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A Hollywood star of the silent era, production company and cast make a difficult transition to sound.1 f' R" x$ |) Q1 Q! c
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2 o( r1 G: B2 F3 F◎译 名 雨中曲/雨中情/万花嬉春(港/台)/百花嬉春/ f& c Z; J) y4 `: |
◎片 名 Singin' in the Rain
' w8 a# ~: j* l" f. l◎年 代 19522 Z/ D: n) p2 |( H/ U, |
◎产 地 美国4 h4 B2 I1 c J( U4 j8 r
◎类 别 喜剧/爱情/歌舞
$ t. p/ q1 z& z) A◎语 言 英语5 H" n) w+ [# P) y0 ^
◎上映日期 1952-04-11(美国)# Q; `2 j# ]4 V* Q' B
◎IMDb评分 8.3/10 from 239,845 users
" G) i$ s: ]3 {0 U7 d◎IMDb链接 https://www.imdb.com/title/tt0045152/* \) j$ t8 i& k0 I/ v1 j
◎豆瓣评分 9.1/10 from 201,124 users' B5 Y- @0 r. K8 S- j2 b6 v0 p
◎豆瓣链接 https://movie.douban.com/subject/1293460/
* D# p# Q' K, U& p4 X, I◎文件格式 x264 + DTS
0 P# l/ T* ]& |8 n9 V- j" [! W◎视频尺寸 1920 x 10809 f; B. k7 e. I* P2 S
◎文件大小 1DVD 24.94 GiB
7 M( e/ o8 H0 I |) ]6 S) h◎片 长 1 h 42 min
" h' N0 T. O7 T& C x9 n# L$ ^◎导 演 斯坦利·多南 Stanley Donen
5 W/ w U0 @: E0 T2 F 吉恩·凯利 Gene Kelly/ ~" u F0 l, o3 s' l9 V
◎编 剧 贝蒂·康登 Betty Comden# `) u/ @! V1 X
阿多夫·格林 Adolph Green! B+ l. d3 @1 N) j; h- }
◎演 员 吉恩·凯利 Gene Kelly; D( O+ H5 H3 I; b/ ~& r1 w! j
唐纳德·奥康纳 Donald O'Connor
" ~, c/ Q+ a! F) E& K( _ 黛比·雷诺斯 Debbie Reynolds
1 d- F: }9 z4 l; M& _ [5 l5 E 简·哈根 Jean Hagen# N5 s; K5 [4 `1 K3 X6 b
米勒德·米切尔 Millard Mitchell
! v" E5 k, g, {) K8 q8 p 赛德·查里斯 Cyd Charisse
: Q' j8 s a) c% w4 D5 E" ? 达格拉斯·福雷 Douglas Fowley
' d M) d" Y1 d0 E9 u 丽塔·莫雷诺 Rita Moreno
4 Y3 E0 [+ u8 I4 |( t 道恩·艾达丝 Dawn Addams
" X/ e7 b! q+ y [" U L& M John Albright
% B6 Q/ n! ^6 h4 J1 p' F Betty Allen
; q, u! T$ s7 b, \- c0 A% ] Bette Arlen E$ j" [7 T, V/ i, h$ c
David Bair( Y4 z* s; e# ?+ A2 X) h4 Q1 M) N: m
玛格丽特·伯特 Margaret Bert
+ N8 S+ s, B6 e0 Y) Y Madge Blake5 P" z* ^. J4 ~8 Z4 } F9 R! F
Gail Bonney
' }7 e3 Y* s* c. y Chet Brandenburg
5 c% p2 r. m8 K# P8 F( H X, x- g 梅·克拉克 Mae Clarke! }: i" ]8 @5 @, {$ f9 m5 L
Harry Cody
; p7 H" J. b# b$ l) U" F, P Chick Collins. W% D0 W X" K; X' e9 e- ?
Pat Conway. c2 Q- H+ X9 g _" g! K
Jeanne Coyne
" w5 _3 e% l& N1 i Fred Datig Jr.
