僵尸城市/活死人之城 [4K蓝光原盘] City of the Living Dead 1980 ITALIAN 2160p BluRaycd HEVC DTS-HD MA 2.0-PlatinumBlack 60.07GB

The Seven Gates of Hell have been torn open, a reporter and a psychic race to close the portals of the damned.
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8 e9 {; d/ x- u9 k, e◎译　　名　僵尸城市/活死人之城
1 J- r$ s* L$ Z8 k◎片　　名　Paura nella città dei morti viventi / City of the Living Dead / Frayeurs / The Gates of Hell
◎年　　代　1980
◎产　　地　意大利
! c# q0 c4 U# m" X' U0 Y$ p, ?◎类　　别　恐怖/惊悚
◎语　　言　英语/意大利语
◎上映日期　1980-08-11(意大利)
◎IMDb评分  6.2/10 from 19,652 users
◎IMDb链接  https://www.imdb.com/title/tt0081318/
" K+ ^7 ?: [8 Q1 j3 A5 F◎豆瓣评分　6.4/10 from 824 users
◎豆瓣链接　https://movie.douban.com/subject/2181137/
◎文件格式　x264 + DTS  
◎视频尺寸　1920 x 1080
- X! ~- H: M& j1 A; M◎文件大小　1DVD 60.07 GiB
1 c; @! h& F6 \, t" O- U◎片　　长　1:32:52.608 (h:m:s.ms)
+ h& u$ |1 I+ O◎导　　演　卢西奥·弗尔兹 Lucio Fulci
◎编　　剧　卢西奥·弗尔兹 Lucio Fulci
- a3 O' C( F" {/ M# ]3 G　　　　　  H. P. 洛夫克拉夫特 H. P. Lovecraft
　　　　　  达尔达诺·萨凯蒂 Dardano Sacchetti
; |: |  T  U+ f◎制  片  人　卢西奥·弗尔兹 Lucio Fulci
2 r1 w9 y* s! D( q- h◎音　　乐　法比奥·弗里齐 Fabio Frizzi
◎演　　员　克里斯托弗·乔治 Christopher George
　　　　　  卡特里娜 马科尔 Catriona MacColl
2 i' ?" ^6 w& G　　　　　  卡洛·德梅约 Carlo De Mejo
# s! |+ _- m5 v/ C0 e　　　　　  安东内拉·英特朗吉 Antonella Interlenghi
( J6 a- U3 I8 K& b- z- x　　　　　  乔瓦尼·隆巴多·雷迪斯 Giovanni Lombardo Radice
　　　　　  达妮埃拉·多里亚 Daniela Doria
! [" Y( s2 ]5 z9 |! f1 \& R　　　　　  卢卡·韦南蒂尼 Luca Venantini
　　　　　  韦朗第洛·维朗迪尼 Venantino Venantini
' R1 t" M' w8 y7 i, a　　　　　  James Sampson
4 ]" s" N, I) i2 {, Q　　　　　  卢西亚诺·罗西 Luciano Rossi
& c2 U* J' e5 T3 b　　　　　  珍妮特·阿格伦 Janet Agren
　　　　　  卢西奥·弗尔兹 Lucio Fulci
7 F7 |8 s  |. y& `+ w0 g　　　　　  米歇尔·索伊 Michele Soavi
　　　　　  迈克尔·冈特 Michael Gaunt | 饰 Grave Digger
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2 [$ F: T  `$ T6 c! b# d( l◎简　　介　
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　　美国边陲的新英格兰小镇上，一个名叫托马斯（Fabrizio Jovine 饰）的神父上吊自杀，他的死导致地狱之门洞开。居住在纽约的灵媒玛丽通过感应看到了这一切，她深知地狱之门打开的恐怖后果，慌乱之中竟摔下楼去。警察认定玛丽已经死亡，第二天将其下葬。名叫彼得·贝尔（Chirstopher George 饰）偶然经过公墓，听到墓地中传来的呼叫，终于将玛丽解救出来。

/ O& Z8 X, q. Q! Y& T9 g. O3 @+ A　　彼得从这个灵媒口中得知，地狱之门是魔鬼进入人间的必行之路，如果不及时关闭，万圣节那天将有成千上万的幽灵和鬼魂充斥人间，为害世人。为了保护无辜的生命，彼得和玛丽共同前往地狱之门的所在地……
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　　A reporter and a psychic race to close the Gates of Hell after the suicide of a clergyman caused them to open, allowing the dead to rise from their graves.
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1. DISC INFO:
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3. Disc Title:     City.of.the.Living.Dead.1980.ITALIAN.2160p.BluRayCD.HEVC.DTS-HD.MA.2.0-PlatinumBlack
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4. Disc Size:      64,485,100,832 bytes
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5. Protection:     AACS2
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6. Extras:         Ultra HD
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7. BDInfo:         0.7.6.1 (compatible layout created by DVDFab 12.1.0.2)
   
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11. Name:                   00100.MPLS  
    
