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In 2176, a Martian police unit is sent to pick up a highly dangerous criminal at a remote mining post. Upon arrival, the cops find that the post has become a charnel house.
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2 e7 L, u. A' V) N4 R◎译 名 火星幽灵/火星恶灵/火星异魔3 a' U# H* R: c9 H6 o+ w$ p
◎片 名 Ghosts of Mars / John Carpenter's Ghosts of Mars
2 x5 N4 |- q& O$ G. W2 v/ s& _◎年 代 2001
% ]6 l, {: }' L: v9 r+ T1 v x◎产 地 美国. r1 q0 S& c+ M0 @+ v. T1 z
◎类 别 动作/科幻/恐怖
w9 Q E! Q4 E4 c3 Y8 c) ?( \◎语 言 英语
X1 L b6 [' B* \* L% P◎上映日期 2001-08-24(美国)6 y- T, j& u" f9 h$ v2 X
◎IMDb评分 4.9/10 from 54,807 users) r: X$ o2 ]3 L7 G, Q) s
◎IMDb链接 https://www.imdb.com/title/tt0228333/4 g$ r/ ^0 O7 Q9 _, z
◎豆瓣评分 5.4/10 from 2,279 users, B6 J5 U# `; G9 t' ]+ P
◎豆瓣链接 https://movie.douban.com/subject/1301939/* S" W' } M4 u0 X2 c; i$ q
◎文件格式 x264 + DTS
0 }/ n+ c# B" H* |◎视频尺寸 1920 x 1080
& c% \7 V( w) R' M2 X s◎文件大小 1DVD 27.53 GiB
( `; n; i6 @2 A! _◎片 长 1 h 38 min
" ]; N" P0 x9 s& _3 L4 i( M◎导 演 约翰·卡朋特 John Carpenter0 ^9 A: d1 i. P4 F' X: Q8 ^9 n
◎编 剧 拉里·苏尔基斯 Larry Sulkis; V$ ]+ P6 c* W2 m
约翰·卡朋特 John Carpenter
K! N. v- x$ u3 D◎演 员 娜塔莎·亨斯屈奇 Natasha Henstridge
6 s5 c3 U( q; a 艾斯·库珀 Ice Cube3 E/ Y% k7 w" l
杰森·斯坦森 Jason Statham t- a& I2 J2 @) r: z* @- T* C
克里·杜瓦尔 Clea DuVall9 t2 f2 _- q8 M
帕姆·格里尔 Pam Grier
7 D+ C0 j# i- J5 X$ H8 O% r, O 罗伯特·卡拉丁 Robert Carradine
# r7 O5 p3 G7 {. Q. }% ^5 X 罗德尼·格兰特 Rodney A. Grant9 a" V' d+ ?$ o$ `
乔安娜·卡西迪 Joanna Cassidy( b) T) C" N% r% U' L
Chad Randall8 e7 C, k- Y- c" s( ~- [
艾琳·魏辛格 Eileen Weisinger
3 {" H" f' T) i- x+ b! F 旺达·德·杰索斯 Wanda De Jesus
$ b, r, r" Y0 Y1 I* [: x Chance Romero) x( H: |$ e0 X8 Q% z5 c
J·内森·西蒙斯 J. Nathan Simmons6 P. N+ L7 H/ k& e7 E* d2 U! {
马特·诺兰 Matt Nolan: D8 [4 b( U5 N- J. U# m3 N3 j
James W. Gruessing Jr.
( h2 \8 R t* l. q& j _- p5 o 道格·麦克格拉斯 Doug McGrath
8 b4 V9 V# j$ s& w( h6 I 瑞克斯·林恩 Rex Linn, n. A! Q% L0 A* A. {9 X
皮特·杰森 Peter Jason
$ C' S% A% V- q) I }7 v$ B Damon Caro
6 V% C7 f9 |6 g* u0 }2 V J* O- w- Q 理查德·赛特伦 Richard Cetrone. u1 ^6 J# D2 O3 X3 l* P5 x
罗丝玛丽·福赛思 Rosemary Forsyth6 B0 Q: S0 e# D! B3 I5 c
Harry Jay Knowles' X: N5 Y0 H+ [& p5 U8 m' m- v
Liam Waite
1 U/ L) u1 v/ P% V2 q# k+ q$ c Sandy King3 |5 u2 x, v- |8 H3 M
约翰·卡朋特 John Carpenter0 b% c: b. N5 [& ~0 C# H3 ~
Gary B. Kibbe
! Q1 G9 Q$ m- E9 E 瑞本·卡农 Reuben Cannon' p) |$ H: D. e" P- Z: W/ o# ]
马克·W·曼斯布里奇 Mark W. Mansbridge; U) @; U+ e5 w
William Hiney
6 I7 r+ u8 z, Q/ ~* a4 B5 A" i! B 威廉·A·艾略特 William A. Elliott
; |% X8 O0 a$ Y4 o Robin Michel Bush [2 c- s5 _$ G. B' W6 G$ i
格里高利·尼克特洛 Gregory Nicotero9 y8 j- l" ~( r- `
小弗雷德·C·布鲁 Fred C. Blau Jr.
