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In medieval Japan, four people offer conflicting accounts of a rape and murder.6 C' {, H: `/ `+ Z# Z
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1 c" |' c* n1 x, }◎译 名 罗生门
. @9 F+ N8 W9 F, U◎片 名 羅生門 / Rashomon
7 A" h H5 m h4 _3 q# p" J* D$ P2 @◎年 代 19502 d4 D' S( t6 u! n- J, X
◎产 地 日本+ h: n: |* k" n
◎类 别 剧情/悬疑/犯罪
" k$ D* ]9 O' ?9 O4 ]◎语 言 日语2 }5 l4 F5 C) l
◎上映日期 1950-08-26(日本)
( l8 T [7 r$ J2 c, H1 F◎IMDb评分 8.2/10 from 166,778 users+ u: c, t+ l6 C! d
◎IMDb链接 https://www.imdb.com/title/tt0042876/
0 R& s" c9 v3 x◎豆瓣评分 8.8/10 from 288,689 users
9 D, b, w/ M t◎豆瓣链接 https://movie.douban.com/subject/1291879/( k7 v" C$ L& ^" G3 A3 V
◎文件格式 x264 + LPCM
4 ~2 r; W) S& S◎视频尺寸 1920 x 1080) {* _8 F) r; X* x2 r
◎文件大小 1DVD 22.54 GiB. q: N2 `4 O+ m9 j
◎片 长 1 h 28 min. E0 Y6 {6 ` j4 }5 r7 l
◎导 演 黑泽明 Akira Kurosawa
! Q; Y/ ~! c0 ^1 F8 B* C◎编 剧 黑泽明 Akira Kurosawa1 t. E6 w, D- b6 }
桥本忍 Shinobu Hashimoto/ L$ e- r0 e% F* K
芥川龙之介 Ryunosuke Akutagawa' r& I- ]* k9 H
◎演 员 三船敏郎 Toshirô Mifune* [6 |* q1 m: m) K0 ]8 ]' U
京町子 Machiko Kyô( S9 q/ x; u* u% W$ l3 H+ I! ^
森雅之 Masayuki Mori* r3 ~/ }( j2 M9 O" K* V l
志村乔 Takashi Shimura
/ A9 x+ A5 {0 a! c3 q( C 千秋实 Minoru Chiaki" C* p- Z+ x9 f5 M
上田吉二郎 Kichijirô Ueda; E5 N0 m( W4 Z5 b# p3 i" q. i
本间文子 Noriko Honma$ q3 Q( M1 t. j" S: m
加东大介 Daisuke Katô
. r( r7 R# C- y! _ 早坂文雄 Fumio Hayasaka
5 V: P* c" }& x1 f& I 宫川一夫 Kazuo Miyagawa
$ U9 G, m- c9 ^) F) x4 t& O 黑泽明 Akira Kurosawa* L2 ~+ v" _1 o9 Z) b
松本春造 H. Motsumoto
' o+ v" K5 V% i( O* t6 I0 e 加藤泰 Kato Tai+ [; T& i' A9 j0 L! O, o
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◎简 介 7 ^% N* h/ t% s( e7 u' c
/ p) c) l# f+ {, y% l# G7 W8 g 罗生门,日本京都的正南门。云游和尚、砍柴人和乞丐在城门底下避雨,三人闲聊,话题开始,故事的序幕拉开:一个武士和他妻子路过荒山,遭遇了不测。妻子被侮辱,而武士惨遭杀害。惨案如何酿成?凶手、妻子、借武士亡魂来做证的女巫,都各有说法。
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' x) ~) U* ?/ t/ N' E# O 真相只得一个,但是各人提供证词的目的却各有不同。为了美化自己的道德,减轻自己的罪恶,掩饰自己的过失,人人都开始叙述一个美化自己的故事版本。荒山上的惨案,成了一团拨不开看不清的迷雾。+ I9 E" g6 |1 l ~! E
2 K) k! }" G0 _- N0 B! R; ?# { 谈论完毕,雨过天晴。砍柴人在罗生门旁发现一个哭泣的弃婴。他决定收养下来,抱着婴孩往夕阳深处走去。
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The rape of a bride and the murder of her samurai husband are recalled from the perspectives of a bandit, the bride, the samurai's ghost and a woodcutter.
