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. L w+ Z* }; `" q◎译 名 天狐入侵/红色黎明/赤色黎明( ?* X- H; L' O& J6 A
◎片 名 Red Dawn
/ F( c1 ]# U9 R- K◎年 代 1984- X7 p1 I, q; v8 u3 _
◎产 地 美国
! [$ @2 ]7 |) [◎类 别 动作/惊悚/战争
3 ^$ I7 b0 i$ r4 ]$ u s, o+ b◎语 言 英语/俄语/西班牙语
) r+ p2 v! \! B% o◎上映日期 1984-08-10(美国)+ g- m1 }. e8 n8 D5 q4 `
◎IMDb评分 6.3/10 from 57,549 users
: T4 [+ w) ~) U9 a+ T0 \% D◎IMDb链接 https://www.imdb.com/title/tt0087985/
) [, B. p' w+ e3 v4 j# m◎豆瓣评分 5.7/10 from 178 users
8 a% C V0 y; c7 e5 T5 T9 w) m◎豆瓣链接 https://movie.douban.com/subject/30210180/
" g& V7 H' R8 \$ v0 Y◎文件格式 x264 + DTS
7 [6 T: P# E1 T9 B4 P, P& h◎视频尺寸 1920 x 1080. h/ @1 B7 |: t9 C9 j. M
◎文件大小 1DVD 32.37 GiB
+ O1 q% D4 e4 j; U% d& g+ z' H& z2 k) M◎片 长 1 h 53 min
& z4 u+ _3 {: @' d◎导 演 约翰·米利厄斯 John Milius
+ a/ g# {# F' e& U: y◎编 剧 凯文·雷诺兹 Kevin Reynolds& I# _+ _: n! a6 t8 v- S& X
约翰·米利厄斯 John Milius
& y$ i* ]0 n+ X+ E8 @7 w/ X2 y◎演 员 帕特里克·斯威兹 Patrick Swayze' h1 u# U- a. Q j6 U/ F) y* V/ W
C·托马斯·豪威尔 C. Thomas Howell2 ?, R+ h$ n" U# w1 i ~" f
莉·汤普森 Lea Thompson
! e9 B! Q7 @2 ~$ Q3 V6 X' z 查理·辛 Charlie Sheen; S1 x; {# W: B5 Q$ s' Y/ i8 D
达伦·多尔顿 Darren Dalton
! P( c. j& ~; e; m 詹妮弗·格雷 Jennifer Grey1 t! X5 r7 ] z; O6 n/ E4 _
布拉德·萨维奇 Brad Savage
# T. N/ g/ `8 p9 R2 s( A/ a* q 道格·托比 Doug Toby6 _- `7 T3 H) s* o" l
本·约翰逊 Ben Johnson8 ~- s2 L! E( w4 l; D* {8 S9 P1 g" B
哈利·戴恩·斯坦通 Harry Dean Stanton$ G' n0 ?$ R$ P( m5 j5 \% v
朗·奥尼尔 Ron O'Neal) S1 N" }, B5 p6 J$ H, ^* u B5 Y+ e
威廉·史密斯 William Smith# [" d; F/ c ]$ O5 Z; N: l$ p
弗拉杰克·舍伊巴尔 Vladek Sheybal7 O3 c9 ~+ l& A: [7 ?3 G
鲍沃斯·布斯 Powers Boothe
9 m" S1 g I% N- l 弗兰克·麦克雷 Frank McRae
+ _& J) c- j' e- G7 x 罗伊·詹森 Roy Jenson1 O: F6 V3 x$ a3 |/ c5 v
帕皮·塞尔纳 Pepe Serna
5 ~; B/ O! n! i9 e/ P4 x 莱恩·史密斯 Lane Smith
9 t7 G; j; \2 F* g George Ganchev2 g+ X3 V/ B. B4 z1 }# h
Waldemar Kalinowski* Z& ~ L" [: ?
