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A group of elite warriors parachute into an unfamiliar jungle and are hunted by members of a merciless alien race.5 Y" B4 F" b/ O* a
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( v( ^2 h b- b% ?6 _, d2 G' `. Q% o◎译 名 新铁血战士/铁血战士S/终极战士团/铁血战士3
# P- [% e; o7 A◎片 名 Predators
4 p5 }1 |, i* t! R◎年 代 20103 \( ?5 v3 {6 j) g1 q1 X
◎产 地 美国) I" }+ j8 K& @# \7 R
◎类 别 动作/科幻/惊悚/冒险
& ], a: a& I8 Q6 O; L' l {◎语 言 英语/西班牙语/俄语
9 j1 y$ w+ _ ~& P9 Z◎上映日期 2010-07-09(美国)
" M* D7 ]0 A! M7 ~◎IMDb评分 6.4/10 from 231,012 users3 Y. s7 j6 [6 Y2 P! f a3 J0 ]* l
◎IMDb链接 https://www.imdb.com/title/tt1424381/3 ~- {/ t$ h, M3 {8 P! \
◎豆瓣评分 6.4/10 from 31,153 users8 A5 y1 o, E: c/ `7 h- z, \
◎豆瓣链接 https://movie.douban.com/subject/3699737/
, K+ ?$ |% Q0 K◎文件格式 x264 + DTS
& r4 P# O2 l" Z0 ^/ G J◎视频尺寸 1920 x 1080
" R# p7 |/ [6 M: ^◎文件大小 1DVD 26.80 GiB
2 J. g. g2 K6 e( e' q◎片 长 1 h 46 min9 p+ {8 C+ i) ?) h. X8 r
◎导 演 尼姆罗德·安陶尔 Nimród Antal
$ r9 N1 h) q- V9 h; \◎编 剧 亚历克斯·利特瓦克 Alex Litvak
. e' ^' f8 B' q8 R: v t# @ 迈克尔·芬奇 Michael Finch
2 D% Z& d! F0 E 约翰·托马斯 John Thomas
0 y, |) J4 h0 N3 E! s! W2 T6 { 吉姆·托马斯 Jim Thomas
+ h4 N. c" t, {! _( m2 y% K◎演 员 艾德里安·布洛迪 Adrien Brody1 j& i! p( @+ ?6 R- P) s- M/ E
托弗·戈瑞斯 Topher Grace
9 {6 }# p8 I0 _( n3 d% ~, I% Q 艾莉丝·布拉加 Alice Braga8 t# d5 b# k5 ~$ a2 O
沃尔顿·戈金斯 Walton Goggins
6 E( O: s: Q1 ?2 d 欧勒格·塔克塔罗夫 Oleg Taktarov7 Z& V+ T# ?) P& e2 P) c! D/ H- g
劳伦斯·菲什伯恩 Laurence Fishburne9 z# F2 ~) u* P& f) u7 S$ W
丹尼·特雷霍 Danny Trejo1 J7 c2 D3 y$ Z. S$ T0 J
路易斯·小泽·张简 Louis Ozawa Changchien
8 L# `3 D* a* P7 k% b1 \( h 马赫沙拉·阿里 Mahershala Ali. C; I4 F/ \- j7 W( }& ^) G0 w
欧文·凯里·琼斯 Owen Carey Jones3 @# Q* g1 _" d/ W- _. z/ f
布莱恩·斯蒂尔 Brian Steele; r6 K; y! r2 X0 S9 _
德里克·梅耶斯 Derek Mears
: R6 P$ [6 E9 O8 V4 J e 约翰·戴维斯 John Davis0 i* X7 L' B1 ]! E, |( i
罗伯特·罗德里格兹 Robert Rodriguez
3 R# G- y7 j- T+ q) k ~ 约翰·戴布尼 John Debney% V. V1 B' I$ _9 S) m
玛丽·韦尔涅 Mary Vernieu
6 x7 L+ U5 m* [7 D# g+ t) D& F+ X/ R David Hack ; y3 y% ~; C- G$ Z) [0 e Y
霍华德·伯杰 Howard Berger8 z! J8 s0 Z8 P0 y. y5 }5 y
Mark Boley
, i7 q& ]8 a7 D% x( J Richard Martin
2 e: S3 x- i" G0 y' H+ n Pierre Raymond
' `: J. {3 ~! _6 K* ?: _* d Daniel Macarin
# }1 R7 T6 N w% Q Sylvie Talbot - n7 l# Y+ m& X
Nadine Homier 5 W; U. Q2 s% {
Cameron Smith
0 a3 O2 x* d* d& P. ^( v- | Daniel Leduc 2 Z2 P. A# {) c/ M
Sébastien Rioux
3 {9 B3 X' w' a6 E$ b9 }# m! N/ A Q 罗伯特·罗德里格兹 Robert Rodriguez
2 t, u9 A3 Y5 h( _+ V2 H2 ]( T. `( l% }; n4 w
◎简 介
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一道极强的亮光，将分处五大洲的8个人带到了一片未知所在。他们身背降落伞从高空坠落，继而落入一望无边的雨林。这群人中有车臣部队战士、以色列国防军、墨西哥特种部队成员、FBI通缉的要犯、日本黑帮稻川会头目以及一名与其他人格格不入的医生。他们彼此互不相识，也不知道为何被带到了这片陌生丛林。在罗伊斯（阿德连·布隆迪 Adrien Brody 饰）的带领下，众人开始朝制高点进发，最终发现他们竟然置身在一颗外星球中。与此同时，凶猛邪恶的猛兽接连向他们袭来，罗伊斯意识到，他们不过是一群外星生物选出的猎物，而这片雨林正是外星人的狩猎场。
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危机四伏，这些无所依靠的人类不得不去面对身形巨大、嗜好杀戮的铁血战士……
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- U- V# ?5 Q$ D0 r7 a Royce, a mercenary, reluctantly leads a group of elite warriors who come to realize they've been brought together on an alien planet... as prey. With the notable exception of a disgraced physician, they are all cold-blooded killers -- mercenaries, Yakuza, convicts, death squad members -- human "predators" that are now being systemically hunted and eliminated by a new breed of alien Predators.
