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- f. Z- P, G9 h& Y◎译 名 孤儿怨:首杀/孤儿怨2:最黑暗的过去(台)/孤疑前传(港)/孤儿怨前传/孤儿怨:第一次杀戮/伊斯特
0 \6 O+ d- a h$ d) k: E◎片 名 Orphan: First Kill / Esther- s# H2 q4 M6 x& W8 \) i6 A
◎年 代 2022
9 }9 a' i8 [4 i" o5 B/ z4 P7 i$ V◎产 地 美国2 g( Q# {4 o8 x0 Y1 a
◎类 别 悬疑/惊悚/恐怖/犯罪+ i+ q' w5 z+ Q1 Q+ O
◎语 言 英语/爱沙尼亚语. q- @; E U: q. M5 N
◎上映日期 2022-07-27(菲律宾)/2022-08-19(美国)
7 \" T' ]7 r: g: l/ `◎IMDb评分 5.9/10 from 38,232 users
* ^ N1 f7 L2 ?) A' H◎IMDb链接 https://www.imdb.com/title/tt11851548/. I6 j/ Z" f2 x
◎豆瓣评分 5.5/10 from 25,169 users
& ?# E4 @' e# G- `; l◎豆瓣链接 https://movie.douban.com/subject/34970503/2 v3 d- `- q8 N; A: U/ k
◎文件格式 x264 + DTS " L4 f q- ~" O& }
◎视频尺寸 1920 x 1080& r, v5 o: Z0 @- ?2 ?
◎文件大小 1DVD 22.30 GiB
* Z( u) w2 \& j* N◎片 长 1:38:40.247 (h:m:s.ms)- ] J( T0 A1 ~7 t4 d- Y2 ^- e
◎导 演 威廉·布伦特·贝尔 William Brent Bell
0 `- F5 l# ], _* {4 y" \, d◎编 剧 戴维·科格索尔 David Coggeshall0 m* L# h% i# C; I+ U; @
艾利克斯·马斯 Alex Mace
; A+ ^( v/ X+ t0 x1 R. ~ 大卫·莱斯利·约翰逊-麦戈德里克 David Leslie Johnson-McGoldrick
. q7 C/ H9 N) E# A) B% c◎演 员 伊莎贝拉·弗尔曼 Isabelle Fuhrman* @4 H1 l% _) v6 Q/ I3 f+ f5 `) D
朱丽娅·斯蒂尔斯 Julia Stiles
6 D5 }6 b- E, B; D* H( k 罗西弗·萨瑟兰 Rossif Sutherland
' |5 I9 M1 u' b+ U6 B1 t+ |. Z5 a. [ 金川弘敦 Hiro Kanagawa0 j8 c) `6 b7 z6 g1 j
马修·芬兰 Matthew Finlan# f3 r7 X7 G7 y j0 r: c
萨曼莎·沃克斯 Samantha Walkes2 r# P* M3 G' H: y3 B
大卫·劳伦斯·布朗 David Lawrence Brown! ~+ j1 Y: g4 G1 G M' o" z
劳伦·科克伦 Lauren Cochrane- {! S1 e) r* I) x
格温多琳·柯林斯 Gwendolyn Collins
& B! I/ H9 f5 w% b7 u* l9 ^9 ^7 t 克里斯汀·萨瓦茨基 Kristen Sawatzky
+ \% z1 s0 w8 \ }: {5 q+ D5 V 杰夫·斯特罗姆 Jeff Strome0 g6 [0 s, X- h+ ~( i9 e5 a
安德里亚·德尔·坎普 Andrea del Campo
( H& L- o" ` X# X 亚历克·卡洛斯 Alec Carlos
6 D1 O0 A) M9 `, M& W 艾丽西亚·约翰斯顿 Alicia Johnston
+ }( m; e# l' b8 v8 s. G- V 利亚姆·斯图尔特-卡尼根 Liam Stewart-Kanigan1 }- c# x- E6 X% s, r) h2 L
杰德·迈克尔 Jade Michael& e1 X! z9 h: I
布拉德利·索茨基 Bradley Sawatzky1 g# t5 U+ n4 J/ a
斯蒂芬妮·西 Stephanie Sy
# `7 u4 G& ]0 ~9 |* Q% o 玛丽娜·斯蒂芬森·科尔 Marina Stephenson Kerr0 ]6 O" a. K% R/ W1 B
沙龙·巴杰 Sharon Bajer+ X2 Q7 J7 }0 s( q- K8 r
埃里克·阿塔瓦尔 Erik Athavale
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◎简 介
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故事发生在上一作之前,伊斯特(伊莎贝拉·弗尔曼 Isabelle Fuhrman 饰)冒名顶替了一个在幼时失踪的女孩的身份,来到了翠西亚(朱丽娅·斯蒂尔斯 Julia Stiles 饰)和艾伦(罗西弗·萨瑟兰 Rossif Sutherland 饰)夫妻两人的家中,面对失而复得的女儿,艾伦显得非常的激动,而伊斯特所展现出的在艺术上的天赋让这对“父女”之间很快就建立起了亲密无间的关系。
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谁知道伊斯特的一举一动都被翠西亚看在眼里,随着时间的推移,她逐渐开始怀疑,眼前的女孩,和他们失踪的女儿并非同一人。刚开始,伊斯特只是准备将这个富有的家庭洗劫一空之后一走了之,可对于艾伦的眷恋令她留了下来,可这个决定也令她的真实身份被翠西亚知晓了。0 f" S! y6 c- S, w. f# P! [
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After orchestrating a brilliant escape from an Estonian psychiatric facility, Esther travels to America by impersonating the missing daughter of a wealthy family.
