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◎译 名 大都会/科学世界
: m, E5 }! [# b4 t/ o◎片 名 Metropolis
, G+ r- \* ^2 C3 ^- K8 i% a8 D◎年 代 1927' Z" A, i; ~. N8 R5 ~. |
◎产 地 德国
: p4 P( `0 C) a: U) k2 }◎类 别 剧情/科幻
# ^2 c. J$ K( H/ R: h+ \◎语 言 无对白0 x. I9 z. ^, ?9 i E- l
◎上映日期 1927-01-10/1927-02-06(法国)
j( B) d& q( Z& ?◎IMDb评分 8.3/10 from 172,865 users( L2 B- M* f/ m+ J) W t
◎IMDb链接 https://www.imdb.com/title/tt0017136/
8 M0 P* h* A) z( R; w◎豆瓣评分 9.1/10 from 41,540 users. c6 p4 B7 Y# w* G
◎豆瓣链接 https://movie.douban.com/subject/1298107/
3 X5 g- i1 p4 B$ f2 `◎文件格式 x264 + DTS
. @' }1 ? w- }; w◎视频尺寸 1920 x 1080( v* E6 ~% Y' U" K0 f. b" E) K
◎文件大小 1DVD 30.22 GiB s# h$ `- d& F S. R+ k9 [; j& H$ v
◎片 长 2 h 29 min
: t& q! o) B3 c; {+ ?8 Z( w& f4 h◎导 演 弗里茨·朗 Fritz Lang2 |7 C/ o. Y |& F& B+ [ C
◎编 剧 特娅·冯·哈堡 Thea von Harbou
' }. D+ w' H* Y5 C j 弗里茨·朗 Fritz Lang
4 P4 u- B' j2 f- ^1 X2 R: O1 z◎主 演 阿弗莱德·阿贝尔 Alfred Abel
- \# G2 a, p% B0 m; y+ v5 { 古斯塔夫·佛力施 Gustav Fr?hlich
4 o' O" g7 d& I7 _5 l/ _* e 布里吉特·赫尔姆 Brigitte Helm
7 u+ j+ ?% Q8 @+ X `$ O 鲁道夫·克莱恩-鲁格 Rudolf Klein-Rogge+ i$ a* ?9 y+ d7 g' a9 O! s* @
Heinrich George
3 y# T% m! u8 A, L 西奥多·卢斯 Theodor Loos
5 e$ Y' @, s' E7 q 弗里茨·拉斯普 Fritz Rasp+ H1 L1 |$ n( {# @ H# L- s2 t+ p
Erwin Biswanger$ ?, v$ x: i+ g7 C* M, M y
7 ~% B% |- |% c* W$ H/ A◎标 签 科幻 | 德国 | 默片 | 经典 | 德国电影 | 1927 | 弗里茨·朗 | 表现主义
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2 t' f' I' U& t ]! I% H3 m◎简 介 3 [+ D( M6 u6 o% q
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Freder（Gustav Fröhlich 饰）是大都会主宰 Joh Fredersen（Alfred Abel 饰）的儿子。经一位圣洁姑娘（Brigitte Helm 饰）启示，Freder 来到地下目睹了在此劳作的劳工们悲惨的境遇。Freder 向父亲进言，想改变劳工们的处境。但 Joh 不为所动，却对从劳工们身上发现的地图感到忧虑。为弄清地图所示，Joh 不得不向老对头 Rotwang（Rudolf Klein-Rogge 饰）求教。地图所示究竟为何地？劳工们为何要去那里？" M& @& L3 X2 J, L- d" g" U
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In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working-class prophet who predicts the coming of a savior to mediate their differences.