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   Predators.2010.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.5.1-FGT
/ ]$ B) m' T( r5 p
/ w l4 ]$ L& ]5 h5 Y3 `% [Video
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; ?( T, v4 L. f4 QFormat settings : CABAC / 4 Ref Frames
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6 f- q9 r! r) w: N0 A! UCodec ID : V_MPEG4/ISO/AVC
1 @" F: q& u- Q, pDuration : 1 h 46 min) U/ `' E+ u5 R% ]3 }- m5 P
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$ \6 e) j8 `; nMaximum bit rate : 35.0 Mb/s& b' [8 O3 m1 Q1 v- ^4 _/ E4 s$ k
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$ n( A3 O. n8 Q3 G/ EFrame rate mode : Constant' w' _- B& h5 p k; O% l1 P6 A
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- n' h0 c7 F* M. x! N$ FScan type : Progressive
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8 Y6 C" y! d; z2 EColor primaries : BT.709 {8 q9 D' Y; i, o/ x( H
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" D: K. e4 r. Z# _; ]" p ]* FMatrix coefficients : BT.709$ k3 K' r7 X+ z2 i/ ~
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. ~# h& y+ p2 Y3 Y/ N* H( h& a" X7 s) Y
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( D, N* d, ^. s4 s' b: l% I& pBit depth : 24 bits/ l/ M0 c- q! L: F
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) H2 N$ W' C& o6 |) x% e" S% kStream size : 3.01 GiB (11%)
" c! O. w3 K4 ?' e) LTitle : DTS-HD MA 5.10 }5 i( c; B8 L: X
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+ F( x0 y/ A5 L4 t: R \7 fOriginal source medium : Blu-ray
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# g V U( U) P4 O7 T8 M6 }- CCodec ID : A_DTS
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( K7 `5 w4 A% o# D( w" @2 KTitle : DTS 5.1& l2 p! _! X8 N$ Z# I$ J( L
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5 B) w9 l; p0 a2 p$ i# KOriginal source medium : Blu-ray4 ~! x. E4 X+ U/ X
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+ i2 x) g; D" p# ?; x( xID in the original source medium : 4354 (0x1102)
9 w" `# g1 ] n) qFormat : DTS
. W' L& c( @9 H1 a9 T0 WFormat/Info : Digital Theater Systems
/ |$ {+ Y" E: _' g5 a( pCodec ID : A_DTS4 ~+ t/ x! o9 `: @4 C- f
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Frame rate : 93.750 FPS (512 SPF)$ u" U' V4 _, ?* M, v) A8 {# N
Bit depth : 24 bits8 |. S: I% R n
Compression mode : Lossy
2 I3 Y8 O, c* c* ~$ _: @& cStream size : 587 MiB (2%)
( m- e+ A+ z7 `/ s F3 d$ e- ?Title : DTS 5.1
( C5 z. F# }, @: ~7 |Language : German
5 v. D0 `2 m: ]. g6 @Default : No
8 r' I7 D! u, T0 H7 \9 X5 V) _Forced : No
9 U3 V$ L4 `, P: q0 I" e6 EOriginal source medium : Blu-ray
. ]3 t/ g5 V( b! N0 B: L
8 o1 a6 f; v: z) L% U, y dAudio #4! x$ r( v- |' J7 f, w( U; y
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' a# M0 Y1 ], V% ~8 Y- {ID in the original source medium : 4355 (0x1103)
% V% T d8 i I. `5 H4 eFormat : AC-3
; X- `# b. N& ?- b& I) ?# M( ?2 _Format/Info : Audio Coding 35 w3 |: I0 Q+ g