Sam Slovick @- {9 ~, ]: F" L
Radames Pera
3 J. ?% k! r' J8 l' q z Ben Zeller/ C+ u2 k" k: Q6 | Z2 K$ e
乔治·费舍尔 George Fisher1 f7 ^5 T7 ]! w$ C* f
Pacho Lane- ^% \4 c' Z: A, l6 \* u" o- v9 n* X' U# H
克日什托夫·扬恰尔 Krzysztof Janczar
3 O% [' Q1 r1 ?0 }. i4 v1 \! z: Q4 L 巴里·贝克曼 Barry Beckerman# v2 i& e) T$ ]! P! o
Sidney Beckerman
6 U/ d# Z. M* U' o+ `! P$ ^ 巴索·普列多斯 Basil Poledouris: I8 O' a: W: a4 u: A) O D
Ric Waite
. i4 a i* w j 简·詹金斯 Jane Jenkins9 y! E. P( h( j$ w' G
杰克逊·德戈维亚 Jackson De Govia* u" |: x: ], z: w+ p
Lola 'Skip' McNalley
j t* @) k: F4 o3 g Wes Dawn2 m5 ?# t9 ]1 ], u( f, C* I7 g% @
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◎标 签 美国 | 战争 | 冷战 | 1984 | 动作 | 美国电影 | 第三次世界大战 | 1980s
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◎简 介 ( z) \' d# P7 ^6 b Z; _' k! M: I) R
: e: f$ n6 w+ ^: @& k/ I 本片叙述苏联入侵美国,并屠杀美国的居民,居民都无力反抗,此时有一群年青人联合起来对抗入侵者……4 D0 n8 J: x/ k
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In the heartland of the United States of America, a group of teenagers band together to defend their town, and their country, from invading Soviet and Cuban forces." f: ~) @& x1 U% {6 h4 U
4 `) U1 v. g! N' _% URed.Dawn.1984.REMASTERED.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.5.1-FGT 32.37 GB4 R' Z4 |) w) ]# p- x: M+ r+ y
x9 D3 P! R3 b" _0 eVideo
/ } i+ a4 t* e) Z; ]1 S9 b, O% k0 vID : 1
; Z9 S9 O* a7 LID in the original source medium : 4113 (0x1011)
8 g5 c( G8 E8 B* {0 m c/ vFormat : AVC& ^7 y" z1 @6 Y( r; v
Format/Info : Advanced Video Codec7 {( _5 H# G) ?1 _6 E
Format profile : High@L4.1 G, g. f' u V# Z5 O
Format settings : CABAC / 4 Ref Frames/ e( }1 ~1 I7 C8 a4 r5 ?
Format settings, CABAC : Yes9 a% k) B* Y4 I7 |
Format settings, Reference frames : 4 frames
; T5 A6 g# K4 M1 j& gCodec ID : V_MPEG4/ISO/AVC" y @ |/ r( J
Duration : 1 h 53 min3 V; _9 j1 d5 T
Bit rate mode : Variable# i* d9 r0 D1 {. l( D& b
Bit rate : 34.9 Mb/s& y$ c' w. m! |/ y; W3 x# Y1 c
Maximum bit rate : 38.0 Mb/s
" c, u2 X7 P, O9 G+ b! N, `$ QWidth : 1 920 pixels
5 t! h4 F6 T) U! E6 m/ xHeight : 1 080 pixels/ h, w& F6 X# n) t
Display aspect ratio : 16:9" M. U# a9 q+ H0 m+ G2 ]
Frame rate mode : Constant" \" }) G5 W! z- {+ U8 C
Frame rate : 24.000 FPS8 n+ w0 o1 } g( e- \ T* `
Color space : YUV4 k* F. e( [1 L: s- K2 `
Chroma subsampling : 4:2:0
/ D$ k- ]8 o' f0 m+ T0 TBit depth : 8 bits$ X" {% g0 R2 t1 ~) e
Scan type : Progressive' t. S% k1 M( B) l, F
Bits/(Pixel*Frame) : 0.701
% r) M0 Y; s( H) \3 I* `3 F: R- ^Stream size : 27.7 GiB (86%)' D+ m* S* `- P: r8 `
Language : English6 e" j+ M. A- z" z' f6 f
Default : No
. I, T/ ?$ x) e7 l" _) T6 jForced : No
- `* k' ]2 w, X2 \- POriginal source medium : Blu-ray: v% R! E& s( q0 \1 T2 P
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Audio #1
: R6 K4 `7 l2 G" r# y# I+ sID : 21 N1 N- ]. y" o2 j& o: G2 S
ID in the original source medium : 4352 (0x1100)! Q& \. N- |. C& d ^1 M7 M
Format : DTS XLL
4 [% h& c) {& l# l3 E2 @( U! V; xFormat/Info : Digital Theater Systems
0 g4 _( z! h' d4 X: R4 u YCommercial name : DTS-HD Master Audio
' M% t2 w) {3 Y# k; c( sCodec ID : A_DTS
& r, h: n* m! S$ J, ?9 H- KDuration : 1 h 53 min
9 }, |+ `$ A4 uBit rate mode : Variable
4 q3 |) r' d& s- \( _Bit rate : 3 809 kb/s
" E$ k$ x, F* z' I$ n/ Y: \1 yChannel(s) : 6 channels8 s% O3 g. v% |
Channel layout : C L R Ls Rs LFE
