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Five medical students experiment with "near death" experiences, until the dark consequences of past tragedies begin to jeopardize their lives.( S$ x3 e9 U6 G' L) _ m2 x
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◎译 名 别闯阴阳界/脉搏探测器/灵异空间
; W' H2 _: }1 P6 t/ m◎片 名 Flatliners
9 i# {6 Y# O+ ]0 M; U6 k◎年 代 1990 o% T) p1 M8 T% ~! m7 b
◎产 地 美国; e3 M$ j1 c, V8 \* J) i4 x
◎类 别 剧情/科幻/恐怖/惊悚
4 |4 A7 S+ Q8 ~, e1 ]& [& ~$ _3 }◎语 言 英语& _+ Y. y3 k1 x/ p3 }7 Z: a
◎上映日期 1990-08-10(美国)
; H& M6 {, m. R9 A+ b◎IMDb评分 6.5/10 from 86,735 users
! U, a8 p- a0 f4 r◎IMDb链接 https://www.imdb.com/title/tt0099582/: X& f8 K7 ~: b7 c8 {3 ]
◎豆瓣评分 6.4/10 from 1,809 users/ D! j8 x3 B0 l& m0 m% y4 ~8 w
◎豆瓣链接 https://movie.douban.com/subject/1293140/
3 i+ q0 z) M' h# K9 L◎文件格式 x265 + DTS ) s& v7 R$ Y' A, U; `8 W r; d- t( W$ D
◎视频尺寸 3840 x 2160
2 `6 T) j8 R3 ]" J) _6 V3 j◎文件大小 1DVD 89.13 GiB X: G# \7 S9 J; Q" W& D% F
◎片 长 1:54:10.385 (h:m:s.ms)# d/ I: }3 _/ K3 ^: Q
◎导 演 乔·舒马赫 Joel Schumacher/ V- j" C4 B+ W
◎编 剧 彼得·费拉迪 Peter Filardi7 h2 t7 @* B& C
◎演 员 基弗·萨瑟兰 Kiefer Sutherland" t. ^3 m( f' p
朱莉娅·罗伯茨 Julia Roberts
; v0 P( d0 M) n8 ~+ p2 L7 x8 v# ^ 凯文·贝肯 Kevin Bacon
# q5 n5 ?: h& E6 w% t# l 威廉·鲍德温 William Baldwin! u4 I+ S* o- D, K) D' v7 M5 @6 J
奥利弗·普莱特 Oliver Platt
' I( k) s+ N9 A/ G, R* y! j 金伯利·斯科特 Kimberly Scott6 ^" |+ N( p& b
乔舒亚·鲁杜瓦 Joshua Rudoy
6 B: C8 |% z" B 埃里克·伊根 Aeryk Egan1 \# V& I2 Z( n4 J$ W5 \! n! p w
霍普·戴维斯 Hope Davis
: j, U. I9 A9 C: U3 q 吉姆·奥特莱比 Jim Ortlieb4 |2 c3 d ^1 w5 b# a E0 p E2 @
特蕾莎·托马斯 Tressa Thomas
; t F8 L+ Y8 k5 o' m 埃维利纳·费尔南德斯 Evelina Fernández! A; E2 x& M& G
彼得·费拉迪 Peter Filardi
; v4 Q9 \1 N! q1 E 迈克尔·道格拉斯 Michael Douglas- O8 N b* t- w! D. h6 `' u7 }+ Q
里克·比伯 Rick Bieber& n# t* L; ~0 K% c# _
尤吉尼欧·扎内蒂 Eugenio Zanetti
! t. j3 j" ]6 k Jim Dultz Jim Dultz+ G& J& M! Y. ?( Z1 a+ ]
安妮·库尔贾安 Anne Kuljian8 g5 J7 I6 q% ]. e* n) u7 W# L
苏珊·贝克 Susan Becker& G# C. f4 _8 o* k
约兰达·塔辛 Yolanda Toussieng
1 U. n4 M0 c( k7 B# |8 _ 维·尼尔 Ve Neill
' x1 O; _/ @+ r4 h' Q 格雷格·卡农 Greg Cannom
* y0 x% t# C( r+ V 吉姆·丹弗斯 Jim Danforth
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4 _. {6 x) x3 k: N' T) j◎标 签 惊悚 | 美国 | 心理 | 灵异 | 1990 | 科幻 | 恐怖 | JuliaRoberts% R C' {8 K$ j. c* V4 t
+ y/ u$ k& k) E$ T8 i+ d4 x7 m◎简 介 7 a* U$ w% w6 o6 L
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几个芝加哥大学附属医院高材生，在好奇心的驱使下，策划了一场探索死亡奥秘的疯狂实验。他们轮流躺在手术室里进入死亡状态，再由其他守护的同学将自己救活。这场惊险又刺激的死亡穿梭，在一个漆黑的深夜里一步步的开始了。
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第一个进行测试的纳尔逊（基弗·萨瑟兰 Kiefer Sutherland 饰）在“死”去之后，遇见了因他的侮辱而死去的男孩。死而复生后的纳尔逊，虽然各种感官都变得更加敏锐和灵敏，却陷入深深的梦魇之中；接受实验的第二个人是好色的乔（威廉·鲍德温 William Baldwin 饰），他见到了各种色情场面，并且遇见了曾虐待过的女孩；紧接着，戴维（凯文·贝肯 Kevin Bacon 饰）也接受了实验，他则将死亡实验延迟到了两分钟；女学生蕾切尔（朱莉娅·罗伯茨 Julia Roberts 饰）更是在死亡时间里，重温了父亲自杀的经过。在体验过死亡世界之后，那些挥之不去的往日记忆开始无孔不入的侵占他们的一切。" X, D# T9 w- j# ]7 S4 E3 M
