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Depicts the final twelve hours in the life of Jesus of Nazareth, on the day of his crucifixion in Jerusalem.1 `0 R) G% u2 ^
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( ]2 R/ S7 [2 j* }◎译 名 耶稣受难记/受难记：最后的激情(台)/受难曲(港)/受难/基督受难记! N1 N; h& E5 _
◎片 名 The Passion of the Christ$ ~" q9 b( E* o. h7 m: {+ [0 I5 F0 L- h
◎年 代 2004
! B' Q2 I `8 f/ x◎国 家 美国
3 g7 E$ d# T# O◎类 别 剧情
( h9 _. }9 ^* v( H: f/ }◎语 言 阿拉姆语/拉丁语/希伯来语8 ?* q& ?7 b: D" `, i' ^
◎上映日期 2004-03-19(中国大陆)/2004-02-25(美国)
! T' M. C! i% x5 ? C" @◎IMDb评分 7.2/10 from 231,205 users' K! J. I7 ]' R0 H
◎IMDb链接 https://www.imdb.com/title/tt0335345/; n- K% |% @) U
◎豆瓣评分 7.9/10 from 33,322 users
& t4 m% Z& `' |3 B: h◎豆瓣链接 https://movie.douban.com/subject/1308750/
" J7 D/ D1 j7 Z" Q$ n3 F5 d◎文件格式 x264 + DTS
7 L; i! d& j7 u7 s# Q$ Y* |◎视频尺寸 1920 x 1080
* a9 e/ D3 g1 g( V. G$ d( a◎文件大小 1DVD 24.46 GiB
0 m+ e' x% }4 |& N: @& u◎片 长 2 h 6 min
+ U- T6 e v/ `; o◎导 演 梅尔·吉布森 MelGBson
" x/ t! p( v7 N0 p: J◎编 剧 本尼迪克特·菲茨杰拉德 Benedict Fitzgerald
+ ?. A" J7 T3 I4 Q1 Q$ s9 _ 梅尔·吉布森 Mel Gibson9 y; n1 t3 Q0 I l6 Q4 e- }5 p
◎主 演 吉姆·卡维泽 James Caviezel
# K3 L8 V% ~ \# W$ s) z7 G 玛雅·摩根斯坦特 Maia Morgenstern; ]: f t$ c& {1 R' q) L
克里斯托·日夫科夫 Christo Jivkov6 W5 ^9 p" d' \! h
弗朗西斯科·德·罗萨 Francesco De Vito' }1 y% Q2 a8 i, C# c( I8 j
莫妮卡·贝鲁奇 Monica Bellucci
* s# M+ N4 A8 b! U 马帝亚·史巴吉亚 Mattia Sbragia' ^/ p% T8 t: O) N6 b
托尼·贝尔多瑞利 Toni Bertorelli9 x6 V) X: y" O% q5 D0 I/ v$ O
卢卡·莱奥内罗 Luca Lionello4 Q( f! V( m$ a: [8 }! T" ~
克里斯多·夏帕夫 Hristo Shopov1 V# S8 C0 e) [3 v3 Y0 T6 N
克劳迪亚·杰里尼 Claudia Gerini
: C' @2 F- e/ [" P! ^6 P' Q Fabio Sartor; M9 Q+ r0 l D6 o
Giacinto Ferro
8 M) N* B& @. |. H: { N: \/ W 亚历山德·明瑟 Aleksander Mincer
; ?7 i6 l8 J4 ?4 p$ C% s$ G g- c& A! M Sheila Mokhtari2 u% j6 d: m* g& k% n {2 R
Lucio Allocca2 f7 f% o. l+ y7 a1 x$ }+ E
Lino Salemme
, O2 ?$ b6 @# u# W9 n 弗朗切斯科·德罗萨 Francesco De Rosa1 [6 v( i5 E/ G0 M/ r
安吉洛·迪洛雷塔 Angelo Di Loreta6 m- j9 o( y0 \3 n! R4 v
费德里科·帕西菲奇 Federico Pacifici
$ x4 L, ?* o) ~; O Andrea Coppola
+ i9 W, x$ i) L' T7 |7 Y 罗穆亚尔德·安杰·克洛斯 Romuald Andrzej Klos9 \, U9 t& @2 q
Luca De Dominicis
) t! P+ s, v& @, z 阿贝尔·贾夫里 Abel Jafri
i8 P" A* s& y" x 赛尔乔·鲁比尼 Sergio Rubini/ q3 q" L( C7 W# u
Francesco Cabras
* C$ h! `0 ?" _! x, L- ~: f" _ 萨布里娜·因帕恰托雷 Sabrina Impacciatore2 L8 y" Z- m$ P8 v: h, W( D
贾勒斯·J·默茨 Jarreth J. Merz8 L; w% {, r7 j
达维德·马洛塔 Davide Marotta4 t7 f( R7 m; s* [
Rosalinda Celentano+ k" _( N) V0 G0 }1 g
梅尔·吉布森 Mel Gibson
. B9 \7 z" y6 z# `& O+ {% k' u0 k- v 斯蒂芬·麦克维蒂 Stephen McEveety 5 f. J) p: J! K1 ?
