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5 ~$ u4 \8 ~, e◎译 名 奎迪3/洛奇系列:王者之后(港)/金牌拳手3(台)6 A( {6 q8 g# v' @# X- v* t- I
◎片 名 Creed III / Creed 3
8 R: T: @) U6 F V! f◎年 代 20236 x$ ?+ Z) \4 p* t
◎产 地 美国
! W2 `* `- S8 S( K. o$ U# N◎类 别 剧情/动作/运动
# G5 a0 O* t- b& w◎语 言 英语/西班牙语/美国手语
$ c& p6 F2 C1 A' o1 F◎上映日期 2023-03-03(美国)/2023-03-01(法国)
$ a. O) o% ]) w* n! ^8 i3 r: l( N◎IMDb评分 6.9/10 from 57,260 users1 O+ Q* r+ E& m+ \: u$ p, |
◎IMDb链接 https://www.imdb.com/title/tt11145118/
6 P, G' Q3 L, \' j' \8 z◎豆瓣评分 5.8/10 from 4,427 users
* T7 a* w x& ], m* m◎豆瓣链接 https://movie.douban.com/subject/34919107/) D# y5 M/ z/ W2 b( b
◎文件格式 x265 + TrueHD
. M1 A/ ]5 G) M& I& p& z◎视频尺寸 3840 x 2160: ]5 [' o3 E5 d
◎文件大小 1DVD 82.36 GiB
+ u3 `" Z$ E+ i f◎片 长 1:56:17.387 (h:m:s.ms) d; C5 \; K9 `0 i3 _
◎导 演 迈克尔·B·乔丹 Michael B. Jordan) U& O( C9 M% V9 R- U' b6 B
◎编 剧 扎克·贝林 Zach Baylin) L, y6 r/ o& I, E) g& |# x1 e! A
瑞恩·库格勒 Ryan Coogler2 z4 V+ F0 @8 ^ `* D
基南·库格勒 Keenan Coogler
' }! G/ ?' @; O" g) _◎主 演 迈克尔·B·乔丹 Michael B. Jordan
& S$ f8 n9 _2 P5 C. a9 ] 泰莎·汤普森 Tessa Thompson
5 K2 y6 z! c! `; b1 h 乔纳森·梅杰斯 Jonathan Majors1 z- x! W2 g+ A i; A, U
菲利西亚·拉斯海德 Phylicia Rashad
" Y |3 a5 x/ l& p8 J, c9 z 伍德·哈里斯 Wood Harris
! U6 [# g% b7 b! k4 u; {* e 弗罗里安·穆特鲁 Florian Munteanu
2 c6 a: M6 c" ^7 o 安东尼·贝柳 Anthony Bellew
: Q( @# c& j! X 米拉·戴维斯-肯特 Mila Davis-Kent) u, J3 m8 M& S. [1 H. {
小何塞·贝纳维德斯 Jose Benavidez' C* w/ H. W* _
塞勒妮丝·雷瓦 Selenis Leyva
B- h5 Y7 Y/ o. U$ m 斯彭斯·摩尔二世 Spence Moore II& f5 `/ W* ~# ]
贾迈尔·钱伯斯 Jamel Chambers
) c: W9 G* d8 b; p0 u 皮特·佩努埃尔 Pete Penuel' K7 h1 a) O, ~- C0 d/ K; \/ a
卡内洛·阿尔瓦雷斯 Saúl álvarez: p2 U" v/ E, X5 ?5 n
5 \ x! K5 G6 m◎简 介
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5 u" s+ V, f3 y$ x 你的过往是你最强的敌人!
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拳击系列电影《奎迪》第三部,迈克尔·B·乔丹继续饰演奎迪并首次担任导演。史泰龙将不再继续出演洛奇。0 I4 U" U# U6 K. b8 [! Q/ U
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阿多尼斯·奎迪(迈克尔·B·乔丹 饰)在拳击界大获成功后,事业和家庭生活都很顺利,儿时朋友达米安(乔纳森·梅杰斯 饰)这时在出狱后与他联系。达 米安过去曾是拳击天才,坐牢很久后终于出狱,现在一心想证明自己值得重新回到拳击擂台。过往的好友即将展开对决,但这不单只是一场比赛,两人还有旧账要算,阿多尼斯为此必须赌上自己的未来,因为对手达米安已经毫无顾忌。8 ^8 N% r2 p h3 w2 k
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Adonis has been thriving in both his career and family life, but when a childhood friend and former boxing prodigy resurfaces, the face-off is more than just a fight.
