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An executive of a shoe company becomes a victim of extortion when his chauffeur's son is kidnapped and held for ransom.
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◎译 名 天国与地狱
c0 d& C" L# H& T! _' E◎片 名 天国と地獄 / Tengoku to jigoku / High and Low J) x; w3 Z" P2 j" `
◎年 代 1963, p0 |7 N/ H8 O6 [9 P# T5 D
◎产 地 日本) ~ v% p9 Y7 S4 y) u
◎类 别 剧情/犯罪
& @' ?+ i! J+ D◎语 言 日语
( Z( N: d( |) O: B" Q◎上映日期 1963-03-01(日本). l3 t2 t. A) Z9 q3 n
◎IMDb评分 8.4/10 from 43,981 users D& e, u) A. N" s t4 O2 K
◎IMDb链接 https://www.imdb.com/title/tt0057565/' A3 x7 T$ P# f+ y, n' \5 {7 q
◎豆瓣评分 8.8/10 from 14,424 users
) T8 ~# a1 v j' P2 G3 Y& n◎豆瓣链接 https://movie.douban.com/subject/1293663/
4 a+ `- ^- o( x& X. S/ N L◎文件格式 x264 + DTS
" y j* U1 T0 o$ d% {5 u' n◎视频尺寸 1920 x 1080* C' f; b; I, q' Z7 k# e: L/ \- e
◎文件大小 1DVD 28.77 GiB
9 s' ]/ |3 C1 r# ]# \% X◎片 长 2 h 23 min
% O/ |: |# v7 l2 _( a- E◎导 演 黑泽明 Akira Kurosawa
- ?/ R. e. |. E3 d1 l◎编 剧 小国英雄 Hideo Oguni- ~- t: k. y) |: z; i
菊岛隆三 Ryûzô Kikushima L+ k; e2 w! m) c t1 i, k
久板荣二郎 Eijirô Hisaita
, e3 B6 B* y1 O7 D 黑泽明 Akira Kurosawa* r% a$ ~- k% n; t
伊万·亨特 Evan Hunter
8 }+ a4 E5 f9 G+ [9 h- l, k$ }% d◎演 员 三船敏郎 Toshirô Mifune4 M0 _) Q" ]" D6 O2 p1 n4 m
仲代达矢 Tatsuya Nakadai
! n( f. t, Z, ~$ h t/ v 香川京子 Kyôko Kagawa$ ~+ i; m3 u4 K9 s0 H( ^1 R$ Y2 h8 f- \
三桥达也 Tatsuya Mihashi; E; z6 }7 F' I" k7 c6 i) s
木村功 Isao Kimura
J- h% c( m7 P- `) J 石山健二郎 Ishiyama Kenjiro
* R: H3 O5 f+ W! z 加藤武 Takeshi Katô
" u$ R8 d1 ^ P( x 志村乔 Takashi Shimura
3 N8 @6 G$ O" u: F 田崎润 Jun Tazaki
3 `2 G( R# i3 O4 M9 | 中村伸郎 Nobuo Nakamura
; f' ?' Y$ W# o6 a2 w 伊藤雄之助 Yûnosuke Itô
' Z# v4 F4 V) a- d- g* ^5 r 山崎努 Tsutomu Yamazaki
( n- S) x3 V* t0 F; G 千秋实 Minoru Chiaki( E, @/ Z. o: g& Q2 }3 C- y
东野英治郎 Eijirô Tôno0 m# N& _% t" e4 x9 h# ~2 k! g
清水将夫 Masao Shimizu
: V# M2 e' M' `% I 佐田丰 Yutaka Sada
4 P! G4 Q( d |: D* _+ h1 g5 D 岛津雅彦 Masahiko Shimazu5 v( m4 k/ q$ U
江木俊夫 Toshio Egi+ M0 z k5 `0 |1 E7 s7 _
三井弘次 Kôji Mitsui$ F) c9 T3 d9 j; n9 m
山茶花究 Kyû Sazanka0 {' A( g- ^. G0 n$ \
藤田进 Susumu Fujita
( e7 E, e. ]0 e: A9 u9 I 藤原釜足 Kamatari Fujiwara
) `; \% D- d1 V0 B, ]( x9 t* k 土屋嘉男 Yoshio Tsuchiya u2 ^- Q- B; T, m7 J9 E; G+ t& H
北村和夫 Kazuo Kitamura; [' e" K, z$ c% ]
清水元 Gen Shimizu: O; i$ Y1 A& u$ ]7 Y0 s9 J7 r% Y8 W* S
名古屋章 Akira Nagoya
& P* ]$ h# |, w* |* ~ 浜村淳 Jun Hamamura- Y) g' b+ p# [2 m! O R& a& m/ B3 W
织田政雄 Masao Oda
! b( w7 V1 e) U- W9 ] 西村晃 Kô Nishimura
+ E2 G Y% G% a) w 田岛义文 Yoshifumi Tajima4 k5 ^$ d. U+ q, b- L
大村千吉 Senkichi Ômura K, e3 l$ c2 t, p7 Q: A
加藤和夫 Kazuo Katô8 @/ p; A3 D0 ?' }
泽村伊纪雄 Ikio Sawamura
" x5 t& d' a( F( ]+ k; o2 Q8 q 菅井琴 Kin Sugai
& R* j, n9 v5 e! W! A 山本清 Kiyoshi Yamamoto6 m- O) s8 ?' P. ?
