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In a future mind-controlling game, death row convicts are forced to battle in a 'Doom'-type environment. Convict Kable, controlled by Simon, a skilled teenage gamer, must survive thirty sessions in order to be set free.
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◎译 名 天地逃生/游戏求生/游戏杀机/公民游戏/真人游戏/极限游戏/游戏9 f" \' J0 m6 ] r3 u2 f0 g
◎片 名 Gamer1 K6 e4 X3 a9 }$ S5 `% `
◎年 代 2009/ T5 U; u/ f5 O
◎产 地 美国
; Z, p6 O$ E5 G3 I! v+ }◎类 别 动作/科幻/惊悚: O0 }% t: N% f5 A; b, _
◎语 言 英语2 g; X7 ?8 _3 |8 [
◎上映日期 2010-03-17(中国大陆)/2009-09-04(美国)
* V9 L- p, f4 ?* k1 I/ Y5 O◎IMDb评分 5.7/10 from 134,886 users
! P0 K" H$ ^3 s; P- U' I: _1 m* d* {) Q◎IMDb链接 https://www.imdb.com/title/tt1034032/
! V# @2 G( T$ D* n9 U◎豆瓣评分 6.1/10 from 18,855 users& _! P, `& u% X+ S+ f
◎豆瓣链接 https://movie.douban.com/subject/2301706/ j* g+ n% Y; l- @6 V7 q( W" b
◎文件格式 x265 + DTS
! G* W4 c$ b+ b7 b) f◎视频尺寸 3840 x 2160' j( c; R W3 j. W' s/ B) z9 _ E$ Z
◎文件大小 1DVD 65.24 GiB; L9 ]3 o7 T7 u4 } V% `
◎片 长 1:34:44.720 (h:m:s.ms)
b2 ~( x, u) h9 ?◎导 演 马克·耐沃尔代 Mark Neveldine
$ n; R9 a2 `" f% t7 M 布莱恩·泰勒 Brian Taylor! c0 D& S J5 U0 }7 F! {
◎编 剧 马克·耐沃尔代 Mark Neveldine2 Z) q. V( c1 F$ _* h7 |, V
布莱恩·泰勒 Brian Taylor: C1 w$ }( `5 H% d
布莱恩·泰勒 Brian Taylor4 {( e8 q' x8 ^. y% O/ ~" V% G, J
◎演 员 杰拉德·巴特勒 Gerard Butler
" ^5 ?' |2 L- k: y/ u, { H" t2 x 迈克尔·C·豪尔 Michael C. Hall
; l0 j( N, T. i0 n/ R6 } 卢达·克里斯 Ludacris* f( L$ F# w9 \, S' [* ^* d
安贝·瓦莱塔 Amber Valletta! y) F+ U. Y I. h' M- w
凯拉·塞吉维克 Kyra Sedgwick- K. Y2 q6 H8 C3 {
罗根·勒曼 Logan Lerman" y9 G& N% Z& ^- W7 q. _* X
艾莉森·洛曼 Alison Lohman
5 }! d" d8 B7 @* A5 ^" o0 W8 k% |4 ~5 w 艾伦·余 Aaron Yoo9 O2 F( S& o) x9 \4 ~# b7 k7 e. o
泰瑞·克鲁斯 Terry Crews
6 k4 _: P) h0 Z 海莉·德里贝瑞 Hayley Derryberry
; g( n. [0 }! J* {) t7 b 杰伊·斯特凡 Jai Stefan' m! x8 ]* R, \! n) u; }: M% e
布丽吉德·弗莱明 Brighid Fleming* I: b* G3 J( h5 g' m
米洛·文堤米利亚 Milo Ventimiglia# Q6 l# I+ Q( N( U
佐伊·贝尔 Zoe Bell6 E* ?/ h- g. {2 G. |% r/ @3 E
加里·卢切西 Gary Lucchesi; H% D" a9 h! e# O1 Z) z$ }% J G1 v
Skip Williamson ] m4 p) I$ w) S, f) ?5 A
汤姆·罗森伯格 Tom Rosenberg" \, Z+ X, j0 F, m/ n6 S
Ekkehart Pollack
4 X1 [7 l7 @' d- F2 q& }$ u 玛丽·韦尔涅 Mary Vernieu
: V$ ?' a) u2 L+ i9 w 克里斯蒂安·汀斯利 Christien Tinsley9 y6 {9 Y$ v: O. H' Q3 [: D* n
乔恩·马拉德 Jon Mallard
2 p4 ?/ U } h) e3 S: x Thomas Duval
4 f+ i" E. x- Y0 w. e9 W$ L 吉姆·戈尔曼 Jim Gorman2 y1 V" U1 T" X6 `
Greg Groenekamp
8 I- ?7 u N& P3 U 丹尼·S·金 Danny S. Kim. R% L( F- d; N* }/ c' V9 e
汤米·陈 Tommy Tran6 d! \( i3 Y! v5 i b
1 w/ B3 u. x$ o0 e6 z* ]8 v◎标 签 科幻 | 动作 | 美国 | 暴力 | 美国电影 | 2009 | GerardButler | 电影& h0 }- d+ B4 s, m
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◎简 介5 H. g- _7 i- g! ]4 y9 [
* I( F: E! ^3 A+ F' B/ S- x 在不远的未来，技术天才肯·卡斯特（Michael C. Hall 饰）发明了将指令细胞植入人脑的纳米技术，以此为基础，卡斯特开发了两款真人在线操控游戏——“社会”和“凶手”，其中“凶手”是将死刑犯们置入残酷的杀戮战场，由线下的玩家指挥他们作战。卡贝尔（Gerard Butler 饰）是凶手游戏中的一名常胜战士，目前已经从27场比赛中存活，而按照规则，只要他再胜利三次，就可以重获自由。
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; C# N c! u+ V 一个反抗组织在暗中策划推翻富可敌国的卡斯特，他们找到卡贝尔在游戏中的线下配合者——少年西蒙（Gerard Butler 饰），并希望他放弃对卡贝尔的操控，因为后者即将面临卡斯特的阴谋暗算。此时的卡贝尔，成为了推翻卡斯特的关键力量……) _' E# T( B" s9 {
0 {3 Z! x m( t0 I7 v Set in the near future, a time when mind-control technology has taken society by storm. Humans control other humans in a mass-scale, multiplayer online game. Reclusive billionaire Ken Castle has created the controversial form of entertainment, "Slayers," a hugely popular game that allows millions to act out their innermost desires and fantasies -- online -- in front of a global audience. Gaming has evolved into a terrifying new dimension-mind control-manipulation-people playing people. At the center is Kable, the superstar and cult hero of "Slayers," the savage, ultra-violent first person shooter game. Kable is controlled by Simon, a young gamer with rock star status who continues to defy all odds by guiding Kable to victory each week. Taken from his family, imprisoned and forced to fight against his will, the modern day gladiator must survive long enough to escape the game to free his family, regain his identity and to save mankind from Castle's ruthless technology.
