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A proficient group of thieves rob a bank and hold Claire, the assistant manager, hostage. Things begin to get complicated when one of the crew members falls in love with Claire.
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◎译 名 城中大盗/狂盗之城(港)/窃盗城(台)/小镇/镇上/城区( t: l U& r& x( b
◎片 名 The Town
- o" p7 U* E5 Y4 _, M/ y◎年 代 2010
1 w; `7 L- u9 e' |, g0 G◎产 地 美国0 l0 b; Y' G( u! b
◎类 别 剧情/惊悚/犯罪2 V& Y/ q% \& r
◎语 言 英语
) @# o7 D0 I2 o6 B2 o/ a◎上映日期 2010-09-08(威尼斯电影节)/2010-09-17(美国)
" {) U. c- R6 r4 ` C: r* E◎IMDb评分 7.5/10 from 404,189 users$ x4 O( H7 R1 I7 t' K+ {
◎IMDb链接 https://www.imdb.com/title/tt0840361/
1 ?9 P1 C; V# T: x5 {1 S& i◎豆瓣评分 7.5/10 from 67,491 users
3 L0 z. j! G% U u6 I# H◎豆瓣链接 https://movie.douban.com/subject/3217165/: E8 F5 F8 m' |* K: w
◎文件格式 x264 + DTS
. z% [% z. ~6 i0 W O◎视频尺寸 1920 x 1080
* z- g# T, k8 r( |$ o; g& H9 C$ q◎文件大小 1DVD 39.45 GiB 4 k; D! W1 z C4 k* j/ P0 n& y
◎片 长 2:30:17.049 (h:m:s.ms)6 D+ m8 _% h4 q$ \9 z
◎导 演 本·阿弗莱克 Ben Affleck7 H1 s+ j; d) H& Z( G' _2 f( \, ~
◎编 剧 彼得·克莱格 Peter Craig$ m8 q. v6 ^7 ^) ]8 E
本·阿弗莱克 Ben Affleck
; n" I1 f8 x" @+ k$ i' n 查克·霍根 Chuck Hogan
5 l( a% b* u* n: L4 \) u 亚伦·斯托卡德 Aaron Stockard6 v5 M" W# J. ?- _
◎音 乐 大卫·巴克利 David Buckley
+ q( f0 ^# [6 Z◎演 员 本·阿弗莱克 Ben Affleck
$ @$ r' Z* @) B' z6 ] 丽贝卡·豪尔 Rebecca Hall5 P+ ^# R( r( x2 h6 N# _2 P
乔恩·哈姆 Jon Hamm
7 W1 d0 `$ |0 G) ~# u 杰瑞米·雷纳 Jeremy Renner
* t0 k0 I! O) E" D w 布蕾克·莱弗利 Blake Lively+ X2 ?$ v6 H3 ^1 X
提图斯·维里沃 Titus Welliver
2 {- Q- n- e8 B- D2 v" |# G 皮特·波斯尔思韦特 Pete Postlethwaite9 ]5 g' ^8 [$ p8 R1 z8 D% w3 \' B
克里斯·库珀 Chris Cooper% g1 n' X h$ v
Slaine
! S- d/ t; z! f 欧文·伯克 Owen Burke Y7 r$ g- W1 ~! f) r& \: u
Dennis McLaughlin7 ~6 [$ O7 d! t s
Corena Chase
; ]" d$ i8 \& P( d! ?8 H 布莱恩·斯坎内尔 Brian Scannell
, ], W, D7 |1 Z, x Kerri Dunbar
9 R8 M' h4 e0 @! R/ f6 @ Tony V. H4 P+ f9 _6 G4 h; X
特德·阿尔奇迪 Ted Arcidi I' N: ?& _: `& g( U
乔治·卡罗尔 George Carroll
4 I% z+ M( R, B9 w' G# V" [% X- n 托马斯·图尔 Thomas Tull
1 _! y! j6 R D& V. m/ l# m 大卫·巴克利 David Buckley
- \& P; g" x' A" y7 r/ p 哈里·格雷格森-威廉姆斯 Harry Gregson-Williams
( R g: i* k2 ^- C* V3 }8 \ 罗伯特·艾斯威特 Robert Elswit
' g6 T) s, r S: t1 m2 d 苏珊·马瑟森 Susan Matheson
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◎简 介 4 [' c4 J, v( P9 ]0 t1 v; j
3 H3 f' p5 @) u, Z; Z: |; u 美国东部,位于波士顿近郊的查尔斯城,俨然一个被法制遗忘的失乐园。城中爱尔兰裔的工薪阶层占有很大比例,区域贫困的生活条件和令人无法喘息的压力让人们铤而走险,银行抢劫案时有发生,一切都变得癫狂无望。某个早晨,美丽的银行经理人克莱尔·吉塞(丽贝卡·豪尔 Rebecca Hall 饰)遭遇一伙头戴骷髅面具的劫匪,而她更被劫持为人质。奇怪的是,克莱尔最终意外生还,似乎这个早晨的变故从未发生过一样。一天,她邂逅了高大英俊的男子道格·麦克雷(本·阿弗莱克 Ben Affleck 饰),奇妙的缘分就此展开,两人的命运也由此改变……/ L) Z; G( r$ V2 d, Z6 R3 g; |
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本片根据库克·霍根(Chuck Hogan)的原著改编。
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6 K* G; m4 ~. y* X( t6 u As he plans his next job, career thief Doug MacRay tries to balance his feelings for a bank manager connected to one of his earlier heists, while trying to stay one step ahead of the FBI agent looking to bring down him and his crew.
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◎获奖情况
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第83届奥斯卡金像奖 (2011)3 l- t2 r( I4 E. d/ {
