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A soldier fighting aliens gets to relive the same day over and over again, the day restarting every time he dies.9 z" X: d3 V$ N8 _; Z2 L7 I
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◎译 名 明日边缘/异空战士(港)/明日边界(台)/杀戮轮回/生死轮回! w+ ~5 F& m: V# Q6 U% R
◎片 名 Edge of Tomorrow / We Mortals Are / All You Need Is Kill / Live Die Repeat: Edge of Tomorrow
2 E0 R/ n# R% O) J( @4 ^◎年 代 20143 h) K) K# @4 {$ M. W0 Y- q
◎产 地 美国/加拿大
$ h1 v. A* b4 W0 p: L◎类 别 动作/冒险/科幻2 v6 b& C% v7 Y2 O+ Z$ j. I& w
◎语 言 英语
: I4 @+ }/ L! w+ g◎上映日期 2014-06-06(美国/中国大陆)3 ]+ Q7 _7 {# {. M g; |
◎IMDb评分 7.9/10 from 663,548 users
8 F% v# \; l' W+ \$ h& F& M9 Q◎IMDb链接 https://www.imdb.com/title/tt1631867/
1 C4 c4 K* F# T' V3 F% M) O◎豆瓣评分 8.1/10 from 446,296 users- I U2 a% b; q
◎豆瓣链接 https://movie.douban.com/subject/4746257/) N1 U* r- o, P, [6 \1 Z
◎文件格式 x265 + TrueHD $ P; o# `; H! H6 j' N
◎视频尺寸 3840 x 21607 u0 m: H9 }# l
◎文件大小 1DVD 80.90 GiB
3 ?' N2 a/ {* ?, `4 y0 \4 E◎片 长 1:53:27.800 (h:m:s.ms)9 c* z0 R" P" F- b" c
◎导 演 道格·里曼 Doug Liman3 q# a: {1 z! l$ H
◎编 剧 克里斯托弗·麦奎里 Christopher McQuarrie2 [- l7 P b! c4 g2 ~( w: N* Y$ d
杰斯·巴特沃斯 Jez Butterworth7 t8 r2 |7 }- _
约翰-亨利·巴特沃斯 John-Henry Butterworth8 [5 v2 j3 l" |4 F6 v
樱坂洋 Hiroshi Sakurazaka
; i2 \2 }" n2 u% O+ b4 A8 B; ` 丹特·哈珀 Dante Harper
5 {3 W+ i" c; N: y, _: _ 罗伯托·奥奇 Roberto Orci
4 y- u7 A- W S' V 艾里克斯·库兹曼 Alex Kurtzman
" X" c: i% `4 U' ~- z 卓比·哈罗德 Joby Harold+ d" B( G* {% e1 o4 a9 x4 H# n- v
◎演 员 汤姆·克鲁斯 Tom Cruise' O" G, @9 x$ Z
艾米莉·布朗特 Emily Blunt
6 G- I8 n h2 N/ d1 u6 Y- j 布莱丹·格里森 Brendan Gleeson
4 l+ ]7 m7 D1 W# D' N! S 比尔·帕克斯顿 Bill Paxton
~) `- T* `$ T4 E0 k9 ? 约纳斯·阿姆斯特朗 Jonas Armstrong
+ S, j; f# _( ^9 u' l4 l 托尼·威 Tony Way
" } B- B1 @6 b# S3 B 奇克·盖瑞 Kick Gurry
* v/ s, @* W0 L 弗朗茨·德拉姆 Franz Drameh! ^! o) e7 p7 \" _0 J
德拉戈米尔·米希克 Dragomir Mrsic' n0 ^# G$ P: X0 d
夏洛特·莱利 Charlotte Riley `; i! p9 Y2 Q# {% D: c+ v
羽田正义 Masayoshi Haneda
9 q5 D3 m: C, @4 ?5 E 特伦斯·梅纳德 Terence Maynard
, W* |7 U* Z$ @5 G( Q 诺亚·泰勒 Noah Taylor
# g: Q/ l/ T. ~/ b T, { x 劳拉·普沃 Lara Pulver; @$ H. U$ g3 i" D% J9 E+ Q: J
玛德琳·曼托克 Madeleine Mantock
% Y3 z8 u! p& h2 m" E/ i w 罗南·萨莫尔斯 Ronan Summers, `/ R2 m. }: p) k% k. B; a
汤米·坎贝尔 Tommy Campbell- W( Z. t/ z( _8 `8 C
约翰·达顿 John Dutton$ b0 {7 ]6 E8 m j. k& y
玛丽安娜·琼-巴普蒂斯特 Marianne Jean-Baptiste
, q6 y# Z. z6 e8 l P% e. E% P 大卫·卡耶 David Kaye
) l% g5 J; h" y( X+ ]: [ 杰里米·皮文 Jeremy Piven
) ~8 s$ g i" N0 b. a% l 豪尔赫·莱昂·马丁内斯 Jorge Leon Martinez* [, R; P# `% g7 j8 u4 A& M
艾德里安·帕默 Adrian Palmer1 q1 j4 T7 f9 ~. J0 l( F( E
戈尔迪·格林 Goldie Green
$ ~8 d2 [0 e8 X2 f- p, y# G5 k0 ~ 伊莱恩·考尔菲德 Elaine Caulfield% ?% j; k) a( Q0 h. [2 \8 Y
吉姆·斯图格恩 Jim Sturgeon; X! Q: Y% V! o* }* ~7 O, f
宾利·卡鲁 Bentley Kalu
6 k1 W: D' o% S' V# G2 D 塞尔哈特·梅汀 Serhat Metin
; B7 M( v7 c" l" M# x 李·阿斯奎斯-柯 Lee Asquith-Coe
( `; H9 D. e9 @9 G6 R% I: P 安娜·鲍丁 Anna Botting1 K- `2 t; |$ D
