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After a tragic car accident that kills his wife, a man discovers he can communicate with the dead, and he uses that gift to con people. However, when a demonic spirit appears, he may be the only one who can stop it from killing the living and the dead.
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◎译 名 恐怖幽灵/不可思议的勾魂事件(港)/神通鬼大(台)* n( G/ M I7 _( V+ L6 @
◎片 名 The Frighteners
1 Z# r; R$ |0 N5 G. k9 R◎年 代 1996
6 k4 ?8 I# c$ [1 l- J◎产 地 新西兰/美国7 q/ W" Z; Q5 y2 Q1 N# ]
◎类 别 喜剧/恐怖/奇幻. M$ q h$ k5 R
◎语 言 英语
( J; i: j! ?& e# R◎上映日期 1996-07-19(美国)
" m `* ^6 w( J0 O% I◎IMDb评分 7.1/10 from 90,163 users6 ]% h& s6 n1 F- \1 `8 ]
◎IMDb链接 https://www.imdb.com/title/tt0116365/( a- q% v4 J* b; U
◎豆瓣评分 7.1/10 from 5,962 users9 _2 V- E$ _% p% f7 s" [
◎豆瓣链接 https://movie.douban.com/subject/1292739/
. I6 i: M* h' {+ _◎文件格式 x264 + TrueHD
2 w* }6 Z. ~8 t) M0 C O- r◎视频尺寸 1920 x 1080
1 e! k3 t% i2 w$ t◎文件大小 1DVD 41.53 GiB & 41.70 GiB; u( b4 T/ a( c. I) Y
◎片 长 2:02:34.680 (h:m:s.ms)
6 U( ^. n9 C2 k" [( C◎导 演 彼得·杰克逊 Peter Jackson
; ]6 }& `8 L, t3 w◎编 剧 弗兰·威尔士 Fran Walsh
/ n' o# E1 T0 @# }0 o8 v2 N% _# a, A 彼得·杰克逊 Peter Jackson X0 L- `- @) a
◎演 员 迈克尔·J·福克斯 Michael J. Fox, v2 q4 s: t% @+ S6 P
翠尼·阿瓦拉多 Trini Alvarado1 G* v, q9 n3 M, R
彼得·道博森 Peter Dobson' d$ P! c1 k6 \: ?
约翰·阿斯廷 John Astin) A2 |" {6 h" U' ~9 |9 M! m" B
杰弗瑞·考姆斯 Jeffrey Combs% P8 B7 K# g: }2 K; B/ ^
迪·沃伦斯 Dee Wallace
" _; m1 A( D0 l! X" |; t7 ]8 I# U, V 杰克·布塞 Jake Busey
# u0 W# T/ ]" T5 E, B* @ 齐·麦克布赖德 Chi McBride, k0 N9 t* U$ q9 U" N: _3 S0 i
特洛伊·伊万斯 Troy Evans4 }4 H6 N- m1 l
朱丽安娜·麦卡蒂 Julianna McCarthy9 J* y, f. d% i
李·厄米 R. Lee Ermey+ m3 k# r1 j A( v) g3 K
伊丽莎白·霍桑 Elizabeth Hawthorne
( c' N* O% V" |( O 安吉拉·布鲁姆菲尔德 Angela Bloomfield
9 B; L( }8 ?- C2 o Desmond Kelly
) H" m' e) t* p- q" m. X Todd Rippon$ U0 t$ O1 p1 \) `
约翰·萨莫尔 John Sumner
/ z7 Y1 W G2 n$ h! g 迈克尔·罗宾森 Michael Robinson5 Q; S4 k6 [9 r5 M$ W: v
安东尼雷派克 Anthony Ray Parker
! ~3 @- ^* `7 R6 G3 c' Q% _8 { 梅兰妮·林斯基 Melanie Lynskey! n8 B6 B. f7 u1 z& D1 p6 h
Charlie McClellan7 M; K" x( f% Y+ |
George Port6 L3 s; z1 J& i5 O8 {
Taea Hartwell' v8 C1 z. D$ P( k) r
马修张伯伦 Matthew Chamberlain
( d5 m$ I6 M8 D& n1 q# e; S Michael Elsworth! I1 l. i: W& n$ e1 N
彼得·杰克逊 Peter Jackson8 _+ g R" |- ?. N
格兰特·梅杰 Grant Major
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0 A9 l& n. S+ ]' M◎标 签 恐怖 | 喜剧 | 美国 | 惊悚 | PeterJackson | 1996 | 新西兰 | 美国电影
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◎简 介
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: [ p0 |' c" x7 D B/ } 一场严重的车祸夺去黛布拉(Angela Bloomfield 饰)的生命,而身负重伤的建筑师弗兰克(Michael J. Fox 饰)也在车祸后获得可与幽灵交流的能力。出院之后,弗兰克辞去工作,以通灵者的身份向镇上居民提供驱魂的服务。
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$ l1 w) P+ [' ?! E* X% A K7 B) n 某天,弗兰克所在的小镇接连发生神秘死亡事件,之后他更目睹了一个幽灵杀人的场面。与此同时,警方介入调查,弗兰克则因经常出现在死亡现场而成为重要嫌疑犯。他必须尽快为自己洗脱罪名,找出幽灵杀人背后的秘密……
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+ y2 r; N: e$ I, a6 @6 B 本片荣获1996年Sitges – Catalonian国际电影节最佳特效奖。6 \: G' X! c5 S- w* ^7 E( D9 `( h
: |7 I) @2 E5 W Frank Bannister is a psychic swindler with the perfect business partners. They work cheap... they're dedicated... and they're dead. Possessed with a genuine ability to communicate with the dearly departed, Bannister earns a stiff living by setting up "spirit clearance" scams with his trio of ghostly cronies. But a series of inexplicable deaths and bizarre occurrences suggests the presence of a malevolent poltergeist. As Bannister attempts to unravel the supernatural crime spree, he ventures into a realm where all fears are realized... and true evil does not die.: y" O+ ^) J$ l+ u5 t
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复制代码 The Frighteners Blu-ray, Video Quality , [: F) F6 D% ~& b+ ^, K/ C