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6 } S% C! i" _5 @& t- DISC INFO: m/ z y* }# L/ e% z9 a
+ _+ l7 Z1 x: g: K0 C- Disc Title: Orphan.First.Kill.2022.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT! y: X. j. Q3 m) ^
- Disc Size: 23,949,272,719 bytes5 p/ q! Q9 t& B: a* h
- Protection: AACS& o( L" B8 W+ F5 ]6 \7 ~# w, o. g
- Extras: BD-Java1 F5 b3 L! y7 p& I0 d% b
- BDInfo: 0.7.5.9 (compatible layout created by DVDFab 12.0.8.9)
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$ V4 o/ s: e4 {& f( w! K- PLAYLIST REPORT:% s/ k$ {6 \/ `. Z$ q
/ E* A( t8 |- q9 @, e+ m9 t- Name: 00001.MPLS
$ x- `5 L ?# J - Length: 1:38:40.247 (h:m:s.ms)
& ]2 J( C; v6 Q8 @; @3 i - Size: 23,713,615,872 bytes) C" K8 E7 s/ \3 c Q- t
- Total Bitrate: 32.04 Mbps
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( ~/ C" v4 H3 z6 a6 n- Video:8 z+ p" E% ?8 \
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- Codec Bitrate Description
& U. q+ b, [$ X# L6 L% r; N3 ]7 F - ----- ------- ----------- 3 C: E9 y% E; B
- MPEG-4 AVC Video 26565 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1
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E/ w6 O" `; j4 P- AUDIO:# P! i- t( t7 T6 P3 k" {5 V. ~
* e5 G0 t* L5 D9 [5 H- Codec Language Bitrate Description
. h0 l( @3 y6 n - ----- -------- ------- ----------- 6 d9 ^8 J7 a2 r- i3 g! z4 x
- DTS-HD Master Audio English 3066 kbps 5.1 / 48 kHz / 3066 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)+ K% n) ~+ m- I/ f: a0 f+ E
- Dolby Digital Audio English 640 kbps 5.1 / 48 kHz / 640 kbps
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- SUBTITLES:8 } F. a" J q- B8 s- }) x
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- Codec Language Bitrate Description ' E: }4 [6 Q3 I% `4 u$ |3 N
- ----- -------- ------- ----------- # m* T4 l% Z" ^: _( e: j0 I( L
- Presentation Graphics English 25.844 kbps
, ?% Y! t }. p# j - Presentation Graphics English 32.001 kbps
9 Z5 w, O. \" F& N* u - Presentation Graphics Spanish 24.425 kbps
复制代码 Orphan: First Kill Blu-ray, Video Quality
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# b1 [" }2 h& w3 m6 lParamount brings Orphan: First Kill to Blu-ray with a serviceable 1080p transfer. This is not the most attractive film on the market. The opening segment has something of a dreamy quality inside the orphanage. It's a little soft and hazy, a characteristic which carries through much of the film. Details lack the razor-sharpness of other modern productions, but there is certainly a good deal of clarity refinement and visibility at 1080p. Basic skin, clothing, and environmental textures satisfy within the film's somewhat pervasively airy look. Color output is likewise not extreme, but the core foundation pleases. There's enough pop and depth to natural locales, clothes, and furnishings to deliver a modestly hearty look, but the film favors a darker posture that does not accentuate bold tones. Black levels are fair, whites are fine, and skin tones look OK. Viewers will note some noise permeating darker scenes, most obviously evident in the opening minutes when the facility goes on lockdown. However, some source noise is often visible even in more forgiving light. There are no other major source or encode problems to report.
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Orphan: First Kill Blu-ray, Audio Quality % Y) W: x6 `2 O5 v7 S- x# h G
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The DTS-HD Master Audio 5.1 lossless soundtrack lacks the dynamic intensity and verse one might expect of an atmospheric Horror film. The track offers a good foundational listen, albeit one with a fairly straightforward front-side posture. Surrounds carry some atmosphere and music, but the track is most comfortable operating out of the front three channels. Overall clarity is good. Muscal output never hits hard, never offers big and sweeping elements, but the foundational content presents with solid clarity and placement. Some of the scares and action sound effects offer a bit more charge, but again not with the sort of house-shaking, subwoofer-rattling boom one might expect from a genre film. Still, there is enough raw muscle to get by. Dialogue drives the film, and it presents without flaw from a natural front-center location.2 v" N/ s% k" O+ {/ K" w. j" g; L
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