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Three sailors come ashore and take the city by storm, but can they win the hearts of three women by song?" @* B1 ?! |+ g" E
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6 R) c7 ?! i# j' E/ h ~' F/ k◎译 名 欢歌舞魅
& M5 m v5 p: r4 I4 e' ]' ]! e◎片 名 Hit the Deck( Q1 p& y0 y. V) b2 b
◎年 代 1955/ W/ S4 z2 Y7 Q3 B2 c* B
◎产 地 美国
$ Y+ L t9 b8 H0 O4 F2 i◎类 别 喜剧/爱情/歌舞
4 u. M" E# P4 y' c, v. B◎语 言 英语
) o6 M9 ?: o6 g' k" i U◎上映日期 1955-03-04(美国)9 U6 J+ m4 e* G Q: _ P; K
◎IMDb评分 6.5/10 from 858 users
6 z1 l; s$ i9 i; o5 y◎IMDb链接 https://www.imdb.com/title/tt0048171/) z7 g$ U3 X! e
◎豆瓣评分 0/10 from 0 users: C# y; s& |+ P; F( P, {
◎豆瓣链接 https://movie.douban.com/subject/2374939/
; ?. J8 X. n2 l% X. }◎文件格式 x264 + DTS
, p- }, g' u+ ^& ^: G1 K◎视频尺寸 1920 x 1080+ K) M- U/ g; r( f
◎文件大小 1DVD 32.37 GiB
0 ?% G* ^8 g1 k3 H◎片 长 1 h 52 min
) x) J L8 ]9 ]7 T7 K& ^* x) P◎导 演 罗伊·罗兰德 Roy Rowland+ z; `% I4 m' L0 T Z, R% F
◎编 剧 赫伯特·菲尔茨 Herbert Fields3 o7 j+ I# }7 ~; x' I5 [5 ~% w
威廉·路德维格 William Ludwig
. P: K b- Q$ S6 G2 @ |0 ] 利奥·罗宾 Leo Robin. k0 _4 E! x9 c) a
休伯特·奥斯本 Hubert Osborne2 n4 M8 {, J# G. Q- f% r# G
Clifford Grey Clifford Grey
) l3 Z( _$ R! N 索恩亚· 莱维恩 Sonya Levien, S6 P0 g$ P1 J3 p# T0 V; g3 `
◎演 员 简·鲍威尔 Jane Powell0 o& h4 }' Z5 }& v
黛比·雷诺斯 Debbie Reynolds% b, i$ I' Y% w* |
拉斯·坦布林 Russ Tamblyn
$ |, y* r/ a' K0 O& E. b 安·米勒 Ann Miller$ V3 g8 O5 A" r P) R, B
托尼·马丁 Tony Martin% S5 M! L' |5 t7 ?
肯纳G.肯普 Kenner G. Kemp
7 v' `1 K3 {' R. Y6 f 阿兰·金 Alan King
% v& d* O+ S; {" I 皮特·里德斯 Peter Leeds
& z6 E. e5 S& z$ Q2 V5 L 托尼·马丁 Tony Martin
- @* c6 H) h j* m1 [ Henry Slate ) R! I# a$ O" G5 K! l
金·雷蒙德 Gene Raymond
4 N. W) X) i( c* g Wilson Wood
6 ?7 W1 ?& p3 N4 g 罗伯特威廉姆斯 Robert Williams
5 G/ n. `. C- Q# Z) S Tony Martin
5 k* q- {- r, {/ G) z, @$ B$ {' l Frances E. Williams# y! ]% l3 Q5 Y0 N
戴布思·格里尔 Dabbs Greer
9 A% C% Z: g! G& |, j 卡罗尔·耐什 J. Carrol Naish
. k6 n* B2 S9 }# e 理查德·安德森 Richard Anderson
& h# _5 K. T7 {6 @+ Y8 y- f T 沃尔特·皮金 Walter Pidgeon" E5 j& x% w; r7 N2 H5 T
简·达威尔 Jane Darwell$ a5 c9 ~* m) M9 H& S1 r
汉克·曼 Hank Mann% s; d: S) S& F4 T2 I% R" {( {. O, g
Kay Armen
0 z! ?( V4 k, M! r 詹姆斯·科纳蒂 James Conaty$ ?/ h# e9 y0 p' f8 J `5 |2 e# H
维克·达莫内 Vic Damone" Z; d, t! k4 o" ?; T; }2 ^
罗伯特·伯顿 Robert Burton
5 h8 A% U& r) o& x$ [ John Close
3 g9 ]9 |8 T7 R" Q John Damler ( Z" Y+ M: |6 _" g* n
罗伯特·迪克斯 Robert Dix r. Y s6 V8 s5 L3 E
乔·帕斯特纳克 Joe Pasternak
6 v v: K. [6 f _7 L- E Robert Van Eps
?9 V+ F0 J; z& K3 J; c. n 乔治·斯托尔 George Stoll
8 R6 F! t, u; Q* S 康拉德·萨林格 Conrad Salinger
4 G/ v! L; o; x( Y- R 乔治·J·福尔西 George J. Folsey0 s; K$ A) Z& l: J
小约翰·麦克斯威尼 John McSweeney Jr.
