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An anthology of four short horror stories revolving around a mysterious antique shop owner and his antique pieces, each of which hides a deadly secret.
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◎译 名 墓地鬼话
* m; I* M. ^+ I. m" f R4 Z◎片 名 From Beyond the Grave
5 J! o0 ~- u) f' Q◎年 代 1973/ P" L! F" U6 q( E/ T- k3 e8 K
◎产 地 英国
# Z# O# d; R0 m" |! @- ^$ N9 ]: |◎类 别 恐怖/奇幻, |% _" q Y, }/ A. D2 K+ ]( d
◎语 言 英语
7 `1 G, t% R. e+ `◎上映日期 1974-02-23(英国). P0 c( ^6 s$ m
◎IMDb评分 6.7/10 from 4,299 users
+ H, D& i1 m' c2 D; E◎IMDb链接 https://www.imdb.com/title/tt0070078/ M1 m; Q( {9 d! g& E9 E6 f
◎豆瓣评分 6.8/10 from 270 users
3 B( x! Q0 h! G% o; T q0 I: P& M. A* N◎豆瓣链接 https://movie.douban.com/subject/2355971/
. y6 ]/ e0 }& T# j/ P( u◎文件格式 x264 + DTS 1 ^4 B [$ o4 l! T6 b
◎视频尺寸 1920 x 1080
3 O9 D/ D) S& P. ]◎文件大小 1DVD 25.28 GiB
) v, t0 o5 o/ o e◎片 长 1 h 38 min2 t5 d; g, }; n3 Z7 t6 s2 n
◎导 演 凯文·康纳 Kevin Connor
" j0 _# ?+ }/ B◎编 剧 Robin Clarke ; Y0 o6 W9 L. E# v' x. U
Raymond Christodoulou
0 G5 X! n e* _6 L' t8 m6 P◎主 演 彼得·库欣 Peter Cushing
1 Q2 \7 j# M# h, s 伊安·邦纳 Ian Bannen
+ B5 ?* @6 `+ l. @: g( d- m 伊恩·卡迈克尔 Ian Carmichael
, {, A% _: D9 s; a9 _/ g 莱斯利-安·唐恩 Lesley-Anne Down; d5 X) v1 f ]8 i
杰克·沃森 Jack Watson3 `" u7 R- r5 @' d, j: \8 m
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◎标 签 恐怖 | 英国 | 惊悚 | 分段故事 | 英国电影 | 1973 | 1970s | 犯罪/ h" l0 C+ ], \( [! L' C& p
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◎简 介
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* i* I, I O/ I% q( s& S 恐怖电影“来自坟墓下面” 由4个故事组成,当顾客从一家古董店买古董时,他们得到的不单是古董。一个人买了一面镜子,他被鬼魂骚扰,迫使他自杀,这样它就可以重生。一位疲倦的丈夫买了一枚旧的战争奖章,因此遇上一名神秘的前度军人和他女儿,她们帮助他杀死妻子。一个人在火车上遇见个陌生人,他告诉他的肩膀上有鬼魂…他征募一个妇女来驱魔。最后一个人买了一扇很大的古老门,它让他回到查尔斯一世的时代。
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Anthology film from Amicus adapted from four short stories by R. Chetwynd-Hayes strung together about an antique dealer who owns a shop called Temptations Ltd. and the fate that befalls his customers who try to cheat him. Stories include "The Gate Crasher", "An Act of Kindness", "The Elemental" and "The Door"...
