萨利机长/哈德逊奇迹 [蓝光原盘] Sully 2016 1080p BluRaycd AVC TrueHD 7.1 Atmos-FGT 33.26GB

When pilot Chesley "Sully" Sullenberger lands his damaged plane on the Hudson River in order to save the flight's passengers and crew, some consider him a hero while others think he was reckless.
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- e" n, G8 R# n+ Q% r6 H( ]4 K◎译　　名　萨利机长/哈德逊河奇迹/萨利/萨利机长：迫降奇迹(港)/萨利机长：哈德逊奇迹(台)
* n/ b2 t& v7 q8 F" ]# F◎片　　名　Sully
( C7 P$ i$ ?% p* s  g1 v! F◎年　　代　2016
/ |2 H4 Q! ?9 e◎国　　家　美国
8 t" E0 G0 h3 U◎类　　别　剧情/传记/灾难
0 ~% U. m* w6 p  b/ W◎语　　言　英语
◎上映日期　2016-09-09(美国)/2016-12-09(中国大陆)
◎IMDb评分  7.4/10 from 281,793 users
◎IMDb链接  https://www.imdb.com/title/tt3263904/
3 S2 V- W4 ~4 m$ |: ]◎豆瓣评分　8.3/10 from 343,593 users
5 J$ ]" V0 T0 r& B5 Q◎豆瓣链接　https://movie.douban.com/subject/26416603/
9 r: b# W5 f% L- K: B◎文件格式　x264 + TrueHD
◎视频尺寸　1920 x 1080
◎文件大小　1DVD 33.26 GiB
4 M# [" `2 `# X  T5 R2 U◎片　　长　1:35:50.661 (h:m:s.ms)
◎导　　演　克林特·伊斯特伍德 Clint Eastwood
◎编　　剧　托德·考马尔尼基 Todd Komarnicki
　　　　　  切斯利·舒伦伯格 Chesley Sullenberger
　　　　　  杰弗里·札斯洛 Jeffrey Zaslow
◎演　　员　汤姆·汉克斯 Tom Hanks
. K* R- i/ n2 _4 g" o5 I5 N　　　　　  艾伦·艾克哈特 Aaron Eckhart
( e6 b6 k7 \* p7 X! c2 O　　　　　  劳拉·琳妮 Laura Linney
7 q/ v% y& }' p  ~　　　　　  杰瑞·费拉拉 Jerry Ferrara
" y) b/ M; y) U  H  Q- ~5 `　　　　　  安娜·冈 Anna Gunn
　　　　　  奥图姆·瑞瑟 Autumn Reeser
　　　　　  霍特·麦克卡兰尼 Holt McCallany
　　　　　  克里斯·鲍尔 Chris Bauer
　　　　　  杰米·谢尔丹 Jamey Sheridan
　　　　　  安·库萨克 Ann Cusack
　　　　　  莫莉·哈根 Molly Hagan
　　　　　  马克斯·阿德勒 Max Adler
% o% ]* p5 t9 S7 N5 i5 A: e5 O% R: {　　　　　  萨姆·亨廷顿 Sam Huntington  
8 }6 ?0 C7 t+ o9 q5 u6 A  d  b　　　　　  韦恩·巴斯楚普 Wayne Bastrup
+ i: f2 C" |/ y6 l　　　　　  维勒莉·玛哈菲 Valerie Mahaffey
　　　　　  凯蒂·柯丽克 Katie Couric
/ _1 U7 R2 I/ G' o　　　　　  杰夫·科伯 Jeff Kober  
$ h/ {1 ]5 `/ I4 c　　　　　  莫莉·伯纳德 Molly Bernard
( H0 F; h/ X1 `5 e　　　　　  库珀·索恩顿 Cooper Thornton
. K. o8 L8 w* M, \0 s" J　　　　　  维布尔·弗利茨杰拉德 Wilbur Fitzgerald
　　　　　  杰弗里·诺灵 Jeffrey Nordling
0 }- `' Q# m* C6 N. R% c/ D　　　　　  帕奇·德拉奇 Patch Darragh
( W: O' V, R' Z4 c9 I  w7 E　　　　　  布雷特·赖斯 Brett Rice
　　　　　  E·罗杰·米切尔 E. Roger Mitchell
* Z6 V% V. j/ Y0 O/ i/ W6 `　　　　　  罗伯特·普拉尔戈 Robert Pralgo
1 Q4 r/ f7 Q1 K4 {* J/ [9 F　　　　　  迈克尔·拉帕波特 Michael Rapaport
　　　　　  普鲁瓦·贝迪 Purva Bedi
　　　　　  克里斯托弗·柯里 Christopher Curry
　　　　　  因德尔·库马尔 Inder Kumar
& Z- q' d2 Z! z5 W　　　　　  加里·维克斯 Gary Weeks
　　　　　  特雷西·齐默 Tracee Chimo
　　　　　  迈克·奥麦利 Mike O'Malley
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◎标　　签　真实事件改编 | 美国 | 灾难 | 传记 | 人性 | 飞行 | 剧情 | 2016

