入侵脑细胞/移魂追凶 [蓝光原盘] The Cell 2000 1080p BluRaycd AVC DTS-HD MA 5.1-FGT 32.17GB

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# p: x9 r2 V, _& z◎译　　名　入侵脑细胞/死亡空间/移魂追凶
◎片　　名　The Cell / A Cela
◎年　　代　2000
◎产　　地　美国/德国
◎类　　别　科幻/惊悚/恐怖/犯罪
◎语　　言　英语
+ Y  \# u) L8 R' H* y' J◎上映日期　2000-08-18(美国)
◎IMDb评分  6.4/10 from 108,288 users
◎IMDb链接  https://www.imdb.com/title/tt0209958/
◎豆瓣评分　7.6/10 from 60,804 users
4 D3 W1 \; G' g◎豆瓣链接　https://movie.douban.com/subject/1293171/
◎文件格式　x264 + DTS
, E. t  i7 j2 g" Q1 b8 t◎视频尺寸　1920 x 1080
◎文件大小　1DVD 32.17 GiB
' `. a; J" J* z8 V! _# G- N5 t◎片　　长　1:49:12.087 (h:m:s.ms)
◎导　　演　塔西姆·辛 Tarsem Singh
4 L& |/ e/ T" s◎编　　剧　马克·波托塞维奇 Mark Protosevich
% c) Q; {: a3 q4 w◎主　　演　詹妮弗·洛佩兹 Jennifer Lopez
7 q) L( @5 p: J2 t　　　　  　文斯·沃恩 Vince Vaughn
　　　　  　文森特·多诺费奥 Vincent D'Onofrio
　　　　  　玛丽安娜·琼-巴普蒂斯特 Marianne Jean-Baptiste
　　　　  　凯瑟琳·萨瑟兰 Catherine Sutherland
　　　　  　普路特·泰勒·文斯 Pruitt Taylor Vince
　　　　  　迪恩·诺里斯 Dean Norris
0 K7 [; H" u' m% c& N- S5 q" f, B　　　　  　彼得·萨斯加德 Peter Sarsgaard
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/ c, `4 h0 z& N/ w, @4 c◎标　　签　科幻 | 惊悚 | 心理 | 美国 | 悬疑 | 犯罪 | 恐怖 | 美国电影

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, j7 V2 O, x5 Q, e% y* U! d# V4 [2 p　　儿童临床医学家凯瑟琳·迪恩（珍妮弗·洛佩斯 Jennifer Lopez 饰）供职于一家研究大脑的医疗研究机构，她的任务是通过高技术手段陷入幼年患者的梦境中，治愈她们幼小心灵中的疮疤。
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　　警方接到报案，说当地有很多幼女失踪。负责此案的FBI探员（文斯·沃恩 Vince Vaughn 饰）断定，此举为一个连环作案的变态凶手所为。经过调查，警方锁定了犯罪嫌疑人——卡尔·斯塔格（文森特·德奥诺费奥 Vincent D'Onofrio 饰），但是苦于他守口如瓶，无法救出被他囚禁的女孩。这时，警方联系了凯瑟琳，希望她可以通过梦境的方法，潜入犯人的大脑，找到受害者的所在位置。然而，事情远比想象得更加险象环生……
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8 K7 j4 h( X' s3 z+ \/ }/ F. o　　An F.B.I. Agent persuades a social worker, who is adept with a new experimental technology, to enter the mind of a comatose serial killer in order to learn where he has hidden his latest kidnap victim.
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: D6 b5 X! f9 G! S◎获奖情况
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/ {* b6 ?9 C0 m　　第73届奥斯卡金像奖  (2001)
6 }0 a: [0 R! t! ^% g4 a; |　　最佳化妆(提名) 米切尔·布克 / 爱德华·F.·恩里克斯
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1. DISC INFO:
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3. Disc Title:     The.Cell.2000.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT
   
4. Disc Size:      34,540,282,437 bytes
   
5. Protection:     AACS
   
6. BD-Java:        No
   
7. BDInfo:         0.5.8
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11. Name:                   00100.MPLS
    
12. Length:                 1:49:12.087 (h:m:s.ms)
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13. Size:                   26,953,672,704 bytes
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14. Total Bitrate:          32.91 Mbps
    