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ID : 1$ r' o5 O2 e( A' `1 x$ _# @: x
Format : AVC6 d& J: o7 [7 P% y/ H4 z" j
Format/Info : Advanced Video Codec6 O" k" B# W \+ E0 y9 {
Format profile : High@L4
* G0 ?) h" c3 |) l2 r5 z6 LFormat settings : CABAC / 4 Ref Frames
7 u1 G, }( w/ t3 wFormat settings, CABAC : Yes
- \$ k( W# \) i6 w9 ZFormat settings, Reference frames : 4 frames4 N, c5 s6 _ e2 m* c# l, ]
Codec ID : V_MPEG4/ISO/AVC
. @$ s# \! Y. M) m, X) Z8 |4 dDuration : 1 h 38 min
8 h5 p: V9 m- i9 h) x) oBit rate mode : Variable
5 A) {2 g$ w3 h) ]& u. v- lBit rate : 34.9 Mb/s
5 c& n R- [) {/ Y8 ?0 a6 o5 JMaximum bit rate : 38.0 Mb/s9 K, V8 o3 m; @8 b+ D5 T) }
Width : 1 920 pixels
f; M) M2 |* o( V" m) w3 L* K, ?+ D8 dHeight : 1 080 pixels7 \4 k0 o: r' ~# h; Y
Display aspect ratio : 16:9, t5 z" [9 V& c
Frame rate mode : Constant
' E3 G2 p+ ]+ C! k6 f6 @Frame rate : 23.976 (24000/1001) FPS
2 f. ]3 [! `! d E1 j) lColor space : YUV( E3 @3 s1 b; L* T
Chroma subsampling : 4:2:07 z, K9 ]* ^+ ^; m
Bit depth : 8 bits: B, V, C. d& e. W
Scan type : Progressive
, [1 }$ M7 X* ~; \. dBits/(Pixel*Frame) : 0.702) Y- E1 N8 N/ t. p
Stream size : 23.9 GiB (95%)
; K. V: i8 I: W3 @Title : From.Beyond.the.Grave.1974.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.2.0-FGT- C K: S6 n5 G8 t4 h4 O8 H! A7 Q
Language : English o: W9 [2 S4 }/ K0 V
Default : No
" m4 p) c: \& _3 w5 K! zForced : No
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& ]% t+ m% m& }9 pAudio. t9 Z$ P, x( R1 d( m
ID : 2
; e: f0 Z2 m- ?& M' Z5 h/ VFormat : DTS XLL
+ ^* S _: q% F, K% I7 f# eFormat/Info : Digital Theater Systems
$ y# D2 V" x/ i3 HCommercial name : DTS-HD Master Audio
, v: _( ^2 `3 ]* |Codec ID : A_DTS7 i( O1 Q w! s2 x* n
Duration : 1 h 38 min2 K: R2 `! m0 o |( v" r; b, e4 w
Bit rate mode : Variable+ P# w! Q0 y" ~- ~6 W% c; k
Bit rate : 1 972 kb/s0 J8 p) B, {6 }: h' x
Channel(s) : 2 channels
8 `7 R4 _; p3 w+ hChannel layout : L R
+ ~5 j7 [8 \5 K/ f; ?5 t$ R `Sampling rate : 48.0 kHz
9 L: w( c! ^' C! r; m, GFrame rate : 93.750 FPS (512 SPF)
$ i9 G4 T' b KBit depth : 24 bits
, p* H6 m9 s" F& _2 t7 g: a' ICompression mode : Lossless( r" ?; T- u9 `
Stream size : 1.35 GiB (5%)
( T+ i" C/ V- Y: Q* I0 [! xTitle : From.Beyond.the.Grave.1974.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.2.0-FGT
. W: M, o9 @& V* WLanguage : English
# ]) W# f3 h" P/ a: n9 Q# L& GDefault : Yes
% N& i, D, T$ @1 i' yForced : No
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, m$ n4 L! U2 d) NText" ~4 u" I- o! B7 o/ ^
ID : 3
- W0 c* _& W- W+ HFormat : PGS; f2 g. u3 r. j
Muxing mode : zlib
. G' y+ j, ~2 h; q; d3 _Codec ID : S_HDMV/PGS
: A, I2 E2 Y kCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
6 X) W7 g1 q+ T6 K! i" UDuration : 1 h 36 min
1 Y" X. ^- H4 [4 J- V: oBit rate : 57.1 kb/s0 C! t2 Y/ u9 T8 j s9 U% e
Count of elements : 2298
$ O! Q/ p/ w/ u- VStream size : 39.5 MiB (0%)1 q8 o2 R$ G: |$ A" C2 Q
Title : English-PGS/ i0 _4 A8 y+ g) O1 \/ u( g
Language : English
. p0 f& \+ G, G1 T" O# j4 J. YDefault : Yes
6 B! v$ a4 v, r3 ZForced : No9 v1 r! h U' d" t1 a$ `5 N* p& O
! S P, L" O* A9 m8 c6 i0 [Menu- z1 {; A% b' B" o R% M: G, l9 A$ W
00:00:00.000 : en:Chapter 01/ v4 [4 E0 o" d
00:02:30.984 : en:Chapter 02
; R6 c4 J% s" N. [" Q# o00:07:53.598 : en:Chapter 03( o% r n# l. w3 o2 B* U0 Z4 x' M x
00:11:40.449 : en:Chapter 04% {. Z! C4 y5 p, n0 y
00:16:39.456 : en:Chapter 05
9 w6 e' s3 ~0 A- X @" j/ `! q00:21:06.932 : en:Chapter 06$ _: @: H8 w# O t8 C
00:23:37.791 : en:Chapter 07
, A; A& b4 E# x# a. k" s00:25:02.667 : en:Chapter 08
$ |. C/ R0 v0 o" F) Q+ J00:29:28.099 : en:Chapter 09
, @: T/ D; ^- E9 e3 W- I00:33:24.585 : en:Chapter 10$ E6 r9 s1 L' @
00:37:05.306 : en:Chapter 11% V$ [! H! A3 j6 k
