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In the year 2042, a mob hitman assassinates targets that arrive from the future of 2072. For him it's just a job... till he receives a new target: himself from the future.* U P1 K; I6 B' A
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% x0 F$ ]2 i' [$ ]◎译 名 环形使者/时凶猎杀(港)/回路杀手(台)1 h. E' h: k" P
◎片 名 Looper @) X" U: j5 X8 k
◎年 代 2012: [4 ^; T1 I$ o( W
◎产 地 美国/中国大陆
7 \; z6 ~+ ]6 ^6 e◎类 别 动作/科幻/惊悚# f6 U, Z( C7 T! G7 h' v% @' K6 K
◎语 言 英语/法语/汉语普通话
$ v$ B! J0 c9 J: ~& G/ A- D" l( D3 B9 L$ E◎上映日期 2012-09-06(多伦多电影节)/2012-09-28(美国/中国大陆) O) Z" f. e3 O: _, ^- S0 s" f. y& B
◎IMDb评分 7.4/10 from 587,158 users
! Q" l7 P( j4 U◎IMDb链接 https://www.imdb.com/title/tt1276104/' |. m6 [- `* O- \7 ?
◎豆瓣评分 6.9/10 from 166,316 users/ E& A r/ |) |- P0 i' e
◎豆瓣链接 https://movie.douban.com/subject/3179706/9 _4 c. L+ u3 z$ o$ Y% h2 @' P7 h+ f
◎文件格式 x265 + DTS + TrueHD
, n" s' U* E) ]. ]% w0 D! l◎视频尺寸 3840 x 2160
) F$ X7 R* O$ Y0 n8 e◎文件大小 1DVD 77.14 GiB & 53.54 GiB2 P8 }, _6 @% `: s) j+ s% }, p, N
◎片 长 1 h 58 min _9 M; {6 j+ S# O( `
◎导 演 莱恩·约翰逊 Rian Johnson+ N" s5 p+ m* a6 W$ i2 r: j
◎编 剧 莱恩·约翰逊 Rian Johnson5 w' H% |0 d/ S$ d/ U
◎音 乐 内森·约翰逊 Nathan Johnson e$ s0 H4 i3 N F# Y0 n9 |5 l% K. {
拉克斯之子 Son Lux | strings and horns arranger
" l4 V s4 a6 u1 m7 s% \◎主 演 约瑟夫·高登-莱维特 Joseph Gordon-Levitt
" N1 C& K* m" J( m* j- o& [( x 布鲁斯·威利斯 Bruce Willis
/ C$ p/ u3 W/ `! {! c2 R5 |# ] 艾米莉·布朗特 Emily Blunt
# a$ d1 D1 }+ O7 Y# _% J6 e6 v 保罗·达诺 Paul Dano# }" _1 f4 {" N+ \
皮尔斯·加格农 Pierce Gagnon
# ~7 N) H/ f1 Y% C5 |* y 杰夫·丹尼尔斯 Jeff Daniels! i% m+ x2 Q/ H, ?4 ~* { b
许晴 Qing Xu
) Z* A5 _) ~3 `2 ~ 姜广涛 Guangtao Jiang: B# l+ c# j# W+ ^
派珀·佩拉博 Piper Perabo
2 j: x0 l+ } S 加瑞特·迪拉胡特 Garret Dillahunt t% B2 ?; Q# `8 B# Q
诺阿·西甘 Noah Segan
8 A) u& \5 H/ x( O+ g" ^2 I 翠茜·索姆斯 Tracie Thoms. [+ F7 L: c B
伊恩·帕特里克 Ian Patrick | 饰 流浪儿童
$ j, Q+ e0 E3 w7 | 詹姆斯·兰德里·赫伯特 James Landry Hébert
* H* Y" N3 ~3 l0 Q4 R6 D V+ }# _% L4 X 杰夫·蔡斯 Jeff Chase
# P# |- g* V9 [. a) {. `- X 马库斯·赫斯特 Marcus Hester | 饰 zach
; ~0 } J6 _: }0 F2 J6 ? 大卫·詹森 David Jensen6 u6 g/ N* C& s- F. u
乔恩·阿兹 Jon Eyez | 饰 Gat Man; Y: k0 u' H/ ?6 j& D2 y/ Q6 u1 Y
尼克·戈麦斯 Nick Gomez5 s6 x& n) z- L5 q* U$ {* s
科迪·伍德 Cody Wood
8 Z' S+ n9 M2 Q( H 贾里德·德帕斯夸尔 Jared DePasquale | 饰 Gat Man
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8 J" g) K; P1 A7 ~◎标 签 科幻 | 美国 | 穿越 | 时空 | 动作 | 2012 | 剧情 | 犯罪' o+ ~6 Q! o6 H6 a% }( S, v8 L8 j' M
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◎简 介
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) a# d4 N9 u$ k# \ 未来,2044年。时间旅行从被发明的一开始就属于非法,只有当黑帮组织想清理某个特定对象、又不愿意在此世界留下任何痕迹时,才会出动“环形使者”。他们专门负责处决那些被时间传送回彼世界的目标。之所以称为“环形使者”,因为他们最终必须杀死未来的自己——这样才不会给未来主顾留下任何的麻烦。这个过程被称为“封环”。杀手乔(约瑟夫·高登-莱维特 Joseph Gordon-Levitt 饰)是最年轻的环形使者,弹无虚发,然而当他想处决来自未来的自己(布鲁斯·威利斯 Bruce Willis 饰)时,却遭到激烈反抗而失手。老年乔希望杀死未来封环计划中的关键人物——唤雨师,从而改变妻子(许晴 饰)的命运;青年乔在追杀过程中遇到了农场单亲妈妈莎拉(艾米莉·布朗特 Emily Blunt 饰),意外的成为了一对母子的保护人。两个版本的乔在这场改变未来(和现在)的豪赌中各出奇谋,上演了自我的巅峰对决...... Z) J% P- V ^$ I1 _( \! G
4 ~& v. K( W8 Y( Y6 i In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.4 e0 W+ a8 G9 L% `1 S, I- h, _
6 ^! }/ _% a: u0 u% z◎获奖情况
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第84届美国国家评论协会奖 (2013)2 K# @/ |# m- @) B" h/ t' D
最佳原创剧本 莱恩·约翰逊
+ u: B5 m! y: y! S( x 年度佳片' u6 O6 U7 [8 w5 G- ?