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! ^+ N; a, r1 y1 n# h% {- OThree cheers for another catalogue title that has arrived in good shape on Blu-ray! The Frighteners was made in the days before digital intermediates, but it had more effects shots than any previous studio film at the time, all of which had to be digitally composited and rendered. Although I have no information about Jackson's involvement with the Blu-ray, it is well-established that he oversaw prior video releases (not that such oversight guarantees viewer satisfaction, as the various Lord of the Rings Blu-ray controversies have shown). Whatever sources have been used to produce this 1080p, AVC-encoded Blu-ray, the result is excellent clarity throughout, rendering minute details of the village of Fairwater (really the New Zealand town of Lyttleton), of the various elaborate interiors (including the antique Bradley household and a local museum where the Reaper makes a memorable appearance), and of faces and wardrobes of all varieties (Dammers is hard to forget, though you may wish you could).
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Black levels are excellent, and this becomes crucial in the film's finale, where Frank moves psychically between dimly lit scenes in a derelict building's present and brightly lit ones that happened there in the past. (It's a subtle, seamless effect.) Black levels are also crucial for the night scenes where Frank and his compatriots chase the Reaper, and it's critical that the blacks balance appropriately with white levels, since Stuart, Cyrus and the Judge are always composed of glowing ectoplasm. And then there's Dammers, whose eyes appear to be one solid expanse of black, with no border between the iris and the pupil (Combs wore special lenses).7 D* f! s& ` e+ M9 a& y/ F: r
- Q+ u& E+ ^7 Q/ A& N6 p! KLest anyone worry that the often desaturated funk that has fallen over Fairwater's present is a flaw in the transfer, the sequences in the past are golden-hued and brightly colored. Equally colorful is a wealthy household that Frank tries to shake down.
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I saw no compression errors, DNR or other digital artifacts. Nor did I detect any pauses or "hiccups" at points where the additional footage had been branched into the original cut (though, of course, it's possible that results may vary on different hardware).
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The Frighteners Blu-ray, Audio Quality " ?1 j4 O# L6 @* E6 p! @+ H0 k
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/ r' \5 L8 `0 }* |" Q; t0 xTwo words characterize The Frighteners' DTS-HD MA 7.1 track: loud and active. Unless you have one giant box of a sub, you may find yourself turning down the volume just to prevent the bass from bottoming out the woofer -- not from the effects, mind you, but from Danny Elfman's aggressive score. Elfman was such a fan of Jackson's Heavenly Creatures that he said "yes" the minute he heard Jackson wanted him to score a film, without having the slightest idea what kind of film it was. Of course, Jackson wanted Elfman, because, as he explains in the documentary, Elfman can pivot between comedy and horror more skillfully than any film composer around. His Frighteners score is terrific, but the mixers went wild with bass extension; so watch your dials./ h* @8 w; R" u/ _0 }
1 p# M$ K* u% Q- uAs far as effects are concerned, sound technicians always find it liberating when they're not bound by realism, and in The Frighteners Frank Bannister routinely hears things to which other living people are oblivious. This presents plenty of interesting opportunities for exaggerated effects all around the room. Take one elaborate example, which could easily become a demo sequence. Frank and Dr. Lucy are locked in a room, when the Reaper attacks Lucy. Stuart and Cyrus come to their rescue, and since ghosts aren't limited by walls, the battle rages all around (and above) them, and you hear voices and struggles the whole time, while Frank and Lucy huddle in the frame. (For how it ends, you'll have to see the film.)) x. h4 ~) z8 T9 v- c
3 `' L; O3 ~$ D4 S8 I k5 t6 |& wThe dialogue is always clear and natural, except for those voices that aren't supposed to sound natural. In a story populated by so many ghosts, that's more than a few.5 H! {- @9 g0 W8 |6 L
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