/ r8 A6 w8 o# R- T H Ken Wensevic
' _3 ?" d* d0 O' y9 ?, T 杰克·加伯 Jake Garber
0 M0 \; A1 V) W5 |9 { 朱迪斯·A·科里 Judith A. Cory5 n/ h4 Q0 Y' L! b* A) n D7 G
罗伯特库兹曼 Robert Kurtzman
' h2 e7 T( X. v! R& k% E9 W Jim Kail
% X0 F5 [8 G% {2 d Margie Latinopoulos
! b. m: ^; G" ^- \% X# t 霍华德·伯杰 Howard Berger% f2 E# f8 P8 f1 j3 t X
罗伯特·霍尔 Robert Hall6 u) a# k2 Q" E) B ~- T
James Waterhouse
9 C* Z ]1 {9 C+ }" R- y Scott Gordon; q5 c: Y* _$ ?" `1 M6 h# I9 W% A
Forest Fischer. V3 j+ I' ^& }4 M' i
R. Christopher Biggs
/ U1 a% q+ O# P5 p( _2 {8 D 乔丹·伯恩 Jordan Byrne
$ E$ b6 x# ?9 Y9 t& s Scott Beverly" e8 n$ ^: A4 ]
Rob Meyers
: L! K0 ~6 ]7 L# e5 b% s Dennis Fitzsimmons
2 Z' @' {/ _- J0 W' J Enrico Altmann9 F) `, ?% [" p. m. C
马修·格拉茨纳 Matthew Gratzner
& g! r) {3 }: l/ R' n 伊恩·亨特 Ian Hunter
' z0 P3 C- u' Y4 n( }7 i/ x Leigh-Alexandra
2 r7 X }0 P0 [$ j+ A Ken Locsmandi
4 N1 F+ ~, I$ T Michael Shea
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7 Z' |3 Z5 ~5 s3 I) C◎简 介 ' L& M( L, t6 x8 R/ x" z
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2176年,和平的年代下人口激增,地球早已不堪重负。此时人类文明高度发达,与地球环境最为接近的火星成为人类外太空移民的首选之地。此时,这个红色的星球还只是一个正在开发的处女地,大大小小矿场遍布火星之上。
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特警小队指挥官梅兰妮(娜塔莎·亨斯屈奇 Natasha Henstridge 饰)奉命前往火星上名为光明峡谷的矿场小镇,去押解重罪犯威廉姆斯(艾斯·古巴 Ice Cuba 饰)。然而就在不久前,在当地进行考古工作的惠特洛克教授(乔纳·卡西迪 Joanna Cassidy 饰)无意中触动了远古文明的遗址,并唤醒了一个沉睡已久的火星幽灵。它誓要杀掉所有入侵的人类,在生死关头,梅兰妮和威廉姆斯被迫联手,于这个邪恶的幽灵展开斗争……: b) H& U; I: M# e$ p, S
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By the year 2176, the planet Mars, long inhabited by human settlers, has become the manifest destiny of an over-populated Earth. Nearly 640,000 people now live and work all over Mars, mining the planet for its abundant natural resources. But one of those mining operations has uncovered a deadly mother lode: a long dormant Martian civilization whose warriors are systematically taking over the bodies of human intruders. Lt. Melanie Ballard of the Martian Police Force is on transport assignment to bring James "Desolation" Williams,the planet's most notorious criminal, to justice. Williams has no plans to make Ballard's job easy. What begins as a battle of force and wits between cop and criminal soon turns into something more fundamental: a battle for human survival in the realm of the Martian warriors. It's civilization against civilization as Ballard and Williams join forces in mortal combat with the Ghosts of Mars.% t& ?8 y6 h m) _1 w/ Z8 U
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Ghosts.of.Mars.2001.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.5.1-FGT
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Menu
. {7 W9 M2 f n1 S1 [& f# u00:00:00.000 : en:Chapter 01
9 G( ~" j2 u5 r- M; l5 ?00:09:37.326 : en:Chapter 02
7 q# J" T3 X2 E/ b/ l00:17:10.112 : en:Chapter 03
) N3 g, n( n5 I1 j$ V4 p00:23:50.971 : en:Chapter 04
9 K* S9 C* X1 B! E' M, I2 l# c00:32:29.572 : en:Chapter 05
2 a7 Q1 u" j M2 d! j1 `00:40:39.979 : en:Chapter 06
: t+ l6 y6 _" B$ P2 e3 {- o00:49:23.418 : en:Chapter 07/ L! M; N8 W( f
00:57:13.638 : en:Chapter 08& t* b5 t* ~# I) `
01:05:15.870 : en:Chapter 095 h% F3 s, b4 I R
01:11:26.156 : en:Chapter 10
5 f) g2 \/ h8 ?5 D8 M1 b8 F01:20:51.513 : en:Chapter 118 N5 X, m/ Q% a4 e+ T
01:30:11.614 : en:Chapter 12 Ghosts of Mars Blu-ray, Video Quality ; _8 {8 Q& K# @% M