; S# {2 {9 X5 G/ U 凯·德利斯 Kay Deslys
- V2 |, S* W0 z o1 Y" E John Dodsworth7 E5 [4 V8 D' V
金·多诺万 King Donovan
6 t5 {; Y# J0 I$ a2 P2 G6 Q Phil Dunham Phil Dunham
, A5 x8 F/ e/ C" U1 p+ f- ` 海伦·艾比罗克 Helen Eby-Rock
2 @- V) D* N ` Richard Emory* o7 B" U5 M# d+ A
Tommy Farrell; U' S: }* K8 ?/ h
Ernie Flatt: V" s6 ?+ p; Z7 Q' t( l
贝丝·弗劳尔斯 Bess Flowers
% h$ U3 L7 C& I! a3 N" a; w4 ?8 ~ 罗伯特·福捷 Robert Fortier5 z2 E5 ]3 M c- D5 x; I1 A0 Q1 h% A
Dan Foster- Q% E9 G( s O9 t1 O1 v. p e
Robert Foulk4 k+ g6 O( U/ a
Eric Freeman9 z; _1 J; E- K, l$ J
凯瑟琳·弗里曼 Kathleen Freeman
& Y+ b! F7 A! X+ Q# a# k 兰斯·富勒 Lance Fuller- x6 r' u6 |; m+ ~) j! E! h
杰克·乔治 Jack George! w( j U( Y' F/ C9 k' w
John George$ W1 }. |' W: R2 J9 ^0 N
Inez Gorman
/ @; ]2 f9 K- k1 H6 V A. Cameron Grant1 l1 f$ c8 E" {; v7 X g. M
Beatrice Gray) E' o7 ~ c. j/ D, w+ @
William Hamel4 h% W/ n$ l$ N, L5 c: O
山姆·哈里斯 Sam Harris4 }/ y# b5 V# Q! j5 Y( U) ^
Timmy Hawkins
1 p- `: {3 S# L3 p8 q3 ]6 ^1 A Jean Heremans, j2 Z. S4 h4 P8 E
斯图尔特·霍姆斯 Stuart Holmes
1 S9 N5 m( o* E# t2 g 肯纳G.肯普 Kenner G. Kemp
3 W/ x, j) t/ S$ F' q( b9 P 迈克·拉里 Mike Lally. }6 V4 @, ^4 \1 }. J
乔伊·兰辛 Joi Lansing& \& I' W2 E \
William F. Leicester
}, n$ [/ P9 X$ U |# |# E* Z Sylvia Lewis+ K# h- y# e! T6 F
伦尼·海顿 Lennie Hayton
/ I' F) y! H" U! `7 _& T 沃尔特·普朗凯特 Walter Plunkett- h- ]0 a3 H! W, o( I0 x
道格拉斯·希勒 Douglas Shearer+ e: ~: J" F& f X- R* j
1 ?; e2 X% R3 i( `' W◎标 签 歌舞片 | 经典 | 美国 | 歌舞 | 音乐 | 爱情 | 喜剧 | 美国电影0 U8 g% _- ^0 i/ e& x2 T& F
/ h) q/ u% e) @. j% t7 v◎简 介 8 u) W; ~) ^& f9 Z* F- P7 w/ n
* C' e. |! C0 y: t- S- A# g8 @ 1927年，由唐·洛克伍德（吉恩·凯利 饰）和丽娜·雷蒙德（简·哈根 饰）主演的《皇家流氓》在好莱坞首映。由于丽娜刺耳的嗓音无法匹配其夺目的外貌，为了维护明星形象，宣传部只得安排唐一人讲话。首映后，由于钢琴师科斯莫·布朗（唐纳德·奥康纳 饰）的汽车爆胎，为了躲避疯狂的影迷，唐意外结识了能歌善舞的凯西·塞尔登（黛比·雷诺斯 饰），并被其深深吸引。数周后，首部有声电影《爵士歌手》爆红，唐与丽娜的新片《决斗骑士》不得不临时改变拍摄方式，而凯西也成为歌舞片演员。因预映口碑极差，科斯莫提议将《决斗骑士》改为歌舞片，由凯西为丽娜配音，凯西积极附议。与凯西吻别后，唐心花怒放，在雨中载歌载舞。科斯莫的计划能否奏效？幕后的凯西能否走到台前接受观众的掌声？' Z$ Q2 `( o v, ]
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A silent film star falls for a chorus girl just as he and his delusionally jealous screen partner are trying to make the difficult transition to talking pictures in 1920s Hollywood.; ^, G: s" X& ?' {1 v& \$ n& t* x
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◎获奖情况 $ t% E& r9 _: R
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第25届奥斯卡金像奖 (1953)
4 ?! N& e& g9 [$ ^, C0 m; h% { 最佳女配角(提名)) n* ]8 K5 @* ?' f% i. r: S% o% p
└──简·哈根. G6 I$ v; i+ J6 {( L' B5 r- n
歌舞片最佳配乐(提名)3 L& E$ o7 C8 k/ U- h
└──伦尼·海顿
" |6 l7 n' j- H' l8 \ 第10届金球奖 (1953)
8 n" f4 F; `& `2 z% a5 h 电影类 最佳音乐/喜剧片(提名)* a6 E/ [' [' O: _/ p3 w" X) _
电影类 音乐/喜剧片最佳男主角5 }9 w3 P' I* Z
└──唐纳德·奥康纳
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& d4 c, C8 X. x   Singin.in.the.Rain.1952.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.5.1-FGT
& @! p; l& U" J! C( A4 V; }' Q1 X7 a/ D( y. ?3 E9 U
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! u+ X, _" h+ D- R! z7 ]. `( hOriginal source medium : Blu-ray% K0 h! F H9 a9 U4 V
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Language : Chinese
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Duration : 1 h 40 min' W# [3 T3 s' Q+ W& u
Bit rate : 54.9 kb/s8 O$ ?/ f+ B5 h( o1 r, k+ q: ]