Commercial name : Dolby Digital
6 g* K1 j* `7 ~' XCodec ID : A_AC3
) Y1 }2 x& i5 Q6 b: v4 M m" U: F+ ?Duration : 1 h 46 min. X, r8 Z" f5 _8 l% e+ }8 V. u
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. G# q$ K7 t* H0 t- V) G2 [' d. {4 E5 x2 V: XCompression mode : Lossy
- m- m, S+ X0 k& ~ [: R! J; m, DStream size : 342 MiB (1%)& U5 V+ p7 X& b0 g
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W: @. r1 X' w, R2 y* `# D+ oService kind : Complete Main
) i V' m o/ f7 y1 }4 M+ sDefault : No
2 u0 E% ?- F/ aForced : No, U* p' }% `" g N9 _0 |+ s9 |
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0 Y1 ?% w# ?0 z8 z. D
Audio #56 c) e( s7 U( F- @# f3 Y3 c
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; `8 [4 ^" F! E3 g- ^: H* M/ _# iFormat : AC-3, \- U9 c1 G4 u% ]
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M, H R X0 n R5 G' s, vCompression mode : Lossy
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) S- a2 ^2 p+ z5 X. d3 s* f; UTitle : DD 5.1$ F4 I7 T+ \9 z8 \" H' j; @0 o2 g
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Forced : No: y9 f4 t; w& }8 w0 H5 {# ~" a
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Audio #6
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4 W8 S; r0 s+ dFormat : DTS
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# b. n- K2 I$ }Codec ID : A_DTS$ T& V) d7 y9 t. {! v5 f: `$ N
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3 k- p% I1 i3 f+ C% p8 V- ~4 |/ \Channel layout : C L R Ls Rs LFE
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: M: k) n2 I( EBit depth : 24 bits0 E% I6 j* M2 G) ~* p
Compression mode : Lossy9 F2 y# N0 ~( N; @3 o
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Title : DTS 5.16 s e9 w; A* T% Z, _/ C$ T
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1 j* Z+ C% t& T0 dOriginal source medium : Blu-ray
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Audio #7
' X7 t) F- y4 l# M$ L4 d6 jID : 8/ l3 e$ q3 N, ^: D; R/ V' Y
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. A: F. r- A$ X `* G& D$ A% \+ J7 s6 KFormat/Info : Audio Coding 3
7 p, U' i7 o; e+ ~; I O x* R( @2 p+ `Commercial name : Dolby Digital
; H$ W& T8 j& ?Codec ID : A_AC3
& s/ [ r/ n0 P; ^& tDuration : 1 h 46 min [% c" v2 C) _1 @+ r! i
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( V7 r4 N- {# d# J, h0 Z/ L/ y# nStream size : 342 MiB (1%)& S z' W$ d; R. g2 x' P4 m
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" x1 A* {% h# Q; [; A( HLanguage : Czech4 V4 E6 v# C( @: o( p) z. i8 H
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2 r; q p6 Q- mAudio #8
* Y/ P/ O, R2 e( o _- SID : 9
, v) O$ H5 w# P }4 _4 U2 `0 KID in the original source medium : 4359 (0x1107)0 r8 J* `% _ G6 O+ A
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( b& B2 f0 h3 sTitle : DD 5.1 G; |6 w6 k. |: b- |; c$ O
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Service kind : Complete Main
% E z |. w- a" [7 zDefault : No6 S/ L6 F0 e; v3 R0 q
Forced : No4 u) I$ u3 c1 C& a6 L
Original source medium : Blu-ray
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Audio #9
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# [5 x) L9 Y E: J- I0 i; IFormat/Info : Audio Coding 3
