威猛奇兵/惊天大行动 [蓝光原盘 重制版] To Live And Die In L A 1985 REMASTERED 1080p BluRaycd AVC DTS-HD MA 5.1-FGT 45.35GB

A fearless Secret Service agent will stop at nothing to bring down the counterfeiter who killed his partner.

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◎译　　名　威猛奇兵/惊天大行动/生死洛城/洛城生死斗
6 Y  W  d1 ?: C% x* M◎片　　名　To Live and Die in L.A. / Leben und sterben in L.A.
◎年　　代　1985
◎产　　地　美国
◎类　　别　动作/惊悚/犯罪
◎语　　言　英语/阿拉伯语/西班牙语
0 L$ z% N9 Z2 {) j1 L( a4 [◎上映日期　1985-11-01(美国)
8 J) h1 B1 m' N6 J- C, B◎IMDb评分  7.3/10 from 40,132 users
◎IMDb链接  https://www.imdb.com/title/tt0090180/
◎豆瓣评分　7.5/10 from 974 users
0 p* r9 ~; U! N7 }% D  J6 c◎豆瓣链接　https://movie.douban.com/subject/1303195/
4 l/ i* M( v/ ^. R4 Q◎文件格式　x264 + DTS
! R4 P1 i% a* q; K2 N& I3 A◎视频尺寸　1920 x 1080
◎文件大小　1DVD 45.35 GiB
◎片　　长　1:55:41.935 (h:m:s.ms)
◎导　　演　威廉·弗莱德金 William Friedkin
◎编　　剧　威廉·弗莱德金 William Friedkin
0 W+ z8 k# F/ l) [  P+ f7 p* i0 f: V　　　　  　Gerald Petievich
- V) {! S& ^! T) l◎制  片  人　巴德·S·史密斯 Bud S. Smith
5 r$ D7 m) w! C0 n& ~1 I　　　　  　Irving H. Levin
　　　　  　Samuel Schulman
; Y; c6 d; x9 s, l◎演　　员　威廉·彼德森 William Petersen
　　　　  　威廉·达福 Willem Dafoe
　　　　  　约翰·特托罗 John Turturro
　　　　  　达兰妮·弗鲁格 Darlanne Fluegel
" D" w. ]) A7 Z　　　　  　安妮·贝坦克特 Anne Betancourt
　　　　  　简·丽芙丝 Jane Leeves
& k# |7 g3 [% n8 Q- |　　　　  　罗伯特·唐尼 Robert Downey Sr.
　　　　  　约翰·潘科夫 John Pankow
# E5 f5 ~: r. m" u3 n$ N; R7 w　　　　  　迪恩·斯托克维尔 Dean Stockwell
　　　　  　迈克尔·格林 Michael Greene
+ y$ |5 k/ v# C, e& k- W/ Y) G　　　　  　盖瑞·科尔 Gary Cole
　　　　  　克里斯托弗·阿尔伯特 Christopher Allport
　　　　  　德威尔·布朗 Dwier Brown
　　　　  　布莱恩·布莱德利 Brian Bradley
　　　　  　史蒂夫·詹姆斯 Steve James
　　　　  　黛布拉·弗埃 Debra Feuer

4 D6 A" g) D& y* _- [, P3 v  y◎简　　介   

　　本片根据美国前情报人员杰拉德·佩特维奇的一本小说《洛杉矶的生与死》改编而成。剧情描述洛城警探威廉·彼得森誓言不惜一切要替惨死的拍档报仇，后来找出杀人凶手是印制伪钞的油画家威廉·达佛，乃跟他展开一场暴力感十足的猫捉老鼠大追逐。

9 v  m" u7 j  o9 s, D　　When his partner is murdered just days before retirement, Secret Service Agent begins an obsessive hunt for the killer counterfeiter and all-round psychopath.

