- 积分
- 45314
- 经验
- 15732 点
- 热情
- 12593 点
- 魅力
- 327 点
- 信誉
- 3141 度
- 金币
- 250 枚
- 钻石
- 39 颗
- 蓝光币
- 10 ¥
Forum Admin
- 金币
- 250 枚
- 体力
- 18086 点
|
A puppeteer discovers a portal that leads into the mind of John Malkovich.. w" i% ] k- G! E5 O' K
1 g: t# ?/ e) T* n0 C, h7 A# q1 g; ?
- _. w# |1 t1 h5 X, ^2 n% j3 e6 j
◎译 名 成为约翰·马尔科维奇/变脑(台)/成为马可维奇/傀儡人生(港)/玩谢麦高维治(港)7 }- _$ N* {% A8 @, p0 Y. g+ z) x
◎片 名 Being John Malkovich
; {3 G; u+ }# s. V7 [* X◎年 代 19996 ]. [0 i, A& B3 |1 w2 c2 }9 Y
◎产 地 美国
% `) m6 d5 t2 h. P; M, B# \# l6 Q4 y" `◎类 别 剧情/喜剧/爱情/奇幻# u" S; \( Q/ e" d/ C7 L
◎语 言 英语; S/ y8 F; N/ P: h8 X
◎上映日期 1999-12-03(美国)/1999-10-29
6 S6 X2 Z8 I" ]◎IMDb评分 7.7/10 from 317,828 users
" f L; c, n! [9 F8 m/ q◎IMDb链接 https://www.imdb.com/title/tt0120601/0 P* K$ n- S5 A8 K- @5 i' t9 l
◎豆瓣评分 8.3/10 from 54,799 users O2 i' @5 g4 \, Q/ {
◎豆瓣链接 https://movie.douban.com/subject/1292279/
: G; e1 [ P# v7 C◎文件格式 x264 + DTS % w/ i# [* a( ~% @
◎视频尺寸 1920 x 10800 m& a. L' u- M7 ` ^
◎文件大小 1DVD 32.81 GiB' B0 l2 x* \4 R0 V7 @# C: G
◎片 长 1:52:39 (h:m:s)
5 t d7 e% X: R/ d) v◎导 演 斯派克·琼斯 Spike Jonze3 m0 v. M! w+ N4 c
◎编 剧 查理·考夫曼 Charlie Kaufman
) X, g' N: L/ z1 @" G2 E2 {◎主 演 约翰·库萨克 John Cusack
k- a8 v" X: e% Y/ N% N) } 卡梅隆·迪亚兹 Cameron Diaz$ z/ d, J ? }. U9 X, C. d
约翰·马尔科维奇 John Malkovich# P7 w4 M' ^; n# \& r$ `
凯瑟琳·基纳 Catherine Keener
2 X, ?+ P- i" n1 t 约翰·马尔科维奇 John Malkovich
. a2 G) x. v3 d* L8 n" O4 y4 T# O 耐德·巴拉米 Ned Bellamy; E& ~6 S E* l& F9 }) e
奥克塔维亚·斯宾瑟 Octavia Spencer: N1 f9 \3 [6 ^9 s9 J9 g3 b
玛丽·凯·普莱斯 Mary Kay Place
+ ]8 V2 Z6 z' O4 z. T 奥森·比恩 Orson Bean
?( P1 F5 ^/ X9 i4 W T, r) X" R K.K. Dodds9 {) ^- A0 O% C
伯恩·皮文 Byrne Piven
$ h- V; q2 _: c7 s/ B' d Judith Wetzell
/ t/ A& z* O/ o 凯文·卡罗尔 Kevin Carroll6 V4 V' q' G* Z1 g: R; d
威利·加森 Willie Garson* H' M$ [+ j/ x( q V1 |
W·厄尔·布朗 W. Earl Brown
- T. ?+ |5 y7 q* Y. C2 U 雷吉纳德·C·海耶斯 Reginald C. Hayes: b9 s# i% F+ v
查理·辛 Charlie Sheen
9 z2 n2 m# G' C: {1 x/ O# l 理查德·凡西 Richard Fancy
8 E/ D9 F8 J0 B# a s5 q, T0 Z Christine D. Coleman
) t! d; B6 e. G1 n* r 帕梅拉·海登 Pamela Hayden
) p! b3 K+ k$ |& K 内尔·洛斯 Neil Ross
+ U& D w' U# m- g b* q 兰斯·邦斯 Lance Bangs$ u3 E8 Y! P$ m& S
安迪·迪克 Andy Dick
- ^5 X+ [ Z1 _. F5 Z/ q( Q( I Eddie L. Fauria# X. q7 x6 o1 t3 ^" C7 d4 y! k3 \0 Y
大卫·芬奇 David Fincher v3 U( `! _( @. j/ u2 i
杰斯特·海尔斯顿 Jester Hairston9 t7 o! Y$ f- c2 O- f+ l
Isaac Hanson
1 T1 d# z5 }- }# q! S Taylor Hanson9 J I3 @( S+ e' T+ v9 n# Y* I
扎克·汉森 Zac Hanson& r9 W6 `* `& J; p9 u% A" |4 T
达斯汀·霍夫曼 Dustin Hoffman
1 _3 `/ ` \. F1 f Victor Isaac
: d4 p. C% {0 ]5 @" G- @( Z+ D0 o 斯派克·琼斯 Spike Jonze. Y3 F3 s) ]; X& L/ g. B
西恩·潘 Sean Penn# k# |3 e9 X. |
布拉德·皮特 Brad Pitt- w8 G# h' F4 }5 C3 H( J1 f3 r' G
薇诺娜·瑞德 Winona Ryder' e( a" I1 \/ g) l) ]" v
