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Chester Kent struggles against time, romance, and a rival's spy to produce spectacular live "prologues" for movie houses.( v$ H; R: i/ z2 w' v9 l. y
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◎译 名 华清春暖
/ N7 [; ]* I, _, }/ |◎片 名 Footlight Parade# f* e/ [0 Q; ^( J( r' x
◎年 代 1933# Z$ W% q# `. ], K. u/ R/ I
◎产 地 美国: [8 C3 ^+ \" P3 i3 d& M9 L/ @0 U
◎类 别 喜剧/爱情/歌舞
: T! V C" e) ?# M. R◎语 言 英语
4 g) v9 F3 a1 r◎上映日期 1933-10-21
6 F) a( \8 O& z* ~3 P+ J6 k◎IMDb评分 7.6/10 from 4,940 users
" r& R% a) i' H3 ?& z5 {◎IMDb链接 https://www.imdb.com/title/tt0024028/ a1 Y! E1 f; A9 ~+ x
◎豆瓣评分 7.7/10 from 1,487 users
7 x* }. X) L' U$ Q4 B9 M* n% {◎豆瓣链接 https://movie.douban.com/subject/1304527/
7 @3 ^ U, d5 _' K◎文件格式 x264 + DTS
/ N/ V$ P0 i/ {* w1 E( G2 Z) A◎视频尺寸 1920 x 1080. ?6 t2 w! g$ y. @" J% m
◎文件大小 1DVD 26.66 GiB+ l" u/ D9 O' S) Z' [, U4 ^: s
◎片 长 1 h 43 min
; v+ S1 ]! `7 D$ m$ L6 M# H◎导 演 劳埃德·培根 Lloyd Bacon
N7 ^" y$ o+ N3 b4 R. c◎编 剧 James Seymour
3 Z% I2 B- p/ o6 X Manuel Seff
( ^8 y) g! `" T+ ~ ]6 z8 m◎主 演 詹姆斯·卡格尼 James Cagney
. D2 _: z6 A( t 琼·布朗德尔 Joan Blondell5 B6 y0 c. b. w0 N K, ]8 q
鲁比·基勒 Ruby Keeler6 y3 _3 a4 a* U8 i
盖伊·基比 Guy Kibbee
- b& R3 Y. h% j t( n/ H- ^ 亚瑟·霍尔 Arthur Hohl, W d+ j9 K3 K; ]/ U$ M/ ^+ v
Lois Lindsay; o+ c7 U0 J% @, F9 {4 v' J
Cynthia Lindsay
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" } K( F8 F5 \/ M, Y◎标 签 美国 | 歌舞 | 歌舞片 | 美国电影 | 喜剧 | 1933 | 1930s | 歌舞剧5 C. ]4 [' P- Y$ q
) f$ L! c2 z5 F- V: G( u7 {◎简 介
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! F( f6 ]- G. o1 q# E+ q 切斯特·肯特(Chester Kent)努力与时间、浪漫和竞争对手的间谍抗争,为电影院制作壮观的现场“序言”。; r {+ P0 F( t) d7 M* \' L
Chester Kent struggles against time, romance, and a rival's spy to produce spectacular live "prologues" for movie houses., I' K' S9 e" Q: ]! f; Y9 P5 m
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Video! k8 G8 J( N y
ID : 1
( D- a; M+ J) V$ j" ^" @" vFormat : AVC" Y+ S" a. }5 Q( }) P- r
Format/Info : Advanced Video Codec) p9 @6 \5 {' E& T3 d
Format profile : High@L4.1
$ D3 e# R% r6 W& M {3 rFormat settings : CABAC / 4 Ref Frames
! d$ b. V" [2 i1 \4 c8 t( TFormat settings, CABAC : Yes# u8 f" ]+ k, O, n; l: v, z& ]8 u
Format settings, Reference frames : 4 frames
- v3 G. f$ H% e- r7 V$ X/ j& YCodec ID : V_MPEG4/ISO/AVC
$ E, A, V, J6 }/ i" j* c1 F! d2 ]Duration : 1 h 43 min4 V6 |0 w4 J. r
Bit rate mode : Variable
+ c* V1 ]8 Z+ Y3 X% T2 CBit rate : 34.9 Mb/s% W- g9 K1 ?! V( ?+ j m
Maximum bit rate : 38.0 Mb/s
w9 E' b3 ?( [) y" {' Z5 W' BWidth : 1 920 pixels
" O5 ^/ n e' l/ |% z& hHeight : 1 080 pixels
' H; G3 j& A1 m3 }; V2 zDisplay aspect ratio : 16:9( z# n- P2 s& v. K6 Q
Frame rate mode : Constant
- m3 D' g, w/ a$ PFrame rate : 23.976 (24000/1001) FPS+ N8 ]* q- g. C0 q4 v" C/ p5 {
Color space : YUV N% j& n' g& s0 F( x9 \: k+ }
Chroma subsampling : 4:2:0
) o! k0 N6 r4 M8 k8 N# dBit depth : 8 bits3 x" F/ n/ a& m% E( K0 d, n