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1. DISC INFO:
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3. Disc Title:     To.Live.And.Die.In.L.A.1985.REMASTERED.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT
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4. Disc Size:      48,693,587,337 bytes
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5. Protection:     AACS
   
6. BD-Java:        No
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7. BDInfo:         0.5.8
   
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11. Name:                   00003.MPLS
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12. Length:                 1:55:41.935 (h:m:s.ms)
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13. Size:                   39,015,465,984 bytes
    
14. Total Bitrate:          44.96 Mbps
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20. MPEG-4 AVC Video        37969 kbps          1080p / 23.976 fps / 16:9 / High Profile 4.1
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26. LPCM Audio                      English         2304 kbps       2.0 / 48 kHz / 2304 kbps / 24-bit
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27. DTS-HD Master Audio             English         2202 kbps       5.1 / 48 kHz / 2202 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
    
28. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps
    
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34. Presentation Graphics           English         29.508 kbps

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To Live and Die in L.A. Blu-ray, Video Quality   
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! j5 e! O1 g, G  LNote: The video section of this review is just a little different than most due to the fact that To Live and Die in L.A. has been released simultaneously in the United States by Shout! Factory and in the United Kingdom by Arrow Video. I have tried to come close to recreating Casey's screenshots from the old MGM To Live and Die in L.A. Blu- ray review for the first ten screenshots (excluding number 9, which was a screenshot of the MGM menu) of both the US Shout! To Live and Die in L.A. Blu-ray review and the UK Arrow To Live and Die in L.A. Blu-ray review. Similarly, I've attempted to come close to duplicating screenshot 9 as well as 11-19 on the new US and UK releases. What I recommend for all those interested in any of these releases, but of course especially the two new ones, is to simply open full sized windows in separate tabs and do a personal contrast and compare. My comments below will give my reactions to the similarities and differences between the Shout! and Arrow releases.
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Both the Shout and Arrow releases present To Live and Die in L.A. with an AVC encoded 1080p transfer in 1.85:1, sourced off of a new 4K scan of the original camera negative supervised and approved by director William Friedkin. A cursory comparison of both of these releases to the old MGM release shows that in virtually every area videophiles tend to be concerned with, the new releases offer better accountings of the palette, detail and grain resolution (though there's a bit of variability here, discussed below). Casey mentioned a lack of fine detail and some inconsistent blacks in his review of the MGM version, but both the Shout and Arrow releases boast very good fine detail in at least the more brightly lit moments (and especially in close-ups, as should be expected), and blacks are solid and convincing throughout both presentations. Clarity and sharpness are generally excellent, and while Casey mentioned some crushing in dark scenes, I found shadow definition and delineation to be convincing and organic looking in both of the new versions.
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, z- e) g* c- w: U; y2 AThere are some moments in both presentations where image quality is just slightly degraded looking, with a coarser grainfield and somewhat browner, less appealing, palette. Look at screenshots 16-19 for examples. What's apparent in comparing the Arrow and Shout! releases, though, is that grain is a bit coarser looking overall in the Arrow release, something that perhaps ironically makes these moments of increased grittiness more homogeneous looking (at least with regard to grain, if not palette) in the Arrow version, simply because the difference between these moments and the bulk of the presentation isn't as pronounced. Whatever restoration efforts were utilized have delivered elements without any significant damage of any kind to report, although there is very slight wobble at times that is evident in both versions, something that points to it being inherent in the master shared by both releases.
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To Live and Die in L.A. Blu-ray, Audio Quality   
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Both releases of To Live and Die in L.A. feature DTS-HD Master Audio 5.1 tracks, with the Shout! release offering a DTS-HD Master Audio 2.0 track and the Arrow release an LPCM 2.0 track. I didn't really experience any of the brashness Casey mentioned in his review of the MGM's surround track, though immersion is not especially consistent or overly impressive, with (to cite one example) the roaring car noises in the big chase scene not providing much in the way of panning activity. There's still discrete channelization utilized for sound effects and ambient environmental effects dot the surrounds, but the overall track has more of a "rejiggered for surround" feel, as should perhaps be expected, with some of the quasi-phasing that sometimes attends such efforts. Fidelity is fine throughout, and Wang Chung's music sounds bright but never overly strident.
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