|
|
 ; Q4 \5 ]1 z" q; s4 F
, x; l% `' {2 J4 D0 B
◎译 名 比利小子/小子6 g9 w! {# s$ d5 U; R4 ?+ a
◎片 名 The Kid
5 O/ j4 Y5 y) d0 U/ l6 {: {2 b& `◎年 代 20194 P( K, v' w2 ?! o7 J$ r" S( @
◎产 地 美国
- B0 k6 K; Q) w9 h& S◎类 别 剧情/传记/西部) |; E ^3 D( y
◎语 言 英语 q2 u6 V8 r3 l6 j( v* d
◎上映日期 2019-03-08(美国); P4 H9 ?" E+ O) R7 `
◎IMDb评分 5.9/10 from 8,518 users
* x; M/ j' q! x: S7 S3 x◎IMDb链接 https://www.imdb.com/title/tt4975920/
9 x( p5 `: l6 O4 Z% w* |' t◎豆瓣评分 5.9/10 from 814 users
8 S- M5 m% Q4 l9 G◎豆瓣链接 https://movie.douban.com/subject/26959517/
" X$ N2 L, F7 V2 z6 ?) W+ o5 ]◎文件格式 x265 + DTS2 `0 R# N& i9 ^" n
◎视频尺寸 3840 x 2160
: |$ g9 x: s6 e0 l- Y1 y7 _◎文件大小 1DVD 47.38 GiB4 M h- d3 F$ D5 t) t
◎片 长 1:39:56.740 (h:m:s.ms)! l0 P! Q1 Q( P, t+ O
◎导 演 文森特·多诺费奥 Vincent D'Onofrio$ M# U: {1 k1 a: O
◎编 剧 安德鲁·兰纳姆 Andrew Lanham5 m' i9 m1 W" s% T
◎演 员 克里斯·帕拉特 Chris Pratt% w& p- ^# @0 C: Y
文森特·多诺费奥 Vincent D'Onofrio
* ? n. C/ \: i( B" x# `% S 伊桑·霍克 Ethan Hawke
; p& x: [/ Z# p7 W 莱拉·乔治 Leila George' ]% e% o9 p# B+ j
戴恩·德哈恩 Dane DeHaan
, m r1 ^" e/ s9 x2 K( M& c 亚当·鲍德温 Adam Baldwin% K7 p, }% ~, p
基思·雅各 Keith Jardine( w% s# b1 K' W$ {8 M
泰特·弗莱彻 Tait Fletcher
- i. k8 z, M" [4 ]: \; H 詹妮加布里埃尔 Jenny Gabrielle% ^6 {& C. b; }1 W& }' D n- D {
斯塔福德·道格拉斯 Stafford Douglas6 m2 }- e8 T9 D6 f# a! l1 |
蕾切尔·德·拉·托尔 Rachel de la Torre
* z/ }/ j; A1 X" ~% v6 A+ N2 h J·内森·西蒙斯 J. Nathan Simmons1 ]6 _9 a' E4 b2 T5 r
保罗· 罗森布拉姆 Paul Rosenblum
# g& \ r$ Y" E; m& { 杰克·舒尔 Jake Schur
) f( J; y4 G% x& S* W
; f! Z% {. L! H4 b% P( [0 Q9 F* K◎标 签 西部 | 美国 | 犯罪 | 2019 | 西部片 | 剧情 | 冒险 | 动作" o9 |$ {$ K" M
1 @0 @# C: [ G& {◎简 介
4 {: O v0 P( o5 a8 {( T7 d4 @& O
# Q1 j" w+ [( ^/ o$ i. y' P 男孩Rio（Jake Schur）被迫穿过美国西南部，试图从他暴虐（克里斯·帕拉特）的叔叔手中，救回他的姐姐Sara（莱拉·乔治）。另一边，著名的不法之徒比利小子（戴恩·德哈恩）正遭到警长派特·加勒特（伊桑·霍克）的追捕。) ^+ | u7 T0 S2 l+ A, c: j6 v# C3 J
/ C: Q$ E6 |* s# |7 H6 k8 }
Rio与这两人相遇，目睹了比例和警长之间关于逃跑、追捕、斗争的故事，并渐渐卷入其中。但最终，Rio要做出选择，他要成为哪种人，法外之徒还是正义代表？另外，他将如何从恶舅舅帕帕手中救下姐姐？& C4 a* p8 f- N0 D& v
3 A' {2 }: s# m" f8 K. e$ o1 ^( {5 H
The story of a young boy who witnesses Billy the Kid's encounter with Sheriff Pat Garrett.