Count of elements : 2748
1 f D, X! i. }6 A5 {9 V5 L( m* @Stream size : 39.5 MiB (0%)
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Menu% f, B' r6 L, @. P! ?* M+ [
00:00:00.000 : en:Chapter 013 P* [% b/ U0 I
00:01:36.513 : en:Chapter 02
/ _; G8 \ ?3 B9 ]. l( n/ v00:05:21.946 : en:Chapter 03
0 @( y) O. F) l# {% }00:07:50.011 : en:Chapter 04
; d K2 Q- ^ h, a, [( z0 c00:11:08.793 : en:Chapter 05
3 V" x* w5 S) P8 q# \00:13:00.029 : en:Chapter 06
4 t1 l& ^2 i; c00:15:22.922 : en:Chapter 075 f* }$ i( ?. o8 n T
00:19:32.754 : en:Chapter 08
3 j6 {; U ~- R: O; u. ~) J00:22:33.894 : en:Chapter 09
6 A: B8 P5 p% w5 z00:25:34.157 : en:Chapter 10
# [8 |$ O- r8 ]) Z; _00:27:13.757 : en:Chapter 11" C/ O$ R( n1 J& L
00:30:55.478 : en:Chapter 12
) q I, j3 H, K1 P0 k/ t00:33:16.452 : en:Chapter 13: ~, W4 K0 b: i/ |# { m
00:35:25.706 : en:Chapter 14& W8 }6 T4 {. @# z( E$ T, s+ s
00:38:45.823 : en:Chapter 15* o: M9 K; F% A
00:41:34.617 : en:Chapter 16$ e# \! C& V4 _( B
00:46:12.811 : en:Chapter 17
& q I; r& ~# D/ U5 z% [: u4 m9 [00:48:02.212 : en:Chapter 18, i7 L% r |# t& N( O6 s
00:51:26.124 : en:Chapter 19; T% Q8 f- U: q9 `. B& ]
00:53:37.631 : en:Chapter 20
/ p' y% I- f/ a- l- e8 j& o0 f00:55:21.568 : en:Chapter 212 ~* J8 D/ }. K' a& d: U; [
00:59:35.572 : en:Chapter 226 \3 ~: @, U( p* p- i
01:01:25.139 : en:Chapter 23
/ }- v2 \5 F* b# Q& F& W# A( B' N01:05:12.992 : en:Chapter 24
. ?+ ]* m- f- |" R+ Y4 z. G01:07:06.063 : en:Chapter 25
- Y& W( K0 X& A: L' t& v01:11:53.809 : en:Chapter 26
. y9 n. T+ X, y% Q' Y: [01:13:27.027 : en:Chapter 27! y' C, L2 r5 S: u
01:15:26.230 : en:Chapter 28
; \1 U) q0 @( F01:17:51.249 : en:Chapter 296 I+ M3 C0 ~, D
01:19:41.401 : en:Chapter 308 E3 _/ H6 { K& @+ Q
01:22:39.245 : en:Chapter 31( ]* W4 b0 x2 Z+ H Q3 g1 a
01:24:07.751 : en:Chapter 320 s+ O4 ?. B+ Q5 }2 p! s* R* E
01:27:19.275 : en:Chapter 33& x4 \. ^. O7 c
01:29:07.216 : en:Chapter 34
* H9 ]; f6 M* Q1 o! _8 l. k2 q# H01:34:15.483 : en:Chapter 358 E; \1 i. V& J5 a0 k7 _+ N) ]
01:35:52.037 : en:Chapter 36! ~+ r Y8 y4 e2 Y. T6 y. m
01:38:36.368 : en:Chapter 37
A; p/ g7 q" F! l- k9 w01:41:06.185 : en:Chapter 38
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Warner Bros. is on a bit of a roll, rejuvenating catalog classics with loving remasters and impressive 1080p/AVC-encoded video transfers. Singin' in the Rain is given a similar treatment; just not one that lives up to the high standards set by Ben-Hur and Casablanca. The presentation has its share of issues: mild to moderate edge halos are present throughout (and quite obvious at times), the film's inherent softness can be prohibitive, and a noticeable waxiness afflicts a number of closeups and midrange shots. But beware. There are more than a few scenes that will have some people crying DNR! when, in fact, it isn't quite that simple. The original source has undergone extensive cleanup, yes, but not of the smear-it-all-to-hell variety. Grain, though light, is pleasant and consistent, numerous textile, fabric and facial textures are commendably resolved, and overall definition is fairly pleasing. As it turns out, noise reduction and other invasive techniques actually aren't the chief culprit. Artificial sharpening, as it's applied to the film's softer shots, creates the impression of somewhat waxy textures and faces when framed by freshly tweaked edges. If these edges were kept as soft as they originally appeared, the resulting image wouldn't be as problematic.
