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A U.S. Army officer serving in Vietnam is tasked with assassinating a renegade Special Forces Colonel who sees himself as a god.
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◎译 名 现代启示录/当代启示录2 y( I5 c4 A9 ?7 P u
◎片 名 Apocalypse Now5 D8 ^; J% {% P9 q
◎年 代 1979
: R0 B ^% w" L3 `9 ]) T◎产 地 美国3 U2 q% B3 [% k T& K
◎类 别 剧情/悬疑/战争
& O/ ~: D; u. a8 p T U9 A2 l+ i◎语 言 英语/法语/高棉语/越南语% N/ |' l, o( U) M9 v( P+ O+ o H
◎上映日期 1979-05-19(戛纳电影节)/1979-08-15(美国)" ^3 z/ @! i; s7 u4 G5 ?
◎IMDb评分 8.5/10 from 675,497 users
4 s2 @. a% U( S. T! I$ W, h◎IMDb链接 https://www.imdb.com/title/tt0078788/
7 g; D' h% s: K! c; b- h0 \9 \◎豆瓣评分 8.5/10 from 103,780 users v: c* @" n; [$ I& y$ {
◎豆瓣链接 https://movie.douban.com/subject/1292260/4 ~2 V0 Y+ `" E& C* N
◎文件格式 x265 + TrueHD4 G' ^. M) ^, y3 x
◎视频尺寸 3840 x 2160
3 i w# O3 H8 o9 `/ a; ?$ y: _◎文件大小 1DVD 84.30 GiB & 90.81 GiB; N. C) R1 T/ K7 ?: j% u z" c
◎片 长 3:16:03.751 (h:m:s.ms) & 3:01:58.907 (h:m:s.ms)
/ x# j( L. q& ?7 X. g4 a◎导 演 弗朗西斯·福特·科波拉 Francis Ford Coppola
! ]% Z8 U3 m& ~2 M' |3 x◎编 剧 约翰·米利厄斯 John Milius4 ?0 v8 a/ C# U6 T
弗朗西斯·福特·科波拉 Francis Ford Coppola E& w; L, w* {3 |9 C
迈克尔·海尔 Michael Herr* I; T) O; [+ L' a
约瑟夫·康拉德 Joseph Conrad! x/ f% k/ b/ q3 U
◎演 员 马丁·辛 Martin Sheen# j4 g* m6 v# w2 o
马龙·白兰度 Marlon Brando
! s" C4 y5 m' f ^0 H/ S9 @: N 罗伯特·杜瓦尔 Robert Duvall6 g* k$ x( Z( |5 Y c1 n
弗雷德里克·福瑞斯特 Frederic Forrest6 N/ a# R$ n+ C0 k9 |# Y: m
山姆·伯顿斯 Sam Bottoms
! N3 L+ m) `# q- `* G 劳伦斯·菲什伯恩 Laurence Fishburne. |9 o+ [6 A' t% s' ~$ u) W
阿尔伯特·海尔 Albert Hall, B7 U+ @2 f7 x/ Y3 w! a
哈里森·福特 Harrison Ford
* _7 t- p) w: d3 }& F 丹尼斯·霍珀 Dennis Hopper
" E7 ~7 u3 N6 _: X" D1 t G·D·斯普拉德林 G.D. Spradlin
" F( ]0 @, }4 S8 H7 R2 k, J- y/ |( x 斯科特·格伦 Scott Glenn* P* R- k9 `" L& `- Y# w! U
詹姆斯·基恩 James Keane3 [, z# [, R# m. e+ `+ L
克里·罗塞尔 Kerry Rossall% V' N3 u4 z* E
辛西娅·伍德 Cynthia Wood
8 Z; S( U5 x. K+ C. X8 z G9 y 考林·加普 Colleen Camp
: ~+ J E8 w/ D 琳达·卡朋特 Linda Carpenter% q0 n- Z+ M# @3 H0 m# @
杰克·唐蒂博 Jack Thibeau/ } S& z+ w H9 I- r4 h- ~' r
格伦·沃肯 Glenn Walken3 _, b/ ?3 S0 c% V) w3 |9 ?0 d
达米安·利克 Damien Leake
7 d/ i9 ?+ m+ {- g+ d' c: u 赫布·赖斯 Herb Rice
7 G$ k! j2 l. z& [ 马克·科波拉 Marc Coppola
7 V" i6 a# z# x: j% `) e/ d& V 比尔·格雷厄姆 Bill Graham5 ~) L5 [% r' b ~2 N3 j
杰瑞·罗斯 Jerry Ross+ x# T Z* b4 b6 ^7 t2 W) |
迪克·怀特 Dick White$ k O, Q, w1 K8 ^
克里斯蒂安·马康 Christian Marquand1 o. R4 D% x) i8 J1 B7 I6 Y" x
奥萝尔·克莱芒 Aurore Clément; f. M3 }- q9 e1 y+ I
弗兰克·维拉德 Frank Villard# r( J! P; q0 K5 r
罗曼·科波拉 Roman Coppola1 f$ o2 b$ M% m( [. `# D3 S
吉安-卡洛·科波拉 Gian-Carlo Coppola
& t% X/ y% w3 L7 s4 N( j 弗朗西斯·福特·科波拉 Francis Ford Coppola$ i# l- q( `: @4 J: ], u
李·厄米 R. Lee Ermey- V$ R) l. D# X- s7 @- u- E' e
乔·艾斯特维兹 Joe Estevez: t2 X. t: K2 S* Z! H
拉瑞·弗兰科 Larry J. Franco: b; e7 v" O5 J
吉姆·盖恩斯 Jim Gaines
8 J) D3 w) P2 z1 Z1 s 埃文·A·洛特曼 Evan A. Lottman% d# S: h+ y/ b. C/ _
查尔斯·罗宾逊 Charles Robinson
- R; \1 q8 O3 x 维托里奥·斯托拉罗 Vittorio Storaro0 I) M# P. |. V# K
+ { t, `. l, I/ B+ k- _. K# n◎标 签 战争 | 越战 | 美国 | 人性 | 弗朗西斯·福特·科波拉 | 经典 | 美国电影 | 科波拉, C3 I8 {# b; O6 X3 [
: Q2 d x9 O2 D L4 ^2 c◎简 介 7 m; F) _4 g- j/ W5 U2 O9 z3 n
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越战后期,美军上尉威拉德(马丁·辛 Martin Sheen 饰)奉命沿湄公河而上,搜寻脱离美军在柬埔寨建立了自己的王国的科茨(马龙·白兰度 Marlon Brando 饰)上校,将他带回或杀死。科茨上尉曾经是美军在越战中的英雄,战功赫赫。然而,忽然有一天,他失踪了。随 后,情报指出他在柬埔扎建立了自己的王国,自己的军队,专门反对美军。& i% s ?9 `' e, H
