虎口拔牙/司机 [4K蓝光原盘] The Driver 1978 2160p BluRaycd HEVC LPCM 2.0-SURCODE 84.64GB

In Los Angeles, a mysterious getaway driver becomes the latest assignment for a tenacious detective.


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◎译　　名　虎口拔牙/司机
. z+ f, i* V3 ?' Z* |6 \1 r◎片　　名　The Driver
# f/ c3 G% a1 D" r& s# \◎年　　代　1978
◎产　　地　美国
. _6 m. C/ _- S. v& }+ v$ ~◎类　　别　动作/惊悚/犯罪
◎语　　言　英语
◎上映日期　1978-08-02(美国)
" s2 d& P  l' f% N3 A& P◎IMDb评分  7.1/10 from 17,525 users
4 D: e; A& Q2 [. }3 e6 K* J◎IMDb链接  https://www.imdb.com/title/tt0077474/
◎豆瓣评分　7.4/10 from 719 users
) R1 D! F" T9 O) h◎豆瓣链接　https://movie.douban.com/subject/1297348/
: Y4 d  A/ n  \4 L◎文件格式　x265 + LPCM
& ~" J1 _  B2 S◎视频尺寸　3840 x 2160
" v" `+ e3 V7 U7 `& n6 Q◎文件大小　1DVD 84.64 GiB
0 E- k6 f( y$ L+ t◎片　　长　1:31:38.534 (h:m:s.ms)
◎导　　演　沃尔特·希尔 Walter Hill
◎编　　剧　沃尔特·希尔 Walter Hill
/ n' K2 C/ V. ?8 a4 j, S9 \◎演　　员　瑞安·奥尼尔 Ryan O'Neal
　　　　　  布鲁斯·邓恩 Bruce Dern
　　　　　  伊莎贝尔·阿佳妮 Isabelle Adjani
　　　　　  罗尼·布莱克利 Ronee Blakley
　　　　　  马特·克拉克 Matt Clark
7 C/ i8 ?- z# b: Y" x" v: s9 s, a% ~　　　　　  菲利斯·奥兰迪 Felice Orlandi
  }" H% @' n2 l2 b/ c: m3 g0 Z; c+ v. n　　　　　  约瑟夫·沃尔什 Joseph Walsh
4 e% b  `5 @; [　　　　　  鲁迪·拉莫斯 Rudy Ramos
; m, e! `8 b: T% W7 Q+ f2 d　　　　　  Denny Macko
8 x) f5 z2 n7 M8 a7 D( A; M　　　　　  鲍勃·米诺 Bob Minor
. `8 _4 F: ^  I  b) k　　　　　  皮特·杰森 Peter Jason
6 {% I/ T9 o2 u' w. w! R　　　　　  阿兰·格拉夫 Allan Graf

' S/ ~* @9 B. M  \2 t0 J◎标　　签　美国 | 犯罪 | 动作 | IsabelleAdjani | 1970s | 美国电影 | 1978 | 阿佳妮
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0 T3 X1 t& ^# N8 Q◎简　　介   

+ X" B+ ~# t% |　　"The Driver" is specialist in a rare business: he drives getaway cars in robberies. His exceptional talent prevented him from being caught yet. After another succeeded flight from the police, a self-assured detective makes it his primary goal to catch the Driver. He promises remission of of punishment to a gang if they help to convict him in a set-up robbery. The Driver seeks help from the player Isabelle to mislead the detective.

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3. Disc Title:     The.Driver.1978.2160p.BluRayCD.HEVC.LPCM.2.0-SURCODE
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4. Disc Size:      90,886,698,665 bytes
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5. Protection:     AACS2
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6. Extras:         Ultra HD, 50Hz Content
   
7. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 12.0.9.2)
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11. Name:                   00005.MPLS  
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12. Length:                 1:31:38.534 (h:m:s.ms)
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13. Size:                   69,637,699,584 bytes
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14. Total Bitrate:          101.32 Mbps
    
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22. MPEG-H HEVC Video       89806 kbps          2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10 / BT.2020
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23. * MPEG-H HEVC Video     80 kbps (0.09%)     1080p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / Dolby Vision MEL / BT.2020
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29. LPCM Audio                      English         2304 kbps       2.0 / 48 kHz / 2304 kbps / 24-bit
    
30. LPCM Audio                      French          2304 kbps       2.0 / 48 kHz / 2304 kbps / 24-bit
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31. LPCM Audio                      German          2304 kbps       2.0 / 48 kHz / 2304 kbps / 24-bit
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37. Presentation Graphics           English         16.277 kbps                    
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38. Presentation Graphics           French          10.553 kbps                    
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39. Presentation Graphics           German          14.994 kbps

