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[蓝光原盘] 老虎连/猛虎营/虎阵战地 [蓝光原盘] Tigerland 2000 1080p BluRaycd AVC DTS-HD MA 5.1-FGT 39.97GB

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黄金嫖客 发表于 2023-12-2 06:21:10 | 显示全部楼层 |阅读模式
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, v9 Y, P) M9 s: `: c5 l. K◎译  名 老虎连/猛虎营/虎阵战地: j) M0 ]9 m7 g" |2 ^. ~' X2 @* X7 c
◎片  名 Tigerland / Rời Quân Ngũ " b0 d) Q* d* u7 Y
◎年  代 20006 r4 w4 A+ n/ k% m$ a' M5 A
◎产  地 美国/德国8 s9 y1 @5 o, I2 c8 z
◎类  别 剧情/战争' v5 N% z# u1 J/ V
◎语  言 英语
" t( A4 k$ m4 ^: w! G* C◎上映日期 2000-09-13(美国)/2001-05-24(德国)5 u6 ]. p% [) m' _! C
◎IMDb评分  6.9/10 from 43,178 users5 [& Z0 F6 r- @6 d( d" ]$ M% `7 F
◎IMDb链接  https://www.imdb.com/title/tt0170691/+ |$ \2 O- }( Z# X. U3 s0 a+ Z
◎豆瓣评分 7.1/10 from 1,630 users
% F$ [# q% C0 B8 J◎豆瓣链接 https://movie.douban.com/subject/1293033/
8 n5 j7 Q6 v/ s; D◎文件格式 x264 + DTS
( C. V& }2 y& g◎视频尺寸 1920 x 10801 A0 _2 z. D" \4 a
◎文件大小 1DVD 39.97 GiB$ `4 E# h  E+ \/ a* K0 N
◎片  长 1:40:59.094 (h:m:s.ms)* b' {- N4 k) o9 B5 j
◎导  演 乔·舒马赫 Joel Schumacher( B. W1 a6 g1 h4 `# W! F
◎编  剧 迈克尔·麦格鲁德 Michael McGruther
7 h, W  v. P3 J* ], H2 e/ T, o3 m. V, m       Ross Klavan Ross Klavan
6 K4 h$ a' p# B$ w7 J0 {◎演  员 科林·法瑞尔 Colin Farrell, g1 I/ s( `  h) q: G0 A
       马修·戴维斯 Matthew Davis/ o3 N& ~% P- k1 g) R
       小克利夫顿·克林斯 Clifton Collins Jr.
: Z/ q9 A7 u7 e       汤姆·盖里 Tom Guiry1 g+ n4 k1 z  j. m$ d* R
       迈克尔·珊农 Michael Shannon
% B: E5 G" `2 F/ F% X' i$ r& j       谢伊·惠格姆 Shea Whigham' L# I0 f( t% j  e. E
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◎标  签 战争 | 美国 | 越战 | ColinFarrell | 美国电影 | 剧情 | 2000 | 电影
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  m; ^6 h# r! x◎简  介   
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. A+ e3 I/ V) c& ]" ~$ f/ j  罗伦巴斯刚从禁闭室放出来,便被派到越南作战。但特立独行的巴斯不仅遭到同袍排挤,也处处受到指挥官的压制。当他们抵达战场前的“猛虎岛“受训时,巴斯凭藉著独特的领袖魅力将大家凝聚起来,并带来始料未及的结果…
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, L5 t# q; A4 G: Y& M: Y  A group of recruits go through Advanced Infantry Training at Fort Polk, Louisiana's infamous Tigerland, last stop before Vietnam for tens of thousands of young men in 1971.
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  1. DISC INFO:' o' v1 r4 Q7 V7 X8 U8 V+ W

