蓝衣魔鬼/蓝魔鬼 [蓝光原盘] Devil in a Blue Dress 1995 CRITERION 1080p BluRaycd AVC DTS-HD MA 5.1-JUNGLIST 43.53GB

An African-American man is hired to find a woman, and gets mixed up in a murderous political scandal.
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◎译　　名　蓝衣魔鬼/蓝魔鬼
◎片　　名　Devil in a Blue Dress
◎年　　代　1995
, `( V% M2 N* u6 }3 j◎产　　地　美国
◎类　　别　剧情/悬疑/犯罪/黑色电影
◎语　　言　英语
◎上映日期　1995-09-29(美国)
◎IMDb评分  6.7/10 from 20,607 users
1 g$ l' p, P/ G) a4 k* B◎IMDb链接  https://www.imdb.com/title/tt0112857/
◎豆瓣评分　6.6/10 from 539 users
7 w% ^8 [9 S  z# Z6 Y3 n" D, R7 _◎豆瓣链接　https://movie.douban.com/subject/1298906/
" ^# F3 r2 |+ l. ]# }◎文件格式　x264 + DTS  
◎视频尺寸　1920 x 1080
◎文件大小　1DVD 43.53 GiB
. F9 _( r$ @5 z1 }◎片　　长　1:41:30.667 (h:m:s.ms)
◎导　　演　卡尔·弗兰克林 Carl Franklin
5 Q/ _9 Z! D, L8 u5 J/ [) W9 e/ S9 h◎编　　剧　卡尔·弗兰克林 Carl Franklin
◎演　　员　丹泽尔·华盛顿 Denzel Washington
% ^4 ~: ~. n  w) N+ J7 f3 d　　　　　  汤姆·塞兹摩尔 Tom Sizemore
9 {5 n% I1 M- c- h! q) x1 ~/ D2 H　　　　　  詹妮弗·比尔斯 Jennifer Beals
　　　　　  唐·钱德尔 Don Cheadle
' S) r- j* x! d　　　　　  特里·金尼 Terry Kinney
6 m  z9 W  [/ x' n' y, N) l. t　　　　　  阿尔伯特·海尔 Albert Hall
9 R* b1 i1 V# B7 d: O+ _　　　　　  丽莎·妮可·卡森 Lisa Nicole Carson
, I- c. m" v6 s$ \' y1 O　　　　　  爱德华·萨克森 Edward Saxon
( O' r5 C3 w; M1 T$ I1 _　　　　　  乔纳森·戴米 Jonathan Demme
3 \. z) Q7 |& a* l. j/ m　　　　　  唐娜·吉格里奥蒂  Donna Gigliotti
　　　　　  丹·韦伯斯特 Dan Webster
　　　　　  斯科特·维勒尔 Scott Wheeler
$ q6 Z; \0 N9 {+ Q6 I& t　　　　　  Edna Sheen
$ \$ [, {. Q( Q2 _" T　　　　　  Katterli Frauenfelder

◎标　　签　美国 | 丹泽尔·华盛顿 | 犯罪 | 悬疑 | 1995 | 美国电影 | 剧情 | DenzelWashington

◎简　　介   

" g+ D7 t; h) F4 j0 i" s! x. l. M　　1948年，洛杉矶的经济突趋繁荣，满怀希望的军人伊斯退役后到洛杉矶寻找工作，满怀信心的他，以为像他这样出色的黑人在洛杉矶不难找到合适的位置，怎料好不容易才找到一份在机场内当技工的工作，但不久又被老板解雇，更被房东催收欠租。就在绝望边缘之际，他受聘于神秘男子狄维去找寻一个失踪女子黛芬，而伊斯也因此而堕进狄维的圈套，他也不知不觉间被牵涉到恐吓、谋杀、政治的纠缠之中。

　　Ezekiel "Easy" Rawlins, a decorated African American war hero, returns home to the segregation of post-war America. Forced to accept an under-the-table job finding a missing socialite, Easy gets mixed up in a murderous political scandal.
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1. DISC INFO:
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3. Disc Title:     Devil.in.a.Blue.Dress.1995.CRITERION.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-JUNGLIST
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4. Disc Size:      46,741,942,032 bytes
   
5. Protection:     AACS
   
6. Extras:         BD-Java
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7. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 12.0.7.8)
   
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11. Name:                   00001.MPLS  
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12. Length:                 1:41:30.667 (h:m:s.ms)
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13. Size:                   31,593,535,488 bytes
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14. Total Bitrate:          41.50 Mbps
    