埃文·斯托夫 Erwin Stoff
7 z/ \4 p, z ? T$ [ 克里斯托弗·贝克 Christophe Beck
8 [9 H) {0 G0 T4 g" |+ e; Q 奥利弗·肖尔 Oliver Scholl5 ?* d. ~0 Z. h6 A+ L! z
凯特·霍利 Kate Hawley7 B; q! s' O) O" q1 H6 H8 z% J3 P
埃蒙·巴特勒 Eamonn Butler
c$ g2 v0 U& q; v, P4 l8 [/ B, }; i! @ 达里尔·索丘克 Daryl Sawchuk; f L" J4 q4 C$ }1 y
劳尔·佩雷斯 Raul Perez8 T. i9 q8 G6 x* N$ O. _
杰西卡卡林顿 Jessica Carrington
* a! o) V7 b: y! q+ n: A8 E 戴维·温斯坦 David Weinstein* Q/ d, ~2 `0 d9 t/ }% R+ P
杨亮 Liang Yang/ `) P( |8 \ }3 X& Q4 M
阿斯莉·赞德里 Assly Zandry
8 K' }: M5 _( l5 i, Z) z6 t 娜塔莎·古尔登 Natasha Goulden9 N, m- p5 b4 r
塞巴斯蒂安·布鲁特 Sebastian Blunt
8 d% ]# P1 \) z- e, B" H1 q 贝丝·戈达德 Beth Goddard
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◎标 签 科幻 | 美国 | 动作 | 战争 | 2014 | 机甲 | 剧情 | 汤姆克鲁斯2 m0 ?- C5 k# H) ^* f
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, k4 b' R: i" e& G @4 V/ Q 未来世界陷入外星人入侵的恐慌中,军事演说家凯奇少校(汤姆·克鲁斯 Tom Cruise 饰)畏惧上战场,他从没想过将军(布莱丹·格里森 Brendan Gleeson 饰)会让他去指挥即将开始的“诺曼底战役”,拒绝接受命令之后将军居然恶整了他,那就是把他当做逃兵扔进了军 营中。凯奇被归入了J小队中进行战斗,战役的第一天就惨死在战场,没想到这一死让他拥有了时空循环的能力,而唯一相信他的人就是被称为“全金属战士”的丽塔·沃拉塔斯基(艾米莉·布朗特 Emily Blunt 饰)。二人开始了时空循环作战,在训练凯奇的同时他们发现了控制时间的奥秘,这与外星人“主脑”欧米茄有关,但是唯一能取得胜利的方法就是让凯奇不断死去、不断重启时间。在不断重复登陆那天的战斗的同时,凯奇越来越不想失去丽塔……
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+ E6 u6 p/ v. U% K Involved in a war against alien invaders, Bill Cage finds himself caught in a time loop: each time he dies, he returns to the morning of the doomed fight. Alongside a female soldier, he uses the paradoxical situation to plan, train, and try to save his future.' u6 e& R$ y# L* O
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◎获奖情况
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第42届动画安妮奖(2015); l$ f' o# l/ f) a0 q# L+ ?0 \) t
最佳真人电影动画效果
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- z% u A6 J2 _3 r, E A3 |" Z 第16届美国青少年选择奖(2014)
- F) _; m& j* @# ^ 最佳动作冒险电影(提名)4 w0 `; D" e* @( ]( {2 P
最佳动作冒险电影男演员(提名) 汤姆·克鲁斯8 o! v u+ Y1 R* o, O
最佳动作冒险电影女演员(提名) 艾米莉·布朗特4 k6 H; @" j) N9 ~
- h& E0 ]% ?4 F9 V0 d \ 第1届豆瓣电影年度榜单(2014)/ V9 U; f/ W2 ]% [
最受关注的院线电影(提名): K* ?: C/ W2 e" B" ^) V
6月最受关注电影1 w" ~" v" p! j5 }6 h
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- DISC INFO:7 o/ r2 g, x; E$ \9 k, t0 j
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- Disc Title: Edge.of.Tomorrow.2014.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-MAXAGAZ # N O3 N7 c! ?: d' \ y# D4 t
- Disc Size: 86,846,068,599 bytes* O# Q% Q# Y6 v
- Protection: AACS2/ G5 H* }% s2 D2 f
- Extras: Ultra HD, BD-Java
5 Q* C9 W* @+ z) q; j - BDInfo: 0.7.5.9 (compatible layout created by DVDFab 12.0.7.3)
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- PLAYLIST REPORT:# x" [0 K6 _( U+ z! L1 b- n
3 r! v+ ]; i3 Q1 l2 @8 Z- Name: 00001.MPLS
+ ]) D1 o# u* T - Length: 1:53:27.800 (h:m:s.ms)! R( }9 f' U& ]
- Size: 85,776,703,488 bytes- f) Q2 O2 |7 }8 F9 \
- Total Bitrate: 100.80 Mbps9 U! f) X# w& q, J