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2 h" X5 a- k& c$ e6 J0 @Ghosts of Mars was not well reviewed in 2009 for its video quality. Whether this is the same transfer or not this reviewer found the image to be more than acceptable, though certainly not perfect. Red is a major tonal focal point with the Martian terrain the most predominant and readily visible hue in the movie. It's never punchy, maintaining something of a modest desaturation that gives it a rather flat and dead look rather than a vibrant and alive appearance. That suits the movie's somewhat bleak and action-y tone quite well. The color is contrasted with one or two other shades throughout, such as blue attire and...not much more. Most of the characters wear black vests and carry black gear. Those elements are handled properly, with good depth and no extreme pushes to lightening or crushing the color. Skin tones appear fairly neutral. there's no major push to warm or to pasty on the other end. This is a very tonally grim movie that was probably photographed and color timed with the idea of "hell" in mind, which again suits the film well. Carpenter at least sticks with a vision for it (which he also does with the music...see the audio review below) even if the film is ultimately not a triumph.. C( D! k8 N7 f& G. z
! _2 `( v' E9 V; JTexturally, the image is fairly solid and stable. A light grain field is retained throughout, which is not perfectly rendered but it never appears sloppy and it never disappears. Textures are well resolved as the movie's production allows. The vast expanses of red rarely find anything resembling exacting, pinpoint detailing or sharpness, but character close-ups showcase healthy detailed skin that presents pores, hairs, scars, freckles, and other intimate details with inarguable sharpness and detail and clarity. There are more than a few softer corners and edges that are inherent to the photography. Compression artifacts are present but never appear at a debilitating level, and the print is surprisingly clean and free of debris and other blemish. Overall, this one's not bad. Fans should be rather pleased with what is a solid presentation from Mill Creek.; t! }& ^; e0 x0 D7 f
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Ghosts of Mars Blu-ray, Audio Quality 7 @/ W9 Z, G; H
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' D% J+ f t; o! u! QSony's 2009 Blu-ray featured a Dolby TrueHD 5.1 lossless soundtrack that did not garner high marks, but Mill Creek has at the very least re-encoded it into a DTS-HD Master Audio 5.1 lossless soundtrack. How similar or different it is from the Sony disc I unfortunately cannot say, but it's certainly active and enjoyable, if not a bit crude around the edges. Ghosts of Mars is perhaps best known for its score, its blend of classic Carpenter synth and more aggressive and then-contemporary Heavy Metal riffs (which includes music from Anthrax, Steve Vai, and Robin Finck, amongst others). The lossless DTS track handles the material quite well. While it lacks absolute finesse and perfect detail, the track certainly presents the music as Carpenter likely envisioned, more as a tonal assault and action compliment and less a dramatically orchestrated and perfectly nuanced score component meant to reinforce subtle drama and characterization. The movie succeeds more as an aggressive cinematic pursuit rather than a finessed storyteller, and in this way the music feels perfectly suited to it and the soundtrack delivers it as it compliments that vision, which includes a wide front end berth and aggressive surround implementation. Action effects also deal in back channel engagement, offering good chaotic gunfight zip and pop and punch and well defined and positioned general battle din, and when the action plays with the music the two compliment one another well; the track never prioritizes one over the other, allowing for a more harmonious total engagement. The subwoofer delivers more than a few quality rumbles as well. Environmental supports are nicely integrated, including light atmospheric elements and minor location and shot details that help further shape the film's unique set pieces. Dialogue is clear, well prioritized, and firmly grounded in the front-center channel.
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