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Portrays the rivalry between the genius Mozart and the jealous court composer Salieri who may have shortened Mozart's life.
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8 g j B1 k1 P2 V N9 _◎译 名 莫扎特传/莫札特传/阿玛迪斯(台)/上帝的宠儿/阿玛多伊斯
* v: L1 ^5 {# O◎片 名 Amadeus2 E# Q, K0 Z$ [: {- n
◎年 代 1984# h$ ], ^2 q/ u, E( B* x
◎产 地 美国/法国/捷克斯洛伐克/意大利6 Y& U9 F9 k4 a5 [% M2 m
◎类 别 剧情/音乐/传记/历史! o( s& a( d) A/ x5 @1 x, o
◎语 言 英语/意大利语/拉丁语/德语
6 a% h2 y( j" Z; L; i* q◎上映日期 1984-09-19(美国)
8 j: ]" m- {: y \! U+ c5 ]4 `◎IMDb评分 8.4/10 from 397,034 users4 \; p4 q# Q4 x* e
◎IMDb链接 https://www.imdb.com/title/tt0086879/0 c8 Z9 d- ?' H, f# F! T, U. q
◎豆瓣评分 8.7/10 from 91,282 users4 V. G) B( s% c# ?$ F* O' ~" a
◎豆瓣链接 https://movie.douban.com/subject/1293399/8 N8 z; y4 W" K! a
◎文件格式 x264 + DTS + TrueHD 3 s- {" G% E( H6 K
◎视频尺寸 1920 x 1080
! E, U+ `+ e' P2 ~& u1 G' ?◎文件大小 1DVD 28.39 GiB
% _$ a( S. R3 D9 v4 `◎片 长 3 h 0 min
4 v5 u/ X; k6 G5 V9 _◎导 演 米洛斯·福尔曼 Miloš Forman7 \7 n# F7 I( ?$ _/ [) p
◎编 剧 彼得·谢弗 Peter Shaffer
/ b; ?* |0 | J, C5 c- a* { 兹德内克·马勒 Zdenek Mahler
' I4 n' E: o5 r, |◎演 员 F·默里·亚伯拉罕 F. Murray Abraham4 R0 p) X/ U1 x, t6 T
汤姆·休斯克 Tom Hulce
) g$ K5 d* g" h0 j2 S- P 伊丽莎白·贝里奇 Elizabeth Berridge
4 \# a3 K: P* S$ f1 } 罗伊·多特里斯 Roy Dotrice
* j6 D, J( s0 n* [0 A L 西蒙·卡洛 Simon Callow, w2 Y z7 s8 o& @! U: T/ V
克斯汀·埃伯索尔 Christine Ebersole
2 W6 E5 Q$ a/ M) u 杰弗瑞·琼斯 Jeffrey Jones
+ h: N+ h: q7 x3 Y$ n' I/ L8 n 查尔斯·凯 Charles Kay
4 j, t' K* a2 V/ M, ~& W% _ 肯尼思·麦克米伦 Kenneth McMillan% q: \4 C/ I9 h6 O; X; L
肯尼·贝克 Kenny Baker/ v5 v! Y7 }) A+ { b& b& B
Lisabeth Bartlett
: J; Y. T! m# e Roderick Cook
( X) M5 a% r+ Z+ Y( Y) S4 u s Richard Frank3 K% `( ^* w- ]/ l% q
Patrick Hines+ f6 b0 t3 M- S
Nicholas Kepros0 _# I" Z' m( y5 j
Jonathan Moore( @6 u5 F+ G% C5 X4 W0 A5 G
辛西娅·尼克松 Cynthia Nixon( K' }8 U- a u4 D/ H
布赖恩·佩蒂福 Brian Pettifer
- u/ S& f r. c 文森特·斯卡维利 Vincent Schiavelli! O1 s5 i3 }+ V1 w! j. @6 F# U
Douglas Seale' E( X( g n# L* t: {+ @6 V6 B+ |
Cassie Stuart, g! R& t, p3 n- B+ W# Q* y* S( ]
约翰·斯特劳斯 John Strauss
& y# X3 ~0 P( i* V Eva Senková7 s- m7 l) H2 B$ u5 M; W
Ladislav Krecmer+ k$ b& L$ {* k* T