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◎获奖情况 % c3 o: G% M% F0 {. i
" I0 O0 |( U% [4 m 第25届奥斯卡金像奖 (1953)
& b: l. q; P5 n 黑白片最佳艺术指导和布景(提名)2 n# Q: Q+ g4 G5 G h. u
第12届威尼斯电影节 (1951); R3 b5 `. P/ L0 A2 P3 Y
主竞赛单元 金狮奖
4 I( L w& Z4 r └──黑泽明1 j) C! ]8 Y |1 g8 p
0 ^( ]" O7 k# `Rashomon.1950.JAPANESE.1080p.BluRayCD.REMUX.AVC.LPCM.1.0-FGT B8 }# q, \2 |2 a/ K. Y
, { a- T: a% g% \- {5 SVideo
1 q+ E* _% r5 SID : 1
% ~! J" D7 g8 `3 |# W, D3 q8 Z2 AID in the original source medium : 4113 (0x1011)
9 I0 ]% M. [) d E+ @7 zFormat : AVC
/ {9 `% z7 k8 |) [8 k# @3 |/ VFormat/Info : Advanced Video Codec3 H2 d O0 H/ W2 V) d' f. H. k/ T8 p
Format profile : [email protected]
; y D# Y# I2 g+ ]Format settings : CABAC / 4 Ref Frames0 G' x8 i8 `1 l+ p& Z+ s
Format settings, CABAC : Yes) [6 H: \! Y' T' u
Format settings, Reference frames : 4 frames+ |# I9 g% [8 D- z+ I3 x
Codec ID : V_MPEG4/ISO/AVC! c, R+ d$ d7 T/ F
Duration : 1 h 28 min5 |0 m7 J$ k3 V7 ^2 t: M
Bit rate mode : Variable
) r J6 |. C9 @( _$ F# bBit rate : 34.9 Mb/s
! @8 ^: |- B5 t/ ?( WMaximum bit rate : 37.0 Mb/s p0 z- e( d* Z
Width : 1 920 pixels
; D/ G: ~- ~6 PHeight : 1 080 pixels
' S+ E/ y: b7 ?* bDisplay aspect ratio : 16:9# f! m) Y/ c5 y5 p
Frame rate mode : Constant
0 F! L* H) d9 _2 Z' A6 j( e A5 \3 nFrame rate : 23.976 (24000/1001/189150) FPS/ A) L3 R+ J* {( C& d
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Bit depth : 8 bits" e8 N5 V* J6 o0 ^! c/ [: s
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2 n$ Z- B% N- A- J. |' S3 XBits/(Pixel*Frame) : 0.701
4 }/ z2 @2 N+ t+ N; @2 cStream size : 21.6 GiB (96%); X, G! `1 A1 @
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& b W" V3 l7 z7 ]Original source medium : Blu-ray
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Audio #1/ b( X( J# N1 a
ID : 24 n3 B2 H) T( ^( U
ID in the original source medium : 4352 (0x1100)
2 v& p( Q: {4 U0 W# M7 }) ?Format : PCM
. M/ S& ?; ] rFormat settings : Little / Signed4 A* o8 r, A1 P9 ?% t# G x# H) I
Codec ID : A_PCM/INT/LIT& F4 J2 M! S6 Y! Y$ P5 I4 o8 ?
Duration : 1 h 28 min
4 {% x+ K9 M+ `Bit rate mode : Constant
/ S, |( h& X- W# mBit rate : 1 152 kb/s
" j1 w% ?% _9 \2 RChannel(s) : 1 channel
( v4 T) z$ S* A% {1 ^) Z M9 nSampling rate : 48.0 kHz
/ K+ C8 R. N: hFrame rate : 30.000 FPS (1600 SPF) w( [, b" }7 W: {+ O& y) E
Bit depth : 24 bits2 @( L! e' l# v. v* }
Stream size : 730 MiB (3%)+ v2 d& h- K5 q/ _9 l$ d
Title : LPCM 1.04 U, e( c- J; T2 g7 O
Language : Japanese
* H9 X' C9 ^8 S: Q: u# EDefault : Yes
, ~' U/ F N0 UForced : No
4 b6 w& C- A; K7 U3 e0 m, xOriginal source medium : Blu-ray
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+ B' m( u' X& R8 a' P+ kAudio #22 O6 Q. @; }$ H; n2 I- h
ID : 3! t2 ?! a0 B" H% t& s; G: T9 {
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Format : AC-3
# Z& H$ H/ _2 |; ]) f8 ?* pFormat/Info : Audio Coding 3
# q$ m$ \3 x$ n0 I/ GCommercial name : Dolby Digital
! Q% X1 P1 ]" I$ lCodec ID : A_AC3
/ s' b7 P: S: T0 t: M; S7 ADuration : 1 h 28 min
! V8 h& e# N- V1 F0 JBit rate mode : Constant
! i% p- D( l6 R8 E" x4 eBit rate : 192 kb/s
6 \1 P5 s9 Y+ hChannel(s) : 1 channel
8 V+ W& @/ _# B" gChannel layout : C1 l% T/ A% ]! A, _3 U# ~+ w0 U
Sampling rate : 48.0 kHz7 r2 b; \. J' k
Frame rate : 31.250 FPS (1536 SPF)
1 P( N3 p- z. u& ?! S! g& \( Q* O$ [Compression mode : Lossy; V, w) p& i; K- H
Stream size : 122 MiB (0%)* L* E8 P# ^; }* J
Title : DD 1.0
$ d; K: l/ Z7 P* s: aLanguage : English
& [! V' H8 {" f( dService kind : Complete Main
! R$ s: u5 l" y ]9 `! h$ \. t6 wDefault : No5 e! G7 @( P* Z/ {4 u+ V3 r E
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Original source medium : Blu-ray6 g1 G- h8 e3 ~& {
& m b$ p' C6 S# i8 v
Audio #3; v* o% B# D7 M4 k