( S' e' T `) P! q. o5 T% z4 S- Video:
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- C' `! F" V7 D9 ?# o1 o - ----- ------- ----------- $ d$ h9 j1 E6 ~5 w2 Z
- MPEG-H HEVC Video 77474 kbps 2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10 / BT.2020
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- Codec Language Bitrate Description . U8 F9 q( T# `. f9 p7 b7 B
- ----- -------- ------- ----------- 4 }! M. t1 h, G8 r$ A% w
- Dolby TrueHD/Atmos Audio English 3706 kbps 7.1+11 objects / 48 kHz / 3258 kbps / 24-bit (AC3 Core: 5.1-EX / 48 kHz / 448 kbps)" s. Z2 q: [: F( J' N0 n- [4 g: |
- Dolby Digital Audio English 640 kbps 5.1 / 48 kHz / 640 kbps1 x6 |* Q/ d5 J7 j
- DTS-HD Master Audio French 2888 kbps 7.1 / 48 kHz / 2888 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)
" }& O z, Y% z: t! o - Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps/ W* _! W b x' d7 }
- DTS-HD Master Audio German 2893 kbps 7.1 / 48 kHz / 2893 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)
" }+ a$ K" M0 K a0 t - Dolby Digital Audio Italian 640 kbps 5.1 / 48 kHz / 640 kbps; _. s. I! j$ s9 k1 [' i- h
- Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps# K( j& Q" b4 M: e
- Dolby Digital Audio Chinese 640 kbps 5.1 / 48 kHz / 640 kbps8 [8 B$ R- T6 n8 T) K
- Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps- z, I: z: @7 t9 j N1 n) v6 P( t
- Dolby Digital Audio Czech 640 kbps 5.1 / 48 kHz / 640 kbps
' A! ~0 s4 N$ \0 L - Dolby Digital Audio Hindi 640 kbps 5.1 / 48 kHz / 640 kbps
: `+ \2 e" U* ? - Dolby Digital Audio Hungarian 640 kbps 5.1 / 48 kHz / 640 kbps
% h: y, c+ t, n4 U7 g - Dolby Digital Audio Polish 640 kbps 5.1 / 48 kHz / 640 kbps
9 c: @. [2 n4 R# _' r3 Q' V4 y% M - Dolby Digital Audio Japanese 640 kbps 5.1 / 48 kHz / 640 kbps
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- SUBTITLES:% K9 t; w5 \7 ?. @( c7 d9 |# w+ f- s
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# M1 r. q" C9 ~ {" L6 Q - ----- -------- ------- ----------- 8 j6 Y- D0 k# d8 i3 [9 x1 ? ?# Z
- Presentation Graphics English 31.562 kbps 5 F% ~) {1 E7 `. R* d
- Presentation Graphics French 25.162 kbps / I) d* S( X* i! s
- Presentation Graphics German 36.373 kbps
# g& H# ~4 S s8 E1 \- O - Presentation Graphics Italian 31.735 kbps ' ^2 r9 y8 ~( s3 j2 Z/ z
- Presentation Graphics Spanish 26.909 kbps
" X+ V7 O2 @) V; M. c' B/ X# j - Presentation Graphics Dutch 24.223 kbps
$ Z& W, A6 }7 z% ^" O- m# d$ } - Presentation Graphics Chinese 25.547 kbps
' g6 E. x& S" g# M5 h9 X2 D+ u - Presentation Graphics Chinese 27.642 kbps " O2 a8 n6 X( z2 W$ {; I
- Presentation Graphics Chinese 25.342 kbps 9 s' P, b0 {1 k5 r
- Presentation Graphics Korean 20.872 kbps - A# W! ]! @$ N+ g- I$ j. g$ R
- Presentation Graphics Spanish 28.541 kbps 9 Q! M4 k$ I" N& S" }
- Presentation Graphics Czech 26.193 kbps : d) _' I# B1 i" b. V
