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A realtor pursues a new career as a Dolly Parton impersonator.: V/ w3 Z, Z2 w# Z5 h p5 p' o$ t
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+ P. u, W* j; u& a5 e; A8 s◎译 名 红透了 4 ^. @- S8 K) @- s
◎片 名 Seriously Red / Being Dolly
. {" ]' Q1 L% W* ^& k* p◎年 代 20221 M/ t& } E+ S6 m' b8 j/ R, C A
◎产 地 澳大利亚
# ?! S4 j) Q& Q' t◎类 别 剧情/喜剧/音乐/歌舞
* z" P. o s' v! c1 w◎语 言 英语
+ |5 j3 D$ n2 h◎上映日期 2022-03-13(西南偏南电影节)/2023-02-10(美国)& t$ n6 \2 t0 _% |
◎IMDb评分 5.3/10 from 553 users
# z- W1 i) Z2 O# s* w7 `. b# Q( ?◎IMDb链接 https://www.imdb.com/title/tt4586828/
- @$ y; F; {; d% v }◎豆瓣评分 0/10 from 0 users8 V2 {/ G7 G0 Y
◎豆瓣链接 https://movie.douban.com/subject/35760248/
! d' F/ f+ ^4 u◎文件格式 x264 + DTS
+ J7 \& i' K R! l2 R; Z! `$ u t◎视频尺寸 1920 x 1080
8 p9 _# l( ]/ F/ t* G◎文件大小 1DVD 21.28 GB
* ]6 p9 F8 ]: }1 R* l◎片 长 1:38:39.079 (h:m:s.ms)4 L% O3 E) V0 O" ^
◎导 演 加茜·奥托 Gracie Otto. }+ X% C/ K- X% t
◎编 剧 Krew Boylan& e$ }3 _) `0 y( `1 d# o1 F& X
◎演 员 Krew Boylan
. [: D" b/ d% p% x/ f 丹尼尔·韦伯 Daniel Webber
8 B' O! v' ^- _8 k0 j 罗丝·伯恩 Rose Byrne0 z; I; [ M' Z3 ]6 F
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◎简 介 ( I+ O/ {9 J, }1 J: }! v) G
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雷琳·瑞德·德莱尼放弃了她朝九晚五的房地产职业生涯,转而成为聚光灯下的多莉·帕顿模仿者。然后,她与肯尼·罗杰斯的浪漫恋情发生了,而她混乱的旅程继续着,充满了假发和人造乳房。
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* J. u( ]* @7 E+ ]2 P! ` After reaching a crossroads in her life, a real estate agent decides to trade in her career for one in the spotlight as a Dolly Parton impersonator.) U: g% k5 _) l: `- X4 B
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- DISC INFO:
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- Disc Title: Seriously.Red.2022.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-Liber8% _8 a) {4 [3 D: l4 M# B
- Disc Size: 22,844,199,353 bytes
2 |, i' D; B5 S; \2 x% b - Protection: AACS. |' y' v' ^" q# _- E
- Extras: BD-Java
2 ^: i8 T! I" f* z4 @% R \ - BDInfo: 0.7.6.1 (compatible layout created by DVDFab 12.1.0.2)9 z3 s8 I0 R* D' G% l
4 C* i8 N: `1 E) e/ u- PLAYLIST REPORT:1 D5 q5 N. C' w+ C% ^- E
8 C+ \2 y! u; @, N# |2 l- Name: 00001.MPLS 8 Z* h7 D9 H2 b& i* X
- Length: 1:38:39.079 (h:m:s.ms)+ Y+ n0 _8 d- Q- R5 B) L x
- Size: 22,310,240,256 bytes6 T1 ]4 _: G! N' |- Y; ^$ ~
- Total Bitrate: 30.15 Mbps
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- Video:% j5 j# s, _; C( e: |& M& D
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- Codec Bitrate Description $ U( A, F" @$ Y0 o) s# x
- ----- ------- ----------- , j* N& H \+ Q; ^% I
- MPEG-4 AVC Video 24985 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1
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- AUDIO:/ e( G, q; x6 G
: D& P4 o: b1 `8 t+ n) u- Codec Language Bitrate Description 6 \( n/ |/ f/ K) L4 T
- ----- -------- ------- ----------- ; e) h# k K# T8 {
- DTS-HD Master Audio English 3311 kbps 5.1 / 48 kHz / 3311 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
: L# _9 w2 h p! _3 {9 ?" [" P4 U - Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps7 p% B0 B( p1 i( R
; F0 c+ T7 i, |% d* {- SUBTITLES:" k5 w' y1 F/ O7 `9 E/ h
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- Codec Language Bitrate Description , c0 W) t0 r4 F0 V
- ----- -------- ------- -----------
& j, Y- w6 a% i& O - Presentation Graphics English 38.614 kbps
; g2 ^( @; X7 F - Presentation Graphics Spanish 29.975 kbps
复制代码 Seriously Red Blu-ray, Video Quality
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Seriously Red is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 1.85:1. I haven't been able to find any authoritative technical information on the shoot, and as of the writing of this review the IMDb doesn't have much to offer, but this is a nice looking digital capture that I'm assuming had a 2K DI. The best thing about this presentation is arguably is amazingly vivid palette, which pops with both really bold primaries but also some very appealing interstitial tones that are frequently in the pastel range, and which add a lot of visual interest to the proceedings. Detail levels are generally excellent throughout, perhaps faltering just a bit in some of the dimly lit performance venues. This is another Lionsgate release where the studio's masthead has noticeable enough banding that it even showed up with our screencapture unit (something that doesn't always happen), but where I noticed no real problems with the actual feature presentation.
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Seriously Red Blu-ray, Audio Quality * q+ \& k" M5 c2 v
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Seriously Red features a fun and at times very exuberant DTS-HD Master Audio 5.1 track that offers secure rendering of a source cue littered score that of course has a ton of Parton material, but also exploits some of the other impersonator's discographies. A glut of scenes in performance venues also offers good opportunities for engagement of the side and rear channels with crowd noises. Dialogue is rendered cleanly and clearly throughout. Optional English and Spanish subtitles are available.
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