回首尔/回首尔后 [蓝光原盘] Return To Seoul 2022 FRENCH 1080p BluRaycd AVC DTS-HD MA 5.1-MT 28.46GB

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◎译　　名　回首尔/回首尔后(港)
# q" f1 f, [. @( [; p( K$ ]( c, y◎片　　名　Retour à Séoul / Sans retour / No return / Return to Seoul / All the People I'll Never Be
◎年　　代　2022
◎产　　地　法国/德国/比利时/韩国/罗马尼亚/柬埔寨/卡塔尔
) T7 s& P' X# v$ u) I2 [◎类　　别　剧情
% X3 m, @9 `* {6 c( d4 D; C7 r, ^◎语　　言　英语/法语/韩语
◎上映日期　2022-05-22(戛纳电影节)/2022-11-18(柬埔寨)
! L# x( J2 ]; Y! I: `( \◎IMDb评分  7.1/10 from 2,214 users
* D4 Z  Z( g; }5 G9 K9 J# k◎IMDb链接  https://www.imdb.com/title/tt19719836/
7 o& A& @1 F  W7 D$ ~! |◎豆瓣评分　6.0/10 from 459 users
◎豆瓣链接　https://movie.douban.com/subject/35708459/
◎文件格式　x264 + DTS  
& r$ ~, c9 N8 @+ C4 z$ z( n% @◎视频尺寸　1920 x 1080
1 y! R& j1 G$ i8 x1 z◎文件大小　1DVD 28.46 GiB
2 J: m9 o# n0 F- i% Y( J  }◎片　　长　1:59:35.376 (h:m:s.ms)
◎导　　演　周戴维 Davy Chou
◎编　　剧　Laure Badufle
　　　　  　周戴维 Davy Chou
◎音　　乐　克里斯托夫·缪塞 Christophe Musset
◎音　　效　文森特·维拉 Vincent Villa
◎演　　员　朴智敏 Park Ji-Min
　　　　  　吴光禄 Kwang-rok Oh
8 c( ^! z! X7 r$ m5 Q2 ~6 ?　　　　  　金善映 Seon-yeong Kim
　　　　  　约恩·齐默 Yoann Zimmer
2 `" ]9 ^9 }. T) _　　　　  　路易多·德·朗克桑 Louis-Do de Lencquesaing
4 ^% x# I2 P! [2 r　　　　  　金东硕 Dong-seok Kim
　　　　  　许真 Jin Heo
) |7 r5 i& q+ N" t0 H% Q4 ~　　　　  　韩古卡 Guka Han
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◎简　　介　

　　出生于韩国的弗雷迪，自少便被领养家庭带到法国生活。25岁那年原本要去东京旅行，却因遇上台风而转游首尔，继而开展了一段寻根之旅。在法国成长的她，与亲生父母有着全然不同的文化，使这趟突如其来的旅程引发出更深层的身份思考，也将她的人生引领至始料未及的方向。
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　　A twenty-five-year-old French woman returns to Korea, the country she was born in before being adopted by a French couple, for the very first time. She decides to track down her biological parents, but her journey takes a surprising turn.
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! q1 B6 V' P& g) e) R◎获奖情况　
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, H4 S* @$ i1 D0 g: [. ^　　第75届戛纳电影节 (2022)
, G" Z5 A7 G- P9 N$ Z' {( L　　一种关注单元 一种关注大奖(提名) 周戴维
　　第16届亚洲电影大奖 (2023)
　　最佳导演(提名) 周戴维
* R; W: d& K, ^2 b　　最佳新演员(提名) 朴智敏
　　最佳男配角(提名) 吴光禄
　　最佳剪接(提名) 杜尼亚·西乔夫
" H2 U" B0 X' X; y0 f　　最佳原创音乐(提名) 杰若米·阿卡什,克里斯托夫·缪塞
　　最佳音响(提名) 文森特·维拉

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1. DISC INFO:
   
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3. Disc Title:     Retour.a.Seoul.2022.FRENCH.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-MT
   