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" o3 k7 E8 W. o7 [. `; n. z7 j1 oOriginal source medium : Blu-ray
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8 }. A5 ]+ v B3 r; YMenu
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00:03:08.250 : en:Chapter 02
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00:07:29.708 : en:Chapter 04! @# |/ C1 p5 x, V
00:13:28.000 : en:Chapter 05
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: w/ J8 g$ m9 m3 V00:18:57.166 : en:Chapter 07
% I0 m7 u8 v3 F, |# h. i- r' C( m* M00:32:42.833 : en:Chapter 08% x0 v" M# w/ |- O( ^$ `! u) f* |& H
00:38:01.041 : en:Chapter 09
% Q" N+ z7 P: m" D! [1 n00:44:17.708 : en:Chapter 10
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01:02:28.875 : en:Chapter 125 Q$ K# z' r, Y: h2 V
01:06:14.500 : en:Chapter 13! }2 T& y' i3 p
01:09:42.541 : en:Chapter 14
6 Y, ~, d6 f+ H6 K9 v; u01:17:46.916 : en:Chapter 15: T0 Y, K! U9 _ w
01:25:57.166 : en:Chapter 16
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8 ]# Z7 T7 e. l7 L; [6 I! Z01:53:59.500 : en:Chapter 19. K$ h. [0 e/ W/ U& g' ?& O9 l
02:06:38.416 : en:Chapter 20
% u# ~; K8 C# x2 o3 H02:19:27.500 : en:Chapter 21
" H6 Z7 S5 `, Q; K8 T/ h02:23:33.833 : en:Chapter 22
+ m) q. v$ }& m2 g8 _02:26:28.458 : en:Chapter 23
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; U; L& M7 w. R4 K: ~( Y3 GThe restoration of Metropolis—a collaborative effort by the Friedrich-Wilhelm-Murnau Foundation, the Deutsche Kinemathek, and the Museo del Cine—has yielded a version of the film that is not only narratively complete, but also visually stunning. KINO's 1080p/AVC-encoded transfer is a beauty to behold. Let's get the obvious out of the way first: the 25-minutes of restored footage, taken from a 16mm reduction dupe of an extremely damaged 35mm print, isn't of the highest fidelity. The image is soft and streaked with vertical scratches, so much so that, at times, it almost looks like the picture is being projected onto a waterfall. (You'll understand when you see it in motion.) This material is windowboxed on three sides to preserve visual, proportional continuity, as the 16mm dupe slightly cropped the original aspect ratio. It's an elegant solution to a tricky problem, and while the switch between sources is jarring at first, you quickly get used to it. The bulk of the film, taken from an original 35mm negative and early prints, looks wonderful. The picture has been given a frame-by-frame clean-up, removing nearly all of the specks and scratches that have eaten away at the nitrate negative in the intervening decades. Just as impressive, there's little evidence of the digital makeover. The image has natural-looking film grain, and there are few compression artifacts or other quirks. Clarity varies, as you might expect, but most of the film is quite sharp, and I found my figurative jaw dropping frequently over the amount of detail that can be seen in Joh's herringbone coat and the plating of the Machine-Man. Black levels are strong as well, and the monochromatic gradation is satisfying, with tight—but never overblown—contrast. Overall, I'm more than pleased. There were moments when I honestly couldn't get over how good the film looks now.
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Metropolis Blu-ray, Audio Quality * v- w1 X; }% d/ s4 U. J
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Just as the 16mm dupe provided a blueprint for how to restructure the film, the recent acquisition of the folio of composer Gottfried Huppert's 1927 score gave the restoration team numerous clues about the pacing of the film and the timing of the editing. This orchestral score—a bombastic affair that borrows from Wagner and Strauss—has been newly recorded and presented here in two formats: a DTS-HD Master Audio 5.1 surround track, and a LPCM 2.0 stereo fold-down. Both options sound rich and dynamically full. I have no complaints whatsoever—this is the original score, reproduced wonderfully—but some folks might understandably be miffed that KINO hasn't also included the fan-favorite score by The Alloy Orchestra. No subtitle options are offered—or required—as the original German intertitles have been replaced with all-new English ones. Purists may growl, but the restoration team at least used a classy, period-accurate font.
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