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The Predator returns to Earth, this time to stake a claim on the war-torn streets of a dystopian Los Angeles.
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. m) S( `, s1 ^: V6 a◎译 名 铁血战士2; Q% Y/ r' u" s1 ]( M9 z* q( j. L5 ]
◎片 名 Predator 2 / Quái Thú Vô Hình 2
6 p. e9 \8 B! g$ p' V g3 h$ ^◎年 代 1990) F1 v- d3 t; q! ^
◎产 地 美国
, N) M% Z0 j/ S2 a4 {. Y0 T◎类 别 动作/科幻/恐怖
& o$ l, m8 x3 j* Z1 ?6 ?◎语 言 英语
, X! Z3 m; ?% [7 c/ i# q9 k% l◎上映日期 1990-11-21(美国)4 I. j; c4 |3 c' Q, C& ]2 ^
◎IMDb评分 6.3/10 from 167,876 users
! X5 s3 [4 q+ f/ ?; m◎IMDb链接 https://www.imdb.com/title/tt0100403/
: u6 y" o6 L0 M3 P2 A. \◎豆瓣评分 6.6/10 from 15,352 users# w) @5 G8 \' o: y8 s
◎豆瓣链接 https://movie.douban.com/subject/1302718/
/ n0 p1 S$ d a6 S! a# J/ L◎文件格式 x264 + DTS & l1 g$ V2 q3 Z& a" ?! Q- q) [
◎视频尺寸 1920 x 1080
" Y3 S4 ^0 U4 ?# v% Z◎文件大小 1DVD 31.22 GiB U v4 `9 z- Z) N& i3 L! E6 I
◎片 长 1 h 48 min' `; n* C8 T3 E! o3 Y
◎导 演 斯蒂芬·霍普金斯 Stephen Hopkins! k: n! |" e" Q8 b8 ~+ K( H
◎编 剧 吉姆·托马斯 Jim Thomas' z* w: M9 N3 T, s6 F1 h
约翰·托马斯 John Thomas; G# X8 F/ K8 J
◎演 员 丹尼·格洛弗 Danny Glover
4 k9 H- |7 e/ K& ^) q 加里·布塞 Gary Busey- ]! p4 w; G$ y d- w5 L$ I6 s' Y
凯文·彼得·豪尔 Kevin Peter Hall
( _6 n6 ^. @% |2 R/ j 卢宾·布雷兹 Rubén Blades# P' P, o9 o, y2 E9 E
玛利亚·康柯塔·阿隆索 Maria Conchita Alonso1 ~8 ~2 u+ O( B% c4 {3 w4 g
比尔·帕克斯顿 Bill Paxton0 H$ c) P8 T& F2 v
罗伯特·戴维 Robert Davi# s! l2 H, J. y
亚当·鲍德温 Adam Baldwin! k* ^" @$ j* s; y4 m3 j
迈克尔·帕帕约翰 Michael Papajohn7 _8 L1 }6 Q* T6 E9 l; [. j
Henry Kingi
) O# `# @# i7 w1 E* ] 贾苏·加西亚 Jsu Garcia5 p9 Q8 Q; w+ L* O
卡尔文·洛克哈特 Calvin Lockhart5 {, D/ C3 O2 @6 J3 X# a, m$ |
艾尔皮迪娅·卡里洛 Elpidia Carrillo
3 W7 T" a, c# T% E. o4 d0 U$ A8 L Brian Levinson 9 Z' \1 ^' b6 q9 M& h
肯特·麦科德 Kent McCord
( A. A4 {$ O$ |: M# O' p/ _ Charles Haugk 3 F' h4 Z0 Y$ z7 Z( A0 _1 b
William R. Perry & r& _, f7 ~( u- \% n
Corey Rand + B8 s/ Y9 P# @ @8 o
凯西·山德尔 Casey Sander
" b' _3 p8 J# W% x1 ]/ O7 q- m 小托马斯·罗萨莱斯 Thomas Rosales Jr.
