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After John Nash, a brilliant but asocial mathematician, accepts secret work in cryptography, his life takes a turn for the nightmarish.
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◎译 名 美丽心灵/美丽境界(台)/有你终生美丽(港)/完美大脑, S9 J9 z4 \! C* N$ M
◎片 名 A Beautiful Mind
+ k/ o$ _ G0 x1 u% `◎年 代 2001
) I/ R% y- {1 q3 ]7 p6 N! m◎产 地 美国
2 d$ q+ g! X/ F3 A# x◎类 别 剧情/传记
! H* p, ?# _: M' U& i) n◎语 言 英语( K: N3 r; J. ~$ P7 K$ `+ ?
◎上映日期 2001-12-13(加州首映)/2002-01-04(美国)
# k' I2 T2 m9 K' u◎IMDb评分 8.2/10 from 918,889 users! z+ D3 F5 s. g# j8 @7 G8 V
◎IMDb链接 https://www.imdb.com/title/tt0268978/
6 l2 C$ r7 Y% o( v# M◎豆瓣评分 9.1/10 from 711,701 users
7 ^0 s0 O- _/ V◎豆瓣链接 https://movie.douban.com/subject/1306029/
4 L/ i! D( a9 b) v4 j) ^9 b$ t% n◎文件格式 x264 + DTS 0 y: @6 @. V" e: p' I& B
◎视频尺寸 1920 x 1080
- E2 f M3 s1 j; b! J) b◎文件大小 1DVD 38.78 GiB) p0 [: M" y2 ^) g
◎片 长 2 h 15 min
6 A1 K# ]: ~1 n. B: N* D◎导 演 朗·霍华德 Ron Howard
, A/ \% r8 l$ J5 X% U◎编 剧 阿齐瓦·高斯曼 Akiva Goldsman" ?2 R4 N- x4 c
西尔维娅·纳萨尔 Sylvia Nasar
6 S9 p: i1 Y: z- _, Y◎演 员 罗素·克劳 Russell Crowe2 X3 [% [; Z, W
艾德·哈里斯 Ed Harris
4 C: B6 w! G5 ^+ K/ `1 l2 @ 詹妮弗·康纳利 Jennifer Connelly
2 `8 `; A3 \! E6 T& f h& u 克里斯托弗·普卢默 Christopher Plummer1 r2 n1 g3 J& ^2 J2 n' R9 }" ` W
保罗·贝坦尼 Paul Bettany
# y- ] m+ D- }4 ~# i. |. F/ M6 D 亚当·戈德堡 Adam Goldberg* T ]& d- @9 M7 q( `3 s o/ @/ q
乔什·卢卡斯 Josh Lucas
, a. p( m8 K. _) ~& \ 安东尼·拉普 Anthony Rapp. L2 r x `* I5 m0 n: n
贾森·加里-斯坦福德 Jason Gray-Stanford; x* c1 F( |: u- r
贾德·赫希 Judd Hirsch; I/ C& s' F* w6 H- U+ `
奥斯汀·潘德尔顿 Austin Pendleton
6 e6 h+ c- Q4 c1 ]1 ? G/ R 薇薇·卡登尼 Vivien Cardone
' `( S# x1 y2 I$ [, p 吉莉·西蒙 Jillie Simon5 z+ a, ?3 i! } K5 X$ G0 N; Z2 O6 g
维克多·斯坦巴赫 Victor Steinbach
$ j9 \) s/ D# j% K7 j2 s# w+ F 坦娅·克拉克 Tanya Clarke
8 T+ w2 d) u; x3 ^ 罗伊·辛尼斯 Roy Thinnes$ P- a; N7 T# A* O
谢丽尔·霍华德 Cheryl Howard
