骑劫地下铁 [4K蓝光原盘] The Taking of Pelham One Two Three 1974 2160p BluRaycd HEVC DTS-HD MA 5.1-MiXER 75.06GB

Four armed men hijack a New York City subway car and demand a ransom for the passengers. The city's police are faced with a conundrum: Even if it's paid, how could they get away?


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, m  H  I, N, F5 g0 W" c3 J) G◎译　　名　骑劫地下铁  
$ \7 ?9 x9 S& U2 A2 Q$ M5 N) L◎片　　名　The Taking of Pelham One Two Three
◎年　　代　1974
◎产　　地　美国
◎类　　别　动作/犯罪/惊悚
◎语　　言　英语/西班牙语
: }: H2 N- m* g. U◎上映日期　1974-11-14(西德)
◎IMDb评分  7.6/10 from 33,836 users
◎IMDb链接  https://www.imdb.com/title/tt0072251/
◎豆瓣评分　7.6/10 from 1,186 users
◎豆瓣链接　https://movie.douban.com/subject/1293385/
! Z% g. T. o# \◎文件格式　x265 + DTS
◎视频尺寸　3840 x 2160
2 ]" r' E# O, @% i' A- A' w, u/ K◎文件大小　1DVD 75.06 GiB
+ ~# s  D, F/ {. Q9 Y' M. I" w◎片　　长　1:44:22.458 (h:m:s.ms)
# _( O1 G! B/ L& n9 n◎导　　演　约瑟夫·萨金特 Joseph Sargent
1 U& `7 \! b' E- T: ]; S8 X' W0 }◎编　　剧　约翰·戈迪 John Godey
　　　　　  皮特·斯通 Peter Stone
◎演　　员　沃尔特·马修 Walter Matthau
8 [+ J; D; T# |$ l& ?+ V　　　　　  罗伯特·肖 Robert Shaw
　　　　　  马丁·鲍尔萨姆 Martin Balsam
" Z% W! K$ D# R4 n8 m  g　　　　　  埃克托尔·埃利松多 Hector Elizondo
3 ^* h# @0 m$ X　　　　　  厄尔·欣德曼 Earl Hindman
" U- |7 z9 I9 c　　　　　  詹姆斯·布罗德里克 James Broderick
7 V$ P4 O% ^. B3 t" \( X　　　　　  迪克·奥尼尔 Dick O'Neill
0 E1 S! s6 a; y% W% L　　　　　  李·华莱士 Lee Wallace
　　　　　  汤姆·佩迪 Tom Pedi
! N3 b6 f# L- T; q1 }　　　　　  比阿特丽斯·温德 Beatrice Winde
　　　　　  杰瑞·斯蒂勒 Jerry Stiller
+ k% K& z0 J+ l6 T5 U5 S% Y* z　　　　　  内森·乔治 Nathan George
5 B" r1 c& D5 L- Y) |; C( c; R* ^　　　　　  鲁迪·邦德 Rudy Bond
　　　　　  肯尼思·麦克米伦 Kenneth McMillan
5 ?5 ~" c# Y" p4 y1 v　　　　　  多莉丝·罗伯茨 Doris Roberts
3 I. z. Y$ C5 X( T6 a0 Y2 I2 X　　　　　  尤利乌斯·哈里斯 Julius Harris
7 }! A: o) ]6 W- i0 n1 Y2 |2 ~　　　　　  辛西娅·贝尔格雷夫 Cynthia Belgrave
; o4 x" L2 T* ?' z7 D/ x( K$ M　　　　　  卡罗尔·科尔 Carol Cole
　　　　　  亚历克斯·科伦 Alex Colon
2 B1 _+ b; m, n1 U: U& n　　　　　  乔·菲尔兹 Joe Fields
  z- k! d9 `" H/ o" J　　　　　  马里·戈尔曼 Mari Gorman
, ]8 f) @0 L) H) b, o　　　　　  迈克尔·戈林 Michael Gorrin
　　　　　  露西·萨罗扬 Lucy Saroyan
) @3 }, U# }0 r　　　　　  罗伯特·威尔 Robert Weil
6 S. Y4 V; u2 E3 O7 P9 u: I　　　　　  克里斯托弗·莫尼 Christopher Murney
　　　　　  蒂莫西·迈耶斯 Timothy Meyers
　　　　　  露丝·阿塔韦 Ruth Attaway
　　　　　  托马斯巴伯 Thomas Barbour
2 N6 ^' m! v8 B4 d5 e7 \　　　　　  尼尔·布鲁克斯·坎宁安 Neil Brooks Cunningham
　　　　　  萨尔·维斯库索 Sal Viscuso
/ p* r6 R* M& ~　　　　　  伯特·哈里斯 Burtt Harris
8 A' {( l! p- G8 X3 ?) _　　　　　  吉恩·格罗斯 Gene Gross
4 T/ J+ C: J+ M3 ~9 m2 e. \( J) c　　　　　  约瑟夫·阿特尔斯 Joseph Attles
　　　　　  伊莎贝拉·霍普斯 Isabella Hoopes
　　　　　  比尔·考布斯 Bill Cobbs
　　　　　  乔·塞内卡 Joe Seneca
　　　　　  托尼·罗伯茨 Tony Roberts
+ v+ p* G1 S+ k　　　　　  亨泽尔 Hy Anzell
; o6 @( X2 Z8 A. A+ O% ?　　　　　  伊内斯·海伦德尔 Ines Hellendall
　　　　　  让·保罗·海伦德尔 Jean-Paul Hellendall
　　　　　  凯里·洛夫廷 Carey Loftin
　　　　　  查尔斯·西尔文 Charles Silvern
　　　　　  多尔夫·斯威特 Dolph Sweet
1 i: Y2 @8 W, t2 W　　　　　  弗兰克·文特根 Frank Ventgen