0 c) t. z5 E8 I) m Julian Reyes + B' q' } _9 b; d C
Lucinda Weist $ E( f) c" g$ R0 ]: ]
特里·魏格尔 Teri Weigel+ J- ?2 _6 v& l
Morton Downey Jr. ( Z+ I* z' H4 Q# d$ H
利利安·查维 Lilyan Chauvin7 I) H6 x$ T1 [ O7 u' Q
保罗·艾巴斯卡 Paul Abascal
. d# g# T% ]+ |6 D 户田惠子 Keiko Toda
2 ]; c% j0 J3 b9 B* H0 I 约翰·戴维斯 John Davis# [% G" j2 g# l) d% S6 n6 c& P8 U
Lloyd Levin
) I O& N& G5 N+ T; h n% E 劳伦斯·戈登 Lawrence Gordon- d+ O; p/ A" Q# j
苏珊妮·托德 Suzanne Todd
3 V! P, A) q- y( U' \6 F 乔·西尔沃 Joel Silver
- M. v: P/ Y! |- Y Terry Carr
' a F- H0 ]6 D4 a 亚伦·史维斯查 Alan Silvestri
& W: ]" N7 {% _) d4 C7 |/ K' p 彼得·莱维 Peter Levy
6 r. J a- B- R* j& m 马克·戈德布拉特 Mark Goldblatt* D. O/ C: Y% @8 ~8 o% r7 o3 z+ E3 j
Ferne Cassel 1 G- R& M+ X4 H" w, q6 g
杰基·伯奇 Jackie Burch
! g. ] Q" D7 P8 P Geoff Hubbard , a% q- t" D c& a' [, P2 P; }
里克·辛普森 Rick Simpson
z! j5 ]4 u! N* V 劳伦斯·G·波尔 Lawrence G. Paull
! I% [7 H( t* O* ?( X 玛丽莲·万斯 Marilyn Vance
7 z" m, [3 R" }/ k. y; @# S Scott H. Eddo " X' b2 X) M4 O/ _ x/ S5 Z
保罗·艾巴斯卡 Paul Abascal
2 m4 \1 S4 Q' {1 X$ T5 B, q 斯坦·温斯顿 Stan Winston* ^9 ?0 i+ H; y
迈克尔·米尔斯 Michael Mills" b6 G, V9 g" @; a) }
乔什·麦克拉伦 Josh McLaglen
8 u9 l, n, J% a Mark Whitlock ) l }6 I) _ z* J
雅克·斯特罗维斯 Jacques Stroweis
7 \ T5 ^7 I8 B8 w9 { 罗科·焦弗雷 Rocco Gioffre& l# H. T! V. J J( _( O
Paul Gentry
2 s" Z- l, ?7 ^1 S/ v7 L 乔尔·海内克 Joel Hynek+ E2 |7 N/ ]' }( [$ T, Q: ^
Gregory L. McMurry
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◎简 介9 O# M1 C- @- {9 _, c9 @
& U/ z5 c9 |! A 洛杉矶最近黑帮的团伙成员一个个被人残忍杀害,警局认为黑帮火拼又开始了。于是派出探员麦克(丹尼·格洛弗 Danny Glover 饰)去调查这次事件,并将凶徒乘之于法。不料麦克出师不利,反遭这些凶徒袭击,差点丧命。凶徒能杀人于无形,具有隐身的能力。/ q; N4 j2 Y# ^
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原来这是一群来自外星的专门狩猎人类的怪物,能隐身、身上具有多种武器并能利用红外线监测到人类准确位置。联邦调查局也注意到了这一情况,他们派出了特别行动小组想活抓这些怪物作研究。然而麦克心里只有消灭怪物未受害者报仇这一念头……
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2 \1 T4 L4 S: b, {. b" x Set in Los Angeles in the year 1997, when the streets are ruled by Jamaican and Colombian drug dealers. A federal agent assists the LAPD in their investigation of the mysterious deaths of scores of drug dealers.
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C4 {' P, ]9 D/ ]7 nPredator.2.1990.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.5.1-FGT
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Format/Info : Advanced Video Codec
& N5 A- | Z; x) i9 v9 }5 a& @/ CFormat profile : [email protected]
9 X& H( {/ g, @- C2 LFormat settings : CABAC / 4 Ref Frames+ K* R$ e+ E3 P- H ^
Format settings, CABAC : Yes
9 ]- w, M$ x( {Format settings, Reference frames : 4 frames* L5 P( b+ x. K7 P: | N% A
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( n1 f# @# R+ K, }& \* Y: u) |0 ROriginal source medium : Blu-ray
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% A! c/ \1 e; C0 N {, q5 d* hLanguage : English
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Menu( Q) e0 ~: ~. B0 S) y% Z! L" [" X
00:00:00.000 : en:Chapter 01
/ H; L) I% X w* n* O00:03:11.816 : en:Chapter 02/ P" t( G% W& E$ t& ^: T: ?