& k7 w/ `: {$ t 兰斯·霍华德 Rance Howard
7 u- K) f' Q, y: O1 m 简·詹金斯 Jane Jenkins
3 ?6 t! R8 \7 B: J) A 乔什·帕斯 Josh Pais
7 v* X" Q; E5 I 瓦伦蒂娜·卡迪纳利 Valentina Cardinalli4 [3 [' _8 e; u/ p8 q! s8 d5 f3 s- c
蒂格尔·F·伯格里 Teagle F. Bougere8 F/ s7 O2 j+ F& U
迈克尔·埃斯佩尔 Michael Esper
4 ~7 M7 S b' v9 d/ F 艾米·瓦尔兹 Amy Walz8 R2 X$ S& p, i8 {
小艾德.朱普 Ed Jupp Jr.- A- b5 ]! A/ H1 ]
卡拉·奥奇格罗索 Carla Occhiogrosso
' w1 W& @" @! M, U8 U 斯特里奥·萨万特 Stelio Savante
; X% [/ m9 v, ]) Y/ o/ x 迈克尔·阿伯特 Michael Abbott Jr.0 u4 |% c' [6 s% V4 C3 c# n
雷吉·奥斯汀 Reggie Austin! u/ u: G# i' T4 H0 p, g" H
凯德·比特纳 Cade Bittner, V% R% v2 z0 s) E6 w
理查·布莱恩特 Rich Bryant
3 {4 ^' T: S: c1 ~# m 丹·陈 Dan Chen N2 D; `7 a3 q7 B- b
乔纳·福尔肯 Jonah Falcon8 q! L, x) o+ I! P
法布里奇奥·范特 Fabrizio Fante
* U3 ~2 T/ {* V: ` 斯科特·费恩斯特罗姆 Scott Fernstrom! X' s1 j, |# v ~
迈克尔·菲奥里 Michael Fiore
- i5 k2 x6 w. c: { t 塞斯·盖贝尔 Seth Gabel: \/ i5 [& O9 ]0 i
埃文·哈特 Evan Hart( s" s% j7 ^8 f) O
杰森·霍顿 Jason Horton; T1 o8 l- F. W2 p/ }! Q, B( d7 k: U
布莱丝·达拉斯·霍华德 Bryce Dallas Howard/ g+ {3 b, a( Q8 h( V* X
朗·霍华德 Ron Howard3 i/ [" W! t. s/ n" q3 L6 R
多里·曼佐尔 Dory Manzour
# N e. U j) w m$ B( ~' C" a 罗伯特·迈尔斯 Robert Myers
. m& ^$ w7 q( c- v 里德·彭尼 Reed Penney$ f/ S2 H( b" ~* S, q4 F3 w
米尔斯·彼埃尔 Mills Pierre# z% R$ F* X' O6 o! `" Z+ _
肖恩·里德 Sean Reid
) b3 r3 x. X; y0 D7 b4 j. f9 z 詹姆斯·霍纳 James Horner
. u6 w5 U- m& h" s9 J. d Erik Van Wyck
9 x* W6 h( O, w3 J. y! }' n Aldric La'Auli Porter
* G- M0 ?8 g- n Todd Hallowell) k% v( T4 V' x, t3 w% m
凯思琳·麦吉尔 Kathleen McGill3 R. K( j4 u. {% [" y; ]) C4 x, ]
詹姆斯·霍纳 James Horner) [- K( V: m6 Y
罗杰·狄金斯 Roger Deakins0 \2 C5 V9 w9 W7 R6 L
丹尼尔·P·汉利 Daniel P. Hanley0 l1 F* V8 D" [8 P- }- i
迈克·希尔 Mike Hill
5 F5 I1 o$ g, d; ?8 Z 珍妮特·希尔森 Janet Hirshenson+ d4 C, |) H& j7 c; B! g! h
威恩·托马斯 Wynn Thomas: M( ]3 h. h; `; O1 w) u: q* a4 D
罗伯特·格拉 Robert Guerra4 {/ R% ^3 {. w$ k
莱斯利·E·罗林斯 Leslie E. Rollins2 q9 E4 Q" }6 Z( ~6 `/ d1 ]