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20. MPEG-4 AVC Video        35580 kbps          1080p / 23.976 fps / 16:9 / High Profile 4.1
    
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26. DTS-HD Master Audio             English         3593 kbps       5.1 / 48 kHz / 3593 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
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27. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps
    
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33. Presentation Graphics           English         63.279 kbps  

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Devil in a Blue Dress Blu-ray, Video Quality   
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* }" S. Y1 h# ]*Please note that the comments below were also used in our review of the 4K Blu-ray release of Devil in a Blue Dress. They address specific similarities and discrepancies between the 1080p and native 4K presentations of the film's new 4K restoration.
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This upcoming release is sourced from an exclusive new 4K restoration that was supervised and approved by director Carl Franklin. Obviously, this means that the technical presentation of the film isn't identical to the one from this Region-B release, which British label Indicator/Powerhouse Films produced in 2020. (I do not have any other releases of this film in my library to reference in our review). There is also an upcoming standard Blu-ray release, which we have listed here.
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The entire film looks very sharp and all visuals boast outstanding density levels. Some parts of the film look strikingly vibrant too, but elsewhere there are various fluctuations that are introduced by specific stylistic choices. Most of these fluctuations are present during darker indoor and nighttime footage, but even outdoor daylight footage can be quite diverse. Of course, this isn't surprising because it is precisely how the film's period atmosphere is created. (See examples in screencaptures #2, 4, 15, and 20). However, because some of these stylistic choices utilize light, darkness, and shadows in very particular ways it may seem like detail isn't always properly exposed, which makes evaluating the overall quality of the presentation quite tricky. Here's a specific example: the sequence that screencapture #1 comes from has plenty of thick dark shadows leaving the impression that there is crushing that should have been avoided, but on the old master that was used to produce the Region-B release it is pretty clear that someone had attempted to compensate for the stylization by brightening up the darker areas. In fact, this appears to be the reason why the dynamic range on plenty of the daylight footage from the old release isn't always convincing as well. In other words, the intent was to expose more of the darker nuances, which is why grain tends to have the most powdery appearance there as well. This issue isn't present on the new presentation of the film. Furthermore, I viewed the entire film with Dolby Vision enabled and thought that the overall color balance is outstanding. However, I also tested the Blu-ray release and on the new 1080p presentation of the 4K restoration color balance is quite impressive as well. Primaries, supporting nuances, dark nuances, everything looks very, very good. So, the move from 1080p to native 4K with full dynamic range seems quite subtle, but only because the 1080p presentation is already very strong. Fluidity is most definitely better in native 4K, so if you have a larger screen the 4K presentation will definitely provide you with a superior viewing experience. Image stability is outstanding. Finally, the new 4K presentation does not have any of the flecks and minor blemishes that are present on the previous release. (Note: The 4K Blu-ray release is Region-Free).

BLU-RAY DISC

I like the 1080p presentation a lot. It gives the entire film a very pleasing and stable organic appearance that makes it just as easy to appreciate the improvements that are highlighted above. However, there are a couple of areas where I think trained eyes will easily recognize the small limitations of 1080p content. First, I think that density levels are just a tad better in native 4K, which is why all visuals appear tighter. (Admittedly, Dolby Vision does its usual enhancement as well, so this isn't just a standard limitation of the 1080p content). Second, I think that some of the most tricky dark content looks a tad more convincing in native 4K as well. Finally, if you have a very large screen it is easy to appreciate the superior fluidity of the visuals in native 4K as well. Of course, all of these are very minor details, but we are at a point in this hobby now where we have to try to recognize them. My score is 4.75/5.00. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).

5 z2 r& r8 ^( X. ]9 U8 U3 {Devil in a Blue Dress Blu-ray, Audio Quality   
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4 s7 n" Z3 V6 z3 B% X! ?& z& MThere is only one standard audio track on this Blu-ray release: English DTS-HD Master Audio 5.1. Optional English SDH subtitles are provided for the main feature.

4 @. h# O: K  [% _/ ]' r# oI only viewed the 4K presentation of the new 4K restoration of Devil in a Blue Dress in its entirety. I did only a couple of quick tests with footge from the 1080p presentation of the restoration on the Blu-ray. My impression is that the 5.1 tracks on the 4K Blu-ray and Blu-ray releases handle the original sound design of the film really well. For additional comments, please see our review of the 4K Blu-ray release.
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