布鲁斯·戴维 Bruce Davey
. s) [- a+ r7 X 恩佐·西斯蒂 Enzo Sisti 1 ^6 f( n) H8 `- P+ R0 X* A: P
约翰·戴布尼 John Debney
. j; O* u- o( ] 凯莱布·德夏奈尔 Caleb Deschanel
/ {4 e, ^# @. B, ~) g" f4 w 约翰·赖特 John Wright - J4 A" p/ g! ?! x$ H
沙拉·鲁宾 Shaila Rubin
( c( o3 C. E, o# D Shaila Rubin
6 k2 E. ~: F X5 s 娜扎雷诺皮亚纳 Nazzareno Piana , ]4 T/ ^3 l" B, m2 y* A+ }
弗朗西斯科·弗里格里 Francesco Frigeri
1 r1 m" ]4 k) o8 d4 o2 T 毛里齐奥·米莱诺蒂 Maurizio Millenotti
9 V& E1 ]+ c5 x: E" [ Mario Michisanti
( { i3 C0 \/ g5 X* x+ ] [# I0 q 基斯·范德兰 Keith VanderLaan 4 j( }$ r, H. x" Z
Gianna Viola
) e% X& M! e. d1 b. ~& e) [ Nathan Franson . X9 O3 E6 w1 }* F
Michael O'Brien
- O2 `8 J9 ^; |5 `& A! B 文森佐·马斯特朗托尼奥 Vincenzo Mastrantonio ) x! H7 b' d$ k. v7 i, d# g
格雷格·卡农 Greg Cannom 0 r4 u1 W1 t' u7 s+ o9 S
玛丽亚·特雷莎·科里多尼 Maria Teresa Corridoni
8 @) [; `, {# m" I+ ]6 h1 e1 D3 S 克里斯蒂安·汀斯利 Christien Tinsley
_. M+ @: Y" Q8 A% M. k Glen Eisner Glen Eisner ) r, v3 b, q! \6 F, e6 C3 n& x
雷纳托·弗朗索拉 Renato Francola
6 j: N' o- x& X 布莱恩·西普 Brian Sipe 5 a4 V3 M0 T# r0 ^; _+ M; B( K
Brandon Ellison
1 E0 r7 ^; a: k$ R8 n: H* | Desideria Corridoni
1 x" k' ]4 l: p, K2 ? 达米安·费舍尔 Damian Fisher
1 w1 c9 Z9 }: T 毛里齐奥·纳迪 Maurizio Nardi
) D- s3 x5 S4 x8 T: @% T J·M·洛根 J.M. Logan
S6 }$ W. f& E 哈维·劳里 Harvey Lowry
+ h) t5 l* w. l* l/ _9 K! { 塞尔吉奥·埃尔科莱西 Sergio Ercolessi
7 l+ X6 t2 X- ^) W 芭芭拉·帕斯特罗维奇 Barbara Pastrovich * H& j, ^& n4 f7 U: s- R
Ted Rae Ted Rae ! r( \. v1 c' @( p w v6 o
John Nelson $ F7 y& H9 v3 ^4 I/ j, a0 I' \+ M; i
J·M·洛根 J.M. Logan
# G. Y2 c: U+ @( V$ C 托马斯·坦嫩伯格 Thomas Tannenberger
6 @ }: ^- H6 z- O" R- J# L0 H 马克·萨利文 Mark Sullivan 8 F8 |8 W0 e2 e* a* [$ [
Laurel Klick
4 u' ^ w2 M( a( f! r8 } David B. Sharp G) O9 R- r. K3 u% y: i
Bret Mixon Bret Mixon
% E. n1 u+ r* }( w1 D Ted Rae Ted Rae " p( c8 q! x* u: d6 Z- C7 f
Anthony 'Max' Ivins
3 v1 L' h& [/ Z3 ? 帕特里克·克兰斯 Patrick Clancey
. }: K8 ]& {1 i" u) y6 y$ k Alpheus Underhill
% m# J# M1 z1 q/ d Linda Avitabile
C$ [, `& h( g; K 埃弗雷特·伯勒尔 Everett Burrell . M& q0 ]3 Z3 U8 ?, ?# l% l0 Z- ?5 ^
Paolo Verrucci 1 X, S: ?+ C% I' {. x
Chris Zapara 2 G$ l% N5 j2 E7 F3 M4 s
Tefft Smith
% L5 Q* h3 B$ T) p Tracy Thomas 4 q" r$ h8 ]# j3 }
Brian Battles
, ~( ^% Z+ u$ q$ G* K 基斯·范德兰 Keith VanderLaan
% m0 Q5 T, d' Y) a, T% b- q5 C4 @, I4 x 莱斯·伯恩斯汀 Les Bernstien9 F# o$ q5 x5 a8 d( `
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◎简 介 7 i0 T) t$ K5 O: ~+ R g- C9 W
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那是一个遥远而又让人永世难忘的时代，一位圣者将他的名字、他的精神永远镌刻在历史的丰碑之上。备受世人爱戴的上帝之子耶稣（詹姆斯·帕特里克·卡维泽 James Patrick Caviezel 饰）为生活在穷苦和磨难中的人们带去了希望和喜悦，与此同时他的存在也触犯了教廷和统 治者的利益。他拒绝着魔鬼的引诱，而门徒犹大（卢卡·莱奥内罗 Luca Lionello 饰）则抵抗不出金钱的魅力，他为此出卖了耶稣，其丑态永久留在了“最后的晚餐”之上。在此之后，耶稣被捕，当局者为他戴上荆棘做的王冠，命他背上沉重的十字架，更用带着铁刺的鞭子抽打圣人的肌肤。耶稣痛苦呻吟着，决绝地忍受当下的一切。“仁慈之父，他们什么都不知道。”
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, y& C9 U8 G: e 作为圣人，作为救世主，这是一条必须淌血走过的试炼之路……
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The Passion of the Christ focuses on the last twelve hours of Jesus of Nazareth's life. The film begins in the Garden of Olives where Jesus has gone to pray after the Last Supper. Jesus must resist the temptations of Satan. Betrayed by Judas Iscariot, Jesus is then arrested and taken within the city walls of Jerusalem where leaders of the Pharisees confront him with accusations of blasphemy and his trial results in a condemnation to death.7 L3 ~( [$ D7 |1 u, w! o0 L1 \/ y