最佳男配角(提名) 杰瑞米·雷纳
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第68届金球奖 (2011)
/ Z* S& e r* H. T 电影类 最佳男配角(提名) 杰瑞米·雷纳
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第9届华盛顿影评人协会奖 (2010)% f$ w2 i0 W0 B4 c
最佳群戏/ F. E0 R2 g0 v; }' H8 H: b
8 z- _3 w. w, Y' a( I; a' z 第15届圣地亚哥影评人协会奖 (2010)% }+ U' y& g& u9 Z) w& z5 G# G$ e
年度劳模 丽贝卡·豪尔# y* o2 G# U# j" e
最佳女配角(提名) 布蕾克·莱弗利" X D3 F3 U3 @1 `
最佳男配角(提名) 杰瑞米·雷纳
d# g$ J* B0 H- J8 @ o/ @ 最佳改编剧本(提名) 本·阿弗莱克 / 彼得·克莱格 / Aaron Stockard( O9 v6 A6 n7 y+ W7 H& j2 T
% Y* S/ t& Z2 W- DISC INFO:2 o9 e2 S( |& k0 f! O& }$ z7 Y
7 m; K! Q ~% k4 v( x# \8 X4 ~- Disc Title: The.Town.2010.2in1.EXTENDED.1080p.EUR.BluRayCD.AVC.DTS-HD.MA.5.1-FGT4 Y* x% V+ O: |
- Disc Size: 42,363,694,986 bytes
( ?0 }1 L" |' V& R - Protection: AACS
: }, f# v; ?* }# R( k4 \( Y - BD-Java: Yes' ^; x$ D8 _- C) n6 H
- BDInfo: 0.0.21 S6 }: q( z: _' @ C/ n
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- PLAYLIST REPORT:
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- Name: 00101.MPLS
; o# Y s- k$ ~2 Y% I' Q - Length: 2:30:17.049 (h:m:s.ms)
9 w! W, @$ \+ ^: q8 Y' ?+ k - Size: 20,111,313,408 bytes; [4 }+ D1 t% B& l- @
- Total Bitrate: 17.84 Mbps: t0 D( M5 U5 a/ q/ z' k. P
+ J9 ^' i! H. S; @- Video:
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( o& t- _7 p1 q- Codec Bitrate Description
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n" ^+ U* ]7 O1 P. c6 K. ~2 _ - MPEG-4 AVC Video 13973 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.0; V1 A! i8 ~8 I* S
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- AUDIO:
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- ----- -------- ------- -----------
& B- n- [" l6 g3 I - DTS-HD Master Audio English 2153 kbps 5.1 / 48 kHz / 2153 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)2 ^. N1 n( O' L9 r% F) R; O0 w
- Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / DN -4dB
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% ~% ]& H% i. o4 |+ E8 L- SUBTITLES:9 o, G3 I Z! j, e
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- Codec Language Bitrate Description
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- Presentation Graphics English 33.700 kbps
( C7 M$ N3 t6 m0 E7 u/ s0 Z - Presentation Graphics French 23.983 kbps
) R: a/ q1 k1 F4 _0 l- P - Presentation Graphics German 39.037 kbps
. e, K! n1 t: _1 m" x) Y1 o, m - Presentation Graphics Italian 31.769 kbps
! b0 y$ C& N% M0 P: ]) h% p - Presentation Graphics Spanish 25.548 kbps 5 X1 g4 \) @6 W3 p* o; {8 Y
- Presentation Graphics Dutch 25.757 kbps / I" F, c+ F* H
- Presentation Graphics Arabic 16.174 kbps 0 }/ j* _0 Y" I, x B% [% \& S- F6 H
- Presentation Graphics Danish 25.375 kbps # f$ T2 ?2 J: [2 \
- Presentation Graphics Finnish 23.589 kbps 8 F N0 r) d/ b# c4 B9 {; E
- Presentation Graphics Greek 27.716 kbps
8 s2 R1 R& f; E' l- j - Presentation Graphics Hebrew 22.366 kbps & T) ?/ [" |% w# \! s
- Presentation Graphics Norwegian 26.499 kbps
, s, k H' I. w# _7 z! V+ p - Presentation Graphics Portuguese 28.229 kbps
2 ~( p0 U$ u3 c2 A) B+ l/ q* [# W - Presentation Graphics Romanian 25.740 kbps ; G+ `* q4 |: r1 s# \: n