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ID in the original source medium : 4354 (0x1102)
; L& H0 Z2 Q0 U* iFormat : AC-3. y) l6 d4 Z) ]8 Z: {: m- r G
Format/Info : Audio Coding 3, L# p/ {/ w% K# l3 p5 }
Commercial name : Dolby Digital/ j( o2 _4 e+ |- v. U# U0 p$ m
Codec ID : A_AC3
5 Q4 D: Q8 i9 f! hDuration : 1 h 28 min
# z ^# ~2 M! q1 A/ [1 s5 nBit rate mode : Constant4 a: ]# c6 B' j7 S3 p
Bit rate : 192 kb/s+ h3 ]" z+ g n* W/ F$ ~: Z0 j: ^
Channel(s) : 1 channel3 e R* @0 Y, F5 {! |5 ]5 K
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1 f2 T/ u2 D% u% V4 MSampling rate : 48.0 kHz$ ]: ?' n! _/ x3 j& h
Frame rate : 31.250 FPS (1536 SPF)4 D8 `: C1 G1 I. j/ J
Compression mode : Lossy
2 _8 [ l8 g! T4 Y$ WStream size : 122 MiB (0%)$ D, {& C; [2 |1 d4 x+ b3 W% a. R
Title : DD 1.0* Q! |1 R# q$ a$ n6 `
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+ l- j/ j( Q7 J9 T( z ~# ?- RService kind : Complete Main
" S# C' \! l$ D4 JDefault : No
4 G+ d) s8 y! }( n- |' aForced : No
. d% C$ \" Q- S" zOriginal source medium : Blu-ray; D. D. l8 g' ]4 f
9 e$ y, c. y% x1 Y H2 s+ N& \) a/ p
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8 j E5 }) e: x" ?6 d4 Q. FCodec ID/Info : UTF-8 Plain Text
6 h. Z/ M0 u! b1 RDuration : 1 h 27 min4 q8 Z! j6 ~) s5 r7 e
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Codec ID : S_HDMV/PGS) l' P3 `& S, U: u. `* |' o- N
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs2 [1 h3 A. M0 g) o/ n
Duration : 1 h 27 min
/ I9 N# W) _( ?9 {Bit rate : 18.9 kb/s
# [9 f' g; p( b# P) kCount of elements : 898
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) M8 k8 N9 s6 OLanguage : English6 M+ M$ y* Y6 r: A& V9 T' D8 }: c
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9 h: X5 q# S$ H b" IOriginal source medium : Blu-ray$ c, Q2 x' O. i8 j2 q7 ?& Z
2 \) G( k3 R, N9 T
Menu3 L$ A6 j$ l! {7 A7 I
00:00:00.000 : en:Chapter 01
0 g. d5 {' H3 l/ m r6 p5 ?' ~; N00:08:25.755 : en:Chapter 02
2 _8 z9 u4 S! {, E2 X3 ^00:12:17.611 : en:Chapter 03
+ g, F8 I/ v1 G% S; \/ W00:16:19.311 : en:Chapter 04) _! J6 _' g$ M( J4 x+ Y1 f
00:37:17.985 : en:Chapter 056 j# A! _7 z' c& l
00:39:42.129 : en:Chapter 068 C* C0 ^' b* ~1 S. g5 P6 r4 ~% w
00:49:38.809 : en:Chapter 07
I# g8 i+ u" t0 N, n00:51:35.675 : en:Chapter 08; z$ v( b: e8 h+ ~' ?' S; |1 [
01:01:56.713 : en:Chapter 09: |# i4 l e9 z5 t( n- l
01:04:41.085 : en:Chapter 10
* `5 k: v& { I& I% R$ s+ A! l% Y01:19:20.213 : en:Chapter 11
, m6 U/ | n( t01:24:27.437 : en:Chapter 12 Rashomon Blu-ray, Video Quality
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Presented in its original aspect ratio of 1.37:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Akira Kurosawa's Rashomon arrives on Blu-ray courtesy of Criterion.# O0 E. ?% z ^% d4 X
' w. ~7 `' ~% a$ m4 D6 a* r1 z6 @Rashomon was restored in 2008 by The Academy Film Archive, The National Film Center of the National Museum of Modern Art, Tokyo and Kadokawa Pictures, Inc., with funding provided by Kadokawa Culture Promotion Foundation and The Film Foundation.+ s# w `, q4 a' s1 }6 M& V
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The following text appears inside the booklet provided with this Blu-ray disc:
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. S6 R( Q$ j% z8 _7 t"The basis for the restoration was a 35mm black-and-white print held in the collection of the National Film Center in Tokyo. Made in 1962 from the original camera negative, the print itself was in good physical condition, but the negative from which it had been made was extremely battered due to extensive printing and handling over the years; many shots had started to shrink and warp, and there were numerous scratches and abrasions. Moreover, dust, dirt, and other artifacts from the damaged negative had been photographed into the print.
