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A teenage girl in the Midwest becomes infected by an outbreak of a disease that slowly turns the infected into zombies.
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1 s3 F0 B# {! ~# L◎译 名 丧家之女/我的僵尸女儿(台)/丧尸玛姬(港)/玛姬/玛吉& L/ K3 k' }+ L# m- g
◎片 名 Maggie : r4 P5 d+ P- Z x
◎年 代 20157 n: n( Z9 ?/ Z' |* |3 a
◎国 家 美国/瑞士" o: b! Y- T. S0 i* s7 I ?
◎类 别 恐怖/惊悚
! W% F; [5 W# k1 g, C$ m◎语 言 英语$ x. u, Q9 y& p/ t$ p
◎上映日期 2015-05-08(美国)
" {. j+ K4 Q1 ~( G◎IMDb评分 5.6/10 from 46,828 users
# t' ~0 J# U! \◎IMDb链接 https://www.imdb.com/title/tt1881002/" s2 \- R9 }" Q1 M* S0 l1 r! I2 j
◎豆瓣评分 5.7/10 from 4,137 users) @, R9 i6 P6 M; a7 F9 b l
◎豆瓣链接 https://movie.douban.com/subject/10741865/+ b z; z! w* D
◎文件格式 x264 + DTS
# P* m1 f" b7 z4 J `! Y! L◎视频尺寸 1920 x 1080" z4 ` ?' ?: d
◎文件大小 1DVD 44.59 GiB & 44.75 GiB
# X4 N6 l9 M# B◎片 长 1:35:03.531 (h:m:s.ms) * _ K% r! H1 }. u$ c6 c P
◎导 演 亨利·霍伯森 Henry Hobson9 u! q- p( w% R% J
◎编 剧 约翰·斯科特三号 John Scott 3
; _: _6 V1 r- h3 a- n% A: E◎主 演 阿诺·施瓦辛格 Arnold Schwarzenegger
' V. E- }- C* D; e 阿比盖尔·布蕾斯琳 Abigail Breslin
% y! N- C' c2 F8 ^2 n. e" l 乔莉·理查德森 Joely Richardson
1 v7 Y9 _+ } \# M7 k& O2 P 劳拉·凯洛蒂 Laura Cayouette2 b& K4 H0 i7 p7 {, R4 Y
J.D·埃弗摩尔 J.D. Evermore
+ p" k3 H2 u3 W9 @ 约翰·阿米乔 John L. Armijo9 n4 P5 M" K0 d; o9 s3 M
丹娜·格瑞尔 Dana Gourrier0 b0 P6 h& U8 I+ \9 ^! G
Amy Brassette" q8 n' T! i0 [: C
蕾登·格里尔 Raeden Greer
9 L# x% l0 T( x: b 韦恩·佩雷 Wayne Pére; j7 a: m9 s; R# B+ E( Y
道格拉斯·M·格里芬 Douglas M. Griffin. N: r* q0 v" d& A8 p$ y3 r
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◎简 介 : J- `* O! I, L
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近未来,可怕的丧尸病毒蔓延全球,数以万计的平民遭受感染,许多人失去了生命,许多人化身为嗜血如命的活死人,也有许多人从此得到尴尬的身份。农夫韦德(阿诺·施瓦辛格 Arnold Schwarzenegger 饰)忧心忡忡地开车驶向位于隔离区的医院,他的女儿麦琪(阿比盖尔·布蕾斯琳 Abigail Breslin 饰)不久前被送到这里。麦琪遭到了丧尸的攻击,从而感染病毒。虽然离完全变成丧尸还有一段时间,但是她的悲剧命运似乎就此注定。韦德取得院方的同意,带女儿回到了家中。熟悉的环境和气息,对麦琪来说却平添了几多忧伤与烦恼。她与家人的维系不断,然而那距离正一点点地来开。
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时间流逝,麦琪身上生的气息不断消逝,死亡的味道与日俱增,她和彼此深爱的亲人终将迎来痛苦的诀别时刻……: r' |8 C' l1 @7 S
5 z6 h% R1 a+ |. `! p/ M; y A teenage girl in the Midwest becomes infected by an outbreak of a disease that slowly turns the infected into cannibalistic zombies. During her transformation, her loving father stays by her side.