加里·西尼斯 Gary Sinise
& @. C/ ?4 R- p" R t- k
5 k) K* }1 `) ]% H◎标 签 美国 | 黑色幽默 | 奇幻 | 剧情 | 科幻 | 美国电影 | 1999 | SpikeJonze; y1 y. u, k( J8 K/ z
c% J2 |& L$ c; d! Z* [4 t* `: U
◎简 介
( k5 v7 a9 \' u. E( Q# M: S2 e2 c: b- H# M( A% z
戈尔(约翰·库萨克 John Cusack 饰倒的木偶艺人,善于操作舞台上傀儡木偶。生活所迫,他进入了一间纽约一间公司从事文件管理工作。这间公司在办公大厦的七楼半,由于它只有半层楼高,所以职员们都只能拱着腰工作。
1 {: @% d2 V6 F2 ]- b4 ~" Z9 L3 E% U/ V, |/ j( _9 c
正是由于这样,戈尔偶然发现了公司的文件柜后面有一扇门。好奇心驱使下,戈尔进入了这扇门。当戈尔一进入门内,马上便被吸入了其中,并飞越时空进入了著名演员约翰.马尔科维奇的大脑中。他发现现在自己能随意控制约翰.马尔科维奇的目光,并窥探到一切约翰.马尔科维奇的私隐。十五分钟后戈尔自动被弹回了现实中。
7 ~8 i' \9 R9 Y, k2 |
( l5 V( O% u1 S( w( L/ s 这一发现令戈尔兴奋不已,他决定利用这扇门做一笔大生意。9 L0 z$ r: f6 ]# R
8 }0 @: S: w( r: a5 N. q- x3 J2 @! O! w+ D
A puppeteer discovers a portal that leads literally into the head of movie star John Malkovich.
6 s* |2 h8 N0 H1 q
0 G7 Q! d3 _- M* f◎获奖情况
& K' e ~: n9 C, Y, I6 K. j! c* W/ j( r- d3 w
第72届奥斯卡金像奖 (2000)$ a0 L0 x- Y: `5 U3 `& N/ Y
最佳导演(提名) 斯派克·琼斯. `' i2 Q1 f6 K4 R2 E
最佳女配角(提名) 凯瑟琳·基纳
0 L( o; s) `$ l. A4 l h9 [8 M7 C 最佳原创剧本(提名) 查理·考夫曼/ C0 B3 Z/ x( x: ?: o% ?% w G2 F
% R3 O0 O/ C" f3 t
第56届威尼斯电影节 (1999)! _2 E/ d# V7 Y+ {; @
费比西奖(国际影评人联盟奖)平行单元费比西奖 斯派克·琼斯
! x( d3 j, F0 x; ~9 B" r: x+ X6 m 未来电影数字奖-特别提及 斯派克·琼斯
8 x2 ?8 q; P: C, X, |! U2 l
4 b9 L7 i) I% f& B) k6 G+ j 第53届英国电影学院奖 (2000)
8 Q- q" _8 H1 Y( p" n 电影奖最佳女配角(提名) 卡梅隆·迪亚兹$ t$ ^; ?; W5 p c
电影奖最佳原创剧本 查理·考夫曼
4 `! I! O5 E9 D 电影奖最佳剪辑(提名) EricZumbrunnen# {4 q# D6 i t: B1 T/ f
6 l/ H, y: l* Y1 l
- DISC INFO:" U6 `$ \ B' m X
- ( j9 D0 u X5 Y$ p5 L' W( H
- Disc Title: Being.John.Malkovich.1999.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT
% F" y8 k- V+ @7 }3 }# a3 u - Disc Size: 35 242 720 355 bytes, \9 L4 ^% L& X6 n$ z
- Protection: AACS0 [9 g- `( ~( j# w N. F% T( t
- BD-Java: Yes
2 U8 [+ g( l! f1 H. \* Q6 J - BDInfo: 0.5.6& }! B" T# A [0 p" `
- 3 E! O% z) {0 `# m- O
- PLAYLIST REPORT:
/ }5 b5 @! l# R. J& Q$ z
V4 ^4 p. @* B5 l$ i- Name: 00800.MPLS9 u/ \) s4 a/ b+ ~- N s+ `5 s
- Length: 1:52:39 (h:m:s)1 @* O" E, J0 k' u$ f; G0 E! N
- Size: 33 601 929 216 bytes4 C, p' {3 M* T
- Total Bitrate: 39,77 Mbps# m+ m J% W3 o5 I# Q
- * }1 E5 O; m% _! d* _/ R, @$ K4 }: ]
- Video:4 ]5 n2 R* V1 ?6 I& F3 _
- 9 }- D4 J- U8 [9 I# r
- Codec Bitrate Description
$ I, e5 b! q3 _3 P2 M( ` - ----- ------- ----------- - f2 w1 c( {+ K" A7 w
- MPEG-4 AVC Video 28495 kbps 1080p / 23,976 fps / 16:9 / High Profile 4.1 t6 @9 `/ h/ O$ `( q5 Z
8 }: e$ ?1 R1 ]- AUDIO:
- ?$ }. t/ e c! U$ X4 h - ; X1 T% s. C/ z4 ?6 M7 U* g
- Codec Language Bitrate Description . O3 N g. @1 C7 z- b# T0 j* p
- ----- -------- ------- -----------
0 s3 O) l9 P, P4 m$ }* B# T. W; H; L - DTS-HD Master Audio English 4242 kbps 5.1 / 48 kHz / 4242 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)! z# n# A) |$ F! e, k% [