7 o2 V+ ~- c2 W- a; N' f8 R1 X
0 g# x2 H% m' V; d" n/ T8 H/ G0 Y6 \   - DISC INFO:
! T; T" |5 ]5 J! A, } - ! a. ]1 g0 F' O3 g* Q3 Z
- Disc Title: The.Kid.2019.2160p.BluRayCD.HEVC.SDR.DTS-HD.MA.5.1-B0MBARDiERS
9 s- a5 K! c$ i - Disc Size: 50,876,343,140 bytes
: _; z6 n/ F% w7 i3 \ - Protection: AACS2
4 P( l5 z# ~4 z, F4 \ - Extras: Ultra HD, x2 ^) B- S E0 X2 b& E
- BDInfo: 0.7.5.9 (compatible layout created by DVDFab 12.0.8.0)
2 `( z1 H+ w; r2 R - # H( S7 q" r- l3 R
- PLAYLIST REPORT:
1 X. E2 P, `9 b3 t4 ?0 B( M* C
/ q) S. @. U+ k- Name: 00002.MPLS 3 F: P; }9 q7 c+ A/ W
- Length: 1:39:56.740 (h:m:s.ms)
0 B( D7 M3 y/ H Y' x2 H - Size: 49,144,934,400 bytes9 a) ], a v& G+ o' G4 w4 V2 u
- Total Bitrate: 65.56 Mbps
2 h5 d6 v* f' r - 9 N+ l& H7 C& x
- Video:
$ [6 V- l9 n. e3 P. C/ Y; ]( Z
. `' _1 X! }* w/ \* K- Codec Bitrate Description * q4 b% ^- K( r; |5 t0 k
- ----- ------- ----------- $ {8 J. [. G/ L
- MPEG-H HEVC Video 59000 kbps 2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / SDR / BT.709( Z0 f. t$ p3 ^$ x& T$ g3 X0 |3 g
- ( `& B( M/ _8 Z
- AUDIO:( b, ~# b1 k3 x/ B# R) t# N
- 4 y- R8 Z# ]0 z* r
- Codec Language Bitrate Description # Y" R8 ^: p/ D, q$ d
- ----- -------- ------- -----------
/ d" B6 |8 N9 v2 | - DTS-HD Master Audio English 3473 kbps 5.1 / 48 kHz / 3473 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
' A4 T' _0 ?& l3 p; P
9 D8 n. W0 q1 z% b" f- SUBTITLES:
2 ~8 k$ H' g( d0 U% c: v0 F+ Q) t( C
& `0 q. s T/ g- [# R1 G+ A6 r- Codec Language Bitrate Description . b/ b& e1 C( x
- ----- -------- ------- ----------- 7 X* N7 U+ ]: F/ J8 E( e
- Presentation Graphics English 29.619 kbps
" E" B& ]3 `" R; n$ F - Presentation Graphics Spanish 25.81 kbps
 , O& X, w }: i9 v
2 v' F# M, `$ \4 n0 C
Note: Screenshots are sourced from the 1080 disc. Lionsgate has not included a 1080 disc in this package./ X2 [* p: g/ s# D" `
, V' y& m6 x/ R/ x4 k# K3 f. UThe Kid is presented in 4K UHD courtesy of Lionsgate Films with a 2160p transfer in 2.39:1. As I mentioned in our original The Kid Blu-ray review, the closing credits list the Arri Alexa, but I'm going to digress for just a moment with regard to the resolution of the DI. Unless I have either authoritative or at least pretty clear, firm information at hand, I try not to make assumptions about whether there was a 2K or 4K DI. I specifically mentioned in the 1080 review how I was assuming a 2K DI in the absence of me being able to find any other contrary information at the time of the writing of that review, and so I was interested when I came to review this to see that a member had already set this to be a Native 4K release. I have spent quite a bit of time going down various rabbit holes, and perhaps my searches have simply been incompetent, but I haven't been able to find any information that I deem authoritative to support a 4K DI, other than a random list on another home theater website that frankly is littered with verifiable errors. To cite one category of error in particular, if a DI was 2K, even if source capture resolutions were above that resolution, then the 4K UHD presentation is an "upscale", not "native 4K", if it were based on that 2K DI, unless of course a new 4K DI or some other higher resolution source was created for the release, and there are numerous examples on that website of just such releases (i.e., 2K DIs listed as "native 4K", I assume because the cameras captured at resolutions at or above 4K). With all of that said, if some internet guru who can find authoritative information feels so moved, private message me and I'll happily post an update here, but in the meantime I'm assuming a 2K DI for this, especially since Arri Alexas don't always capture at resolutions over 4K, which can almost therefore default to 2K DIs.' i) ^# ~0 L- u: e& ~; |* I