) X* Z. P( W: r  E◎标　　签　犯罪 | 美国 | 1970s | 美国电影 | 1974 | 悬疑 | 剧情 | 经典
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　　以罗伯特·肖为首的四名歹徒洗劫纽约市的地下铁，劫持十八个乘客作人质，威胁市政府在一小时内交一百万美元赎金，否则开始杀害人质。沃尔特·马修饰演的警长一边代表市府与歹徒周旋，另一边又跟地铁公司的职员怒目向相，使危机随着时间过去而升高。不料在四个歹徒得手之后，警长竟凭巧计识破了其中一名劫匪的身份。

5 Y% C1 f- p2 L% ?; p　　A gang of thugs who have hijacked a subway train near New York's Pelham Station threaten to kill one hostage per minute. Forced to stall the assailants until a ransom is delivered or a rescue made, transit chief Lt. Garber must somehow ad-lib, con and outmaneuver one of the craftiest, cruelest villains ever.
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1. DISC INFO:
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3. Disc Title:     The.Taking.of.Pelham.One.Two.Three.1974.2160p.BluRayCD.HEVC.DTS-HD.MA.5.1-MiXER
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4. Disc Size:      80,595,131,453 bytes
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5. Protection:     AACS2
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6. Extras:         Ultra HD
   
7. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 12.0.9.4)
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12. Length:                 1:44:22.458 (h:m:s.ms)
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13. Size:                   79,910,043,648 bytes
    
14. Total Bitrate:          102.08 Mbps
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30. DTS-HD Master Audio             English         1557 kbps       2.0 / 48 kHz / 1557 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit)
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The Taking of Pelham One Two Three 4K Blu-ray, Video Quality   
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Kino Lorber's release of The Taking of Pelham One Two Three is a 4K Blu-ray/Blu-ray combo pack. The 4K Blu-ray is Region-Free. The Blu-ray is Region-A "locked".
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( ]* A& Z5 P# u/ t% WPlease note that some of the screencaptures that appear with this article are taken from the 4K Blu-ray and are downscaled to 1080p. Therefore, they do not accurately reflect the quality of the 4K content on the 4K Blu-ray disc, including its actual color values.
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& w4 l' X& ^6 t& L  ^+ nScreencaptures #1-33 are from The Taking of Pelham One Two Three Blu-ray.
Screencaptures #36-40 are from The Taking of Pelham One Two Three 4K Blu-ray.

7 M  `2 ]0 V8 Q9 H! kThe 4K Blu-ray and Blu-ray present an exclusive new 4K restoration of The Taking of Pelham One Two Three. In native 4K, I viewed the entire film with Dolby Vision.

/ s% i. f0 g. ^  y3 vAt the moment, I have only one other Blu-ray release of this classic film in my library, which MGM/Fox produced in 2011. It is a fine release. However, it offers a dated presentation of the film and many of its limitations are quite easy to spot. I did some extensive comparisons with it, but to be honest, there is only one area of the presentation of the new 4K makeover that could have been handled better, so I am going to address it first.

In native 4K, with Dolby Vision enabled, or with HDR, and in 1080p as well, the new 4K makeover produces some extremely light crushing. It is not a lot, but very large portions of the film take place in the subway where light is restricted in various specific ways, so for all native detail to be visible as intended the color grading has to be very precise. I still think that the color grading is very good, but it is not perfect. How much detail is lost? If you take a look at screencapture #2 and compare it with the corresponding screencapture from the review of the MGM/Fox release, you will have your answer. This is a lot less than what is present for instance on the recent 4K makeover of Escape from Alcatraz, so if this issue had been addressed, you would have been looking at a definitive home video release of this classic film.

On my system, delineation, clarity, and depth are very clearly superior. Density levels are noticeably improved as well, so the bigger your screen is, the easier it will be for you to appreciate the upgrade in quality. As noted above, the original cinematography treats light/lighting in various specific ways, so some fluctuations in grain exposure are unavoidable. In native 4K and 1080p, fluidity is very good, so the sporadic minor bumps that are present on the old 1080p presentation are gone. The color grade is wonderful. (I am excluding the management of the blacks). Kino Lorber have released quite a few older films on 4K Blu-ray already and for my money this is their best all-around color grading job. Immediately after the opening credits disappeared from my screen, I knew that the primaries were set right and the supporting nuances had proper ranges, which is why the entire film had a very, very attractive and convincing period appearance. I loved it. How big is the discrepancy between the native 4K and 1080p visuals? I think that the Dolby Vision grade is very good -- not aggressive but not anemic either. It just about gets the darker areas right, too. The overall dynamic range of the visuals is clearly better and the outside footage from the streets of New York looks tremendous. In 1080p, the same areas look very good as well, but the absence of the expanded dynamic range and color values is immediately felt. I think that the 1080p presentation could have benefited from some additional encoding optimizations, too. Image stability is excellent. There are no distracting large cuts, debris, warped or torn frames to report.

The Taking of Pelham One Two Three 4K Blu-ray, Audio Quality   
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There are two standard audio tracks on this release: English DTS-HD Master Audio 2.0 and English DTS-HD Master Audio 5.1. Optional English SDH subtitles are provided for the main feature. When Turned on, they appear inside the image frame.

/ i8 @" s3 t1 W9 f; k( gI chose to view the entire film with the DTS-HD Master Audio 2.0 track but occasionally switched to the DTS-HD Master Audio 5.1 track. I did not have a problem with the old lossless track from the MGM/Fox release and I think that its native strengths are retained. Also, the audio sounds very healthy, so even when the volume is turned up quite a bit the upper register remains solid. I did not encounter any encoding anomalies to report in our review.

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