- Q; \; `3 M- s, {Commercial name : Dolby Digital
1 @, ]/ J/ K# b: P- E/ d- t7 oCodec ID : A_AC3
7 v: ]2 ]% C9 W5 J( M: o% IDuration : 1 h 46 min! m! j2 Q/ f; I0 i8 ~& V5 t: _0 D
Bit rate mode : Constant
0 @1 P6 Q4 V2 y% yBit rate : 448 kb/s
, q. w# n6 |" _: zChannel(s) : 6 channels
0 w& D; d) w5 ^% O, SChannel layout : L R C LFE Ls Rs
" e- F$ i* ^" USampling rate : 48.0 kHz
) x0 i6 L( ~* h8 ?: a$ p% {1 ?/ MFrame rate : 31.250 FPS (1536 SPF)
( x3 K; B' l: `; q6 F I; kCompression mode : Lossy
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9 r v9 S% r* J3 D# {- |. m2 SService kind : Complete Main: `- v9 i; v( _9 q
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Forced : No
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Default : No; [' ?% ]" K; f1 ? _7 K
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* h/ P# S& J$ g9 D* o/ N1 e/ ?Language : Icelandic
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" o) p0 Y+ F: X, HText #14% }* Q. b' z3 E8 o" t% L5 y) ^
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Language : Polish
% X6 a! b, k' d8 l4 Y HDefault : No% \ X$ x% P" G, N
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Original source medium : Blu-ray
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' S, T" ]( D8 q7 a# u; dLanguage : Romanian
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Forced : No
* h7 O& Z5 C/ |) L: ~: jOriginal source medium : Blu-ray
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Language : Ukrainian. X& K4 {- j$ d: ?" G/ ~4 x+ Z
Default : No
k$ k( {& B8 k- A) a4 b% f8 ~* W8 iForced : No
* L7 b9 n9 @" P3 v0 ^Original source medium : Blu-ray
V' k, n. a: E/ J9 A& d
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* l+ `3 S A! j/ f6 aForced : No1 L- b# w8 r" ]3 R) ~
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, |4 e6 k% \6 @* C Y! X5 g
Menu3 m8 p" a o9 k
00:00:00.000 : en:Chapter 01/ D8 q/ P; l% {* I$ s0 I. w* f
00:05:27.035 : en:Chapter 02
- T# ?6 @+ C& R8 [0 e3 Y& b& N00:07:57.393 : en:Chapter 03
F4 W6 T" M. U/ ?1 K( o00:13:33.521 : en:Chapter 04: f8 S* t% J; _. O
00:17:26.587 : en:Chapter 05
8 q5 b0 W K8 r. F4 l' I$ g00:20:02.409 : en:Chapter 06
) v, t. C3 f! k( X, @6 o+ P8 @1 g00:23:46.299 : en:Chapter 07
; }8 r0 V3 f7 r- W0 @/ z& J00:26:19.119 : en:Chapter 08
+ ?: R' k4 J6 S1 W( p00:31:34.517 : en:Chapter 09
$ |4 m E6 L& `+ F3 }: V+ K) @00:34:56.511 : en:Chapter 10
% \& }) E% N5 K& K; X; q00:38:24.719 : en:Chapter 11
5 H- _( M! {/ u+ q00:41:57.056 : en:Chapter 12
0 T6 M( K1 E# ], c+ h00:46:12.978 : en:Chapter 130 c0 ^6 z$ V3 F0 R, l( R
00:49:57.786 : en:Chapter 14
$ m2 ]0 L8 J/ I( o4 z00:53:27.954 : en:Chapter 15
# s& D, M. w2 {, m* s) a00:57:43.126 : en:Chapter 167 ?: L7 D+ y! M( I1 E, I
01:02:11.853 : en:Chapter 17. y0 Y" e% I S( v& q2 T: X
01:05:48.903 : en:Chapter 18
6 T- V% @- R; m7 h1 n01:09:38.757 : en:Chapter 19
( B0 h" Y. Z) |# }0 K+ ?01:14:16.994 : en:Chapter 20
& m7 n+ \ O$ T$ _8 j( N01:16:25.539 : en:Chapter 21
4 G. y/ m" z, G+ n4 O) l01:19:26.928 : en:Chapter 22; R; t1 F2 K& P- S) S& o
01:21:34.472 : en:Chapter 23
/ U) E* l' `- ?$ C- _" \7 C01:23:51.901 : en:Chapter 24! b p$ C7 A+ g! O0 X# t+ G- P4 V" G