卡雷尔·菲亚拉 Karel Fiala2 T0 D; t: T* D
William Whitener# y' |2 y$ F9 s+ m* s% M
哈娜·布赖霍娃 Hana Brejchová
% g; q0 V- G7 h) \6 j" ^ Miriam Chytilová
% [' e8 h" \; \: ^4 S 卡雷尔·叶法 Karel Effa: Q! d& p+ n6 W. H ^7 {* D
Radka Fiedlerová- ?9 r6 t8 n/ R$ C
卡雷尔·哈布尔 Karel Hábl
1 R1 @. ?+ Z" [% _3 I6 g1 v6 d+ ^ Atka Janousková
* e" m/ [9 M$ L' h Jirí Krytinár' Y& |! E4 ~1 K6 p) _
伊里·里拉 Jirí Lír. ?( Z# e+ J$ P1 |4 x: M: U3 y B
Jitka Molavcová, p1 c e( c7 [8 ?' U R) |
Pavel Novy# q0 C$ j! J7 U. U _) A% H1 T
扬·波汉 Jan Pohan
" F( z+ h' X0 F+ ]- ? @0 Q Therese Herz) F* {0 l$ @5 v, }- Y4 G
Milan Riehs Milan Riehs
. D! A; w1 t7 b6 m' x6 M8 { 达娜·瓦罗娃 Dana Vávrová
; G5 a8 p/ }, w2 T( j0 ^5 ] June Anderson4 l/ P# u2 k! L5 E3 U; N
Isobel Buchanan
0 p0 j* j( G# z2 ? D3 Q; A7 b' ] Anne Howells7 c5 ?& b1 e' E' [
Robin Leggate3 }1 w& Y. |7 w/ {1 z! S
Felicity Lott1 q* a& y* Y8 \' q$ H
兹德内克·马勒 Zdenek Mahler$ X+ J' X3 F5 n: ~
童自荣 Zirong Tong1 u6 `- \/ z' ^7 g
索尔·扎恩兹 Saul Zaentz
8 {; N6 p7 _# u( L8 U Z: c/ _# E 迈克尔·豪斯曼 Michael Hausman
+ r! i* Q& j) L( D 米洛斯拉夫·昂德利克 Miroslav Ondrícek. v6 ~& B3 @5 o! G# C( k
迈克尔·钱德勒 Michael Chandler
4 ~; h8 J' L6 H+ [! a 内娜·达奈维奇 Nena Danevic/ c3 f8 v% v- C6 t
帕特里季亚·冯·布兰登斯坦 Patrizia von Brandenstein
& m! G6 H/ e% g) Q2 e- Y5 M, ^7 E 保罗·勒布朗 Paul LeBlanc
9 v3 f$ N& L3 G: Q* \. ~: |8 | 迈克尔·豪斯曼 Michael Hausman, M' d+ i R: D2 Z
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◎简 介 7 s! M% M2 E3 J
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本片从一个宫廷乐师萨里埃利的角度，为我们呈现了天才莫扎特的一生。萨里埃利（F·莫里·亚伯拉罕 F. Murray Abraham饰）是维也纳音乐界里有名的人物，自视甚高的他自从遇到了莫扎特（汤姆·休斯克 Tom Hulce饰），心里的妒嫉之火便熊熊燃烧不能平息。莫扎特总能以他超乎常人的音乐作品赢得全场惊叹，他的《费加罗的婚礼》等歌剧，都成了传颂千古的经典。; y+ x1 j& a1 o, }8 E6 |8 M) G
$ t j8 w; O* ]2 Y; d 萨里埃利对莫扎特又羡慕又嫉恨的心理已经发展到几乎扭曲的地步。他在莫扎特的事业上一次次的从中作梗——故意缩短歌剧的上演周期，恶意删改莫扎特的作品，在莫扎特承受着丧父之痛时给他无情的精神折磨。贫穷虚弱的莫扎特在生命最后的几年里，写就遗作《安魂曲》，一代大师35岁就与世长辞，留下不朽作品。而萨里埃利，早有等待他的宿命般的结局。- r+ z. p! C! F5 y; x6 S' Q+ S/ u3 N/ ~
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The life, success and troubles of Wolfgang Amadeus Mozart, as told by Antonio Salieri, the contemporaneous composer who was insanely jealous of Mozart's talent and claimed to have murdered him.