00:07:26.320 : en:Chapter 03* x( j1 N5 Q& i4 \" T {& [ b, E
00:11:40.408 : en:Chapter 04
], [& r0 a0 X* K! M# W/ B: K0 X00:14:05.386 : en:Chapter 054 g5 Y n" ?# c9 c" _) R
00:16:03.337 : en:Chapter 064 O& i) O% @$ x4 ] m6 |$ h
00:18:57.970 : en:Chapter 07; B _1 J5 I" c* U* B1 i
00:22:21.423 : en:Chapter 08
* h3 Z5 N' l7 T+ ^ z8 z1 P+ Q00:25:48.755 : en:Chapter 09
. d0 S$ a- j j00:29:03.867 : en:Chapter 10) T, M2 D, f- p! V1 ^
00:30:20.193 : en:Chapter 11$ p$ J w4 M; @7 m
00:32:41.209 : en:Chapter 12
6 h; c& C% }3 Q4 X, [; {& `' s00:36:39.864 : en:Chapter 134 F& d$ N j# O' O% f n
00:41:02.001 : en:Chapter 14
6 O4 z+ b5 P, @3 W4 a9 O00:43:00.411 : en:Chapter 15
3 G$ r( m% ?% s) z& T t) u00:47:17.876 : en:Chapter 16
% e3 g1 I! s8 ^) z5 a' ~* a00:51:13.820 : en:Chapter 17
! B4 M- w0 q; b8 U7 i2 R00:53:43.053 : en:Chapter 185 g& E/ Z+ O9 t2 ?* F
00:58:14.407 : en:Chapter 195 S5 S) @- t7 ^+ S" R
01:01:18.716 : en:Chapter 20) h) y* O, b0 V' V& u; T( |2 m; P+ h
01:04:46.591 : en:Chapter 21: a+ F+ C6 E, N2 J
01:07:36.260 : en:Chapter 22, n$ e" d8 B$ z1 m. ^
01:15:41.870 : en:Chapter 23$ R& _$ g/ l4 k* E7 w
01:16:49.521 : en:Chapter 24
9 K$ |4 s# s O6 u6 g' {01:19:23.216 : en:Chapter 25
3 W# y7 L" S3 S6 Z; r8 f01:22:01.791 : en:Chapter 26
# ^. D3 S1 Q* K! n6 N* w01:26:10.915 : en:Chapter 27
* ~ n( H$ {: ~. r. |01:31:32.195 : en:Chapter 286 d) g2 R5 B4 E8 ]- I
01:33:38.321 : en:Chapter 295 j$ K0 G- r& h1 j5 g3 x N
01:36:19.440 : en:Chapter 30: e/ c- p. k) ?1 K X* m% l2 ?
01:37:54.577 : en:Chapter 31. F3 O7 @2 q. B5 [
01:41:48.602 : en:Chapter 32 Predator 2 Blu-ray, Video Quality
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4 [. w! g3 f: q1 `Predator 2 arrives on Blu-ray with a 1080p, 1.85:1-framed transfer. Quite the opposite of its predecessor's Blu-ray transfer, this one sports a mostly grain-free image that lends to the visuals a smooth, somewhat artificial, and mostly flat appearance. Most of the visible noise may be seen over the darkest corners of the picture. Speaking of blacks, they are not bad, never straying towards a shade of gray or appearing too bright, but certainly not quite purely inky and true, either. Predator 2 appears drab, thanks to many nighttime scenes and an otherwise dark and hazy atmosphere. Only the film's opening action sequence during the hot, sun-drenched Los Angeles afternoon does the transfer see an abundance of color, and although the imagery here suffers from the problems associated with noise reduction, it never looks terrible and, indeed, probably represents the best overall sequence in the film from a technical standpoint. Detail suffices throughout, but this transfer will never be mistaken for The International in that or any other regard. Also featuring an adequate presentation of flesh tones and a few very minor instances of banding, this Blu-ray release of Predator 2 is fine, all things considered, but could likely look better in some future re-release.
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Predator 2 Blu-ray, Audio Quality
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- N. p6 I7 ?7 B$ o: UPredator 2 hunts on Blu-ray with an aggressive DTS-HD MA 5.1 lossless soundtrack. The film is marked by scenes of unrelenting violence, and those sound that accompany that imagery -- gunshots, screams, and explosions -- play loudly through every speaker in the 5.1 configuration. Though neither completely clear nor an undefined jumble of sound but certainly overwhelming the aural senses with barrage after barrage of sonic activity, this track makes for a satisfying experience for its delivery of content loudly, efficiently, and seamlessly through the entire soundstage. The rear channels play an integral role in this presentation; gunshots and ricochets, for instance, are heard in the back in most every action sequence. The rear channels also work hard to create a realistic atmosphere throughout; the inside of police headquarters features phones, typewriters and keyboards, and plenty of chatter filling the soundstage and creating a good, almost seamless, environment. Dialogue, while generally solid, is sometimes lost under the deluge of loud music and sound effects. Bass thumps in spades throughout, making this a rowdy, loud, exciting, but not quite reference-quality sonic experience.
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