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& H" N4 M k3 k+ f' X) N- D◎译 名 蛇眼/天眼追凶(港)
8 i6 j- C) R6 L, }! W9 V2 [◎片 名 Snake Eyes 7 V- t7 x3 g$ u
◎年 代 1998+ X- Y" C \ ^' o
◎国 家 美国
+ F7 t$ h2 h# b/ v2 _◎类 别 犯罪/悬疑/惊悚0 `# k) {* s) e
◎语 言 英语
6 \; n4 w( S" a, `# @' l' l" c◎上映日期 1998-08-07(美国)
& E- S. Y! t* E+ Q# X5 {0 J0 \◎IMDb评分 6.1/10 from 81,433 users
: z) Q, C. ?( w2 T# W$ I$ H◎IMDb链接 https://www.imdb.com/title/tt0120832/6 i) P4 C2 ^. q3 @% K
◎豆瓣评分 6.9/10 from 9,660 users
; U9 }; v/ L; d5 U* p◎豆瓣链接 https://movie.douban.com/subject/1298354/0 B7 x- \! }- G( Z( m) l* T8 M
◎文件格式 x264 + DTS
' J6 O& A6 f: c$ m8 [◎视频尺寸 1920 x 1080
# K. J5 l8 k X" c! a1 c$ E$ e% |◎文件大小 1DVD 20.32 GiB1 W5 {. I8 u0 S$ w( }. \
◎片 长 1:38:17.474 (h:m:s.ms)
9 U( Z+ @, q2 G: G/ c7 j◎导 演 布莱恩·德·帕尔玛 Brian De Palma
9 t! Z+ {: w3 h s* P1 Z" | e◎编 剧 布莱恩·德·帕尔玛 Brian De Palma+ X9 @, O; K9 \' }0 ]: D0 a
大卫·凯普 David Koepp
7 i" m) p D# A8 v; r8 y◎主 演 尼古拉斯·凯奇 Nicolas Cage9 s* ~% ^3 E/ N& T
加里·西尼斯 Gary Sinise6 W/ l) `5 u1 P; o
约翰·赫德 John Heard" S4 H2 c8 p" C9 @* X _
卡拉·古奇诺 Carla Gugino
6 n. D- G& C, `; g9 F7 x 凯文·杜恩 Kevin Dunn
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: Q" q8 _+ I5 j9 O1 C8 Q◎简 介
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7 M% j7 H% v8 a' A4 [/ y# R0 g7 T 暴风雨侵袭中的大西洋城，一场拳赛正在体育馆中预备上演，当地警探瑞克（尼古拉斯·凯奇 Nicolas Cage 饰）在敲诈赌客之余亦不忘为老拳王泰勒打气。这场比赛同时吸引到了国防部长莅临现场，担任部长护卫的海军长官凯文得以同老友瑞克见面，两人相谈甚欢。拳赛开始后，一名红发女子吸引了凯文的注意，另一名银发女子则与部长交头接耳，泰勒中拳倒地的刹那，部长中枪，凶手被凯文当场击毙。瑞克为自责中的凯文出谋划策，滞留全场一万多名观众。从比赛录像中，瑞克发现拳赛有假，以泰勒为突破口，瑞克锁定幕后的几名可疑人员，逼迫真凶出面将同伙灭口。同时银发女子茱莉亚向瑞克透露了事情真相，军火商为盈利在飞弹试验结果中作假，为防止事情败露暗杀了部长。瑞克决定拾起警察的责任，将罪犯绳之以法。
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9 k/ N, f6 C8 F$ C" j A shady police detective finds himself in the middle of a murder conspiracy at an important boxing match in an Atlantic City casino.$ Z9 f& K# r! D0 m+ ? V, V2 w4 N
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      - DISC INFO:* m& b6 D+ m2 u" A" _
. }& C: y" P9 q$ a) i0 v; i- Disc Title: Snake.Eyes.1998.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT8 M+ g% ^# V6 |4 j% L2 ~
- Disc Size: 21,823,041,920 bytes
& }) O: v8 e% x, P+ ]) L' H! @ - Protection: AACS
( b$ R$ @0 D( @ - BD-Java: No
3 i/ a0 m1 l+ h, } - BDInfo: 0.5.81 E3 Z- O: c- M) P# K
6 D2 p1 t( I3 R- PLAYLIST REPORT:
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' d7 v6 a4 }; `, r5 J- U7 j& N- Name: 00100.MPLS
- p0 U0 J! k k. y9 O) } - Length: 1:38:17.474 (h:m:s.ms)/ M R5 v5 K) n& Y$ u' P4 O
- Size: 21,608,626,176 bytes
' U9 h) [4 m: _# N - Total Bitrate: 29.31 Mbps- ~/ ]- R* O$ q
7 ?) Q! h" X( s& w- V7 J- Video:$ ^/ ]. e* s9 l" V' _' ~3 G' o
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- Codec Bitrate Description + |3 ~# w: V I3 ]0 z% M( N
- ----- ------- -----------
. F& {% j% |. n' }+ b - MPEG-4 AVC Video 22955 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1
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- AUDIO:
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- Codec Language Bitrate Description 2 H1 c2 }6 P4 [0 v! x: ^* o
- ----- -------- ------- -----------
4 h5 i0 S; q* L- }7 q - DTS-HD Master Audio English 4242 kbps 5.1 / 48 kHz / 4242 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
- W" ?* t# m1 X* b$ ?" m7 p5 _ - Dolby Digital Audio French 224 kbps 2.0 / 48 kHz / 224 kbps / DN -4dB' @9 G' s; V9 F# Z7 s
- Dolby Digital Audio Spanish 224 kbps 2.0 / 48 kHz / 224 kbps / DN -4dB / Dolby Surround
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: {3 J; ?/ A' G- SUBTITLES:
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- Codec Language Bitrate Description 4 V( A' I% {0 d% @( M
- ----- -------- ------- ----------- 0 ^: O3 O, _2 ~/ l4 ?7 E+ R