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威拉德与几名士兵一路沿河而上,途中他们目睹了种种暴行、杀戮,目睹了无论美军士兵还是当地人在长期的战争中精神扭曲,做出的种种非正常的行为,威拉德感到了极大的震撼。( E! s) X* F% h8 i! \5 S
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威拉德最后在柬埔寨科茨的王国中被当地人捉住,见到了科茨。然而,科茨竟欲求一死,叫威拉德将这里炸为平地……
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During the Vietnam War, a U.S. army captain is sent on a dangerous mission into Cambodia to assassinate a renegade colonel who has set himself up as a god among a local tribe.' H J$ L6 J: d0 p& i6 I
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◎获奖情况
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1 _9 h/ h* a/ b B& Y O 第52届奥斯卡金像奖(1980): v& y; `( J5 g3 W) F; F
最佳影片(提名) 弗雷德·鲁斯 / 弗朗西斯·福特·科波拉 / 加里·弗雷德里克森 / 汤姆·斯滕伯格
: b2 ^" I5 E* J2 q 最佳导演(提名) 弗朗西斯·福特·科波拉
' q- K% f+ |& V1 e& Z 最佳男配角(提名) 罗伯特·杜瓦尔- B0 k- F: m- R4 W C' y- {
最佳改编剧本(提名) 弗朗西斯·福特·科波拉 / 约翰·米利厄斯
. f, Q9 v4 x, D! ~ 最佳摄影 维托里奥·斯托拉罗
% B+ J- Z1 a/ S+ d& [( j1 m 最佳剪辑(提名) 沃尔特·默奇 / 杰拉德·B·格林伯格 / 理查德·马克斯 / 丽莎·弗拉特曼1 s* l) Z; r& q; e
最佳音响 理查德·贝格斯 / 内森·博克瑟 / 马克·伯格 / 沃尔特·默奇
0 T. }. c# S7 |. q+ F 最佳艺术指导(提名) 乔治·R·尼尔森 / 迪安·塔沃拉里斯 / 安杰洛·P·格雷厄姆
, B& j0 e# g8 Q* |- R% k 第32届戛纳电影节(1979)4 ?) v- E+ L$ X; B; b
主竞赛单元 金棕榈奖 弗朗西斯·福特·科波拉# I1 d+ o5 T2 b% v2 x
费比西奖 竞赛单元奖 弗朗西斯·福特·科波拉3 q$ \3 H+ v4 C) b2 m" [
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复制代码 Apocalypse Now 4K Blu-ray, Video Quality
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5 X* |4 s: C3 o: u. u; P% f, f( wNote: Screenshots are sourced from the 1080p Blu-ray.$ Y* p h, ?" m$ g$ F
/ k+ A$ V8 h% S" dApocalypse Now is presented in 4K UHD courtesy of Lionsgate Films with 2160p transfers in 2.39:1. All three versions stem from the same 4K restoration, and I frankly noticed no huge quality variances between them in either their shared or different footage. Before I get into my reactions to the 4K presentations, I should take a moment to mention that our Forum devoted to this release has quite a few complaints about the compression on the 1080p Blu-rays included in this set, and so for those concerned about those particular presentations, I refer you to some of our typically well informed members who have posted about it, while also noting I'm docking my score for the 1080p Blu-ray presentations in this set when compared to the older 1080p Blu-ray release from Lionsgate. The good news is whatever complaints some may have about the 1080p presentations, I can't imagine anyone harping too much about any of the 2160p presentations, as I found them to be largely stunning, with clear upticks in detail and (especially) fine detail, some interesting if subtle highlights added courtesy of Dolby Vision, and a definite improvement in shadow detail generally throughout the many dark sequences in the film. The one niggling qualm some may have with this presentation is one that has "afflicted" (if that's the right word) previous home video incarnations of this title (in any of its now many forms), namely a rather wide variance in grain thickness due to the prevalence of old school opticals. Coppola uses quasi-montage repeatedly throughout the film, often superimposing