魔鬼任务/血连环/以假乱真 [蓝光原盘] FX 1986 1080p BluRaycd AVC DTS-HD MA 2.0-FGT 22.48GB

◎译　　名　魔鬼任务/血连环/以假乱真
◎片　　名　F/X / FX Murder by Illusion
0 g: O9 F: w; x+ r◎年　　代　1986
4 R3 `$ k3 g" l1 t3 D* }◎产　　地　美国
◎类　　别　动作/犯罪/惊悚
# `0 O0 m" d" _' d* @; J$ j/ k◎语　　言　英语
◎上映日期　1986-10-16(美国)
  h- n4 c! f5 n7 u◎IMDb评分  6.7/10 from 22,518 users
5 N; d  _/ D# k◎IMDb链接  https://www.imdb.com/title/tt0089118/
◎豆瓣评分　7.2/10 from 224 users
◎豆瓣链接　https://movie.douban.com/subject/1295565/
6 w4 v/ C; N' c" _◎文件格式　x264 + DTS
◎视频尺寸　1920 x 1080
◎文件大小　1DVD 22.48 GiB
◎片　　长　1:48:47.270 (h:m:s.ms)
$ ?# @  [$ t* q0 T◎导　　演　罗伯特·曼德尔 Robert Mandel
◎编　　剧　Gregory Fleeman
　　　　  　Robert T. Megginson
◎主　　演　布莱恩·布朗 Bryan Brown
. m9 E2 P% L" n7 J　　　　  　布莱恩·丹内利 Brian Dennehy
　　　　  　戴安·维诺拉 Diane Venora
8 o. n: \$ S3 U1 b* f　　　　  　克利夫·德杨 Cliff De Young
" N' r; ~- l6 Y* ], v, d　　　　  　梅森·亚当斯 Mason Adams
' V3 @+ l. ]/ J, Z/ K7 g% ]　　　　  　杰里·奥尔巴赫 Jerry Orbach
　　　　  　乔·格里法西 Joe Grifasi
　　　　  　Martha Gehman
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* L' t+ {1 m8 U! j◎标　　签　美国 | 犯罪 | 悬疑 | 动作 | 美国电影 | 1986 | 惊悚 | 特效

- X6 j! w; c, g1 v6 M5 P◎简　　介   

　　罗林是电影特效专家，专门为一些B级影片做特效。一日FBI找上门来，请他安排一位黑道份子的死亡假象，以便他能加入证人保护计划。罗林在完成使命后却发现事情变得诡谲。因为纽约警探开始调查起这件假死亡案，而FBI不仅不出面，而且一副事不关己模样，惹祸上身的罗林得尽早查出真相，否则他将成为黑白两道的追击对象。

　　A movie special effects man is hired to fake a real-life mob killing for a witness protection plan, but finds his own life in danger.

1. DISC INFO:
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3. Disc Title:     FX.1986.1080p.BluRayCD.AVC.DTS-HD.MA.2.0-FGT
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4. Disc Size:      24,139,092,687 bytes
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5. Protection:     AACS
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6. BD-Java:        No
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7. BDInfo:         0.5.8
   
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12. Length:                 1:48:47.270 (h:m:s.ms)
    
13. Size:                   19,954,206,720 bytes
    
14. Total Bitrate:          24.46 Mbps
    
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20. MPEG-4 AVC Video        21456 kbps          1080p / 23.976 fps / 16:9 / High Profile 4.1
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26. DTS-HD Master Audio             English         1651 kbps       2.0 / 48 kHz / 1651 kbps / 16-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 16-bit)
    
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32. Presentation Graphics           English         26.007 kbps

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F/X Blu-ray, Video Quality   


6 @" W  V' U! K6 d" a$ X) aF/X was shot by the Oscar-nominated Czech cinematographer Miroslav Ondrícek (Amadeus), whom director Mandel credits with designing a lighting scheme that would allow the effects sequences to be shot fluidly and effectively, minimizing the need for costly retakes. Kino's 1080p, AVC-encoded Blu-ray of F/X offers a sturdy presentation of Ondrícek's work, with a few minor issues. The source material, which probably wasn't the original camera negative, shows minor damage here and there; anyone who grew up watching films in the pre-digital age probably won't be bothered by these occasional dust marks and small scratches.
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: w% s) @" T- `. f: e1 h" }4 n6 t# C( j- bThe film's aesthetic is low-key and realistic. Rarely does Ondrícek apply stylized lighting with intense contrast or saturated colors, although the opening sequence (a bloody shootout in a fancy restaurant) and a matching scene later in the film (the DeFranco assassination) are exceptions. Generally, the colors and lighting are intended to complement Mandel's exploration of the relation between truth and illusion in a world where simulations of violence are part of our daily entertainment. Within these constraints, the Blu-ray image is reasonably sharp and detailed, with (mostly) solid blacks, acceptable shadow detail and a natural looking grain pattern that doesn't appear to have been unduly manipulated electronically.

Kino has mastered F/X on a BD-25 at an average bitrate of 21.46 Mbps. I would have preferred a higher rate, but the bits appear to have been allocated with some care, so that demanding scenes like the car chase through lower Manhattan receive the bandwidth they need. Artifacts were not an issue.
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F/X Blu-ray, Audio Quality   


The Blu-ray of F/X features a lossless DTS-HD MA 2.0 soundtrack that has been the subject of controversy. According to the film's end credits, it was released in Dolby Stereo. Some versions in other regions have been reported to have a mono track, and this Blu-ray release often sounds like a 2.0 mono release. However, after comparing it to MGM's 1986 DVD, which is listed as having "stereo surround", I believe that the Blu-ray features the same soundtrack (with lossless encoding). The track itself just doesn't have significant stereo separation or rear channel activity, no doubt because of budget constraints. But listen, for example, to the scene where Lipton and DeFranco arrive for Rollie to apply the makeup, appliances and squibs for the phony murder; rain is pouring down, and the sound of rainfall is obviously different in the left and right speakers. Bill Conti's suspenseful score (which sounds quite good in this presentation) also spreads fully across the front soundstage, while the dialogue (which is always clear) is pushed forward and centered—which wouldn't happen if both channels were identical. Overall, while this is far from the most interesting or impressive stereo I have heard on Blu-ray, it does sound like stereo. The effects layered into the mix are excellent, from tiny explosions to big ones, from cars skidding and colliding to all manner of gunfire, from huge panes of glass shattering in the opening sequence to a tiny hole being blown in a window by a sniper's bullet.

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