儿玉谦次 Kenji Kodama
; p4 N) `) g7 I: i: P5 j5 v3 F: X 伊藤实 Minoru Itô
# e7 s: F b5 A; I 野村浩三 Kôzô Nomura7 r e6 ^2 s) @8 W
黑泽明 Akira Kurosawa
! D1 v8 f( C, E$ Q3 `) X 菊岛隆三 Ryûzô Kikushima# {0 b( W2 v: r g, J- d, P7 ]0 T
森谷司郎 Shirô Moritani; a$ |( f) h0 v) N9 I
出目昌伸 Masanobu Deme
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( [8 d# j3 U7 S9 v! k: ]0 z, f◎简 介 ! e0 j9 M) ~4 k: f. {, Q/ R
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在权藤今吾（三船敏郎 Toshiro Mifune）家里，举行了一场关于民族鞋业的董事会议，讨论关于新鞋的质量问题。权藤发表的意见慷慨激昂，他觉得不应该只顾降低成本提高利润，而忽视了鞋子本身的质量。此番言论显然跟其他人急功近利的理念大相径庭，因此其他人合谋决定罢黜他的董事会职位，由某个听话的傀儡顶替。当晚，权藤司机的儿子突然遭到绑架，绑匪以为他是权藤的儿子，因此向权藤勒索3000万元赎金。面对妻子（香川京子 Kyôko Kagawa 饰）的劝解，深陷困境的权藤只得被迫就范，结果犯人用障眼法，避开了探长（仲代达矢 Tatsuya Nakadai 饰）的耳目，成功取走现金，丝毫不留痕迹。破财的权藤还要面临公司和债主的双重威逼。而警方则在绑架地发现了一对因吸食毒品死亡的恋人。然而，这还只是罪犯阴谋的开始……
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9 `$ p: _( g4 O% z: W A, \ An executive of a Yokohama shoe company becomes a victim of extortion when his chauffeur's son is kidnapped by mistake and held for ransom." r, Q1 H x; a, Y' B& t
7 K7 J' { d4 J◎获奖情况 & a1 r" L- |1 E6 _
' I3 K# u' ]) e$ m7 V& ? 第24届威尼斯电影节 (1963)7 x% t4 p/ ^, g1 x
主竞赛单元 金狮奖 (提名)
2 \5 s& o& E/ w+ `- V3 P └──黑泽明, d; V7 d1 Q- @, b$ q. w
第21届金球奖 (1964)
3 F$ l2 G. T9 I+ E8 H" c7 Y 电影类 最佳外语片(提名)
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       High.and.Low.1963.JAPANESE.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.4.0-FGT
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; y B0 |2 Y" Y7 q1 k+ c3 _( ]Format : DTS XLL
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+ h& Y* J; Q7 h$ x, RCodec ID : A_DTS% G9 E5 \" `: M2 o7 ?