- Presentation Graphics English 49.965 kbps ( {) A2 h; c% L/ ^ R6 v/ Y! T
- Presentation Graphics French 36.781 kbps
7 e8 G$ P4 g. }3 b8 \4 J - Presentation Graphics Spanish 40.243 kbps
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# d" M y" ^5 `6 u) ~* ZA scene occurs about thirty-seven minutes into Snake Eyes that perfectly exemplifies everything wrong with the prior video transfer created by Paramount for laserdisc and then recycled onto DVD. Rick Santoro and Kevin Dunne sits across the table from each other in a gaudy conference room, so that Rick can explain how he's uncovered a conspiracy in the shooting of the Defense Secretary. But on the DVD or LD, viewers often had trouble concentrating on the dialogue, because they were so distracted by the dancing pixels on the walls, conference table and the model of the planned new complex at the back of the room. The entire scene was alive with aliasing and video noise, and I have always wondered how any self-respecting telecine colorist could have allowed it to leave his or her workstation.
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Well, at long last that scene is watchable, along with everything else on the new transfer presented on Paramount/Warner's 1080p, AVC-encoded Blu-ray. Stephen H. Burum, the ace cinematographer who so fluidly followed Al Pacino through Grand Central Station in Carlito's Way, lit and photographed the insanely complicated tracking shots of which Snake Eyes is largely composed, and the Blu-ray reveals depth and detail in his work that haven't been visible since the film played in theaters. The blacks are deep, the colors are vivid and saturated, and the image pops with intensity at all the right moments (usually when something bad is about to happen; in De Palma's world, evil always looks great). Fine detail in faces, clothing and decor is readily apparent, even when the action speeds up.
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The average bitrate of 22.96 is on the low side, but I assume that's the result of an efficient compressionist trading off savings from scenes where De Palma slows down the action in order to have more bits for demanding moments like the "whip pans" that conceal the edits in long takes. In any case, unless one counts Rick Santoro's questionable wardrobe, artifacts were not an issue.
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Snake Eyes Blu-ray, Audio Quality
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Snake Eyes's elaborately mixed soundtrack is presented in lossless DTS-HD MA 5.1, and it's full of subtle cues and shifts in perspective that follow De Palma's camera as it criss-crosses the Arena, the casino and the hotel complex. The crowd scenes during the boxing match and the roar of the intensifying storm—heard both from inside and, in a few key scenes, outside the buildings—are obvious showcases, but quieter detail emerges on repeat viewings. Listen, for example, to the individual environments as the camera passes overhead from one hotel room to another looking for Julia Costello and the conventioneer in whose room she's taken refuge. Each room has a distinct sonic character, and they ease from one to another so smoothly that the transitions are seamless instead of gimmicky.2 y2 \7 U; z( J/ Y. z
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The dialogue remains clear regardless of the surrounding din, and the score by Ryûichi Sakamoto (an Oscar winner for The Last Emperor) has been carefully balanced to coordinate with the environment (unlike the Pino Donnagio scores in De Palma's early films, which sometimes took over the soundtrack altogether).
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