下班后/业余时间 [4K蓝光原盘] After Hours 1985 2160p UHD BluRaycd DoVi HDR10 HEVC LPCM 1.0-JUNGLiST 59.66GB

An ordinary word processor has the worst night of his life after he agrees to visit a girl in Soho he met that evening at a coffee shop.

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% }0 |. H* {$ v  G2 Y0 T; ~◎译　　名　下班后/业余时间/八小时之外
8 V4 g& `1 n7 M1 p7 b◎片　　名　After Hours
1 l9 ~( D: Z  i+ z0 G' p2 ]◎年　　代　1985
◎产　　地　美国
◎类　　别　剧情/喜剧/犯罪/惊悚
◎语　　言　英语
9 v' [. d# s: r- U◎上映日期　1985-10-11(美国)
◎IMDb评分  7.6/10 from 75,420 users
◎IMDb链接  https://www.imdb.com/title/tt0088680/
◎豆瓣评分　8.2/10 from 10,609 users
# }  b" O! y) K" M/ X- s, K◎豆瓣链接　https://movie.douban.com/subject/1303531/
◎文件格式　x265 + LPCM
◎视频尺寸　3840 x 2160
◎文件大小　1DVD 59.66 GiB
◎片　　长　1:37:20.834 (h:m:s.ms)
◎导　　演　马丁·斯科塞斯 Martin Scorsese
' N" F" q( \6 {0 o$ t/ Z  m- l1 V0 Y! z◎编　　剧　约瑟夫·米恩 Joseph Minion
5 I# x9 W% P0 ?◎演　　员　格里芬·邓恩 Griffin Dunne
1 D, y$ j: @( h* ~" x　　　　  　罗姗娜·阿奎特 Rosanna Arquette
' u7 \6 n8 Y1 A% `# K& h* T+ z　　　　  　弗娜·布鲁姆 Verna Bloom
　　　　  　汤米·钟 Tommy Chong
　　　　  　琳达·费奥伦蒂诺 Linda Fiorentino
　　　　  　特瑞·加尔 Teri Garr
7 Y" q. R3 {) e$ q# U. R　　　　  　约翰·赫德 John Heard
) B6 A" j7 E6 Z　　　　  　切奇·马林 Cheech Marin
　　　　  　凯瑟琳·欧哈拉 Catherine O'Hara
; U+ r+ Q1 T# w4 m# _　　　　  　迪克·米勒 Dick Miller
　　　　  　威尔·帕顿 Will Patton
　　　　  　布隆森·皮诺切特 Bronson Pinchot
　　　　  　罗科·西斯托 Rocco Sisto
# |$ R# R1 h/ v5 \- v　　　　  　拉里·布洛克 Larry Block
　　　　  　维克多·阿尔果 Victor Argo
  P4 m" L0 n) E1 X+ R) {　　　　  　Clarke Evans
7 J1 {: n6 k. \- g" ~& E& @% A$ R　　　　  　Bill Elverman
) e, H& N. B" s: |2 L/ @　　　　  　克拉伦斯·菲尔德 Clarence Felder
. x) e7 }: K% k/ ]7 Z　　　　  　Robin Johnson
　　　　  　斯蒂芬·林 Stephen Lim
　　　　  　罗基茨·雷德格拉尔 Rockets Redglare
  S9 w( ^- A6 i* [" ~& h% X　　　　  　凯瑟琳·斯科塞斯 Catherine Scorsese
+ }4 C& t& A8 R; O4 q4 L　　　　  　查尔斯·斯科西斯 Charles Scorsese
  a1 ?& }% E, \2 H# ^  {  p% c　　　　  　马丁·斯科塞斯 Martin Scorsese
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* m# v% |: d: T) s2 \4 Y◎标　　签　马丁·斯科塞斯 | 美国 | 黑色幽默 | 喜剧 | 1985 | MartinScorsese | 悬疑 | 美国电影

◎简　　介   
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　　电脑文书保罗（Griffin Dunne 饰）下班后去餐厅宵夜，他手上的《北回归线》让邻座的神秘女子玛西（Rosanna Arquette 饰）上前搭讪，玛西留下电话号码，并向他介绍与自己合租的女雕塑家琦琦。保罗为追求一段艳遇，在午夜时分拨通了玛西的电话，玛西家中因纸糊雕塑显得凌乱不堪，她本人则急于喋喋不休的倾诉，让保罗无法得逞，保罗不能忍受那个没有露脸的男人“富兰克林”与玛西的神经质表现，在急欲返家之时，却又卷入了连串麻烦，与酒吧老板、酒吧女招待、朋克青年们、两名窃贼、开冰激凌车的女青年等等纠缠不清，似乎在这个夜里，所有人都在妨碍保罗回家。
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　　本片获1986年戛纳电影节最佳导演奖，1986年独立精神将最佳导演奖。
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( z  t, w  N& L; T" T1 d0 e　　Desperate to escape his mind-numbing routine, uptown Manhattan office worker Paul Hackett ventures downtown for a hookup with a mystery woman. So begins the wildest night of his life, as bizarre occurrences pile up with anxiety-inducing relentlessness and thwart his attempts to get home.