  2. " B& Z& M. r8 |3 s/ }1 h) K9 v
  3. Disc Title: Tigerland.2000.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT 39.97 GB
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  4. Disc Size:  42,921,066,571 bytes! T9 I" r$ h1 w: F3 ]
  5. Protection: AACS
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  6. BD-Java:  Yes% A% }7 |, L) o' D
  7. BDInfo:   0.5.8% g& p# |# U; }  W; `0 M
  8. PLAYLIST REPORT:
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  9. Name:       00800.MPLS
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  10. Length:     1:40:59.094 (h:m:s.ms)
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  11. Size:       30,963,283,968 bytes
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  12. Total Bitrate:    40.88 Mbps
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  14. Video:; X# L" h5 t0 m9 S6 |; ]
  15. Codec       Bitrate     Description5 x9 I6 p; ?) B8 Q/ l; n
  16. -----       -------     -----------# ~& D$ k0 j7 ?9 A3 k* a4 }
  17. MPEG-4 AVC Video  32002 kbps    1080p / 23.976 fps / 16:9 / High Profile 4.1
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  18. % g% P$ K7 Q/ N7 H' ]0 Y6 W- D
  19. AUDIO:. @6 B- [; C4 q5 u4 W5 i$ L8 A
  20. Codec         Language  Bitrate   Description
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  21. -----         --------  -------   -----------0 k7 v! h4 C  @* @. B5 A
  22. DTS-HD Master Audio     English   2684 kbps   5.1 / 48 kHz / 2684 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
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  23. Dolby Digital Audio     Spanish   448 kbps  5.1 / 48 kHz / 448 kbps$ n- {" |1 _; d+ r/ o: {
  24. DTS Audio       French    768 kbps  5.1 / 48 kHz / 768 kbps / 24-bit+ l" X0 |3 P3 k4 }& J, n: V* T
  25. Dolby Digital Audio     Portuguese  448 kbps  5.1 / 48 kHz / 448 kbps9 J6 G6 k- L! Z* I, S* h! U
  26. DTS Audio       Spanish   768 kbps  5.1 / 48 kHz / 768 kbps / 24-bit
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  27. Dolby Digital Audio     Czech   224 kbps  2.0 / 48 kHz / 224 kbps
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  28. Dolby Digital Audio     English   224 kbps  2.0 / 48 kHz / 224 kbps# l# {) c  r& l3 l8 a/ O
  29. Dolby Digital Audio     Hungarian   224 kbps  2.0 / 48 kHz / 224 kbps% D1 R& h1 D  R9 [' O8 a+ _0 c
  30. ' [8 p0 J5 j# d+ f5 {
  31. SUBTITLES:# b1 u: b, \# b( _4 x+ |5 C8 P7 x
  32. Codec         Language  Bitrate   Description
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  33. -----         --------  -------   -----------% K" X$ ^! H1 Q" d4 ]3 M. E
  34. Presentation Graphics   English   39.937 kbps      
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  35. Presentation Graphics   Spanish   30.411 kbps      
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  36. Presentation Graphics   French    29.522 kbps      * t' D6 I7 P* [# Y% @
  37. Presentation Graphics   Portuguese  34.802 kbps      - _  `% I; I" c8 s5 q9 c* ~5 l& L
  38. Presentation Graphics   Danish    25.934 kbps      & [: H' l+ Z1 r6 a. B6 V
  39. Presentation Graphics   Finnish   30.109 kbps      , w% z7 [6 E% N& m: `
  40. Presentation Graphics   Dutch   29.603 kbps      
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  41. Presentation Graphics   Norwegian   29.575 kbps      
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  42. Presentation Graphics   Spanish   31.878 kbps      
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  43. Presentation Graphics   Swedish   27.801 kbps      ' e5 j' e9 c& S% ^+ A, z
  44. Presentation Graphics   Czech   30.044 kbps      
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  45. Presentation Graphics   Greek   33.100 kbps      
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  46. Presentation Graphics   Hungarian   26.538 kbps      
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  47. Presentation Graphics   Icelandic   34.859 kbps      - s" j7 j  v6 R) P. u
  48. Presentation Graphics   Hebrew    26.362 kbps      " z" G" ^9 H7 K3 P$ ?4 J
  49. Presentation Graphics   English   55.206 kbps      ) @- x5 w1 l: ^. Q! v4 t' _
  50. Presentation Graphics   French    44.619 kbps      
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  51. Presentation Graphics   Danish    45.680 kbps      . Y0 n( z  _( U% u* z# h* e4 W
  52. Presentation Graphics   Finnish   46.352 kbps      / B6 {% t0 E" l9 m4 u
  53. Presentation Graphics   Dutch   47.506 kbps      7 R& S, W+ F" W9 E( `1 |
  54. Presentation Graphics   Norwegian   48.357 kbps      % i; l% j" v8 w/ c/ [& n
  55. Presentation Graphics   Spanish   47.361 kbps      - [( d7 f% |0 d" X+ J
  56. Presentation Graphics   Swedish   50.143 kbps      
复制代码
Tigerland Blu-ray, Video Quality) p7 E6 h: P2 n
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) p- d! y* o+ m. sJudging Tigerland's picture quality is a bit tricky, given how the film was shot. In order to obtain a more documentary-like look, Schumacher and cinematographer Matthew Libatique—most recently the DP on Black Swan—opted to use 16mm, which is much softer and grainier than 35mm. At the same time, they also put much of the film through a bleach bypass process, which strips it of strong color and gives it that gritty, desaturated quality that became really popular in war films post-Saving Private Ryan. Personally, I think this contradicts Schumacher's documentary-esque intentions. It would make more sense to either shoot straight 16mm without insane color toning—which would give a truer newsreel-type look—or shoot bleach bypassed 35mm. The combo of soft 16mm and stripped out color doesn't really work so well, and that's evidenced in the film's 1080p/AVC- encoded transfer, which—to put it frankly—is quite ugly. Truly fine detail is almost entirely absent, black levels are grayish even while they crush shadow detail, and the film's palette is a murky mixture of washed out greens and muddy browns. Still, you have to respect that this was how the film was shot, and that it's not likely to look much better. Where this transfer falters, however, is that it actively makes the film look worse by applying heavy edge enhancement to make up for the lack of resolve in the 16mm image. This leaves distracting haloing around hard outlines, which is especially noticeable in all scenes shot in the forest, as trunks, twigs, and branches are all awkwardly ringed. Furthermore, the natural appearance of film grain is inconsistent. There are scenes that are indeed heavy with chunky grain, and others where it's clear that at least some measure of DNR has been used to smooth everything out. Does Tigerland look better on Blu-ray than it did on DVD? Sure. But could it look better with a lighter touch on the post- processing? Absolutely.0 d" J( y* @% @! G' P9 [) ]