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◎获奖情况 $ n; f. I) V2 T* E
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第77届奥斯卡金像奖 (2005); p1 c9 m+ w, _1 i8 a" Z1 j* q7 C
最佳摄影(提名). ~$ e, h8 v( V2 x' ]) Q
└──凯莱布·德夏奈尔
/ d o& k* u. S0 J( w# `7 } 最佳化妆(提名)
! u4 m9 ]" l$ v; R, D- d 最佳原创配乐(提名)
@9 J6 D3 [6 d. M' b* d8 i( P └──约翰·戴布尼
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) H" q/ h+ v- B$ D$ G9 R   The.Passion.of.the.Christ.2004.ARAMAIC.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.5.1-FGT
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3 k @/ T! K# F6 _Video% z D0 @; x! w" T! P. t
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- B/ Q3 \& G2 V8 C$ R( L* eFormat settings : CABAC / 4 Ref Frames
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Codec ID : V_MPEG4/ISO/AVC( X9 d* `! b/ S
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* Q1 J, [ A7 |: E4 U" HBit rate mode : Variable' f- h) L' O' m% ^- M6 t
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. X% n/ b5 o1 w8 CMaximum bit rate : 35.5 Mb/s/ t% w3 Y6 H3 j7 \' h6 J! D2 k# n
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/ y! K3 V! q2 ~/ h' W" @Height : 1 080 pixels4 M0 m" @5 |) [/ B* Q1 ?- j
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' I( C) o9 i) O& e+ s XScan type : Progressive
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- M3 [2 R# ]% t6 P7 f: K( G% hLanguage : English7 G6 j8 z5 F; j t3 f
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7 l5 R; {9 R0 o9 ~( l) z( C" nTransfer characteristics : BT.709
5 p, k# ~8 t. C* y2 zMatrix coefficients : BT.7098 d- M; x% h" ^
Original source medium : Blu-ray
! [8 F) g+ b/ U1 V" w& n7 P, d$ P( o" T- w# k1 R' a2 [
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L7 O& A1 }% N( |$ t' G9 _ID in the original source medium : 4352 (0x1100)+ k; s* o" i; I+ b |9 O7 m9 y
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& }8 {3 y6 w2 x8 u/ _' CFormat/Info : Digital Theater Systems' {3 D9 l6 D# B/ g* a( c, ~
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/ y. ]; [* R$ N7 g0 ACodec ID : A_DTS. h' m M9 J' ] U- V9 N4 I; ]( H
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5 K! }2 }+ p( B6 L* g; \Title : Surround 5.1* d% _2 ^4 t8 o& e E+ i
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3 ?3 e! O o' |- G4 t0 dCommercial name : Dolby Digital
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& H+ b3 q- I6 u, E) I% PStream size : 203 MiB (1%); d- \# H: a- E( |/ a0 x
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5 Z! I5 [+ i3 q& k* P8 t2 eDuration : 2 h 6 min
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8 T1 F2 U5 Y, ?, E% EOriginal source medium : Blu-ray. E* m# Z2 k4 N3 U3 z
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" @: c% Q' x; Y' [6 gOriginal source medium : Blu-ray
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/ m( ?4 W: ^; ]. a; t) Z) Z6 Q zFrame rate : 31.250 FPS (1536 SPF)
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% P5 |$ j. ?6 C" {& g8 o6 wChannel layout : L R
) t. @$ L1 G, MSampling rate : 48.0 kHz
) N/ p" c1 g2 Q+ Y+ t! u* ~. EFrame rate : 31.250 FPS (1536 SPF)4 @' n' t- d! e+ J4 N# N
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Title : DD 2.07 S& G+ c8 S3 B; i/ X; e