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* R. N2 o7 Z" ]) xAll that said, there's very little to be distracted by, especially since Singin' in the Rain has never looked better. Colors have been granted new life, primaries are gorgeous, skintones are lovely (albeit a touch over-saturated now and again), black levels are rich and savory, and contrast doesn't falter. Moreover, print scratches and blemishes are nowhere to be found, artifacting and banding don't invade the image, and other anomalies aren't a factor. Is Singin' in the Rain's presentation as faithful and filmic as it could be? Not entirely. But it comes close, oh so close; close enough to make its shortcomings, minor as they may be in the grand scheme of things, that much easier to stomach. Some may score the video as low as a 3.5, others may go as high as a 4.5 (or perhaps higher). For my part, I fall somewhere in between; wishing certain aspects of the image were more natural but thankful that Kelly and Freed's sixty-year-old musical looks as good as it does.! i# J) |/ M9 n1 [0 L
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Singin' in the Rain Blu-ray, Audio Quality ' _0 h0 }# i( A N
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The high point of Warner's AV presentation is undoubtedly its carefully mixed DTS-HD Master Audio 5.1 surround track, which retains the humble qualities of the film's original monoaural sound design while allowing Nacio Herb Brown and Arthur Freed's music to flourish across the entire soundfield. Dialogue and song lyrics are clean, clear and perfectly prioritized, be it Gene Kelly's dulcet singing voice, Donald O'Connor's chirpy quips and verbal gymnastics, Debbie Reynolds' velvet-smooth tone, or Jean Hagen's nasally whine. But it's the songs -- from "Good Morning" to "Moses Supposes" to "Make 'Em Laugh" to "You Were Meant for Me" -- that are the joy of Warner's lossless track. The orchestra's instrumentation is represented extremely well, pratfalls and mid-song sound effects dance a finely choreographed dance with the lyrics and music, and every last trumpet blast, snare roll, trombone slide, timpani strike and stringed crescendo is showcased just as it should be. LFE output is reasonably restrained when the singers, dancers and musicians take five, but comes alive the moment music erupts. Likewise, the rear speakers offer light, playful but exceedingly subtle support throughout, but rise to the occasion when called upon. There aren't many flashy directional tricks, mind you. Just a full, utterly satisfying sound from beginning to end. It all hinges on a masterful balancing act and an unwavering devotion to the source, and it's exactly the sort of lossless 5.1 surround experience I hope for when watching a decades-old classic. I can't imagine Singin' in the Rain sounding any better than it does here.
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