Scan type : Progressive
$ f! A- X) H }4 eBits/(Pixel*Frame) : 0.7017 _- P$ U6 ?( Y* b& f" K+ s. {$ k* s
Stream size : 25.2 GiB (94%)/ E, S! ~7 L( ~ R* {: h" c
Title : Footlight.Parade.1933.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.2.0-FGT& p4 g0 \ o, L4 c
Language : English
( t* x2 G% d+ M9 q* z# pDefault : No2 K; j8 n: o$ C7 a
Forced : No
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Audio( K$ Z% o0 K$ f/ n( f
ID : 2- y+ X) ~$ g5 Y @
Format : DTS XLL7 F) M5 c; G* H7 `
Format/Info : Digital Theater Systems( `: N/ g, V8 S
Commercial name : DTS-HD Master Audio
8 N; `+ f; {& f2 f* i( mCodec ID : A_DTS
5 R# ?" H6 B( @& a3 i% ]Duration : 1 h 43 min
9 |5 V9 y8 |, ^: [5 ]6 GBit rate mode : Variable4 h( Y. E7 z9 a& U/ }# t6 \
Bit rate : 1 999 kb/s
( a* a7 ?4 C* N/ S( N6 @Channel(s) : 2 channels3 j" ]0 H- h. l6 d, {& f$ Z
Channel layout : L R! J# u- Y) [: ]
Sampling rate : 48.0 kHz
2 U9 T6 u6 c2 c8 u! Z# V8 s0 Q0 q; Z' cFrame rate : 93.750 FPS (512 SPF)
) N# e" n4 u/ c; C3 r$ z7 vBit depth : 24 bits3 V5 k2 Z9 O. H* U
Compression mode : Lossless
6 A! f* N) s$ @4 W# J8 G6 wStream size : 1.44 GiB (5%)3 d9 P$ j* i& r
Title : Footlight.Parade.1933.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.2.0-FGT/ x6 X7 q9 p6 c8 O1 D
Language : English
5 T) o: b# K) b% L, B( t3 ZDefault : Yes
- J# O6 E( B3 }4 {: ZForced : No, _+ f: l5 F, s% v+ L
( d2 i0 V/ H+ x, b$ [6 X, w1 X
Text
4 W/ ]4 P3 ^1 s5 P3 X% JID : 3
$ H& e7 { ]4 R" J4 j1 i$ bFormat : PGS- F; i. K$ I' A' u9 B# w" }
Muxing mode : zlib& Z; f, @$ J( u
Codec ID : S_HDMV/PGS
# Q) x$ ^0 N" u+ eCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
$ W+ k9 s0 f( IDuration : 1 h 41 min2 ]8 [7 Q6 C6 \8 V
Bit rate : 62.0 kb/s, f1 c# y1 h: l) L4 }
Count of elements : 4430+ y6 m0 N' J# F3 L* M: n9 ]
Stream size : 44.9 MiB (0%)
- g& u# n0 b0 b. X& Y# ~) XTitle : English-PGS
0 ]# P3 K3 c+ }+ n1 H2 zLanguage : English f; x3 j# o0 K% I8 {7 b
Default : Yes! S* O6 W6 k. o0 g5 r
Forced : No" {3 {4 t8 M/ j0 [1 x/ v1 g
- y) }0 ~/ J* W' ]( w' T
Menu* n, h1 e8 T- \- ~; @5 i! D: \7 p
00:00:00.000 : en:Chapter 01& e g3 Q5 k, p+ u% o* Z' Y" N: G
00:02:00.370 : en:Chapter 02
/ I. g. c& h* K00:05:40.465 : en:Chapter 03# v0 t4 D7 X' d" K' U# `
00:07:08.344 : en:Chapter 04
; x/ i* C* c4 R- H00:12:17.653 : en:Chapter 05" b8 V; T9 Y- y6 N2 j% S( Q) e' t
00:14:34.290 : en:Chapter 068 a; W2 N) f0 X: D
00:18:03.624 : en:Chapter 07
( N9 B( Q1 }. O: n8 o00:21:44.636 : en:Chapter 08
$ [' r' J Y& W9 I- W9 T E; {1 |) Y00:24:25.714 : en:Chapter 09
+ N5 @! ~7 G; W* L& D/ e00:26:50.942 : en:Chapter 10
' _& Q; w- t( _, r00:32:40.083 : en:Chapter 11$ ?0 |* l( J3 j( `! w9 o$ e! m
00:36:26.267 : en:Chapter 12- k, U K% G, Z J$ O; I
00:40:49.780 : en:Chapter 13
" f1 G4 \2 {# y j00:44:08.437 : en:Chapter 147 S# ?" Z/ C l5 Q) \
00:48:54.681 : en:Chapter 15. |/ G+ f- x W0 B- [
00:51:32.839 : en:Chapter 16' \4 T8 u8 S0 I: ]8 X/ U. h: ?