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- DISC INFO:& ^: L) w. B6 l- \9 I& |3 v
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- Disc Title: Creed.III.2023.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-B0MBARDiERS " R' _0 A1 d: `( H8 q& j
- Disc Size: 88,438,738,719 bytes
& H( g# d6 o" K; z4 o - Protection: AACS2
# f" v8 L5 M6 W3 } - Extras: Ultra HD, BD-Java! o# f' c8 x7 _4 p( m, M
- BDInfo: 0.7.6.1 (compatible layout created by DVDFab 12.1.0.5)" |) d2 j% J6 Q& p' [+ u
) W* e R# D! Q$ ^+ z- PLAYLIST REPORT:. B; I% G. D$ r& p z2 B: ]
( P% d% M: k- _0 i- s9 |- Name: 00800.MPLS
7 i6 p) V) G4 U, I. a6 k) s - Length: 1:56:17.387 (h:m:s.ms)
5 t" V Y5 V/ i1 M' u3 T$ G - Size: 85,586,601,984 bytes6 k0 J& _: b' x
- Total Bitrate: 98.13 Mbps" v# c7 r6 X: Z6 l* D( b* U0 u! V7 R% a
$ {( a4 T( W. V* K, `: z- (*) Indicates included stream hidden by this playlist.
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# F# ]( Z7 {2 D& ~9 C& ~, o- Video:* |6 b2 Z+ a+ X" [: Q1 h
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9 [& ?) K3 |9 u* b. Q4 E - MPEG-H HEVC Video 76339 kbps 2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10 / BT.20208 F, F% R, V* E1 \- r
- * MPEG-H HEVC Video 69 kbps (0.09%) 1080p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / Dolby Vision FEL / BT.2020
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- AUDIO:* {# H. T0 V0 a- D( G
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- Dolby TrueHD/Atmos Audio English 3609 kbps 7.1+11 objects / 48 kHz / 3161 kbps / 16-bit (AC3 Core: 5.1 / 48 kHz / 448 kbps)* Y# ~3 P) z. {: C; H! S {
- Dolby Digital Audio English 640 kbps 5.1 / 48 kHz / 640 kbps' ~0 X) E! g: @! ^/ R
- Dolby Digital Audio English 640 kbps 5.1 / 48 kHz / 640 kbps
* B: X+ J1 F! |' ~; ~ q0 U - Dolby Digital Audio English 640 kbps 5.1 / 48 kHz / 640 kbps
" E) M0 Y. ]. q - Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps
! ?# u0 q- r+ l" |7 _- H$ m7 P! Q+ s - DTS-HD Master Audio German 3840 kbps 5.1 / 48 kHz / 3840 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
4 W: ^6 ^7 J) `# r6 E* M$ g" T7 f - Dolby Digital Audio German 192 kbps 2.0 / 48 kHz / 192 kbps / Dolby Surround2 N. m$ V% o+ g$ T1 x
- Dolby TrueHD/Atmos Audio Italian 3570 kbps 7.1+11 objects / 48 kHz / 3122 kbps / 16-bit (AC3 Core: 5.1 / 48 kHz / 448 kbps)
" k) q7 }7 H2 A - Dolby Digital Audio Italian 640 kbps 5.1 / 48 kHz / 640 kbps
3 L. C0 V# V2 n% }/ |6 m0 ~ - Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps2 C( R% m8 c5 o" T/ P S
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- SUBTITLES:
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- Codec Language Bitrate Description
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- Presentation Graphics English 40.126 kbps 3 t6 R$ |+ L$ o. Q+ {; A6 _8 |
- Presentation Graphics French 25.504 kbps
0 E* v4 m% \0 u" i7 n7 ]7 l, z1 { - Presentation Graphics German 37.898 kbps 4 N, s" r! k1 r4 w
- Presentation Graphics Italian 37.178 kbps s( G) y' ]) \9 P- s- ?, D3 ]% e
- Presentation Graphics Spanish 32.857 kbps * y0 }3 ]2 Y: b3 {0 Q* _7 D- B
- Presentation Graphics French 1.695 kbps
# f* ]0 p, I1 ^ - Presentation Graphics German 1.525 kbps ) @! B) }. d( j$ v
- Presentation Graphics Italian 1.235 kbps
+ s) A9 J5 {" g9 T9 z' V: E - Presentation Graphics Spanish 1.557 kbps
复制代码 Creed III 4K Blu-ray, Video Quality 6 S( c3 S% l4 n