4. Disc Size:      30,557,290,597 bytes
   
5. Protection:     AACS
   
6. BDInfo:         0.7.6.1 (compatible layout created by DVDFab 12.1.0.4)
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11. Length:                 1:59:35.376 (h:m:s.ms)
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12. Size:                   28,104,425,472 bytes
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13. Total Bitrate:          31.33 Mbps
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21. MPEG-4 AVC Video        26462 kbps          1080p / 23.976 fps / 16:9 / High Profile 4.1
    
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27. DTS-HD Master Audio             French          3199 kbps       5.1 / 48 kHz / 3199 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
    
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33. Presentation Graphics           English         15.771 kbps                    
    
34. Presentation Graphics           English         19.895 kbps                    
    
35. Presentation Graphics           French          17.663 kbps                    
    
36. Presentation Graphics           Spanish         15.629 kbps                    
    
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Return to Seoul Blu-ray, Video Quality   

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5 R) D( D. v4 VSony Pictures Classics' new release of Return to Seoul comes on an MPEG-4 AVC-encoded BD-50 (disc size: 30.55 GB). The film appears in its original exhibition ratio of 1.85:1. Cinematographer Thomas Favel shot the picture with an Arri Alexa Mini and Panavision Primo Standard series, which he rented from Panavision Wallonie. The recording codecs and recording resolutions were ARRIRAW in 3.4K and ProRes 4444 in 3.2K. Based on my research, I have a strong hunch that the DI was completed in 2K. I also infer that its DCP was presumably projected in the same resolution at festivals. The image has no source or technical flaws on the disc. Sony has encoded the feature, which takes up 28.10 GB of the disc, at a standard video bitrate averaging 26462 kbps. Since this Blu-ray is basically a bare bones, I would have liked to have seen a maxed-out bitrate.

Favel gave an interview about the film's various color schemes at the beginning of this year with Brigitte Barbier of AFC (French Society of Cinematographers). It was translated from French by Alexander B. Raiffe. Favel says he chose pink tints to come out in the bright lights. You can see the tints cast on Freddie's face in Screenshot #22. Favel credits colorist Yannig Willmann's for introducing several effects that emphasize the strobe lighting in the dance scenes. For the long scene in the home of Freddie's Korean dad, Favel explained: "In the father's house, for example, there was an LED panel on the ceiling that created a square of bright light. Bertrand Prévot, my gaffer, and I, used this to reinforce the idea that Freddie wasn't at home in that house." The LED panel is accentuated nicely on this transfer. For the soft focus shots on the actors' faces, Favel told Barbier that he utilized a Mitchell "D" filter to create varying levels of blur. The movie's color palette has a mixture of purple, red, mint green, and neon.

Seventeen chapters accompany the 119-minute feature.

3 y) R8 L# `9 ?  u* w4 F3 xReturn to Seoul Blu-ray, Audio Quality   

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Sony has supplied a DTS-HD Master Audio 5.1 Surround mix (3199 kbps, 24-bit) as the disc's sole sound track. Dialogue is mostly spoken in French and Korean along with some English. This is a practically flawless presentation. Delivery is clear and crisp. The original music is by Jérémie Arcache and Christophe Musset. The composers came up with a drum-heavy theme for Freddie and a keyboard piece for her birth name "Yeon-Hee". They wrote the terrific ballad "Anybody", which Freddie selects on the jukebox and dances to. Schwefelgelb, which is made up of the Berlin duo Jonas Förster and Philipp Graf, has their techno song "Durch Die Haare Die Stirn" (Remastered Version) played non-diegetically in a club scene. The quality of the performance is outstanding with excellent bass. It reminds me of Atomic Babies' "Cetch Da' Monkey", which has a memorable rendition featured in Larry Clark's Bully (2001). One of the other ballads played in the club boasts great treble. Other songs include Shin Joong Hyun's "Beautiful Rivers and Mountains" and Lee Jung Hyun's "Petals".

, Z3 v0 [4 y) U1 ]+ r* H2 }The disc contains subtitling options in English, English SDH, French, and Spanish. Both English tracks also display the English dialogue on the screen. The neat thing about the SDH is they display which musical piece is being performed (see Screenshot #s 22-24).
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