+ \. L U6 D; q& w 塞德里克·吉本森 Cedric Gibbons
u! J5 |: D& p: o& m4 P 埃德温·B·威利斯 Edwin B. Willis ~5 ]6 t( u; v
弗雷德·M·麦克利恩 Fred M. MacLean( h G5 c; `# k
保罗·格罗斯 Paul Groesse
. w" @7 m* L4 ^! B! z4 E2 b- M 海伦·罗斯 Helen Rose. U, s& a% w, K
威廉·塔特尔 William Tuttle
% v# p7 I! ?' T* y8 ~ 悉尼·盖瑞拉弗 Sydney Guilaroff
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◎简 介
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Three sailors and three cuties flirt, squabble, run afoul of shore patrol and of course, fall in love to a hit parade of Vincent Youmans tunes.
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1 Q+ |2 f& T' y# q% ~6 D0 ^◎获奖情况 ' C g6 q) X9 W% x5 ]% H
. P( n- y/ P3 P x$ R, ~( }* o2 i 第13届金球奖 (1956)$ o. V0 P6 R& z- G, d) _3 X
电影类 年度男新星
* r) N: t) l* S# K$ s: W* y └──拉斯·坦布林& x: Q; T2 K3 ]+ ^) D
4 f- x# E6 h8 X, L t U0 SHit.the.Deck.1955.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.5.1-FGT- n5 E. t! `6 u4 o
+ R/ O) Z, w* p1 x4 b' w( v4 A9 UVideo9 M) \% e2 u; W% X7 K+ i
ID : 1, j4 |- o3 U) S2 T2 o
ID in the original source medium : 4113 (0x1011)
" i7 ] g: \! D* o3 V! `$ A% bFormat : AVC. v: x* Z- c( Q0 T4 E
Format/Info : Advanced Video Codec* x }* e9 L2 y$ ~2 D3 ?
Format profile : [email protected]
8 C! i& V7 g+ G& i5 h# B9 HFormat settings : CABAC / 2 Ref Frames& b8 v' s# @2 ^' N+ [$ W/ a
Format settings, CABAC : Yes
$ o- m% ~5 O. u3 W# x! P# [0 BFormat settings, Reference frames : 2 frames& P0 z6 B8 L! P. f. s$ s9 ]
Format settings, GOP : M=1, N=58 h+ x$ F1 L8 q7 @& V- S
Codec ID : V_MPEG4/ISO/AVC
b! m; o1 h% KDuration : 1 h 52 min; V0 O8 L2 f: P$ E% }- t
Bit rate mode : Variable
8 V; z0 ]0 L( n, T# P! v, Q$ DBit rate : 38.2 Mb/s
* a; w5 I3 L7 {Width : 1 920 pixels4 F( c H( @" b( X# J' p. w% a' i
Height : 1 080 pixels
! ?7 w& _6 U$ H! y; d) mDisplay aspect ratio : 16:93 J/ P+ x* }) A3 I* c) X* V
Frame rate mode : Constant& J7 [' V6 g) e7 [ U+ `1 D
Frame rate : 23.976 (24000/1001/189150) FPS
+ u8 J! B) h6 v: l9 d7 j8 yColor space : YUV
+ f5 [( |% P3 |/ w% D0 L4 M% i) [Chroma subsampling : 4:2:0% d. `3 R& ?! N& r4 Y D
Bit depth : 8 bits
8 Z( B+ F. @2 Q$ \1 xScan type : Progressive
- q8 q, Z! Z. O, C7 pBits/(Pixel*Frame) : 0.769* w8 w- t3 @( K9 j/ \
Stream size : 29.7 GiB (92%): Z9 e" f$ V8 @6 k7 b) W: F
Language : English
2 T. c2 N9 s6 b3 pDefault : No y$ b5 F) q( c6 H5 c& k9 q8 U
Forced : No9 ]* o6 T* c, n9 H
Original source medium : Blu-ray
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6 K- ^2 Q- z( ~) b+ wAudio, @ i3 h# K% l* ^* R" Q4 R$ F& i& K
ID : 2' S; y0 A s3 w& H6 m
ID in the original source medium : 4352 (0x1100)2 Y6 s) } [" r& y
Format : DTS XLL
% u/ _1 p* t. hFormat/Info : Digital Theater Systems
( K6 H# ? n, |. p" PCommercial name : DTS-HD Master Audio- |- T/ H6 g' Z* e& f% f4 F. O
Codec ID : A_DTS9 z% k; d( D8 ]1 _" J6 ?