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- ^; D' V- Q% ^# p4 }2 v) fThe print was scanned at 4K resolution at Lowry Digital in Burbank, California. The original scans were then converted to 2K files for extensive image processing and cleanup. Certain damage could be repaired using Lowry's automated software, but many frames had to be cleaned by hand. The warping in some shots and the blurring of every second frame of the film were addressed with customized visual effects tools. Once the image restoration was complete, two 4K digital intermediate 35mm negatives were produced, as well as a complete digital archive of both the raw scan and the restored image files.6 |2 U9 Q4 b) F/ f2 ^; @$ D
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The film's audio was restored from the 1962 print and a fine-grain master positive in the Kadokawa Foundation's collection. The elements were transfered at DJ Audio in Los Angeles, and Audio Mechanics in Burbank identified the best source element for each shot, in order to create a seamless soundtrack.' r- _$ D0 c7 `7 E
7 a3 j1 t" _+ A: e! H+ X! c+ R( zRestoration supervisors:
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1 E( R0 r: Y7 h: { w/ Y3 z9 Q/ @Michael Friend, Michael Pogorzelski/Academy Film Archive, Los Angeles.% h- T! ^; g2 R s$ F/ `
Akira Tochigi/National Film Center, National Museum of Modern Art, Tokyo.* O, _; n4 P0 k6 Q: T
Yuniko Amano, Masao Kawano/Kadokawa Pictures, Inc., Tokyo."" q* @: F5 d7 e
9 L! `% Z( |& s$ g5 M7 A* PCriterion's presentation of Rashomon is enormously impressive. Detail and especially depth are dramatically improved, both during close-ups (see screencapture #5) and larger panoramic shots (see screencapture #3). Even the sequences with the heavy rain boast improved clarity (see screencapture #7). Color grading is also very pleasing - the blacks are solid but not boosted, while the variety of grays and whites are well balanced. There are absolutely no traces of problematic sharpening corrections. Also, there are no traces of excessive degraining. Actually, it appears that the grain has been rebalanced in a few areas where damage was apparently serious. Various stabilizations have been performed as well. Unsurprisingly, there is no edge flicker or serious transition issues to report in this review. Last but not least, the entire film must have been carefully cleaned up because there are absolutely no large damage marks, cuts, or even large scratches. All in all, I feel very confident stating that Criterion's presentation of Rashomon will be the film's definitive presentation for many years to come. It is that impressive. (Note: This is a Region-A "locked" Blu-ray disc. Therefore, you must have a native Region-A or Region-Free PS3 or SA in order to access its content)." x/ y2 M+ |2 p. W
" m' k u& p4 o+ z( A- s$ r0 mRashomon Blu-ray, Audio Quality
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8 r- Z: |' V/ JThere are two audio tracks on this Blu-ray disc: Japanese LPCM 1.0 and English Dolby Digital 1.0. For the record, Criterion have provided optional English subtitles for the main feature.$ M% d1 h$ B9 m
9 q' u, t8 q" S( ~; d$ l3 IIt is obvious that various stabilization corrections have been performed in the audio department as well. Background hiss is either effectively minimized or completely eliminated. Also, there are no annoying pops or sudden audio dropouts. Predictably, dynamic movement is quite limited, and especially during a few sequences early into the film there is also some unevenness. It is pretty clear, however, that the minor fluctuations that have been retained are inherited source limitations. The dialog is stable and the English translation is excellent.
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