Then there's the HDR10 color enhancement, which yields impressive results in certain areas like costumes and lush green foliage as well as signage and soft lighting that stands out against deep shadows... but since the bulk of Giant's palette is dominated by creamy, off-white background interiors and dusty landscapes, it doesn't get a chance to shine in the way that 4K devotees are used to. It ties in more negatively to the new color timing, which swaps out the Blu-ray's slightly cooler and browner appearance for something that's nearly blanketed by a push towards magenta hues. It's fine enough for deeper values and red-heavy locations like mansion interiors, but certain mid-range shadows and even object outlines take on a pinkish tint that almost resembles ringing or edge enhancement. It doesn't affect all scenes to the same degree -- and many not at all -- but may prove a bit distracting to anyone who's a little more color-sensitive. While this color timing clearly won't be a deal breaker for the wide majority of fans, I feel that a more comfortable middle ground could have been achieved between the Blu-ray's palette and this one.
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4 W+ P7 ~# L" J" N9 \1 P& ~Giant 4K Blu-ray, Audio Quality # W' s; W T5 u
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Although the identical designation of both this 4K UHD and the Blu-ray's default DTS-HD 2.0 Master Audio might suggest that they're identical (and, given Warner Bros.' spotty track record for lossless audio, proves that lighting can strike twice), the studio's recent press release indicates that Giant's 4K split mono track was "...sourced primarily from a 1995 protection copy of the Original Magnetic Mono soundtrack." As I have no information regarding any source material used for the older Blu-ray's restoration, I can't offer any genuine comparison details between the two aside from negligible volume differences. To my eyes, they're both extremely solid mixes that preserve Giant's one-channel roots and contain no distracting levels of hiss, distortion, other damage, or perceivable sync problems.Several foreign language dubs are also offered in Dolby Digital mono, as are a handful of subtitle options.% ^* I" d; C$ \" B0 K: \
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