Duration : 1 h 52 min3 ^- P: s5 z- \9 t1 k4 [# B
Bit rate mode : Variable
7 R) q0 ], R/ @9 P* kBit rate : 3 326 kb/s, a% O0 V+ `% A! c
Channel(s) : 6 channels; L8 f! c# o7 z# S
Channel layout : C L R Ls Rs LFE2 t; j$ h: \6 b; G9 U
Sampling rate : 48.0 kHz$ e' `; s* m2 ^. N) y: ~4 a
Frame rate : 93.750 FPS (512 SPF) N0 G* l- y% y+ A L" K
Bit depth : 24 bits
& v T% W7 @, K4 ], l/ s2 ?0 j2 |Compression mode : Lossless
! S- o6 M- z9 O5 ^Stream size : 2.61 GiB (8%)5 F6 n$ h2 ?* F2 D! f
Title : DTS-HD MA 5.14 v/ J+ m( S3 r4 N5 J8 N, }& J
Language : English
7 d2 ~9 ~$ n6 W8 yDefault : Yes/ D8 f o5 y. Q
Forced : No
3 c+ L- S9 K2 P, t; h0 q3 |Original source medium : Blu-ray2 ?+ j2 N7 k6 Q
4 r. h8 W p& KText #1
! l& S2 L0 q y$ YID : 36 c' H7 M- e+ j, a* _4 U
Format : UTF-8' e) x6 I, B s9 W0 _# L1 h
Codec ID : S_TEXT/UTF8+ o, x4 L7 a6 v
Codec ID/Info : UTF-8 Plain Text
2 C4 v# ]! e/ g3 L$ ~3 iDuration : 1 h 49 min0 R) D! J" ?( u9 g
Bit rate : 74 b/s
. I7 M: Y* P; T/ ?, y, O ICount of elements : 1525
4 c& o' ^2 Z NStream size : 59.6 KiB (0%)
3 o4 M4 m: K, k# W$ oLanguage : English% V) ~" {9 _- z* F; v0 H- f6 a
Default : Yes
) H, A; x( s9 h! m6 z- F- kForced : No
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Text #2! R6 F0 V. `# o8 A
ID : 4
3 A& A( J8 @& FFormat : UTF-8
2 L# q' @$ D6 c4 @3 ACodec ID : S_TEXT/UTF8" e$ [. L1 r0 B: f
Codec ID/Info : UTF-8 Plain Text3 A5 r. [/ i3 W W
Duration : 1 h 49 min$ q6 s e' @6 \7 {( i; |, w
Bit rate : 76 b/s8 |4 _* C+ }0 C+ ?2 C; O% x
Count of elements : 1603: Q# v# W% ^7 t1 n& E
Stream size : 61.1 KiB (0%)) U1 f3 ~6 C0 A3 i: Q
Title : SDH! ~8 `8 Z7 ?2 Z+ k9 t# t
Language : English
( q! e+ r [4 S& i( l. A, w5 [Default : No' [- W% r7 p) r) Z9 E
Forced : No
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Text #3! \- X9 H% r5 r" `0 F7 f
ID : 5
9 P) q q6 O% D4 d4 NID in the original source medium : 4608 (0x1200)8 x/ I; w& f0 o1 d0 L
Format : PGS3 M9 n* Q- l7 j" a0 s
Muxing mode : zlib
' u6 m; ^: v8 NCodec ID : S_HDMV/PGS( z9 F% c2 \, m5 f8 I% v
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
( z: u0 h; ~$ M8 \+ V, w1 Q' a! ODuration : 1 h 49 min
) g5 u! W7 C. X7 F' \( r. UBit rate : 44.2 kb/s
6 J. k/ e& E. P* C5 _9 w! l# x# CCount of elements : 3212
( ~' ~# s% ^# p' w% B+ nStream size : 34.6 MiB (0%)
# l1 I: x) ~! A+ V) O- yLanguage : English
) c( x" \8 J2 a: o, Y* R0 G9 KDefault : No( ]# X) J" O2 S$ a1 S
Forced : No* f9 o t; z" B j/ e
Original source medium : Blu-ray
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2 M. X. z% W8 \Menu
: G- G s! o7 d" u( P- U4 O) N* ?00:00:00.000 : en:Chapter 01
) j8 B- ^' K/ F/ Y00:02:00.161 : en:Chapter 02
5 }9 P. L r, F U) H* U3 Q/ `# R6 B00:04:40.738 : en:Chapter 03
7 f( G2 k# l Q5 J0 C00:11:46.414 : en:Chapter 04
) |" i" e7 A7 _% U* J1 k3 r7 i! ?00:15:12.036 : en:Chapter 05
! j4 M' O% t9 ]' [2 j5 {00:22:10.454 : en:Chapter 06
& H# _+ r4 i% P8 W' k00:27:54.005 : en:Chapter 073 b0 j/ x3 U5 S w7 T
00:31:54.203 : en:Chapter 08) M5 T- P# _$ J: R @$ i- N# g
00:34:59.555 : en:Chapter 095 u" X. O4 W2 y4 c
00:40:05.111 : en:Chapter 10
6 `( K3 X; I. j* N4 t00:47:08.116 : en:Chapter 11
% m! f# U9 F7 ~% x& F00:50:27.232 : en:Chapter 12
W. J6 J9 G8 e# `) a( z6 t00:53:28.663 : en:Chapter 13
9 E, l' n8 j$ G$ O00:59:14.551 : en:Chapter 14
- w' Q3 `( V ^0 |5 S01:02:52.935 : en:Chapter 15! w" ~* \5 _+ P1 b
01:08:07.249 : en:Chapter 16
, G% ]& s: p6 {& S( x% ]01:09:47.266 : en:Chapter 17. A! Z3 F& N' m; t! a2 R7 ~3 O