- DTS Audio Thai 768 kbps 5.1 / 48 kHz / 768 kbps / 24-bit; @+ m) e# }6 M% w1 \) e
- DTS Audio Czech 448 kbps 2.0 / 48 kHz / 448 kbps / 24-bit) T/ I2 y( x+ G- N
- DTS Audio Hungarian 448 kbps 2.0 / 48 kHz / 448 kbps / 24-bit9 a* Z- Q! e8 N- s. K/ U
- DTS Audio Polish 448 kbps 2.0 / 48 kHz / 448 kbps / 24-bit6 [* Q8 a+ Q0 d6 S! p' Y+ M/ S
- DTS Audio Portuguese 448 kbps 2.0 / 48 kHz / 448 kbps / 24-bit
9 e. X4 [! t$ e - DTS Audio Russian 448 kbps 2.0 / 48 kHz / 448 kbps / 24-bit
7 Z: r, U( G0 J# F1 {, R6 U7 O - DTS Audio Spanish 448 kbps 2.0 / 48 kHz / 448 kbps / 24-bit* ~& {7 i3 h2 v. i
- DTS Audio Turkish 448 kbps 2.0 / 48 kHz / 448 kbps / 24-bit
; ]- {9 n1 M5 G# \# l) @
. H& x1 F* D1 \7 c4 j* ]- SUBTITLES:
( r# z" {; H% R
3 b4 ~, O1 H. t$ ?4 K: o- Codec Language Bitrate Description ' O) \2 ?, U, a# V
- ----- -------- ------- -----------
+ u/ ?2 {# |3 ^5 `! p - Presentation Graphics English 39,943 kbps
. q7 i" D; G: \# c! @# @* m - Presentation Graphics Croatian 32,124 kbps 9 X8 Q4 I# z% J, e @) L
- Presentation Graphics Czech 29,612 kbps + X( ^( X* a9 f8 H: l: S
- Presentation Graphics Czech 0,160 kbps ( f) c) u% |+ a3 x% ], p. q
- Presentation Graphics Hungarian 31,684 kbps 6 Z3 c; k4 ~( j$ p
- Presentation Graphics Hungarian 0,229 kbps
1 Z/ H9 f( F6 d- q$ l - Presentation Graphics Polish 31,925 kbps
* X; a8 C" o/ j5 t - Presentation Graphics Portuguese 33,966 kbps
$ @0 ~4 o* [1 Q O8 S0 A - Presentation Graphics Portuguese 0,486 kbps / o2 w" Q7 k; J1 O5 C/ d
- Presentation Graphics Romanian 31,026 kbps . d) T) N* p5 `& `# r) D
- Presentation Graphics Russian 0,261 kbps
! V% ?' v! J) ]% ? - Presentation Graphics Slovenian 30,487 kbps ' _9 I {6 L/ x! B" s
- Presentation Graphics Spanish 34,858 kbps
8 T/ a5 q/ |5 l+ } - Presentation Graphics Spanish 0,550 kbps ' x' J& R% \' x4 ?) U
- Presentation Graphics Thai 28,198 kbps
* O, Y$ z6 F' o9 `- u - Presentation Graphics Thai 0,097 kbps K, |. M4 w7 s5 @# v" c
- Presentation Graphics Turkish 33,641 kbps + h4 C$ |5 y9 f* u# V- t. L: A7 z
- Presentation Graphics Turkish 0,186 kbps
复制代码 Being John Malkovich Blu-ray, Video Quality
2 s0 [. L0 `" F+ U, c
& F- h% ~& c2 c* C% {2 f9 f# D" ]: J
$ \. F7 g' I8 [1 v, gPresented in its original aspect ratio of 1.85.1, encoded with MPEG-4 AVC and granted a 1080p transfer, Spike Jonze's Being John Malkovich arrives on Blu-ray courtesy of Criterion.; k+ |0 S+ _/ g
& F8 v, v q* G3 Y; h% t- ^
The following text appears inside the booklet provided with this Blu-ray disc:/ z- A5 {/ p" j/ D7 {
- w1 @' p3 N F( S
"Supervised by director Spike Jonze and cinematographer Lance Acord, this new digital transfer was created in 4K resolution on a DFT SCANITY film scanner from the original 35mm camera negative. The data was then color corrected on a DaVinci Resolve at Company 3, with colorist Stefan Sonnenfeld, who recently cut off his ponytail of twenty years.