- Presentation Graphics Danish 23.006 kbps
h7 R- i* F. A Z! m2 ` - Presentation Graphics Finnish 23.904 kbps
. b; ]2 C! _9 o9 }% z$ I: R1 _ - Presentation Graphics Hungarian 28.225 kbps - \7 A& @, a) E9 F5 ?
- Presentation Graphics Norwegian 24.35 kbps
$ ~2 S- j- W! P0 t - Presentation Graphics Polish 23.292 kbps $ z3 a7 k" [. ] _) f
- Presentation Graphics Romanian 26.717 kbps
B8 l& M& a: q2 w7 N/ N- X - Presentation Graphics Swedish 27.54 kbps
! D6 g6 q# d& a5 p2 ? - Presentation Graphics French 0.118 kbps
, h; Y2 A0 O, V/ s: Y- k2 Y+ i+ e8 P - Presentation Graphics German 0.074 kbps
$ S6 d' i! e4 p# \( B - Presentation Graphics Italian 0.335 kbps 9 C+ ]" \8 Q7 Z! X: w- X! A
- Presentation Graphics Spanish 0.197 kbps - w; |7 }. R; p
- Presentation Graphics Chinese 0.914 kbps / @( K, Q+ w! b q2 h$ g
- Presentation Graphics Spanish 0.134 kbps
# B0 ]2 o9 d* J! u' |3 I" ~ - Presentation Graphics Czech 0.295 kbps
$ o2 l/ p, T& p# \. O& c# _ - Presentation Graphics Hindi 0.238 kbps 8 G9 Y! P7 F- c
- Presentation Graphics Hungarian 0.221 kbps
$ j3 I7 N7 }: l& e2 @. ] h }( k - Presentation Graphics Japanese 19.743 kbps $ C9 A6 J" i/ F: T
- Presentation Graphics Japanese 0.2 kbps
4 y) D' g: C" Q4 z; B" O y - Presentation Graphics French 0 kbps
复制代码 Edge of Tomorrow 4K Blu-ray, Video Quality ; T4 X& d; }! i: D: H- n, T8 _. F
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$ i( I2 j) d9 ~" H3 eNOTE: This review's screenshots were sourced from the 4K disc but downsampled to 1080p SDR. Although they obviously do not reflect the disc's true on-screen appearance with HDR10 enabled, the nonetheless reveals tangible differences in fine detail, black levels, and of course color timing in comparison to the Blu-ray.In comparison to the included Blu-ray (which is 100% identical to the previous release), Warner Bros.' upscaled 2160p transfer offers more than a few immediately noticeable improvements. Although overall color timing is not dramatically different, Edge of Tomorrow now has a slightly darker and cooler appearance that is, for the most part, supported well by its HDR10 enhancement (with a glaring exceptions -- see below); in short, it feels fresher and even revitalized in otherwise drab-looking locations, allowing its excellent cinematography and well-framed compositions to shine through more naturally. Black levels are more smoothly supported and hold plenty of weight as well, as Edge of Tomorrow's contrast levels are likewise improved while giving brighter hues and true whites their time in the spotlight, especially well-lit interiors and holographic displays. Simply put, this 2160p transfer leaves a stronger first impression while also looking more film-like, which is also due to this triple-layered (100GB) disc granting the main feature ample breathing room while displaying virtually no compression artifacts including posterization and banding.! X. Q" ?3 }6 X) }" x6 n