5 z& m) n, a/ L
Now with all of that probably excessive information, the real irony here is not over detail levels, which I think are at least marginally improved in this 4K presentation, if not mind blowingly so, but more so the palette, since, like Gamer 4K, while I got a standard HDR prompt at disc boot, the actual information page during playback showed SDR. This is perhaps especially sad in this particular case, kind of (again) ironically because The Kid does not exploit all the bells and whistles that Gamer did, and instead offers some sumptuous landscapes and nicely designed costumes and sets that probably could have benefited from a more spectacularly displayed palette. As I mentioned with regard to the 1080 release of The Kid, director Vincent D'Onofrio and cinematographer Matthew J. Lloyd do a nice job of alternating between scenic wide vistas and some extreme close-ups of various characters, giving some visual variety along the way, with what to my eyes was the most noticeable overall uptick in fine detail levels attending some of those close-ups. Fine detail generally is quite good when lighting conditions allow. As usual in some of the nighttime or dimly lit environments, fine detail levels understandably falter, and the absence of HDR probably doesn't help what I've often termed as "murk" in some low light conditions in Arri captures in particular." W! t* [& ]0 Z5 a
p0 I q# Y/ n7 _9 CThe Kid 4K Blu-ray, Audio Quality 8 b( d y' I: J! C7 Y+ k+ y
 ) O, ^) o0 Q2 _2 O+ j0 \
( c, F1 Q9 I2 s! w. G; O0 w, iLionsgate has been "consistent", albeit perhaps not to every audiophile's liking, by not upping the ante with Atmos upgrades on any of their three most recent releases of catalog titles, but the good news is in this particular case the excellent DTS-HD Master Audio 5.1 track that graced the 1080 disc shouldn't offer any kind of a letdown for most listeners in my estimation. With this being the same audio option as on the 1080 disc, I'll repeat some of my comments from my review of that disc. The nicely energetic DTS-HD Master Audio 5.1 mix provides pretty consistent engagement of the surround channels courtesy of a variety of effects and/or foley work. Both hand to hand combat and gunfire erupt in the film, and there is typically very smart directionality to some of these particular effects. Revisiting the film now after some time, I was especially struck by some of the spaciousness of the ambient environmental effects in the many outdoor sequences. The score by Latham and Shelby Gaines may strike some as being at least occasionally on the eccentric side, but it, too, wafts through the side and rear channels quite invitingly. Dialogue is always presented cleanly and clearly on this problem free track.5 J0 a, ]1 J8 }, O' _
|
|
狗仔卡
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
千斤顶
显身卡