00:39:58.104 : en:Chapter 12
8 k# q+ [9 j, X% p1 s& A00:44:09.021 : en:Chapter 13; j. ?$ _# y* Q3 K- ~6 i
00:48:05.757 : en:Chapter 14: y1 u1 ?, R1 d3 p
00:51:29.419 : en:Chapter 15
. G3 W9 ^% e; L& p: [6 w6 K" X00:54:38.149 : en:Chapter 16( [: y) C4 c: s! n* k6 M
00:56:46.778 : en:Chapter 17
* o- W, B$ D" @$ L* f0 z01:01:03.451 : en:Chapter 18- A+ v3 C; k8 S* z; e) ?; H& E) b! D/ w
01:06:12.885 : en:Chapter 19" K$ A3 M- Y. v" T# X- Q- I8 L. M
01:09:42.469 : en:Chapter 20# X1 x. M) F: W/ P! B" S
01:13:13.180 : en:Chapter 21; i+ i/ ~* h' V% f- M* B
01:17:14.504 : en:Chapter 22! k0 [, S6 W/ Q, m+ B
01:21:21.376 : en:Chapter 23! y* k p# x. y. T9 l- O6 k" B
01:26:33.771 : en:Chapter 24( \3 q9 B8 f! `5 f
01:30:10.780 : en:Chapter 25( ^6 W% q9 w3 b5 Y
01:33:29.312 : en:Chapter 26
( p& P% n' Q2 k! e, q \01:37:41.605 : en:Chapter 27 From Beyond the Grave Blu-ray, Video Quality ; r. h I Z% n) G: m
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8 R; b8 C2 f$ i$ D1 BWith very few exceptions, this 1080p transfer of Form Beyond the Grave looks very good from start to finish. As usual, this new transfer is sourced from a recent scan of the fine-grain master positive along with plenty of additional cleanup. There's a lot to appreciate about Warner Archive's attention to detail here, starting with the distinctly great appearance of all five separate segments; though only one of them features a strikingly different location than the others (that eerie blue room seen so frequently in "The Door"), each has a few unique strengths that translate nicely to Blu- ray. From the ornate interiors of apartments and houses to the cozy but cluttered corners of "Temptations Limited", image detail can be quite impressive at times. Infrequent exterior scenes -- which include establishing shots and those trips to the peddler in "An Act of Kindness" -- feature striking uses of light and shadow to achieve much greater levels of depth. Colors are typically rich and robust, especially primaries, while skin tones also look accurate...among the living at least. But the real star of the show is film grain, which gives Form Beyond the Grave an organic appearance right on par with other top-tier catalog releases from its era. This is truly first-rate work and, aside from a few instances of black crush and some unavoidable print damage, everything that die-hard fans could possibly hope for in a Blu-ray.
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6 \2 x' F/ N% @% l& QFrom Beyond the Grave Blu-ray, Audio Quality
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+ K# i9 X+ K" U% m( O9 G+ w% {Likewise, the DTS-HD 2.0 Master Audio (Mono) mix does a fine job of preserving the film's one-channel roots from start to finish. Dialogue is extremely clean and crisp with no sync issues or other defects, contributing to a robust listening experience that sounds as good as its source material will allow. Although Form Beyond the Grave remains heavy on atmospheric visuals, Douglas Gamley's has a more sporadic presence than expected -- but when it kicks in, it maintains a relatively strong dynamic range that isn't hampered by a thin high end (the same can be said for suspenseful sound effects, such as the exorcism sequence in "The Elemental" and the blue room atmosphere behing "The Door"). Like its video presentation, this lossless track makes Form Beyond the Grave sound a bit younger than it really is.Optional English SDH subtitles are included during the film. Like most recent WAC releases, these are formatted in ALL CAPS but likewise display no obvious sync issues and sit nicely inside the 1.85:1 frame.! t5 s& V* }1 G, b3 j
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