01:27:33.706 : en:Chapter 25* b, R+ ?0 a/ ~+ u
01:30:48.234 : en:Chapter 26
( Q3 m) Z% M$ U0 C- v( n01:34:12.563 : en:Chapter 27: W$ f: W5 t1 ]4 B& |: i. w
01:41:17.696 : en:Chapter 28
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3 G! F8 t( c! h9 n5 E# L
As you'd hope from a summer blockbuster title, Predators' 1080p/AVC-encoded transfer is exceptional in every respect. Fans of the franchise will remember the Digital Noise Reduction debacle surrounding the release of the Predator: Ultimate Hunter Edition a few months ago, but there are no such controversies here. The film was shot digitally, using the Panavision Genesis camera, and the image is clean, nearly noiseless, and surprisingly film-like. This is one of those movies where you can marvel at the sheer amount of detail and texture on display. The jungle foliage is crisply defined, nearly every stitch of the military costuming is offered up for our inspection, and—here's the real proof of clarity—each pock and crater of Laurence Fishburne's characteristically pitted face is readily visible. So much so that, in close-up, his loveable mug looks like a relief map of the moon. (Don't even get me started on Danny Trejo's iconic visage.) In keeping with the tone of the film, bright colors are restrained, with the major exceptions of the lush forest greens, vibrant orange fire, and the predator's blistering red laser beams. Given that so much of the film takes place at night, what's really important is that black levels are as stable as they are—deep but allowing plenty of leeway for shadow detail. Furthermore, there are no encode hiccups or compression problems. I missed seeing the film theatrically, but I imagine Predators looks just as great—if not better, given the stronger contrast ratios of TV screens—on Blu-ray.7 Y! G* O" c" `8 o
7 i8 L# n \4 l% d$ s! tPredators Blu-ray, Audio Quality
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$ J# R( s; ^5 \& J9 II could say the same regarding the film's DTS-HD Master Audio 5.1 surround track. If you've got a capable 5.1 home theater system, turn this sucker up loud and prepare to be sonically assaulted (in the best possible way.) Predators' sound design is intricate and dynamic, equally adept at handling all-out action sequences—whiplash cross-channel movements, gunshots spraying in all directions, rippling explosions—and quieter scenes, where the immersive ambience effectively puts you right in the middle of the jungle. I don't think there's a second that goes by in this film when the rear channels aren't put to some kind of use. Wind whips, insects buzz, fire crackles, water gurgles—and this is when there's hardly anything going on. When the track's going full-tilt, as it often is, it's incredibly active and engaging, with swooshing atmospherics, noisy battle sounds, and the punchy rat-a-tat- tat of machinegun fire. Somehow, even in the midst of the chaos, dialogue is perfectly clear and balanced. I was also quite impressed by John Debney's rich, expansive orchestral score, which gives the film a grandness that it probably doesn't deserve.
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