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& m' p" ?+ f) g3 Y/ F2 p9 H/ i- DISC INFO:
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, B+ j3 d4 {) H5 l: r4 p. {- Disc Title: Maggie.2015.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-RARBG' p! }( R- n% V# J' T5 U
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8 _1 |8 g$ u# | - Protection: AACS6 |! b0 _6 f9 L( k; J
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3 ^- l, F c! b. |- p - Size: 28,778,612,736 bytes; y7 Q) {& y, G2 z$ t; ~
- Total Bitrate: 40.37 Mbps" x& P, N# {' A- i; M. J
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8 p# l5 s. J$ K, ^7 ^$ [3 w - DTS-HD Master Audio English 3600 kbps 5.1 / 48 kHz / 3600 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
, e% L$ Q6 l* }6 E N1 X - Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps
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4 k, i! {, \8 z4 h" ?* I6 l - Presentation Graphics English 21.974 kbps
2 o( {2 T1 `% ]' ?5 Y E+ t9 X - Presentation Graphics English 28.797 kbps 8 |! \. q3 |, z6 B! l: p9 @( C3 i
- Presentation Graphics Spanish 22.514 kbps
复制代码- Disc Title: Maggie.2015.1080p.BluRaycd.AVC.DTS-HD.MA5.1-Thor@HDSky4 F8 K( N' g; Y' b, n5 U0 Z
- Disc Size: 48,045,494,424 bytes
+ W; A5 F+ ^# M/ P% R8 m2 q/ ^0 S - Protection: AACS6 @! X3 _2 h* a6 a
- BD-Java: Yes# m5 m! U& W( K( B H
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- Length: 1:35:03.531 (h:m:s.ms), o; f0 V, n/ |' W) x8 q& U
- Size: 28,958,932,992 bytes5 ^4 Q' G+ ^3 Y% T/ u) N& E j' F
- Total Bitrate: 40.62 Mbps
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8 s6 P g* Y0 M" z' K- VIDEO:$ \- o) Z2 \1 _3 E4 q3 V
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- Codec Bitrate Description ! K# b- c) U5 m7 j) A( Q8 S5 J& p, `
- ----- ------- -----------
, i: Z+ `5 Z$ g7 q5 p - MPEG-4 AVC Video 34477 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1( }3 n& O7 e. l9 ^# E+ I
- + A2 M; E9 t* Q% D
- AUDIO:
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e' I/ M9 [$ o" I- Codec Language Bitrate Description : m* ]6 R) O9 O0 H9 v6 \* f
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$ t$ ^' P9 ^4 t \( j - DTS-HD Master Audio English 3600 kbps 5.1 / 48 kHz / 3600 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)" q P9 s: K f
- Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps
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- Presentation Graphics English 21.974 kbps
l( T: N9 H& @4 t2 M! U K* Z - Presentation Graphics English 28.797 kbps
' o5 u+ J+ b4 O7 d( I5 [2 A. x | - Presentation Graphics Spanish 22.514 kbps
" p2 f0 D7 F& w1 u( q; O - Presentation Graphics Chinese 22.916 kbps 简体中文(黑边) 9 _0 b o# S" V, H" u# Q
- Presentation Graphics Chinese 23.180 kbps 繁体中文(黑边) . m' W& Y9 ~( e4 v8 P d
- Presentation Graphics Chinese 35.461 kbps 简英双语(黑边) ! l' O# E0 j5 a( f/ E
- Presentation Graphics Chinese 35.740 kbps 繁英双语(黑边) ) s/ b# k6 |9 u" I- R1 X* [2 Q
- Presentation Graphics Chinese 22.935 kbps 简体中文(画面) 5 _! ~9 _5 @# H6 G/ v: i
- Presentation Graphics Chinese 23.199 kbps 繁体中文(画面) 8 {8 s9 b/ Q {0 t4 G
- Presentation Graphics Chinese 35.396 kbps 简英双语(画面) 3 }4 b, n* P5 T; [2 z' p* q
- Presentation Graphics Chinese 35.667 kbps 繁英双语(画面)
复制代码 Maggie Blu-ray, Video Quality 0 K6 D/ @3 z7 N% W8 B. y! B
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Maggie is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 2.39:1. This is a very interesting looking film a lot of the time, achieved through typical means like color grading (including color stripping), but also (as Hobson speaks about briefly in his commentary) the addition of digital grain. The entire film often has a kind of smoky and hazy ambience, and with the overlay of a somewhat mottled looking grain field, detail can be mitigated, especially in dark and aggressively graded sequences. On the other hand, Hobson and DP Lukas Ettlin are just as likely to suddenly offer a relatively naturalistic looking palette in good lighting conditions, and suddenly detail and precision are excellent (see screenshots 1 and 14). Occasionally effects can get slightly out of hand, giving the appearance of some (brief) sequences an almost surreal quality (see screenshot 11). Another kind of effect, namely the techniques utilized to "zombify" characters, is extremely effective, giving the victims the look of having succumbed to something like the Bubonic plague. While I personally wouldn't term the grain overly "organic" looking in this presentation, there are no actual issues with compression anomalies.
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4 t( c1 j/ |3 c6 dMaggie Blu-ray, Audio Quality
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8 X8 S4 Q0 S& ~/ t# N# VMaggie features a subtle but quite effective lossless DTS-HD Master Audio 5.1 track, one that traffics in the steady buzz of cicadas and other sonic signs of the New Orleans locations (Hobson mentions how he didn't want any bird or wildlife sounds in the mix, as a kind of subliminal reference to the destruction rampant in the world). David Wingo contributes a moody, spare score that almost sounds ambient at times, but which spreads through the surrounds very effectively. Dialogue is cleanly and clearly rendered and well prioritized in this problem free track.+ J' p7 C$ j3 R( b
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