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$ R U$ J4 e4 R' AMenu; {: q8 {. \& {
00:00:00.000 : en:Chapter 01
% s5 m; p- F2 H00:02:25.603 : en:Chapter 02
$ E0 N1 ] y# d6 h# W0 _00:10:54.236 : en:Chapter 03
6 N! R# V( C b/ l6 q00:16:47.006 : en:Chapter 04; O% Z9 m2 e0 |' m! O5 Y h# B: E
00:19:45.142 : en:Chapter 05* R) U& P) I2 f2 j
00:23:51.805 : en:Chapter 06
1 ~' @- l8 G# B9 \/ W* J00:29:47.619 : en:Chapter 07$ [" w( z$ f; U* m0 P
00:34:08.713 : en:Chapter 082 A% U: B2 g7 |, G2 S7 h: {( U
00:39:14.143 : en:Chapter 09
! J( X' C' ]0 a( H6 k# Y00:45:02.241 : en:Chapter 10
4 L+ V) \8 a: n ^ r00:50:16.471 : en:Chapter 11# {. ^5 M. U& b. E
00:55:13.935 : en:Chapter 12% x0 g/ j. X2 ^
01:01:51.791 : en:Chapter 134 ?* ]' L5 D( I
01:05:24.962 : en:Chapter 14
$ g% m: J7 d: \& q: C/ F01:10:45.241 : en:Chapter 15- I" E9 i3 X: z- d3 g9 [& {
01:15:46.416 : en:Chapter 16
+ J6 @: B" C% ~# s! W01:22:13.553 : en:Chapter 17
7 Z& p9 b# n1 k4 `$ g01:27:40.463 : en:Chapter 18% G/ |! w. E# P; O- F* Z
01:36:00.004 : en:Chapter 19' a; U2 d+ R( |4 ?7 [
01:42:06.161 : en:Chapter 209 ?$ D3 t& G, j5 ]$ R- g$ h# G
01:45:23.066 : en:Chapter 214 X8 M% \6 W+ G2 z0 T9 V x
01:50:22.490 : en:Chapter 22. v: {. ~# C; n, O. K5 [/ H! S
01:55:35.845 : en:Chapter 23* E5 J3 v g. ?2 e" y$ Q2 f7 G
02:05:11.754 : en:Chapter 24( ^' K5 n+ \& Z/ a0 |) j2 R
02:10:53.762 : en:Chapter 25
2 l! Q, H) }' p$ q/ ]5 E: x02:13:40.762 : en:Chapter 26! n1 V% C5 d6 e0 m; ^8 h* R
02:17:16.353 : en:Chapter 27
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/ V! w$ V0 B! sPresented in its original aspect ratio of 2.35:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Akira Kurosawa's High and Low arrives on Blu-ray courtesy of Criterion.
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& [5 y8 t4 u9 q5 fThe following text appears inside the booklet provided with this Blu-ray disc:: i8 B$ H2 r% V% e0 [
. u5 T0 o% @5 W% E' y' S, y"This high-definition digital transfer was created on a Spirit 4K Datacine from a 35mm fine-grain master positive and, for the color sequence, a 35mm interpositive. Thousands of instances of dirt, debris, scratches, splices, warps, jitter, and flicker were manually removed using MTI's DRS system and Pixel Farm's PFClean system, while Digital Vision's DVNR system was used from small dirt, grain, and noise reduction.5 Q4 N& D2 ]1 r- N# H$ ]
3 A6 y* q6 R& t) k( v3 o0 zTelecine supervisor: Lee Kline.2 m4 }, C% @7 N, x
Telecine colorist: Josh Olive/Technicolor, New York."% v! |, j M- b2 V Q
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I have mixed feelings about the presentation. Many of the outdoor sequences look notably stronger here than they do on Criterion's SDVD re-release of High and Low - they lack some but not all of the shimmering and plenty of the light noise (see screencapture #5). Though not overly consistent, there is also a layer of light grain that is present throughout the entire film. Unfortunately, traces of mild to moderate sharpening could be seen in a number of different scenes. Some of the most obvious ones are during the first half of the film, where Gondo is seen debating whether or not to pay the kidnapper. While at least some of the soft halo-like effects could be attributed to Kurosawa's experimentation with extremely bright lights, which is discussed in detail in one of the supplemental features included on the disc, it is fairly obvious that the overwhelming majority of the sharpening has a different origin (see screencapture #11). There are a couple of minor frame skips as well, though overall there are no serious stability issues to report in this review. Finally, the blacks have been boosted a bit, but color reproduction is satisfactory. (Note: This is a Region-A "locked" Blu-ray disc. Therefore, you must have a native Region-A or Region-Free PS3 or SA in order to access its content).
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High and Low Blu-ray, Audio Quality 9 s$ J S# ~- F; ^) A
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% a6 J) P# f9 wThere is only one audio track on this Blu-ray disc: Japanese DTS-HD Master Audio 4.0. For the record, Criterion have provided optional English subtitles for the main feature.
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The following text appears inside the booklet provided with this Blu-ray disc:
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# I/ v4 y" H! Z4 D"The 4.0 surround soundtrack was remastered at 24-bit from the original 4-track stems. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube's integrated workstation."9 F( A( w5 ]" H* x% B6 M
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The Japanese DTS-HD Master Audio 4.0 track is solid. I ran a couple of quick tests with the SDVD release of High and Low and was immediately able to recognize the improved dynamic amplitude and depth of the loseless track (if you already have the SDVD, compare the bar scene in the final third of the film). Also, the dialog appears slightly crisper. For the record, I did not detect any problematic pops, cracks, or audio dropouts to report in this review.* M# P+ U* L2 z% g# C; }! m
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置顶卡
沉默卡
喧嚣卡
变色卡
千斤顶
显身卡