12. Length:                 1:32:52.608 (h:m:s.ms)
    
13. Size:                   60,319,660,032 bytes
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14. Total Bitrate:          86.59 Mbps
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21. MPEG-H HEVC Video       79236 kbps          2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10 / BT.2020
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22. * MPEG-H HEVC Video     64 kbps (0.08%)     1080p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / Dolby Vision MEL / BT.2020
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28. DTS-HD Master Audio             English         1597 kbps       2.0 / 48 kHz / 1597 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 768 kbps / 24-bit)
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29. Dolby Digital Audio             English         112 kbps        2.0 / 48 kHz / 112 kbps
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30. Dolby Digital Audio             English         112 kbps        2.0 / 48 kHz / 112 kbps
    
31. Dolby Digital Audio             English         112 kbps        2.0 / 48 kHz / 112 kbps
    
32. Dolby Digital Audio             English         112 kbps        2.0 / 48 kHz / 112 kbps
    
33. * DTS-HD Master Audio           Italian         1132 kbps       2.0 / 48 kHz / 1132 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 768 kbps / 24-bit)
    
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39. Presentation Graphics           English         24.715 kbps                    
    
40. * Presentation Graphics         English         17.193 kbps

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City of the Living Dead 4K Blu-ray, Video Quality   

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Cauldron Films' late summer release of City of the Living Dead arrives as a 3-Disc Retail Edition. (The UHD is Region "All," Disc Two is Region "A," and Disc Three is Region "All.") My screener also came with a sheet of stickers featuring characters and props from the film. The film appears in its originally exhibited aspect ratio of 1.85:1. The UHD comes with a 4K (2160p) presentation with Dolby Vision and HDR10. It's important to keep in mind while watching CotLD the film stock used has a rough and gritty look. This is a terrific restoration undertaken by Cauldron. There's natural film grain and artifacts have been minimized. Daylight scenes, such as the opening cemetery scene in Dunwich, look the clearest. The darker image on the 4K sometimes accentuates murkier details. The HDR occasionally shows off its full effect. The image on the Blu-ray is noticeably brighter in the nighttime scenes and in general. The same scan appears to be used on Discs One and Two.
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3 o' g4 c* z5 Q% _Cauldron offers "seamless branching" in which you can watch the film in the English language with English credit sequences, and also watch the Italian language version with Italian credit sequences. The BD-66 (feature size: 53.0 GB) delivers a mean video bitrate of 79.3 Mbps along with an overall bitrate of 81.7 Mbps for the full disc. The Blu-ray is given an MPEG-4 AVC-encode on a BD-50 (disc size: 31.64 GB), which carries an average video bitrate of 37138 kbps.

Screenshot #s 1-14, 17, 19, 21, 23, 25, 27, 29, 31, 33, & 35 = 4K Ultra HD (downsampled to 1080p)
Screenshot #s 16, 18, 20, 22, 24, 26, 28, 30, 32, & 34 = Blu-ray (2023 Cauldron Films BD-50)

Cauldron has provided twelve chapters on the first and second discs.
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City of the Living Dead 4K Blu-ray, Audio Quality   


Cauldron has supplied an English DTS-HD Master Audio Dual Mono mix (1597 kbps, 24-bit) and an Italian DTS-HD Master Audio Dual Mono track (1132 kbps, 24-bit), the latter of which is accompanied with standard English subtitles. These mixes appear on both the UHD and feature presentation on the Blu-ray. The bass beats from Fabio Frizzi's score pulsate and boom along the fronts in the first reel. Antonella Fulci writes in the liner notes for Beat Records' 2019 album titled Lucio Fulci's Gates of Hell Trilogy that Frizzi utilized a Mellotron for the synth playing. That and the guitar riffs are employed to memorable effect.

* o9 k3 j' f8 X0 ^, F+ zThe main weakness on the two mixes has to do with how sound was picked up, not for any subpar mastering effort on Cauldron's part. Dialogue sometimes comes across as too low and soft. It seems that there was dubbing on both the English and Italian tracks. Unlike reviewers at the time, I don't consider the English audio a bad dub. Fault is more attributed to the recording equipment. Stephen Hunter of The Baltimore Sun noted that it sounded like it was "re-recorded in a studio the size of a phonebooth on recording equip­ment that couldn't have cost more than $9.95 so that they are utterly without timbre or emotion; then they clumsily dubbed over actors who are speaking in Italian." While the Italian mix is the preferred track given that actors sound the most authentic in delivering their lines, the English track isn't a bad dub by any stretch. Fulci's innovative sound design should be applauded and reappraised. Terry Kelleher, an arts writer for the Miami Herald, observed: "When the dead start pushing against the sod, the sound effect is that of a squeaking door." The aforementioned critic Curtright noted that "as they [the dead/undead] ravage the countryside — that must have been taped in the jungle build­ing of a nearby zoo at feeding time. They all sound like cackling parrots and chattering monkeys."

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