威尼斯疑魂/血光鬼影夺命刀 [蓝光原盘] Dont Look Now 1973 NEW REMASTERED 1080p BluRaycd AVC DTS-HD MA 2.0-MONUMENT 36.32GB

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◎译　　名　威尼斯疑魂/血光鬼影夺命刀/现在别看/现在不要看/小妖女
( B1 \# Z. G' k' J2 b1 O7 k8 ]- D◎片　　名　Don't Look Now / Wenn die Gondeln Trauer tragen
' n( z# l, P& @+ n0 O◎年　　代　1973
◎产　　地　英国/意大利
, y+ g% y- [5 `% K5 K◎类　　别　剧情/恐怖/悬疑/惊悚
◎语　　言　英语/意大利语
◎上映日期　1973-11-18(英国)/1973-12-09(意大利)
4 {; x4 S- c+ U◎IMDb评分  7.2/10 from 58,289 users
, Q/ P8 y  P' r3 }, e  `◎IMDb链接  https://www.imdb.com/title/tt0069995/
◎豆瓣评分　7.2/10 from 4,097 users
/ o; t& R3 e9 ]* K- D, c◎豆瓣链接　https://movie.douban.com/subject/1302294/
; m% }0 |- I7 j/ m! S$ v3 R1 T◎文件格式　x264 + DTS  
  _+ c2 ~4 r, M◎视频尺寸　1920 x 1080
◎文件大小　1DVD 36.32 GiB
◎片　　长　1:50:14.000 (h:m:s.ms)
* M0 L2 F) n# w2 T0 ?" B1 }6 L( G◎导　　演　尼古拉斯·罗伊格 Nicolas Roeg
◎编　　剧　艾伦·斯科特 Allan Scott
! M0 a0 |+ \7 T- e　　　　　  克里斯·布莱恩特 Chris Bryant
# f* Z/ D: F3 \5 {5 c$ ?- _　　　　　  达芙妮·杜穆里埃 Daphne Du Maurier
◎演　　员　朱莉·克里斯蒂 Julie Christie
) P& T; M3 `) F/ q) ]* r( h" Z　　　　　  唐纳德·萨瑟兰 Donald Sutherland
　　　　　  希拉丽·梅森 Hilary Mason
　　　　　  克莱利娅·马塔尼亚 Clelia Matania
1 o( y) @3 r4 i7 b2 Q2 s5 K　　　　　  马西姆·塞拉托 Massimo Serato
　　　　　  莱奥波多·特里耶斯泰 Leopoldo Trieste
! O4 K, v7 y) _' r7 p5 _　　　　　  安·雷 Ann Rye
2 ~8 T0 k  p( S* u7 y/ I+ Q3 V　　　　　  Giorgio Trestini
0 F% o5 B) f- ^7 l( c: B% b　　　　　  David Tree
　　　　　  雷纳托·斯卡帕 Renato Scarpa

◎标　　签　英国 | 惊悚 | 意大利 | 恐怖 | 悬疑 | 1973 | 1970s | 英国电影
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◎简　　介　
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　　建筑师John Baxter（唐纳德·萨瑟兰 Donald Sutherland 饰）与其妻子Laura（朱莉·克里斯蒂 Julie Christie 饰）育有一男一女。有一天，女儿莫名其妙地溺水身亡。Laura沉浸在悲痛中。John因为工作原因，带着Laura来到威尼斯，进行一个教堂的修缮工作。在那里，Laura认识了两个老妇人，里面有一个盲人，据说能通灵，能看见Baxter夫妇的女儿。Laura晕了过去，醒来之后却摆脱了女儿死亡的阴影。通灵的老妇人告诉Laura，如果John继续留在威尼斯的话，会有危险。Laura劝John赶紧离开，John却不相信所谓通灵，继续留在威尼斯进行工作。果不其然，John在工作中发生了意外，而他们在英国读书的儿子病倒了。Laura急忙搭飞机回国，而John却在威尼斯发现Laura跟那两个老妇人在一起。发生在威尼斯的这个故事变得越来越扑朔迷离......本片在Time Out 2011“史上最佳100部英国电影”中排名第一。

　　A married couple grieving the recent death of their young daughter are in Venice when they encounter two elderly sisters, one of whom is psychic and brings a warning from beyond.