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◎获奖情况 ( k2 e2 \) s7 u y# H
& R( c9 }8 B; g! c8 E* R5 `5 N 第57届奥斯卡金像奖 (1985)
: b- x; f( D8 L F3 D' f2 D 最佳影片
3 j: O: a- c9 C$ h8 a5 x6 x └──索尔·扎恩兹
: }% a; o* p2 T7 _8 J 最佳导演! ~: ^) H4 H9 g+ R+ P8 N& K c
└──米洛斯·福尔曼7 i6 p2 R+ F% ?4 x
最佳男主角4 r+ e. S5 y$ n3 N$ E. G3 Q3 k
└──F·默里·亚伯拉罕
, |1 Y3 L1 l- } 最佳男主角(提名)
" W$ B' b W- \: v& J └──汤姆·休斯克: G2 r% M* g/ S. r
最佳改编剧本
+ S6 {; H# Y" D └──彼得·谢弗
& n) B' p3 y/ @) f7 b 最佳摄影(提名)
- z! A3 d, a# y7 |3 l └──米洛斯拉夫·昂德利克6 D4 k4 b1 b5 A: x( B
最佳剪辑(提名), o* F4 i; C0 Z2 K
最佳音响7 M' m8 O3 i8 Q, y0 |7 Q
最佳艺术指导) }; L5 F# f7 |$ q! |9 h
最佳服装设计/ _3 e- k2 A3 v# h: c- }) z3 H
└──西奥多·皮斯泰克
% R2 R1 O2 q& @- j, C0 O1 K( G 最佳化妆9 o0 }( e& c1 {7 d a7 t' {
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- }9 k* D9 t9 q: iMenu0 ^! O3 u) s3 V+ j6 M) v6 |* }2 Z
00:00:00.000 : en:Chapter 01
7 V( t6 `6 _) k8 b; i00:04:43.324 : en:Chapter 02
: x- r) m2 R" V1 o2 z2 E2 Z1 j6 G00:09:47.378 : en:Chapter 03; h; X& o9 ~0 U. L. \% p, H
00:12:52.438 : en:Chapter 04' Z8 r! K# H3 N' C
00:19:58.655 : en:Chapter 05
, u, @5 T$ x8 ~00:24:34.181 : en:Chapter 06' ]9 @: ]/ \7 X& j. e( F# O" z# R4 s
00:26:52.110 : en:Chapter 07. B* L: m7 s, M- G' r' I. j& a: j
00:31:32.515 : en:Chapter 08% p. ` p0 C. Q3 K. H$ W! {
00:37:28.120 : en:Chapter 09
- w! A5 m' c5 d00:43:20.889 : en:Chapter 10
, r& ^% C7 Q- D, E: H00:45:27.641 : en:Chapter 11# h$ X* Z+ t) W) t' z2 o
00:47:51.451 : en:Chapter 12
! {/ g U5 N2 u u) c& r E* {00:50:41.955 : en:Chapter 139 R. j3 t! g5 Q! X
00:55:51.056 : en:Chapter 14! j! P! H; D8 h8 T8 I5 z" ?" s
00:58:59.494 : en:Chapter 15
+ `3 J+ g* g# u. z& y! E01:02:27.869 : en:Chapter 16 R, c$ E4 E9 T
01:08:34.276 : en:Chapter 17
& q; N/ }! d& X6 ~8 u01:09:54.398 : en:Chapter 184 g& Z9 z3 p- \) e1 r. v$ S
01:13:16.517 : en:Chapter 19
; `$ G p; _2 i! g; K) j' P01:16:11.441 : en:Chapter 20
" a9 a9 `3 w8 l% B8 {01:20:48.468 : en:Chapter 21
5 a8 ~4 Q' C9 q' @- A01:23:25.208 : en:Chapter 22
% R# r2 O4 M! N( j7 e- X3 q7 @- F01:26:30.894 : en:Chapter 23
0 I, H6 s% ?' o6 Y! x* m01:30:03.064 : en:Chapter 24
4 J' t: i3 n+ S& I i* r01:33:54.170 : en:Chapter 25. N3 e2 j& a+ S
01:40:28.063 : en:Chapter 26
. q3 h8 E9 u* C7 ]6 f& ~01:45:06.216 : en:Chapter 274 e0 Y0 t+ F/ A- b( q
01:47:20.934 : en:Chapter 28/ |9 P3 I9 q& j( d2 @0 [
01:50:21.114 : en:Chapter 29# Q! k/ A. {2 M% K6 [3 v2 J
01:54:45.545 : en:Chapter 303 B. @" U2 E/ @
02:01:04.257 : en:Chapter 31
! T, k0 S8 D" o- `3 {02:04:36.844 : en:Chapter 32
7 e% r( P8 m3 K# o, L02:06:50.603 : en:Chapter 33
" p, m3 L2 l; ^0 R02:10:58.141 : en:Chapter 347 s; |3 j" `. T
02:13:04.685 : en:Chapter 35$ E4 W3 S6 r! Q8 v! [5 o/ @! s6 ?