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   - DISC INFO:( Q5 [+ l$ v8 E$ \1 M( v; Z
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- Disc Title: Gamer.2009.2160p.BluRayCD.HEVC.DTS-HD.MA.5.1-B0MBARDiERS7 O5 u/ T7 F; [5 |. \4 ?) A
- Disc Size: 70,053,781,920 bytes
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- Extras: Ultra HD& X4 B8 N% N/ L, k. ~# w4 F
- BDInfo: 0.7.5.9 (compatible layout created by DVDFab 12.0.8.0)
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- Length: 1:34:44.720 (h:m:s.ms)& E$ _5 J+ g3 G0 E
- Size: 47,062,241,280 bytes8 J9 p' U9 O0 d+ E
- Total Bitrate: 66.23 Mbps* W# J1 x: o3 [1 B; a* o! _
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- Codec Bitrate Description
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- MPEG-H HEVC Video 59000 kbps 2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / SDR / BT.2020; R( N; F/ u% E! w( f1 ]3 N
: H) J7 i$ `5 m, f+ l- AUDIO:
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- Codec Language Bitrate Description
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- DTS-HD Master Audio English 3892 kbps 5.1 / 48 kHz / 3892 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)' Y- v2 W2 P, E
- Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps0 h0 R/ C$ v- }. J n9 b% [0 }
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- SUBTITLES:. @: z& r+ w* U! B3 H
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- Presentation Graphics English 26.718 kbps $ @7 p: b: h/ f4 Q: k2 w
- Presentation Graphics Spanish 19.654 kbps
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Note: Screenshots are sourced from the 1080 Blu-ray.
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5 E( a: S4 ^4 k0 OGamer is presented in 4K UHD courtesy of Lionsgate Films with a 2160p transfer in 1.85:1. I've long stated my preference for Red captures as opposed to Arri captures, and in that regard, it's kind of fun to watch the Red-centric supplement on this disc for some information on the relatively early days of this technology. Marty gets into quite a bit of detail in his assessment of the 1080 disc's video on some of the stylistic quirks employed in the film, and my general feeling is that despite an almost ADHD approach to things like lenses, skewed perspectives, obvious tweaking in terms of distressed imagery and a sometimes blanched, sometimes oversaturated, palette, this 4K UHD presentation improves things noticeably, if subtly, at least in terms of general detail levels if not necessarily that much in terms of palette nuances. Unless my players are misrepresenting things, this does not have HDR10+ or Dolby Vision (this listing had been incorrectly set to show those), and while I got a "standard" HDR prompt when I booted this disc, the info page actually showed SDR. All of this said, there may at least occasionally be the perception of slightly added nuance to a palette that is literally all over the place, something that kind of ironically I found to be at least as noticeable in some of the black and white (now at times almost sepia toned) imagery as in the more over the top color moments. Considering the amount of intentional tweaking of the imagery at times, detail levels are also very good to excellent throughout. I found that the increased resolution might not be overly "kind" to some of the material that is supposed to look like video. Red technology has obviously improved over the years, and 4K DIs are now becoming almost commonplace, but with an understanding of context and intentional stylistic choices, this offers generally secure detail levels and a decent if not exactly "new, improved" accounting of the film's often outlandish palette.
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This is the first time to my immediate recall that a 4K UHD release of a previously released 1080 version gets a "downgrade" in its audio, albeit relatively minor in this case, from the 1080 Blu-ray's DTS-HD Master Audio 7.1 track to this 4K UHD disc's DTS-HD Master Audio 5.1 track. This is frankly another kind of headscratcher for me in terms of how Lionsgate has been rolling out these releases, but the good news is the 5.1 track is impressive on its own merits, even if it doesn't quite have the discrete placements that the 7.1 track can offer. There is immersion literally from the get go, with what almost amounts to a cacophony of effects, layered and at times almost overwhelming, which swirl around the listener with a good deal of energy. Dialogue is rendered cleanly and clearly throughout and dynamic range is very wide. Optional English and Spanish subtitles are available.' D0 w9 T( w4 q8 _
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