- W! q# z) f' p) [2 m  }; cTigerland Blu-ray, Audio Quality     V( O6 Q2 U3 [; u
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The film's lossless DTS-HD Master Audio 5.1 surround track will be far less controversial, even if it doesn't deliver exactly what you'd expect from a "war" movie. Since the troops never actually make it to 'Nam here, there are no battle scenes or real firefights—sequences that typically feature loud, bombastic sound design in your average war film. There are a few mock-combat scenes that include machinegun fire popping off loudly in the rears, along with all the other subwoofer-heavy aural chaos of battle, but Tigerland is a surprisingly dialogue-driven experience. Know that going in and you'll have no problems with this well-mixed track. The surround speakers do have their moments of cross-channel intensity, but they're mostly used for place-establishing ambience: barrack sounds, barroom chatter, outdoorsy noises, etc. Nathan Larson's score also has a strong presence when it comes into play, and in general, the mix has a wide, clear dynamic range. Dialogue is always clean and easy to understand. The disc also includes several dub and subtitle options—see above for details.) r/ q1 I! H) ]0 G: B6 F. C' g" I

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zzk980220 发表于 2023-12-3 15:33:31 | 显示全部楼层
啥也不说了,楼主就是给力!" L- Z  u& g9 v
Thank you for sharing such a good resource polite reply, very sorry for myself!
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一见哈哈笑 发表于 2023-12-4 09:24:46 | 显示全部楼层
感谢楼主,感谢!

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