images to create a near psychedelic ambience, and as such grain expectedly spikes, sometimes quite significantly. The opening several minute sequence is just the first of several examples that can be cited where grain is positively chunky, often colored either yellowish or brownish, and thick enough that it can mask fine detail. When, for example, the film finally cuts out of this first set of opticals at around the 3 minute mark, an immediate improvement in clarity along with a much more finely resolved grain field is instantly apparent, and aside from reoccurrences of similar opticals (and there are quite a few), the improvement is consistent for the duration of the presentation. Detail levels are quite impressive throughout, and some of the fine detail upticks really surprised me — for just one minor but telling example, you can actually read the text in the little plastic enclosed name tags that Lucas and Corman (think about that for a minute) wear when they are recruiting Willard to go hunt for Kurtz.
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The palette is often gorgeously suffused in 4K UHD, and some of the highlights are noticeably different, if subtly so, from earlier presentations and even from the 1080p Blu-rays included in this package. Oranges and yellows in particular have some interstitial tones that I didn't notice as being quite as prevalent in the 1080p presentations, and several scenes have an almost peach hue to them now. Some of the jungle scenes feature blue and teal tones that are extremely evocative, and the final act with Kurtz sees more "mundane" yellows slowly being burnished into impressive gold tones as the scenes continue. Shadow detail in this final sequence of scenes gives at least a little more information in frames that are often shrouded in darkness.8 A; Z+ h) \$ e% G; }* O
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While the grain field is rather widely variable, and there are the added "challenges" of huge wafts of dust and smoke blowing through many scenes in addition to the "background" of grain, compression on the 4K UHD discs is excellent, with no major anomalies that I noticed. There are a few very minor blemishes that have made it through the restoration guantlet, but in my estimation they're nothing of any real import.
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Apocalypse Now 4K Blu-ray, Audio Quality + ^- j4 J& I7 H! E
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/ k6 y( T7 g4 ZAs impressive as the video element is on these new 4K UHD discs, the Dolby Atmos tracks all three versions have are completely immersive, with floorboard rumbling LFE and nice verticality that's apparent from the very first panning sounds of a helicopter rotor clearly passing overhead and around the listener. Source cues like a certain Richard Wagner "hit tune" sound fantastic in this presentation, and the glut of explosions and gunfire also punctuate the soundfield with extremely directional effects that consistently maintain a realistic ambience. Dialogue is rendered cleanly and clearly throughout these excellent and hugely enjoyable presentations.: k! n2 L* Q: p9 K& r
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