◎幕后揭秘

　　一部心理惊险片，但却以情色场面著称。影片根据达夫妮·莫瑞埃的小说改编，将冬天的威尼斯拍得分外伤感。整部影片大量运用闪回，使影片在直线的缓流之中多了跃动，如约翰被害一段，曾经的一幕幕与正在挣扎的场景被剪接在一起，令人眼花缭乱。
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1. DISC INFO:
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3. Disc Title:     Dont.Look.Now.1973.NEW.REMASTERED.1080p.BluRayCD.AVC.DTS-HD.MA.2.0-MONUMENT
   
4. Disc Size:      38,993,364,096 bytes
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5. Protection:     AACS
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6. BDInfo:         0.7.5.3 (compatible layout created by DVDFab 11.0.4.0)
   
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11. Length:                 1:50:14.000 (h:m:s.ms)
    
12. Size:                   32,191,457,280 bytes
    
13. Total Bitrate:          38.94 Mbps
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19. MPEG-4 AVC Video        33765 kbps          1080p / 24 fps / 16:9 / High Profile 4.1 /
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25. DTS-HD Master Audio             English         1479 kbps       2.0 / 48 kHz / 1479 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 768 kbps / 24-bit)
    
26. DTS-HD Master Audio             German          1441 kbps       2.0 / 48 kHz / 1441 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 768 kbps / 24-bit)
    
27. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps
    
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33. Presentation Graphics           English         21.007 kbps                    
    
34. Presentation Graphics           German          20.535 kbps                    
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35. Presentation Graphics           German          2.665 kbps

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Don't Look Now Blu-ray, Video Quality   

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Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Nicolas Roeg's Don't Look Now arrives on Blu-ray courtesy of Criterion.
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The following text appears inside the leaflet provided with this Blu-ray release:

"Approved by director Nicolas Roeg, this new digital transfer was created in 4K resolution on a ARRISCAN film scanner from the original camera negative at Deluxe Digital London. Thousands of instances of dirt, debris, scratches, splices, warps, jitter, and flicker were manually removed using MTI's DRS and Pixel Farm's PFClean, while Digital Vision's Phoenix was used for small dirt, grain, and noise management.
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Transfer supervisor: Lee Kline.
- L& W- L$ p3 {6 a- s' q. BColorist: Stephen Berman/Deluxe Digital London."
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5 K# B: ?6 S, T  @( VThe release eliminates the big issues that compromised StudioCanal's presentation of the film (you can see our review of the Region-B release here). To be perfectly clear, there are no visible traces of the electronic sharpening that affected detail and depth. Various density fluctuations remain -- in areas of the film where light is captured in specific ways and grain is over/underexposed -- but they are part of the film's original cinematography. (Examples of the type of fluctuations addressed above can be seen in screencaptures #8 and 17). Unsurprisingly, definition is better and image depth far more convincing (compare screencaptures #1 and 14 with screencaptures #3 and 5 from our review of StudioCanal's release). Minor contrast variations are present, but they are also part of the original cinematography. Colors are stable and natural, and I would specifically like to mention that here they are slightly better saturated as well (the general flatness present on the StudioCanal release is also a byproduct of the compromising digital corrections). Lastly, overall image stability is excellent, and there are no large debris, cuts, damage marks, or stains. The encoding is very good, but I did notice some extremely light shimmer trying to sneak in during a short sequence early into the film. All in all, this is a strong organic presentation of Don't Look Now that is likely to remain the definitive presentation of the film on the home video market. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free PS3 or SA in order to access its content).
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7 V/ X. B( l, ~0 e" J$ X% LDon't Look Now Blu-ray, Audio Quality   


There is only one standard audio track on this Blu-ray release: English LPCM 1.0. For the record, Criterion have provided optional English SDH subtitles for the main feature.
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The lossless track is excellent. I did some direct comparisons with the LPCM 2.0 track from the StudioCanal release and the clarity and depth are identical. Balance, which was an issue on the old R1 DVD release, is also very good. There is a good range of nuanced dynamics that allow Pino Donaggio's famous score to shine in all the right places as well (listen to the lovely strings at 01.09.19). The dialog is stable and easy to follow. There are no pops, cracks, audio dropouts, or digital distortions to report in this review.
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