# O4 r% w8 I3 v, S
$ N, j7 A9 @1 f+ t0 vTelecine supervisors: Lance Acord, Spike Jonze, Lee Kline.
) |/ k+ p& D8 }* G" UColorist: Stefan Sonnenfeld/Company 3, Santa Monica, CA."
7 M) V5 @7 i& H& E5 M) N2 G: y1 N" G5 d( _+ t% g7 g
The high-definition transfer is one of the best I've seen used for a catalog release of a contemporary film distributed by Universal Studios. This is not to imply that it is flawless, but it clearly has the organic qualities we expect to see retained when older films transition to Blu-ray.1 _- f4 n4 i! o; D$ g: k
The majority of the close-ups convey strong detail and good natural sharpness. Clarity is also pleasing. Generally speaking, they are also free of problematic denoising corrections and overzealous sharpening (see screencaptures #2 and 3). Immediately after fast cuts and zooms, however, occasionally mild softness sneaks in (see screencapture #1, which is from a series of short but fast imaginary flashbacks). Contrast levels are stable, excluding, of course, the head peeks where together with clarity they fluctuate. The color-scheme is pleasing, with the prominent grays, browns, and blues looking stable and unmanipulated. Like contrast and clarity, however, color saturation also tends to fluctuate. Lastly, there are no purely transfer-specific anomalies. There are no serious stability issues to report in this review either. All in all, the presentation should please fans of the film who have previously owned it only on DVD. (Note: This is a Region-A "locked" Blu-ray disc. Therefore, you must have a native Region-A or Region-Free PS3 or SA in order to access its content).
* t1 D7 g5 s- G2 L: x% O: f! p$ e
Being John Malkovich Blu-ray, Audio Quality - {- x& u+ f2 r0 w
3 U0 ?5 D1 |* u: X1 S; {/ y6 ]; t9 M5 l/ z9 ^
There is only one audio track on this Blu-ray disc: English DTS-HD Master Audio 5.1. For the record, Criterion have provided optional English SDH subtitles for the main feature.* T: S3 C, V" y8 ^3 R! x
) }4 O6 x) W# G! ? R' ^
I am convinced that anyone who has previously seen Being John Malkovich only on DVD will be tremendously impressed by the lossless audio track. It is surprisingly intense during selected sequences (the 'entry ride' into Malkovich's head, in particular, is very effective), while the surround channels are used very intelligently. Clearly, the film was carefully mixed and the strong lossless track now makes it easy to appreciate the mixers' good work. The dialog is consistently crisp, stable, and very easy to follow.
) y6 y1 a# l& s2 w1 J- N |
|