◎获奖情况

, X% c1 }9 K8 y3 T1 L, E8 x　　第39届戛纳电影节 (1986)
　　主竞赛单元金棕榈奖(提名) 马丁·斯科塞斯
　　主竞赛单元最佳导演 马丁·斯科塞斯

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1. Disc Title: After Hours 1985 2160p UHD BluRayCD DoVi HDR10 HEVC LPCM 1.0-JUNGLiST
   
2. Disc Size: 64,063,517,165 bytes
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3. Protection: AACS2
   
4. Playlist: 00001.MPLS
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5. Size: 63,058,384,896 bytes
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6. Length: 1:37:20.834 (h:m:s.ms)
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7. Total Bitrate: 86.37 Mbps
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8. Video: MPEG-H HEVC Video / 73541 kbps / 2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10 / BT.2020
   
9. Video: * MPEG-H HEVC Video / 6497 kbps (8.12%) / 1080p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / Dolby Vision FEL / BT.2020
   
10. Audio: English / LPCM Audio / 1.0 / 48 kHz / 1152 kbps / 24-bit
    
11. Audio: English / Dolby Digital Audio / 1.0 / 48 kHz / 192 kbps
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12. Subtitle: English / 55.541 kbps

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After Hours 4K Blu-ray, Video Quality   

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Criterion's release of After Hours is a 4K Blu-ray/Blu-ray combo pack. The 4K Blu-ray is Region-Free. However, the Blu-ray is Region-A "locked".

Please note that some of the screencaptures that appear with this article are taken from the 4K Blu-ray and downscaled to 1080p. Therefore, they do not accurately reflect the quality of the 4K content on the 4K Blu-ray disc, including the actual color values of this content.

8 m( q5 x4 {! O+ r' MScreencaptures #1-27 are from the Blu-ray.
Screencaptures #30-37 are from the 4K Blu-ray.
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7 O+ {* |; o& V' \9 g  {& E8 z' q' OThe 4K Blu-ray and Blu-ray discs introduce a brand new 4K restoration of After Hours that was approved by editor Thelma Schoonmaker. On the 4K Blu-ray, the 4K restoration can be viewed with Dolby Vision or HDR. I chose to view it with HDR.

On my system, the entire film looked spectacular, which is not easy considering that very large areas of it are dark or very dark. Shadows and shadow nuances looked particularly great in native 4K, though I tested numerous areas of the 1080p presentation and I think that the overall quality of the visuals there is just as impressive. Close-ups with sufficient lighting boast fantastic delineation, depth, and clarity (see screencapture #3). There are no traces of problematic digital corrections, so grain exposure is outstanding. Color balance is convincing. A few indoor shots begin to look a bit cool, but I did not think that there were any troubling anomalies. Perhaps saturation could have been a tad better, but all primaries and supporting nuances looked fine. The HDR grade is gentle yet very effective in doing what it is supposed to do -- produce visuals with a superior dynamic range. This is the only area where the native 4K presentation had an edge over the 1080p presentation, which is hardly surprising. Fluidity is equally pleasing in native 4K and 1080p, though admittedly the darker visuals help the 1080p presentation. Image stability is outstanding. All in all, I think that fans of After Hours will be extremely happy with the new 4K restoration that was prepared for it and its presentation in native 4K and 1080p.
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After Hours 4K Blu-ray, Audio Quality   

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1 E2 |2 D0 P3 h" W+ i" c+ @There is only one standard audio track on this release: English LPCM 1.0. Optional English SDH subtitles are provided for the main feature.

* N- G; c; Z3 ]# ]/ h/ T5 W$ VThe lossless track is outstanding. It is immediately obvious that it has been fully restored because the audio is very clear and wonderfully rounded. Its dynamic potency is great, too. The footage from Club Berlin, for instance, is quite intense, plus elsewhere the music produces terrific dynamic contrasts. I did not encounter any encoding anomalies to report in our review.

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