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16. (*) Indicates included stream hidden by this playlist.
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28. DTS-HD Master Audio             English         2574 kbps       5.1 / 48 kHz / 2574 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
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The Cell Blu-ray, Video Quality   
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The Cell was photographed by Paul Laufer, who, like director Tarsem, began in music videos and TV commercials and has continued to work in those fields ever since. Laufer is one of the principal participants on the Blu-ray's "production team" commentary track, where he discusses The Cell's photography in great detail, including the challenges of obtaining the desired colors via photochemical means in the era just before digital intermediates. Although some parts of The Cell were "digitized" (as Laufer puts it) to achieve various effects, the film was still completed by traditional means, so that a transfer for Blu-ray required scanning of a film element.
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" d- ]5 m9 B, o3 N! JThe Cell was previously released on Blu-ray in 2009 by Canada's Alliance Atlantis; Blu-ray.com's review can be found here. Reliable sources at Warner have advised me that no 1080p master for the film existed at the time, and that the likely basis for Alliance's Blu-ray was a 1080i broadcast master that was upconverted. For this 1080p, AVC-encoded Blu-ray release from Warner Home Video, a new 1080p master has been prepared by MPI, Warner's on-site facility.
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: w# E5 @' t5 P9 {5 O+ tThe results are exceptional. Tarsem and the production team used real, "in camera" elements wherever possible, so that the imagery would have weight and density and the actors would interact with real objects. The new Blu-ray captures this sense of reality with impressive depth and detail, enhanced by the clarity of the image and the vividness of the extreme color palette, whether it is the beautifully saturated reds of blood and various garments or the regal purples and golds favored by Carl Stargher's dream alter ego. The ghostly whites and blues associated with Stargher's victims are appropriately disconcerting, as are the various ashen qualities in his strange interior landscapes. In young Edward's mind, the reddish yellow of the vast sand dunes (filmed in Namibia) are striking in their hot intensity.
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% n% S8 ^( \; A1 p5 d. B+ PBlack levels and contrast are very good, and the film's grain pattern has been finely rendered. Warner has mastered The Cell at an average bitrate of 24.92, which could be better but is certainly very good, especially with careful allocation of bandwidth to the scenes that need it most.
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1 S% i, o, v3 u. Y+ E. R, _A quick comparison to the screenshots from our previous review will immediately reveal that the colors on this new version differ significantly. Warner's version is warmer overall, and has noticeably deeper reds and more lifelike fleshtones. As in all such situations, there is no reason to believe that the earlier version was accurate; indeed, it is far more likely that MPI would have had access to an answer print for reference than anyone associated with Alliance Atlantis. In any case, the difference is noted for the record.
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% D* P. n% m4 _* z5 WThe Cell Blu-ray, Audio Quality   


Among the highlights of The Cell's original 5.1 track, encoded on Blu-ray in lossless DTS-HD MA, is Howard Shore's almost atonal score, which blends traditional orchestration with the "trance" music of the Master Musicians of Joujouka. The latter, with its distinctive blend of reed, pipe and percussion instruments provides an ideal accompaniment to the beautiful but alien landscapes of Edward's mind and also the sinister and vaguely oriental fantasies in which Stargher's mind indulges. Water (dripping, running, rushing, etc.) is a recurrent theme in The Cell's soundscape, for reasons that will quickly become obvious as the viewer grows acquainted with the world of Carl Stargher. Cars, helicopters, battering rams and other classic sounds of a police procedural also occur; at moments, Shore's score can't help but recall his earlier work for Se7en and The Silence of the Lambs.
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# `1 X: H& Y7 n$ n) k8 s0 RDialogue is generally clear, except for certain utterances of Stargher's imperial alter ego, where the import is less what is said than the intensity with which he says it. Whenever speech occurs inside a mental landscape, voices boom, echo, fade and re-emerge, without regard to the laws of physics. The soundtrack's broad dynamic range and deep bass extension add to the sense that we have entered an alien landscape, even if it's all an illusion.

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