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　　影片根据真实事件改编，2009年1月15日，萨利（汤姆·汉克斯 Tom Hanks 饰）在全美航空1549号班担任机长，飞机起飞两分钟后遭到飞鸟攻击，两架发动机全部熄火，萨利决定在哈德逊河上迫降，155人全数生还。但之后的调查显示他做了错误的抉择，认为大可选择返回拉瓜地亚机场。机内到底发生了什么呢？

　　On January 15, 2009, the world witnessed the "Miracle on the Hudson" when Captain "Sully" Sullenberger glided his disabled plane onto the frigid waters of the Hudson River, saving the lives of all 155 aboard. However, even as Sully was being heralded by the public and the media for his unprecedented feat of aviation skill, a federal investigation questioned his actions and threatened his career.
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) \3 A4 p! T" p$ ~( C) C◎获奖情况　

　　第89届奥斯卡金像奖  (2017)
　　最佳音效剪辑(提名) 阿兰·罗伯特·默里 / Bub Asman
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) f( b3 `! D  w4 {8 _+ m) t: @　　第40届日本电影学院奖  (2017)
6 i4 F: c4 r) p; \8 a2 `' Q+ l　　最佳外语片
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/ H1 l7 z1 F% o% a# c: g　　第15届美国视觉效果协会奖  (2017)
9 A# z0 S3 F" }( p. S4 K  b$ a0 b　　最佳电影辅助视觉效果(提名)
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　　第53届美国声音效果协会奖  (2017)
　　真人电影最佳音效(提名)

　　第88届美国国家评论协会奖  (2016)
& ~2 f$ n3 g5 a7 U# p& j　　年度佳片(提名)
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5 B5 w; ?, G4 G) Z$ T/ ~　　第22届美国评论家选择电影奖  (2016)
　　最佳影片(提名)
( n$ z* y$ ^* n4 L& p3 T8 F8 J　　最佳男主角(提名) 汤姆·汉克斯
　　最佳改编剧本(提名) 托德·考马尔尼基
　　最佳剪辑(提名)
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4 J: T) E  ]7 S　　第41届美国电影学会奖  (2016)
　　年度佳片
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　　第20届好莱坞电影奖  (2016)
) W% T7 ?) Y6 z2 B6 g& \" ]　　年度男主角 汤姆·汉克斯

7 I+ C5 q4 Y6 q　　第15届华盛顿影评人协会奖  (2016)
7 V$ d2 L* t% W% t　　最佳剪辑(提名) 布卢·默瑞 Blu Murray
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3. Disc Title:     Sully.2016.1080p.BluRayCD.AVC.TrueHD.7.1.Atmos-FGT
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4. Disc Size:      35,711,021,360 bytes
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5. Protection:     AACS
   
6. BD-Java:        No
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7. BDInfo:         0.5.8
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11. Name:                   00100.MPLS
    