Language : English
. K( U7 R7 U! w6 j5 ^3 @# Z. v8 YService kind : Complete Main
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( X2 ]8 ?& @0 q, M- r& ZLanguage : English! a+ M- W1 m) K
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" k* J) a' D5 U6 {Title : SDH. ^8 V( D: ]6 Q5 h4 t
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8 ~; h+ L7 j+ W+ R& DOriginal source medium : Blu-ray
3 n* e5 e; L5 n; |( ^8 a v) C/ H" w( S" i$ S
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& y w, E: s1 n5 z6 s9 y& MForced : No- x C( ^4 _( C% l
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, q+ J8 I( ^' c8 G3 j2 ^Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs% g/ `4 p- e5 [2 x3 l3 Z" |
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; j5 q+ F, W% J: H* v5 Q UCount of elements : 982# I, a2 i6 h' e" f2 I/ Q
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% ^: e! ~8 y# f; ~) H* k/ yOriginal source medium : Blu-ray0 g5 l7 e) P+ [% k2 t
3 W( ^- E( R* ^8 C4 JText #7
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/ B/ P9 s' s5 U+ R& j2 IFormat : PGS
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Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
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7 ^# I9 u" M v) a( Z1 VForced : No
) o4 m* t# n% E% HOriginal source medium : Blu-ray$ P# T4 h7 J1 r& U* F& z5 _, E" S
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Text #8& r: @4 ?( W0 u7 r
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; L! R" q7 [- F; X/ E( kDefault : No2 K; S/ q+ h: U; {5 F6 _
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Default : No0 F6 j# ]; b$ `% V) f/ l) i9 O
Forced : No
+ M. W, |, Y) h: [- k% A! O% NOriginal source medium : Blu-ray
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' F1 y6 A# `# ]$ o) i! TText #10
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! @1 O6 e4 N9 A3 W4 C, t- V) w/ OText #11
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Language : Thai
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, d1 m0 e8 I3 s; I; q- dOriginal source medium : Blu-ray
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Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
" s4 w! m k, I0 |( P$ `Duration : 2 h 4 min8 n- U1 E1 F2 J1 }" k
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& B- Q6 T# v3 i! e7 \" rLanguage : Portuguese
( p) [! g, i, b2 K1 K& M; sDefault : No
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1 f+ m" z/ B( h8 h ^4 |Language : Korean
9 F" Y0 p8 {% y5 |5 X2 VDefault : No
/ i1 S% O4 v0 t; TForced : No# B8 M) s* h2 d$ C6 i3 H
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& p$ H d5 \$ R' k/ i0 ZText #15
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+ _. {" b2 q8 W- n, V2 s. ]Codec ID : S_HDMV/PGS
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! _! F: Y8 w/ H, g: d% F+ D. R" aDuration : 1 h 59 min7 u1 l5 c; `4 Y) s4 A& j
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: T+ F i# d4 x! w+ f- K- hLanguage : Spanish
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" h% v3 ?; @4 P' X) A4 d- b, jDuration : 1 h 59 min3 v+ k( n/ x, K
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* E$ M @9 z6 s1 q- `. u$ L2 Q, sOriginal source medium : Blu-ray: p, R8 P/ k ?