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An ambitious, charismatic medical student persuades his classmates to take part in a reckless experiment. To see if there is life after death, they will kill themselves: temporarily shut down ("flatline") their heart and brain functions to briefly experience clinical death. Their horror begins when they realize that although they've come back alive... they haven't come back alone.
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   - DISC INFO:# y1 t4 A9 C# a) F+ U& y* {
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- Disc Title: Flatliners.1990.2160p.BluRayCD.HEVC.DTS-HD.MA.5.1-ESiR3 ^) ?0 N) E$ r( L
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- Extras: Ultra HD* A4 }& K' U( V% h: t1 B* R( M, ^
- BDInfo: 0.7.5.9 (compatible layout created by DVDFab 12.0.8.0)
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- PLAYLIST REPORT:: E% E# E$ G/ ?8 ~2 i* ~
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- Length: 1:54:10.385 (h:m:s.ms)
( L. @$ C0 O- J4 R) `0 e6 ~ - Size: 87,245,297,664 bytes9 u) j% {4 f# T0 [/ U
- Total Bitrate: 101.89 Mbps
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9 j( C; I* w3 K- z1 q% U- (*) Indicates included stream hidden by this playlist.
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- d6 J1 P- h1 c; I! P - MPEG-H HEVC Video 91650 kbps 2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 4000nits / HDR10 / BT.20207 x6 }* E% ]) m0 Y, n/ C: c
- * MPEG-H HEVC Video 76 kbps (0.08%) 1080p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 4000nits / Dolby Vision MEL / BT.2020
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F% t' i0 G! u2 G6 D3 c) P - DTS-HD Master Audio English 3743 kbps 5.1 / 48 kHz / 3743 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 768 kbps / 24-bit)7 s0 _2 P2 y# D: m; I, n* }( o. o
- DTS-HD Master Audio English 1610 kbps 2.0 / 48 kHz / 1610 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 768 kbps / 24-bit), @3 r: e9 j1 T) X, J- }3 }
- Dolby Digital Audio English 112 kbps 2.0 / 48 kHz / 112 kbps4 Z, U4 O! G9 q
9 h7 X/ O* F# W: ?% R4 Y* ^4 E1 `- SUBTITLES:5 | X* i M* g1 }$ a
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Note: Screenshots are sourced from Arrow's 1080 release. Per Arrow's standard operating procedure, this 4K UHD release does not include a 1080 disc.# a5 y k1 k) j& f3 Q
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Flatliners is presented in 4K UHD courtesy of Arrow Video with a 2160p transfer in 2.39:1. Unless I've made the same stupid mistake I did some time ago with another simultaneous 1080 and 2160 release of an Arrow product where the insert booklets had different information, I believe that both the 1080 and 2160 releases of Flatliners contain the same insert booklet, which offers the following information on the restoration:Flatliners was restored in 4K by Sony Pictures Entertainment, 4K scanning by Prasad Corporation, Burbank, from the 35mm Original Picture Negative.