01:14:37.806 : en:Chapter 18
3 ?2 R% I, l1 V- L$ l6 }6 R01:20:34.704 : en:Chapter 19$ g" r; ]- S* w' B' e% J$ V
01:23:50.150 : en:Chapter 207 n6 d& i$ z9 j) q5 a j
01:27:16.856 : en:Chapter 216 ~. E3 z# V$ M! s$ ]* u5 W
01:31:09.881 : en:Chapter 22
! z% D1 b3 _% v e01:34:22.156 : en:Chapter 23
0 [8 G7 m" F2 H01:39:12.154 : en:Chapter 24- T+ x2 S \/ w
01:42:13.836 : en:Chapter 25: c3 F! i% a2 ^9 l& h0 k( P
01:47:59.764 : en:Chapter 26 |. c/ E) O0 D# S8 E! ^3 I- _3 L
01:51:43.113 : en:Chapter 27 Hit the Deck Blu-ray, Video Quality " }% A7 r5 E' x; L& s. o7 {( \/ f
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5 b! w' t7 {' D0 s5 I( hWarner Archive Collection's 1080p, AVC-encoded Blu-ray presents Hit the Deck in its full CinemaScope glory, which is essential to the lavish production numbers with their elaborate sets and expansive movements, often by large companies of dancers. The image is clean, sharp and detailed, though not free of the occasional "fattening" distortions associated with early generations of anamorphic lenses (the so-called "mumps syndrome"). The dark blues of the naval uniforms generally read as black, which may be a deliberate choice on the part of the cinematographer and/or costume designer, since black provides a better contrast for the eye-poppingly intense colors typically worn by the main female characters, all of whom either are or aspire to be in show business. The contrast levels are good enough to reveal fine detail without overwhelming it, which makes every backdrop and soundstage easy to identify—not that it matters. Musicals thrive on artificiality.
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On a 72" screen, the film's grain pattern is so fine that it's barely visible, but I saw no signs of filtering or artificial sharpening. If anyone notices something amiss at larger sizes, please contact me. The average bitrate is a generous 37.92 Mbps, which prompts me to wonder why the people in charge of mastering for WAC can't have a word with their counterparts at Warner Home Video. WAC clearly has the right idea when it comes to compression, which is not to aim for the tightest possible rate. They routinely give the image plenty of bandwidth, and WHV should take the hint.
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3 I" b' A& I5 k: ?Hit the Deck Blu-ray, Audio Quality * H4 e+ h" U# {. {. g
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The trailer for Hit the Deck boasts that the film features "stereophonic" sound, but in 1955 only a handful of theaters would have been equipped to reproduce anything other than mono. Still, the four individual tracks supported by CinemaScope must have been preserved, because they appear to have been the basis for the 5.1 remix presented on Blu-ray in lossless DTS-HD MA. While basic dialogue scenes remain in the front center, the musical numbers expand across the front soundstage to utilize the left, right and center, providing a rich sense of the unseen orchestra and clarity to the vocals. The rear channels do nothing more than expand the sense of presence. The track has good fidelity and surprisingly wide dynamic range, a testament to the quality of the original recordings.
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- Z; l/ y( W- J% r3 ?5 ?" b(Note: The DVD release described under "Extras" offered a choice between 5.1 and 5.0 soundtracks.)
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