- Presentation Graphics Swedish 25.353 kbps
复制代码 The Town Blu-ray, Video Quality : f6 B5 u5 j% x: q' u% W6 Q3 Z
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Before I address the controversial, potentially problematic aspects of Warner's Blu-ray release, let me make one thing abundantly clear: The Town's comparable 1080p/AVC-encoded video transfers look great. Robert Elswit's chilly streetwise palette is brimming with windy Boston blues, skintones are purposefully withdrawn and altogether lifelike, and black levels are deep, evocative and foreboding. Likewise, tremendous respect has been paid to Affleck's every cinematic choice, be it his color timing or the stark splashes of light and shadow he brandishes from scene to scene. And detail? Closeups are teeming with crisp, revealing, magnificently resolved fine textures, the film's gritty veneer of grain is intact, and edge definition is sharp and natural. Yes, soft shots are fairly common, and yes, minor ringing is apparent from time to time. However, the filmic softness and inherent inconsistencies that grace the proceedings isn't a detriment in any way -- each instance traces back to Elswit's original photography, not some mysterious issue with either transfer -- and the slight, intermittent ringing that appears isn't obtrusive, never becomes a distraction, and was visible in the film's theatrical print. Moreover, banding and aliasing are MIA, substantial macroblocking is nowhere to be found, and DNR clearly isn't a factor. Make no mistake, if do-or-die videophiles relied on nothing but their eyes to evaluate The Town's terrific transfers, high scores and higher praise would abound.! \; K! t, n7 t* L& `
" I- s( f" T' g; ?/ k" YUnfortunately, it isn't that simple. Rather than employ seamless branching, Warner decided to grant each version of the film its own encode; a decision I'd applaud if the studio hadn't then crammed both transfers onto a single BD-50 disc. Housing four and a half hours of film on a dual-layer disc isn't necessarily cause for alarm, at least not on its own, but those who make a habit of monitoring video specs will be shocked, upset even, at just how low each encode's bitrate dips throughout the presentation. Be that as it may, neither cut of the film suffers all that much. Crush is easily the biggest problem that rears its head -- heavy shadows, night skies, dark hair and clothing sometimes merge -- but it's tough to tell what should be attributed to Affleck and Elswit's intention, atmosphere and technique, and what may possibly be the product of an excessively compressed source. Even if the blame falls squarely on Warner though, the offending shots are few and far between, and brief and fleeting at their worst. Beyond that, the only anomaly that caught my attention was some faint artifacting. But it was an even smaller, less pervasive issue. More often than not, I had to actively search for it, and when I found it, it looked exactly like the trivial artifacting I've seen on a number of highly regarded, high-bitrate AVC-encoded releases. Each encode's bitrate may suggest The Town will be plagued by a variety of problems, but the results suggest otherwise. F* L, s) B( k6 ^ g; x1 R
