驶入死角 [蓝光原盘] Dead End Drive-In 1986 1080p BluRaycd AVC LPCM 2.0-FGT 36.49GB

In a dystopian future Australia, a health nut and his tag-along girlfriend become trapped in a drive-in cinema that has become a concentration camp for delinquent youths and refugees.
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◎译　　名　驶入死角
◎片　　名　Dead End Drive-In / Dead End
9 B! A" K3 Z5 E' r6 `  c$ }% i◎年　　代　1986
9 Z5 s; R0 Y: h3 M$ Y8 w◎国　　家　澳大利亚
◎类　　别　剧情/动作/科幻/惊悚/恐怖
◎语　　言　英语
. J9 q. R4 `; S* E1 r( k' g◎上映日期　1986-08-22(美国)
9 e2 d2 E2 I# n/ V◎IMDb评分  5.9/10 from 3,908 users
◎IMDb链接  https://www.imdb.com/title/tt0090915/
: m3 P7 V& p8 s9 \3 N  D. D◎豆瓣评分　6.6/10 from 143 users
◎豆瓣链接　https://movie.douban.com/subject/3059200/
◎文件格式　x264 + LPCM
◎视频尺寸　1920 x 1080
◎文件大小　1DVD 36.49 GiB
◎片　　长　1:26:59.005 (h:m:s.ms)
% E  ~% Z* \# ]# \; ~◎导　　演　布赖恩·特伦查德-史密斯 Brian Trenchard-Smith
8 Z. m; S7 z, e# s/ q- N6 |  A◎编　　剧　Peter Smalley
: y, R$ F5 n& g3 E　　　　　  彼得·凯里 Peter Carey
◎主　　演　娜塔莉·麦考利 Natalie McCurry
　　　　　  布雷特·克利莫 Brett Climo
0 T( Y# r+ U  j) q& N$ B# w; s　　　　　  Ned Manning
　　　　　  Peter Whitford
　　　　　  Lyn Collingwood
, \+ n! l9 |1 K* E( p　　　　　  Dave Gibson
4 N5 O. H& p: M% L  p. e# ?　　　　　  Wilbur Wilde
% i. d' r' @- j　　　　　  Garry Who

◎简　　介   

　　政府对抗一场犯罪风波，将疑犯逮捕并关进监狱，将一个免下车的餐馆作为一个集中营，他们只能住在车里，看电视里播放的低成本电影。

　　In the near future, drive-in theatres are turned into concentration camps for the undesirable and unemployed. The prisoners don't really care to escape because they are fed and they have a place to live which is, in most cases, probably better than the outside. Crabs and his girlfriend Carmen are put into the camp and all Crabs wants to do is escape.

1. DISC INFO:
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3. Disc Title:     Dead.End.Drive-In.1986.1080p.BluRayCD.AVC.LPCM.2.0-FGT
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4. Disc Size:      39,177,482,002 bytes
   
5. Protection:     AACS
   
6. BD-Java:        No
   
7. BDInfo:         0.5.8
   
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9. PLAYLIST REPORT:
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11. Name:                   00003.MPLS
    
12. Length:                 1:26:59.005 (h:m:s.ms)
    
13. Size:                   25,574,428,800 bytes
    
14. Total Bitrate:          39.20 Mbps
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20. MPEG-4 AVC Video        34884 kbps          1080p / 23.976 fps / 16:9 / High Profile 4.1
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26. LPCM Audio                      English         2304 kbps       2.0 / 48 kHz / 2304 kbps / 24-bit
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27. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps
    
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33. Presentation Graphics           English         24.532 kbps

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Dead-End Drive-In Blu-ray, Video Quality   
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Dead End Drive-In is presented on Blu-ray courtesy of Arrow Films with an AVC encoded 1080p transfer in 2.34:1. Arrow's typically informative insert booklet contains the following information on the transfer:

The original 35mm camera negative was scanned in 2K resolution on a pin-registered 4K Lasergraphics Director Scanner at Deluxe Burbank. Picture grading was completed on a DaVinci Resolve at Pinewood Studios. Thousands of instances of dirt, debris and light scratches were removed using PFClean software. Overall image stability and instances of density fluctuation were also improved. All restoration work was completed at Pinewood Studios.

With an understanding that this was not exactly a high budget picture, the image quality here is surprisingly robust, with a nicely vivid palette offering often beautifully suffused tones, especially some of the dark reds and purples that the production design team obviously meant to emphasize. A lot of the film plays out in a kind of garish neon or fluorescently lit environment, and at times detail levels are minimally affected (as in some scenes in the drive- in's snack bar). The grain field is pretty gritty looking quite a bit of the time, and occasionally passes over into chunkiness with a few minor compression issues, typically in darker moments (see screenshots 5 and 14). Restorative efforts have largely eliminated any distracting damage issues. Clarity and sharpness are quite good, and the overall look of this transfer is nicely organic.
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1 D4 g% S2 [3 a; z0 b5 t( K" HDead-End Drive-In Blu-ray, Audio Quality   


Dead End Drive-In features an LPCM 2.0 mono track that was transferred from the 35mm magnetic master reels by Deluxe Audio Services in Los Angeles, and conformed and restored at Pinewood Studios (again, according to the nice Arrow booklet). As Trenchard-Smith details in his commentary, he was able to make a deal with an Australian record label to get "second string" tunes from a variety of Australian bands to use as source cues, and the film has quite a bit of music that is unavoidably "eighties" in sound but which rings clearly and convincingly on the track. Sound effects reverberate with decent if not overwhelming force, and the film's dialogue is also rendered without any problems.
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