% z6 \$ z$ S0 N! E Z, CSampling rate : 48.0 kHz+ P* K: \! t5 U
Frame rate : 93.750 FPS (512 SPF)
6 Z! K8 s/ K0 i/ E1 TBit depth : 24 bits
* W L0 |1 O/ VCompression mode : Lossless2 r. d0 h& v' h: s
Stream size : 3.03 GiB (9%): q9 h( M1 @ z4 P8 A# O3 T
Title : DTS-HD MA 5.1
" v* ]7 d: n3 _+ w; [3 eLanguage : English
! S6 R- j; y. Q& G+ GDefault : Yes
R+ h/ Y! l5 M x9 [Forced : No
4 z P1 C2 ~* S& S0 sOriginal source medium : Blu-ray4 {0 V" y; G! N- Q
$ n6 i1 K6 Q( P2 `, z
Audio #2
, ~9 O A) b' K3 tID : 3
; f e1 p; v6 ]- a4 Y( h1 oID in the original source medium : 4353 (0x1101); U3 V6 L( Z6 X" D8 Q- c
Format : DTS XLL
3 a6 M, C5 ~2 y; kFormat/Info : Digital Theater Systems
, k9 j& m ~8 sCommercial name : DTS-HD Master Audio4 c" W5 ]2 {5 [4 X0 Z
Codec ID : A_DTS
: J1 o- C b- a. k! e; x% X3 `6 sDuration : 1 h 53 min
, t9 O% V* A, r) XBit rate mode : Variable7 H* ^/ K% V$ T' L' N; I3 t7 _( I
Bit rate : 2 008 kb/s8 U0 s/ d; c8 \# T7 d
Channel(s) : 2 channels
( w3 G2 Q3 ^- ]! Y% k% b. JChannel layout : L R- w' Q; n0 ]! o- H
Sampling rate : 48.0 kHz3 o9 \5 P! ?0 M* O: j
Frame rate : 93.750 FPS (512 SPF)/ e, r' a, T# h: W% `
Bit depth : 24 bits
4 Y8 C1 i3 h, R6 n# PCompression mode : Lossless( D7 F' ^9 k4 @# j } o
Stream size : 1.60 GiB (5%)
+ o( B3 k1 \- o% I. ~Title : DTS-HD MA 2.0
0 \! b. m a2 X* M% P% k, @Language : English
8 V0 V/ y' ^: L8 J2 i4 CDefault : No
# m6 A2 y8 f' G3 ^Forced : No
. V7 b3 E( s8 |) S- r! OOriginal source medium : Blu-ray' @9 J( Y/ |+ |$ E3 F
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8 m4 V; a' j# F2 t1 e* l9 A5 ^# G; fCodec ID/Info : UTF-8 Plain Text1 i' }3 i6 v( U, U$ Z
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2 G% R: d9 D5 b9 e7 e2 `8 G# zCount of elements : 884: H$ E! c7 \$ k5 q
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7 T& H( l' [! [7 OLanguage : English T/ c! ~+ C- r& E# u. o
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0 M" v, ?' L' N8 e# V; T6 P2 R6 j4 nCount of elements : 1153
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+ }- G& f7 r# yCodec ID : S_HDMV/PGS
- i* K8 _6 k. M j) [Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
% q% V: X& x0 ^- I% |. F. YDuration : 1 h 52 min1 z4 M. U& t2 s8 c7 _/ V/ b
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- x! M* g5 g% s. ^4 oFrame rate : 0.363 FPS. a$ [4 v! v& S" \
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) c, l( q" ~& x& L5 cStream size : 17.8 MiB (0%)
. w5 {, N" b( a/ @2 iLanguage : English
# y. o2 e. Z5 l7 r; x; C' R* e0 _Default : No
; A8 Q2 n; W7 C! q6 q$ G4 y) Q- iForced : No* `+ Q5 J5 X6 x$ ^! d
Original source medium : Blu-ray
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Menu! W# ^2 p ?4 B/ j4 Z3 v3 E
00:00:00.000 : en:Chapter 017 l! o2 @8 Z5 Y* N7 }0 T2 o% P
00:07:49.291 : en:Chapter 02; \: _ M' [8 d2 l( q& |9 T
00:19:52.250 : en:Chapter 03
, D9 [1 k& E* i1 V4 h; ]) a00:32:56.708 : en:Chapter 043 E" X9 V4 Y! P6 n1 S" \
00:42:53.541 : en:Chapter 056 e) w+ E9 X+ s* [! E" u$ F) X
00:52:04.750 : en:Chapter 06
8 k5 ^* z& @9 z01:01:15.083 : en:Chapter 07, }1 P' m# `2 w& n4 N ^3 J; g, \
01:07:54.500 : en:Chapter 084 h F. p, o4 l1 z& v6 a, z0 r. }! {
01:16:13.625 : en:Chapter 09
3 _% y$ H8 s4 E( n01:27:25.166 : en:Chapter 10
% e) x+ n4 @& y, f01:40:03.958 : en:Chapter 112 G4 y( \0 B- L3 j2 X) H