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HDR color grading and confrom by colorist Sheri Eisenberg at Roundabout Entertainment, Santa Monica. Digital Image restoration by Prasad Corporation, India.
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Audio restoration was completed at Deluxe Audio SErvices, Hollywood, sourced from the original 35mm LCRS stereo magnetic tracks.4 @! h4 C/ c1 K# B' Y, W) i
2 v" ?5 ?2 e4 Y' a* wRestoration supervised by Bill Karydes for SPE, with color approval by cinematographer Jan De Bont. As mentioned above, Marty wasn't exactly enthusiastic about the now long ago Blu-ray release of Flatliners actually by Sony, but of course technologies and dare I say it even understandings have evolved in the intervening years, and I can't imagine most fans of this film being much more pleased with this version than with the previous release, and I'd further venture a guess that real fans of Flatliners may want to experience this 4K UHD version, since it offers even more of the almost ridiculously suffused palette that Arrow's 1080 version does. There are some pretty obvious differences, with the Arrow version being noticeably darker and what I'd call more burnished looking, with an emphasis on almost yellow-orange tones that can give things a painterly air, and I'd argue that this tendency toward the very warm end of the spectrum is only increased courtesy of HDR and/or Dolby Vision. The increased resolution of this version also tends to support at least marginal increases in fine detail levels throughout, but perhaps surprisingly noticeably in some of the skewed hallucinatory moments. This has a grittier look than the Sony, and grain admittedly can be a little on the yellow side itself with occasional clumpiness, but nothing I personally found overly problematic, though the opening moments of this 4K UHD version may cause pause in some videophiles, as first the Columbia masthead and then the skies of the credits sequence can look like everything is covered in swarms of small insects. The black and white material also has excellent contrast and detail levels, despite (again) a somewhat psychedelic approach that can superimpose image on image and the like, and it maybe has a slightly more "video" like quality in this 4K UHD version, though detail levels are still excellent. There may be some who don't like a perceived minimizing of shadow detail since this is so much darker than the original Sony release, but I have to say just based on screenshots, the Sony looks artificially brightened to my eyes, and I found this version much more in keeping with the kind of Gothic undertones of everything, and all of this said, I found the HDR on this release to offer better shadow detail in general when compared to Arrow's 1080 version.
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4 O2 H3 z" A5 ?; cFlatliners 4K Blu-ray, Audio Quality
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( L6 O# ]6 |+ M5 oPerhaps surprisingly, Marty also wasn't especially enthused about the old Sony Blu-ray's PCM 5.1 track, but I'm happy to report either I'm a lot easier to please or things have been improved for this release (I suspect it's the latter) with both DTS-HD Master Audio 5.1 and DTS-HD Master Audio 2.0 audio options. I experienced none of the "mushiness" Marty described with regard to the Sony disc's audio presentation, and James Newton Howard's ethereal score in particular sounds beautifully full bodied and spacious in the surround track. There are a number of hallucinatory moments which admittedly probably don't have the same kind of "wow" factor that, say, a contemporary Christopher Nolan multilayered enterprise might offer, but there is still appealing immersion and both clear panning effects and discrete placement of individual effects in some of the "visionary" moments in particular. Dialogue is rendered cleanly and clearly throughout. As jokingly referred to above, this release does not offer optional French, Arabic, Bulgarian, Croatian, Czech, Danish, Dutch, Finnish, Greek, Hebrew, Hindi, Hungarian, Icelandic, Korean, Norwegian, Polish, Romanian, Slovenian, Swedish, or Turkish subtitles, but does come with the ever popular English SDH option.. O1 R% d$ P) ?2 B1 V! t
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