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Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
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Language : Spanish. T; n! m0 `- R
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; f K3 ~( c1 K+ m/ i3 n/ g0 Y7 qDuration : 2 h 5 min
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Language : Spanish+ i: ?& v; j9 w+ |# G8 x3 F2 G
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Text #22
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00:00:00.000 : en:Chapter 01
0 O+ U2 c3 N, b) h01:08:12.463 : en:Chapter 02
3 R; l' b2 O. o6 D: x8 p6 p01:12:33.515 : en:Chapter 03
* b6 X) [6 w6 u# O01:15:23.769 : en:Chapter 04
1 V" d% H2 y. f01:16:37.926 : en:Chapter 05# ~3 e5 M, d. I" M0 r0 B
01:20:47.551 : en:Chapter 06
4 P* g! @! {0 f4 u$ C/ ~& s" J01:23:18.076 : en:Chapter 073 Q2 U; {+ h6 M0 S3 B
01:27:28.451 : en:Chapter 080 x9 [+ c9 E7 S& B* v7 o
01:28:12.954 : en:Chapter 09
! {0 o+ Z; Z3 ?# E. q01:34:33.459 : en:Chapter 109 _; L: ^9 _' R( f0 w I! Z* _# r4 J
01:34:52.311 : en:Chapter 11$ j8 v. Y5 ~% L( J1 s" k! d
01:43:11.602 : en:Chapter 123 f* ?+ [! D: Y! L
01:55:44.687 : en:Chapter 13
; }: p* V% u+ [$ p" m8 m01:57:22.368 : en:Chapter 14( W; {% k, }* _' ^: l2 G- c( v
01:58:49.956 : en:Chapter 15
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The Passion of the Christ arrives on Blu-ray with a quality 1080p, 2.35:1-framed transfer. The film begins with Christ in the darkness, praying desperately, as three of His disciples slumber, failing to watch over Him. The image is shrouded in a blue light, removing virtually all color from the image, leaving only the darkest depths of the background and the soft yet mysterious moonlight to illuminate the sequence. The film handles these nighttime scenes extraordinarily well, never featuring banding or pixelation in the dense fog and dark backdrops. As night turns to day, the transfer sees an increase in resolution and fine detail; the sandy terrain and earth-colored stones that make up the buildings reveal lifelike texture. Also, the various garb seen in the film -- including the regal clothing worn by the Pharisees, the Roman military uniforms, and the worn-and-torn rags worn by the lower classes -- reveal incredible texture and lifelike vibrancy, revealing most every stitch and the finest details of the adornments. The image appears just the slightest bit soft in some scenes, and as a result the finest of details, particularly in close-up shots, may appear less than ideal, looking a bit too smooth and undefined, but only occasionally. Blacks are somewhat less-than-stellar, gravitating towards a dark shade of gray in many scenes. The film retains a fine layer of grain, though it is only distinctly presented over the dark opening sequence. Fox has done justice to this video transfer.! f( y- W. C0 b" x% F" g+ m) R
" P3 q5 z; R2 Q9 w( t9 T- SThe Passion of the Christ Blu-ray, Audio Quality
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5 x( A! h; a/ q! o' W20th Century Fox debuts The Passion of the Christ on Blu-ray with a quality DTS-HD MA 5.1 lossless surround sound presentation. In the film's dark opening sequence, the track creates an astounding environment that surrounds listeners, with insect and other small creature life surrounding the listening area, coming from every direction in a 360-degree sound field. The film's score plays with precision across the front with subtle support from the rears, parts of it accompanied by a discernible level of good, deep bass. Sound effects, too, are precisely replayed; the bag of coins Judas receives from the Pharisees early in the film for his betrayal of Jesus spills before him onto a stone floor, the coins scattering and clanking off the surface to realistic effect, with just a hint of amped-up sound to serve as a subtle emphasis on the importance of the scene and reinforcing Judas' burgeoning regret for having betrayed Christ and the implications of the treachery. The track features a tremendous amount of force and vigor in the moments following Christ's death on the cross. This sound mix offers strong, robust dialogue presentation to go along with the fine recreation of the film's score and sound effects. Although The Passion of the Christ doesn't offer one of those whiz-bang soundtracks that offers sounds consistently pouring from every speaker, it's subtle use of the surrounds, emphasis on ambience and musical reproduction, not to mention strong dialogue, make it a winner.
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