Other areas of this new transfer, especially where the darkest sequences are concerned, aren't as impressive and, at times, even distracting. The final stretch of the film (which already marks a decline in visual storytelling to begin with) looks particularly rough, as large portions of the frame are swallowed by total darkness while patches of color stand out unnaturally. For lack of a better description it almost looks artificial in appearance, like a heavily processed color photo, and these compounded problems makes the climax even harder to follow. It's not a deal-breaker, of course: this part of the film didn't look all that great on Blu-ray to begin with, but in all honesty the 4K is not an improvement here and maybe not even a side-step. So, in a turn of events that will also be mirrored in the audio section soon enough, what we have here is an overall better experience that nonetheless shows room for improvement.
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+ {! h2 p; m1 X3 b% m8 |4 _2 uEdge of Tomorrow 4K Blu-ray, Audio Quality
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For those without the benefit of Atmos-capable receivers and speakers, one might assume the 4K's unfolded Dolby TrueHD 7.1 track to be a straight port of the Blu-ray's impressive DTS-HD 7.1 Master Audio mix. It's not, though: some of the film's infamously rock-bottom LFE frequencies (which actually begin in its opening moments, such as a series of descending tones that likely killed more than a few entry-level subwoofers and soundbars) are now softened, resulting in a track that doesn't dig quite as deep as its predecessor. For those with such equipment, this might actually be a good thing: you'll hear these tones more clearly instead of infrequent rattles... but if you're in the other camp, prepare to be slightly disappointed. In all other respects, though, it offers a similar sonic experience to the previous track, including no shortage of whizzing surround effects and chaotic bursts of action as detailed in Kenneth Brown's Blu-ray review. Of course, the Atmos channels offer an olive branch of crucial height channels during several key moments, including the disastrous landing in France, Vrataski's training arena, and a final showdown under the Louvre Pyramid. It really is a definitive effort save for the bass filtering but, if you're not set up for Atmos and have no absolutely no plans to do so, the Blu-ray's audio might actually sound a tad better depending on the strength of your subwoofer.Several subtitle options are included on both discs, as well as a few foreign dubs. Frustratingly, the 4K's French and German DTS-HD 7.1 Master Audio tracks are more in line with the original Blu-ray's mix.8 y- y, u v! Z
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