01:50:51.791 : en:Chapter 12 Red Dawn Blu-ray, Video Quality
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# U1 ?0 Z) F8 j# B% p" @% P3 @Red Dawn drops onto Blu-ray with a fairly good, well-rounded 1080p transfer that's certainly flawed in places but generally pleasant for a low-cost catalogue release, even one that's been on the Blu-ray radar since the format's inception. The image is speckled over the establishing shots, and they remain throughout though not quite so thickly. The opening title flyover appears pasty, but definition, sharpness, and clarity improve drastically when the action shifts to the ground. The image isn't going to dazzle, but its stability on large screens and general crispness will satisfy longtime fans. Details are quite nice, whether clothes and faces or rocky terrains and dense foliage. There are some softer shots, but such are the exception. The image displays a moderate grain field and rarely shows signs scrubbing. Colors are steady and accurate, never too bold nor too reserved. From bright white snow to darker apparel, the palette is such that it goes largely unnoticed, which means its effective in reproducing clothes, objects, and the film's various seasonal vistas. Blacks are adequate and flesh tones never drift very far from the natural. Perhaps the image's greatest drawback is the presence of unwanted edge enhancement. It's not excessive but is enough to distract in some shots. Otherwise, this is a fair presentation; it should have been better, but considering the low price point it's hard to argue too much with what is a good, not great, end product.% s, b( j" L. J0 ^: H+ W3 \/ e5 i$ y
# {! I9 T; i% W7 h1 @Red Dawn Blu-ray, Audio Quality * r; e- p2 m7 h! Z' d! d& |/ v
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( G9 P2 r! E7 a! ]( \5 y& ?+ VMuch like its video counterpart, Red Dawn's DTS-HD MA 5.1 lossless soundtrack isn't going to be mistaken for a new, explosive Action presentation, but the older, somewhat stale ingredients are nevertheless mixed together to passably good end results. The opening theme proves quite impressive; though perhaps a hair muddled, it enjoys a very strong, robust listening environment presence, nice spacing, fine surround usage, and a noticeably fine sensation to the electronic elements within the music. Gunfire sounds rather muffled and not too terribly aggressive in terms of volume, but the basic sonic signature does remain true to older home video presentations. Automatic weapons fire does hit hard with some more potent bass in chapter fourteen. Tank shells and RPG projectiles often whiz through the stage to fine effect, seamlessly zipping from one end to the other and all but making the audience dodge. Distant gunfire effortlessly drifts through the stage at times while natural woodland ambience, the background audio propaganda heard at the imprisonment camp, and other assorted ambient effects easily set the stage for several crucial scenes. Dialogue remains clear and focused up the middle. This is a good track that mostly disappoints with that muddled gunfire, but overall it's definitely a step up from older presentations. Longtime fans who know the movie inside and out should appreciate the track's benefits but also recognize the room for improvement.
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