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The Driver 4K Blu-ray, Video Quality   
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- J, }; I5 i0 A8 ~" E( {StudioCanal's release of The Driver is a 4K Blu-ray/Blu-ray combo pack. The 4K Blu-ray is Region-Free. The Blu-ray is Region-B "locked".
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1 I5 Y  j1 k4 \9 W) |+ G6 F! CPlease note that some of the screencaptures that appear with this article are taken from the 4K Blu-ray and are downscaled to 1080p. Therefore, they do not accurately reflect the quality of the 4K content on the 4K Blu-ray disc, including its actual color values.
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Screencaptures #1-33 are from The Driver Blu-ray.
( @$ o, w1 ]8 V! VScreencaptures #37-40 are from The Driver 4K Blu-ray.
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If you have been on this site for a few years, you probably already know that The Driver is one of my three all-time favorite films. I have owned it in every single home video format and have never regretted upgrading as technology evolved. I always wanted to have the best physical copy of it in my library. (I am sorry. I do not do streaming and have zero interest in any non-physical media ownership options. If I don't have a copy of the film on my shelf, then I do not own it). So, I could hardly wait to receive StudioCanal's new 4K Blu-ray release of The Driver. This release is sourced from a new 4K master that was prepared after the film was fully restored in 4K. StudioCanal's previous Blu-ray release from 2014 was sourced from a different master.

I am going to address the native 4K and 1080p presentations separately, but before I do I would like to mention a couple of things about the quality of the restoration work that was done. The people that restored The Driver in 4K did some very, very careful work. I know the film like the palm of my hand and I could immediately tell that the restoration was not a rushed project. Simply put, this project is worlds apart from the recent 4K makeovers of Raw Deal and King Kong.

4K BLU-RAY DISC

Before I went to the native 4K presentation, I tested various sections of the 1080p presentation. Later, I went back and viewed the entire film in 1080p without interruptions because I wanted to be very comfortable with my assessment of the 4K makeover. In native 4K with HDR, the film looks exceptionally vibrant and simply immaculate. The fluidity of the visuals is incredible and the few bumps that are present on the previous 1080p presentations are virtually impossible to detect, so if you have a very large screen, I have to assume that this type of quality will make you very, very happy. Grain appears better exposed in 1080p and native 4K, but in native 4K, the visuals resemble those of the previous 1080p presentation. Why? Because in native 4K the visuals tighten up quite a bit and on the previous 1080p presentation the grain isn't as nicely exposed. This is one of the main benefits of the new 4K makeover. Unfortunately, the superior grain exposure does not translate into superior detail. I went back and forth looking for noticeable improvements in detail and I think that the previous 1080p presentation produces virtually the same excellent detail. However, on the new 4K makeover there is very mild crushing that is visible in native 4K and 1080p. It is not a lot but the film is lensed in a very particular manner, emphasizing thick shadows and restricted light(ing), so the difference could be easy to recognize. On the other hand, it is very oddly distributed, meaning that it is not consistent. In fact, numerous sequences look better in native 4K and 1080p on the new 4K makeover. I went back and forth multiple times to be absolutely sure that this was what I was seeing on my system, and it was. What about the color grading? It is extremely similar to the one from the previous 1080p presentations. There are a few areas where in native 4K with HDR I felt that it might be a tad too aggressive, but the long chase at the beginning of the film, the tunnel footage, and the final cat-and-mouse game in the warehouse look absolutely incredible. I have seen this film projected in 35mm multiple times in years past and what I saw in these sequences looked outstanding. It is just that in some darker areas I felt that in native 4K and 1080p the blacks crush a bit. What are some specific color discrepancies that I noticed? Reds are a tad cooler and browns just a tad weaker, while some of the blues appear a tad too aggressive pushing toward but not evolving into cyan on the new 4K makeover. Again, I think that the people that graded the 4K makeover wanted to make it look very convincing. Image stability is outstanding. My score is 4.75/5.00.

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I viewed the entire film in 1080p a day after I viewed it in native 4K. I could immediately tell that a new master was used to source it, and the stability of the visuals was rather impressive. However, the difference in the dynamic range of the visuals between 1080p and native 4K is pretty big. Also, virtually all of the random light crushing that I mentioned above is much easier to recognize in 1080p. The older 1080p presentation has a slightly more dated appearance, but after multiple comparisons, I can categorically state that it provides a more satisfying and convincing presentation of the film on my system. Sometimes it is a touch of red or blue that looks a little more accurate to my eyes, and sometimes it is just the background shadows that appear more even. The difference is very small, but I can spot it. (To give you an idea about the tiny things I notice, I would like to mention the Pontiac emblem in screencapture #1. I think that it is a tad more accurate on the old 1080p presentation). My score is 4.75/5.00.
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The Driver 4K Blu-ray, Audio Quality   
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There are three standard audio tracks on this release: English LPCM 2.0., French LPCM 2.0, and German LPCM. Optional English SDH, French, and German subtitles are provided for the main feature.

; l; L+ W1 |$ P2 u9 [4 bAs you already know, I did various comparisons while preparing this article. On my system, right from the get-go, as The Driver comes up the elevator, the audio sounded a bit clearer. During the car chases and action, it sounded really sharp, too, The difference was nowhere near what I would call dramatic, but I noticed it because the claustrophobic music also benefits. So, I am going to speculate here that the audio was newly transferred and most like has some new work done on it. I did not encounter any anomalies to report in our review.
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每天都来蓝光论坛看看，我爱蓝光电影。
3 R( N  W* K6 q# ]4 `6 v8 a! k至少是现在，我一天没有访问蓝光电影论坛就不爽！At least now, my day did not visit the Blu-ray Film Forum on unhappy!
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