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第18届美国评论家选择电影奖 (2013)
y2 q- K( x# o7 r1 f9 |% ] 最佳动作片(提名)& O. U6 w7 j1 d
动作片最佳男主角(提名) 约瑟夫·高登-莱维特
. [! p% k3 ~8 C! U. H$ [6 v1 \ 动作片最佳女主角(提名) 艾米莉·布朗特
5 D( K# a1 T0 |; D$ S2 L+ r 最佳科幻/恐怖片
+ v* k4 P) A: s6 @, ~4 U 最佳原创剧本(提名) 莱恩·约翰逊! b4 r4 [" @4 x# v" d! m
, `, @4 D, x3 Z5 b3 W0 A' e 第11届华盛顿影评人协会奖 (2012)( v# t7 t! {7 G. `+ O
最佳原创剧本 莱恩·约翰逊2 T* m0 k0 @% H2 H7 X# U/ Y3 ?0 P
( H5 U: P" _# c 第25届芝加哥影评人协会奖 (2012)
0 V5 P: E9 d% F 最佳女配角(提名) 艾米莉·布朗特
4 W J* h0 A' c1 k' O 最佳原创剧本(提名) 莱恩·约翰逊
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第12届凤凰城影评人协会奖 (2012)
2 R: e w1 f, i0 _7 t. Z 最佳特技表演(提名)2 b. d) z( o( v! ?) M& p5 m3 ~
f) l: e, ` W' ?5 J3 D$ T/ RLooper.2012.2160p.FRA.BluRayCD.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT 77.14 GB Looper.2012.2160p.US.BluRaycd.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT 53.54 GB Looper 4K Blu-ray, Video Quality
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4 Q& P% S! s* E2 x% TThe included screenshots are sourced from a 1080p Blu-ray disc.
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Looper looks terrific on UHD. Sony's 2160p/Dolby Vision UHD presentation thrives with the added resolution and enhanced color parameters. Grain retention is constant and density is pleasing, though those who are anti-grain might be turned off by what is an almost always evident layering. Fans of the film medium look, however, should find this a very pleasing presentation. Improvements to stability, clarity, and sharpness are in evidence from the beginning. The picture delights with its very capable and very stable texturing, revealing improvements to a decade-old Blu-ray that looked good then, and still holds its ground today, but appears comparatively smooth and lacking the fine-point richness and stability the UHD offers. Viewers will appreciate the finer point skin definition, superior environmental elements, and improved textural finesse on various environments, notably in bright, sunny exteriors where Joe often kills his future targets.
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Color reproduction is superior under the Dolby Vision parameters as well. The film bears the fruit of a good grading application that improves white balance and authenticity, black level depth and immersion (without crushing out detail), and skin tones accuracy. Bright natural greens thrive with enhanced depth and richness, various examples of attire enjoy newfound depth and accuracy, and a full spectrum of colors bear the fruit of superior vividness and realism without losing a grounding in the essential base color. In other words, the movie never looks like an amped up cartoon but rather a better version of the original Blu-ray. Colors are impressively accurate and stable and, in every scene, even low light, the fruit of the Dolby Vision grading is in evidence. Further, the picture suffers from no obvious source flaws or encode issues. This is a top rate UHD from Sony.
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" u; K+ X2 z. ]Looper 4K Blu-ray, Audio Quality
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Sony brings Looper into the present with a new Dolby Atmos soundtrack. The Atmos track opens up the various city exteriors seen in the early minutes with professional precision. Listeners will feel immediately and fully immersed into the various locations where light, but nevertheless rich, world atmosphere draws the audience into the film. These may not be critical sound elements as they relate to the story, but they are vital in creating a legitimate world which is of course of top priority to make a convincing soundscape. In addition to these are some staggeringly intense sound elements throughout; a gunshot inside an enclosed space at the 16-minute mark, for example, is thunderously deafening. No doubt some very real and lingering pain (and probably hearing loss) would accompany such a thing in real life, but as it is presented here it's about best-case scenario for a movie gunshot. Additional action elements are plentiful, including blasts from the "blunderbuss" weapons, explosions, and other high yield sound elements which dominate every time they are in play. The expanded sound field, courtesy of the surround-back and overhead channels, allows for more robust and engaging immersion precision during action. Clarity holds even in high intensity and deep subwoofer moments. Music is clear and rich and wonderfully spaced. Dialogue is clear and center positioned for the duration. It is always well prioritized for the duration.- B7 {* h. F5 j0 l& x+ ^( a
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