02:15:28.787 : en:Chapter 36 ^" X3 k5 d0 I. ~
02:19:00.582 : en:Chapter 370 s* T2 U! e( }, l
02:24:30.119 : en:Chapter 38
# o/ @/ \8 w# N' f02:27:06.567 : en:Chapter 391 Z( p' c; ^" h, w% J2 ~
02:31:10.394 : en:Chapter 40
' H3 d! n9 l) u; h: r02:36:40.891 : en:Chapter 41
% V: @5 p/ a2 f9 J02:42:08.135 : en:Chapter 42
W! G4 P+ n+ ?$ j02:45:06.354 : en:Chapter 43
7 F: ?- h x9 ]9 u9 h02:49:11.975 : en:Chapter 44: E& r& I: W8 q+ D
02:52:44.103 : en:Chapter 45& N+ z9 f8 v# x% N A( P' w
02:54:54.108 : en:Chapter 46
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; z9 \7 N) [& H4 XAmadeus has endured its fair share of technical flops on home video. Early VHS copies didn't do the film's lavish production design or stunning cinematography justice, laserdisc failed to capture the details of Mozart's drunken exploits, and more recent DVD editions were littered with digital clutter, muddy colors, and murky details. For the most part, Warner rights these previous wrongs with an impressive 1080p/VC-1 transfer that outshines every other release of the film to date. Colors are richer, blacks are deeper (albeit slightly inconsistent from scene to scene), contrast is far more stable, and skintones are finally natural and lifelike. Delineation is still problematic in a few passing shots, but detail has received a significant bump in overall clarity and texture definition. Fabric and hair are crisp, edges are sharp, and background elements are refined. Moreover, the image doesn't suffer from rampant artifacting, source noise, or heavy banding. While I caught sight of some grain spiking, the print has been cleaned up quite well.8 j0 m& C2 a7 M: J7 P: B# S5 a0 s. U
2 F) t$ ^; @2 K5 L2 FThe only downside? Overzealous post-processing. Not only has digital noise reduction (DNR) been applied to the transfer, but edge enhancement has been peppered in to compensate for its ill-effects. While the artificial sharpening does firm up object edges (at the cost of injecting distracting halos into the proceedings), it fails to conceal the waxy close-ups, hazy textures, and intermittent motion smearing caused by the noise reduction. With some old fashioned love and affection, Amadeus could have remained faithful to its source and reaped the benefits of a high-def upgrade. Unfortunately, shortcuts were taken and the resulting picture falls short of its potential. The transfer may be strong enough to please DVD owners and satisfy fans of the film, but it simply doesn't reach the bar set by the best catalog transfers on the market.
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(Please note the single-disc Blu-ray edition's video transfer is identical to the one offered on the previously released Digibook edition.)
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/ P' ^3 u2 J L$ @2 S+ xAmadeus Blu-ray, Audio Quality
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: _! n/ o. B1 N: j& sWarner's rich Dolby TrueHD 5.1 surround track improves matters, overcoming the film's age with resounding reproductions of Mozart's most stirring music. Violins croon their melodies in the center channel, slowly spreading their song across the soundfield as a resonant classical hall is painstakingly crafted before you. As their shrill cries grow louder, cellos bloom in their midst, giving way to the light wheen of bassoons and flutes fluttering across the soundstage. The trump of horns emerge from every direction as the rear speakers hurl the mounting whirlwind of sound around the listener with calculated abandon. Without warning, the entire orchestra erupts in a crescendoed flurry of instruments vying for your attention. Low-end tones rumble across the floor, treble tones are clean and steady, and meticulous prioritization preserves the slightest oboe in the storm of trumpets and timpani swirling around your home theater. Make no mistake, every time Mozart's compositions dominate the soundstage, Amadeus aggressively peddles its sonic wares to anyone willing to listen.9 q: ~/ n' E: s6 J' E0 C4 S
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Of course, it's deflating anytime the music subsides since the rest of the film offers little more than conversational chit-chat and subtle environmental ambience. Don't get me wrong, dialogue is perfectly intelligible and well balanced, interior acoustics are realistic and convincing, and fidelity is quite commendable for a twenty-five year-old film... it's just that it all seems a bit uninvolving compared to the enveloping orchestral sequences. Uneven experience aside, Amadeus sounds great for a catalog classic and will exceed most viewers' expectations.
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6 Q, c; X1 B5 T1 F+ m/ W(Please note the single-disc Blu-ray edition's audio tracks are identical to those offered on the previously released Digibook edition.)) K, J! x4 b7 W7 i$ C
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