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I have to admit that I'm really not a fan of Creed III's cinematography. There's a dominant level of sickly blue-green and orange tones on display during flashback, nighttime, and many indoor scenes that have a distinctly hazy, diffused appearance and overpowering black levels that don't leave much room for smooth, precise shadow detail. It's really kind of a garish aesthetic but, within those particular boundaries, is at least represented well enough on this 2160p transfer with HDR10+ and Dolby Vision support. Image detail remains during those stretches, with the same going for native textures and the aforementioned shadow detail. Brightly lit scenes fare perfectly well, of course. Colors likewise remain true to their source on both ends of the spectrum, with the high dynamic range separating a few vivid hues -- costume highlights, neon signage, on-screen TV graphics -- from the abundance of muted tones. Even so, Creed III's particular visual style doesn't make it an ideal candidate for what HDR10+ and Dolby Vision are ideally capable of, as its deepest black levels remain are stubbornly flat and true whites are rarer than expected. Even many of its brightest light sources retain kind of a yellowish, gauzy appearance that blend into the background.Overall, though, it's still a fine image and unavoidably smoother than its Blu-ray counterpart, though some of the usual differences aren't quite as noticeable as expected. In any case, it's a well-authored disc and surprisingly gets an entire 100GBs of space to itself, all but ensuring no flagrant amounts of compression artifacts like banding, posterization, and macro blocking, as those nagging patches of black crush (some of which compete with adjacent mid-level color values) seem to be an unavoidable byproduct of its visual aesthetic rather than some sort of transfer defect. All in all, this is a capable presentation of a film whose strengths don't lie in consistently eye-catching visuals.
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For my thoughts on the included Blu-ray's 1080p/SDR transfer (the source of this review's screenshots) as well as 20 more images, please read my separate review of the Blu-ray/DVD combo pack./ N4 G% T1 R5 R% E8 N
4 @) \; H: `2 \8 a# ZCreed III 4K Blu-ray, Audio Quality 2 e3 E! S$ E5 Y& S- C3 H% [/ X
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* B5 {0 K) K+ c t: n/ YWhatever reservations I have regarding Creed III's visual style don't extend to its excellent Dolby Atmos presentation, which isn't surprising given that it's a franchise that's has always been driven by exceptional sound design. Even so, big boxing matches and other physically-driven scenes don't dominate the film -- there are only a handful of in-ring fights, bits and pieces of sparring practices, and a few stray altercations here and here. This means that, like smaller sections of the first two films, much of the remaining sonic activity is of a more internal nature, such as several melodramatic moments where background effects and instrumental music cues do most of the driving. Other musical cuts, like the bass-heavy dynamics of Dr. Dre's "The Watcher" -- an effective intro piece, if ever there was one -- and songs by Ari Lennox, Blxst, J. Cole, and Big Sean also enjoy a rich and dynamic presence, whether put to work as background montage music or placed more in the front as boxers' entrance themes. Meanwhile, the usual suspects from previous entries are still here: crisp dialogue, heavy and atmospheric use of rear and side channels during intense matches, and sporadic use of the height channels for added immersion. Bottom line: this is another top-tier effort that really adds to the experience, and it sounds as good or better here as it likely did during theatrical showings.Optional subtitles, including English (SDH), are offered during the film and all bonus features.- q) W1 y$ |# {7 W
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