丽塔·赖克 Rita Ryack
, e$ M/ V: h4 ~ 格雷格·卡农 Greg Cannom, S0 G0 Y2 z* Y; [8 q3 Z; i* { _
阿列克谢·德米特里尤 Alexei O'Brien
, ]# r# R$ T) k5 E% L5 Y 韦斯利·沃福德 Wesley Wofford# W: L D& |9 E( Q0 N7 l; P
Neal Martz
2 C9 Z, w& A4 ?/ ~: I5 ^ Dennis Eger! j" [7 N- ?0 l8 T4 q6 ?
布莱恩·西普 Brian Sipe
& K! D: ^/ S3 D8 ^) J- L- N' B6 }- B% L 基斯·范德兰 Keith VanderLaan
& S( j1 {4 v8 O/ O+ x1 Z 科琳·卡拉甘 Colleen Callaghan" f! a$ R1 I* b& C
Todd Hallowell
* {* [. z) C5 M+ H* n3 A/ m/ c Kristin Cameron" I# ?! m/ x: ^
Jane Ferguson! V% X: J: @$ ?) n h! e) j
Aldric La'Auli Porter' Q" z. U+ ]4 z1 D0 Z7 \
Noreen R. Cheleden
% s" q4 |+ A* U 马修·E·巴特勒 Matthew E. Butler$ ^: \4 N) w3 ~$ I
凯文·斯科特·麦克 Kevin Scott Mack
9 k; ^" l8 Q+ ] 克拉斯·汉克 Claas Henke
: w+ r# Q c5 P% _6 j* o) j( j$ I 丹·赖蒙 Dan Lemmon
8 Q: P1 h2 n9 H4 ]8 I" ~; j/ l 斯科特·埃德斯坦 Scott Edelstein
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本片是关于20世纪伟大数学家小约翰·福布斯-纳什的人物传记片。
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7 N: ~# i& m1 t- ?. c5 e' g3 n 小约翰·福布斯-纳什（拉塞尔·克劳）在念研究生时，便发表了著名的博弈理论，该理论虽只有短短26页，却在经济、军事等领域产生了深远的影响。但就在小约翰·福布斯-纳什蜚声国际时，他的出众直觉因为精神分裂症受到困扰，然而这并没阻止他向学术上的最高层进军的步伐，在深爱他的妻子艾丽西亚（珍妮弗·康纳利）的鼓励和帮助下，他走得虽然艰缓，却始终没有停步，而最终，凭借十几年的不懈努力和顽强意志，他如愿以偿。
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2 F1 |( x: V% v' }% L: O5 y From the heights of notoriety to the depths of depravity, John Forbes Nash, Jr. experiences it all. A mathematical genius, he made an astonishing discovery early in his career and stood on the brink of international acclaim. But the handsome and arrogant Nash soon found himself on a painful and harrowing journey of self-discovery once he was diagnosed with schizophrenia. After many years of struggle, he eventually triumphed over this tragedy, and finally, late in life, received the Nobel Prize.; `3 n$ \/ N, a4 c
& k2 B/ V0 v, r◎获奖情况
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- i& |$ V# \: Y" G 第74届奥斯卡金像奖 (2002)7 r8 a3 U" w8 T" r& U' P
最佳影片) J2 R1 b7 j5 ]/ g
最佳导演; K2 O0 k2 P* [8 Z
└──朗·霍华德
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最佳女配角 f/ ^' i5 A7 I# {6 t$ V
└──詹妮弗·康纳利
( x1 ~# Y& P, [ w- T( Y( t# j7 v 最佳改编剧本
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最佳剪辑(提名)
! ?. S. E8 ]& r8 |" U& p 最佳化妆(提名)
' `' L. x" v& o; l( \ 最佳原创配乐(提名)" X: W: d* B$ f, J5 o% h
└──詹姆斯·霍纳% p8 U& q( R8 y; l: u R0 A! ~: T
第59届金球奖 (2002)# E4 u. f. P+ j
电影类 最佳剧情片
7 K% d. G4 y# q+ n4 l+ e# p" a9 ] l5 H 电影类 最佳导演(提名)
0 |5 @0 x1 L4 w, m └──朗·霍华德
: E) f5 ~1 T& I# v4 c$ N 电影类 剧情片最佳男主角
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电影类 最佳女配角
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电影类 最佳编剧* {% p f' B1 C: f$ d4 c/ ^5 U! }
└──阿齐瓦·高斯曼+ {4 t9 T7 L0 R1 V% G, P5 M
电影类 最佳原创配乐(提名)
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第2届美国电影学会奖 (2001): u% P( B$ L6 c+ D7 }
年度佳片
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% u/ ^$ j1 ?: a1 qMenu
8 Y) s, t) q9 N00:00:00.000 : en:Chapter 01
, A: f6 u+ l/ j! a0 f! \" ~00:01:24.834 : en:Chapter 02
/ r1 A' k: c( L: v! Y Y* ]' l00:09:02.291 : en:Chapter 03
- z5 s2 o1 k W _: B i; A4 v* A00:11:25.935 : en:Chapter 040 s" ^8 ^6 R' u2 G
00:19:01.014 : en:Chapter 05
: I* \0 Q$ ?/ I' z: J00:24:51.239 : en:Chapter 06) c/ o+ v' k0 c' x
00:30:07.639 : en:Chapter 07
H" L8 B4 T0 I1 a7 V8 u# y00:32:20.063 : en:Chapter 086 t0 l C$ @2 X; \/ E$ r& k
00:37:39.840 : en:Chapter 096 W& h, E+ u( I# L' o
00:48:59.686 : en:Chapter 10