12. Length:                 1:35:50.661 (h:m:s.ms)
    
13. Size:                   26,413,252,608 bytes
    
14. Total Bitrate:          36.74 Mbps
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28. Dolby Digital Audio             French          448 kbps        5.1 / 48 kHz / 448 kbps / DN -4dB
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30. Dolby Digital Audio             Portuguese      448 kbps        5.1 / 48 kHz / 448 kbps / DN -4dB
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Sully Blu-ray, Video Quality   
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Sully was shot by Tom Stern, Eastwood's regular cinematographer since Blood Work, on the Arri Alexa 65, which Arri is calling an IMAX camera. Post-production was completed on a digital intermediate at 4K, which no doubt accounts for the stunning clarity on Warner's 1080p, AVC-encoded Blu-ray. The detail on closeups of faces is almost painfully real, and the minutia of the cockpit controls are plainly visible. The exceptional resolution gives the CG-enhanced re-creation of the wounded aircraft's descent and landing a sense of hyper-realism, which continues as the passengers flee the sinking plane onto the wings to await rescue.

Although a number of scenes are set at night, much of Sully plays out in bright daylight under a steel-gray winter sky or in well-lit neutral interiors such as airport corridors, hotel suites and conference rooms. The cool palette and clean, almost sterile production design provide a counterpoint to the chaotic events of Flight 1549, as well as to the scrum of reporters who routinely besiege Sully and his family. In the extended public hearing sequence, the numerous attendees are readily visible and easily distinguishable from one another in the crowd. Several brief flashbacks to Sully's initial training on a crop dusting plane and his experience as an Air Force fighter pilot are given a warm and nostalgic glow, in contrast to the chill of the present-day sequences. I saw Sully theatrically, and the Blu-ray presentation retains all of the visual impact of the theatrical presentation.
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$ _* @: m, q% ^8 s7 U8 W  |6 J0 T; UWarner's theatrical group has fallen back into bad old habits of wasting much of the available space on a Blu-ray disc (here, about 10 GB), while holding the average bitrate in the mid-twenties (specifically, 24.57 Mbps). Nevertheless, the encode is capable, and the image is unmarred by artifacts or distortion.
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: A  H) o6 T+ h4 n4 wAs with the photography, realism is the hallmark of Sully's Dolby Atmos soundtrack. Even before anything has appeared beyond the abbreviated opening titles, the viewing room has come alive with the sounds of Flight 1549 taking off, followed by the engines failing and the rotors clattering to a stop (the latter will be repeated several times during the course of the film). All of the scenes from January 15, 2009, play out in a meticulously sculpted sonic landscape replicating the realistic environments from the boarding jetway at LaGuardia to the plane's passenger cabin, cockpit and exterior—and the sounds shift positions with precision as the camera's perspective changes. Anyone who has ever flown a commercial flight will recognize the accuracy of the sound design up to the moment of the bird strike. The remainder of the experience is composed of sounds that most of us have never heard (and hope never to hear), but the impression of realism persists, with the engines sputtering to a stop, the plane hitting the water and the fusilage straining and groaning as the aircraft floods and sinks.
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8 w4 b# m2 B" t) x/ k/ b5 a- bThe soundtrack thoroughly exploits Dolby Atmos' ability to position specific sounds at precise points within the listening environment, whether it's the slam of overhead storage bin doors being closed, the waters of the Hudson cascading over the nose of the plane as it hits the river's surface or the accusations of the NTSB investigators echoing in Sully's memory while he jogs. Helicopters, ferry boats and emergency vehicles are all convincingly rendered. Quieter scenes such as the NTSB proceedings and private conversations between Sully and Lorrie are accompanied by subtle environmental cues.
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The track's dynamic range is broad, and the bass extension is especially powerful during the plane's taxi and takeoff, when the engines are performing normally. Dialogue is clearly rendered, although it is sometimes submerged in the cacophony of mechanized harmoics (which, I suspect, is a deliberate choice by the sound designers). The sparely used score is by Christian Jacob and the Tierney Sutton Band, with a main theme composed by Eastwood.

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