00:57:05.672 : en:Chapter 17
, C; B1 f( t/ V* ?0 u01:01:13.503 : en:Chapter 18
+ f9 m& k; O. u! |2 ], p01:06:22.561 : en:Chapter 19
: [; e `. p7 V+ B. l: N/ }01:08:47.414 : en:Chapter 20
& `# I( w3 S- f01:13:48.257 : en:Chapter 21
}0 G5 [1 m, Y' Q7 @" w6 n01:17:59.383 : en:Chapter 22
9 R6 f- `/ X- N3 x& q. Y01:24:40.241 : en:Chapter 23
/ P0 ~+ W, b5 v; E) A# ^! i; C01:29:10.636 : en:Chapter 24
' R7 C; {8 B" \9 s; j1 H# t7 ^( _01:31:52.340 : en:Chapter 259 ]( Y8 R" _, _9 x. ~$ e6 z; w
01:37:40.771 : en:Chapter 263 z. U1 r6 s5 P3 {
01:42:21.426 : en:Chapter 27! E2 _* K# N# @3 w$ a# b% H' J, n9 l
01:43:11.143 : en:Chapter 28
$ B9 w7 [9 W, a2 R01:43:25.157 : en:Chapter 29 Footlight Parade Blu-ray, Video Quality 0 T2 {: C! U8 v3 _2 [. ]
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# H' a6 W* i& p- u+ P% @Presented in its original Academy aspect ratio of 1.37:1 (just one year after the format was standardized!), Footlight Parade looks exceedingly impressive on Warner Archive Collection's new Blu-ray. This 1080p transfer's source is their recent 2K scan of a fine-grain master positive -- itself struck from the original nitrate camera negative -- with predictably near-perfect results. I've given it every single benefit of the doubt in my overall rating, even with the appearance of occasional dirt, debris, very mild judder, and shaky dissolves; considering the original film's age and extremely fragile format, to have it in such respectable shape is incredibly fortunate. Film grain is very strong and stable, allowing for occasional depth and texture on costumes and props, with suitably strong black levels and bright whites that aren't prone to excessive crush or bleeding. More than 95% of Footlight Parade was shot on well-lit indoor sets; only a few scenes venture outside, and there aren't even that many establishing shots. I only mention this because such limited environments don't always lend themselves to consistently interesting visuals, but the lack of scenic variety is never really an issue here. (Of course, all that goes out the window during the film's stunningly rich and beautiful third-act performances, which absolutely burst with visual creativity and precise compositions.)Whether through close-ups, focused mid-range shots, or crowded wide angles (all represented in the accompanying 30 screenshots), Footlight Parade has been granted such a beautifully rich and film-like transfer that it's a shame more productions from this era haven't gotten the same treatment. Needless to say, die-hard fans will be thrilled." F5 h0 Y( w5 M9 |! n
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Footlight Parade Blu-ray, Audio Quality
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3 V: L) Y: o# }# vThough substantially more limited by its age, the DTS-HD 2.0 Master Audio wrings a respectable amount of sonic detail from its restored source material with almost no discernible defects along the way. Conversations and monologues alike sound clean and bright, perfectly intelligible and largely free from hiss, clicks, pops, and other time-related problems. Depth is occasionally achieved in more expansive settings (stages, auditoriums, etc.), but the bulk of Footlight Parade takes place in smallish offices and apartment interiors, so adjust your expectations accordingly. The musical numbers sound great with a solid dynamic range and very little clipping at the high end. No audio sync issues were detected. Without question, Footlight Parade sounds about as good as possible for a film older than magnetic recording.Optional English (SDH) subtitles are included during the main feature only. Unfortunately, they're bright yellow and formatted in ALL CAPS...but if you really need them, I guess they're better than nothing.. f9 L, o$ ?% M
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