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Would The Town look better if it were given more room to breathe? That's the question of the hour, and the question that will fuel debate on message boards for months to come. Frankly, I can't imagine it could look much better, especially after listening to Affleck dissect each scene in the disc's informative audio commentary. Other than eliminating whatever crush and noise isn't inherent to the source -- good luck figuring out whether Warner or the filmmakers are to blame in each affected shot -- there really isn't room for any substantial improvement. Not that it will matter to anyone who's already made up their mind. Those who breathe and bleed tech specs will either go on a frame-by-frame witch hunt, attack the studio without proper cause, or refuse to buy The Town all together (without bothering to rent a copy and check whether or not the actual transfers warrant such animosity). However, those of you who judge presentations on their merits and shortcomings alone will shrug your shoulders, chuckle at the intensity of some of the arguments that arise, and wonder what all the fuss is about. Would a single, seamless branching presentation be more ideal? Absolutely. But when the results are this impressive, it's strange to watch principled purists draw such deep lines in the sand. Again, The Town looks great. Not perfect, but great. I walked away a happy man.+ s# p+ S7 ^3 N& A+ p5 f
0 y" L% H6 q7 e3 I. r( P2 A4 ^The Town Blu-ray, Audio Quality 0 w, y( C! I7 L3 t- _' m
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! b5 O Y' e; b: X QThe Town also features two separate DTS-HD Master Audio 5.1 surround tracks: a beefy 24-bit theatrical mix and an equally arresting 16-bit Extended Cut contender. Thankfully though, neither one requires a lengthy defense. To the contrary, both audio presentations are primed to drop jaws, bruise sternums, and engage even the most detached audiophiles. Brawny LFE output grants gunshots realistic resonance, collisions unnerving weight, and explosions deafening power; immersive rear speaker activity transports listeners to every dank bar, crowded street corner, bustling bank, noisy stadium and wind-swept community garden the characters inhabit; and the soundfield is as enveloping as it is believable. And it only gets better from there. Whether whispered at a streetside cafe, snarled in a kingpin's flower shop, or screamed during a botched heist, dialogue remains clear and distinct, and never gets buried beneath the film's ensuing chaos. Voices are grounded perfectly in Affleck's bleak Boston cityscape, and directional effects are precise and convincing. No flashbang superficiality or sleight-of-hand here; just top-notch sound design and top-tier sonics. Simply put, Warner's lossless tracks represent the high point of The Town's BD release, and will easily satisfy anyone and everyone caught in their crossfire.! r+ X7 Y. B: \3 J4 F0 Q1 {# F8 a
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