5 |8 {! j" j. p. y$ z00:51:32.005 : en:Chapter 11
+ F2 _! T6 H% g0 {/ B2 d00:54:52.998 : en:Chapter 12
" w$ G$ M, [$ s, d" v5 c& P01:02:42.884 : en:Chapter 13
`# x7 O$ ] ?9 U' O5 N. ~) k01:09:22.867 : en:Chapter 143 s* k6 u: k( E1 [* ?) D a
01:18:10.435 : en:Chapter 15
) ^' E' c7 Q- V* T* H01:30:04.023 : en:Chapter 16; ~% F. N d: g' N
01:45:39.875 : en:Chapter 17
% ]* J4 S& s6 B9 Z; y7 u) B01:51:26.554 : en:Chapter 18
& l6 {* F: j1 F# f: a02:00:09.327 : en:Chapter 19% _3 E3 t" b2 V& g- x8 ^$ o
02:08:41.296 : en:Chapter 20
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Though far from perfect, Universal's 1080p/VC-1 encoded transfer does a decent job distinguishing itself from the studio's lesser catalog titles. Roger Deakins's cinematography is as technically striking as it is artistically dazzling, once again making Deakins the film's greatest asset. Gorgeous midsummer tones give way to reclusive wintry hues as Nash's mental state deteriorates, and color accuracy, skintone saturation, black depth and contrast leveling remains suitably beautiful throughout. Detail isn't crisp or consistent -- fine textures are notably resolved in some scenes, somewhat soft in others -- but, for the most part, the perceived discrepancies I encountered trace back to Deakins's photography, Howard's aesthetics and the filmmakers' artistic intentions. In fact, many a closeup and midrange shot looks quite good, delineation is impressive and there isn't any significant artifacting, banding, crush or print damage to report. (No, a few fleeting nicks and specks aren't what I'd consider significant.)
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Unfortunately, a fair amount of obvious edge enhancement spoils what might have otherwise been a more faithful catalog presentation. Object definition is satisfying, sure -- commendable even -- but noticeable, at-times garish edge halos haunt the film from beginning to end. Though far from the worst EE I've seen, it's intrusive enough to distract discerning videophiles and filmfans with larger displays. It isn't an insufferable issue at all, it just knocks the Blu-ray edition of A Beautiful Mind down a full notch or two.
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A Beautiful Mind Blu-ray, Audio Quality
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3 j, M U& W7 ^3 j2 _Universal's DTS-HD Master Audio 5.1 surround track is more proficient than its video transfer and the results are reasonably immersive. Dialogue is warm, grounded and neatly prioritized in the mix, and voices are never overwhelmed by Nash's chaotic delusions, heavier stretches of the film's sound design or James Horner's score. LFE output isn't earth-shattering, but it isn't listless either, weighing in with measured heft and subtle presence. Rear speaker activity is somewhat reserved as well, albeit refreshingly so. Elegant ambience, convincing acoustics and delicate directionality create a subdued but enveloping soundfield; one perfectly suited to a drama like A Beautiful Mind. Still, several sequences leave their mark -- the years Nash spends working at the Pentagon are anything but peaceful -- and Horner's stirring score fills the stage even when the mathematician withdraws into the quiet confines of his mind. All in all, fans of the film will be most pleased.
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