不明身份/狙击陌生人 [蓝光原盘 自带中字] Unknown 2011 1080p BluRaycd AVC DTS-HD MA 5.1-FGT 20.30GB

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◎译　　名　不明身份/无名杀机(港)/狙击陌生人(台)/神秘白种男子(台)/未知/陌生的白种男人/不明身份的白人男性/未知白人男性
◎片　　名　Unknown
) V/ x6 @" z" c1 Y9 J. q◎年　　代　2011
' z. W3 _9 ]; i/ `5 G. v4 y% C◎国　　家　美国/英国/德国/法国
◎类　　别　剧情/悬疑/惊悚
6 |2 \( [" z( }* v! p◎语　　言　英语
' J2 S) f7 ]& H4 A◎上映日期　2011-11-01(中国大陆)/2011-02-18(美国)
5 c7 Z) e) g2 P% Q- X) ^! m◎IMDb评分 6.8/10 from 242,252 users
◎IMDb链接 https://www.imdb.com/title/tt1401152/
◎豆瓣评分　7.0/10 from 44,672 users
0 d# j" x6 W( S1 u◎豆瓣链接　https://movie.douban.com/subject/3614963/
◎文件格式　x264 + DTS
◎视频尺寸　1920 x 1080
7 c# ?6 F# z' e2 }+ U- i& @◎文件大小　1DVD 20.30 GiB
◎片　　长　1:53:11.826 (h:m:s.ms)
3 n0 p# M. Q7 R9 H% F5 x◎导　　演　佐米·希尔拉 Jaume Collet-Serra
, x1 t& o( B8 ]9 ~2 h; [* S◎编　　剧　Oliver Butcher
  M3 O) A6 j9 B* s　　　　　　Stephen Cornwell
3 H, x5 i; i2 T/ a◎主　　演　连姆·尼森 Liam Neeson
# x4 I4 C, K* n5 T/ v0 c　　　　　　黛安·克鲁格 Diane Kruger
1 }% m3 a' x6 |　　　　　　詹纽瑞·琼斯 January Jones
4 y0 }& o/ n# V$ d" Z　　　　　　弗兰克·兰格拉 Frank Langella
: x) B, ~$ e6 Q; D  W: d/ q　　　　　　艾丹·奎因 Aidan Quinn
& K) c0 R) t6 x$ F  v　　　　　　塞巴斯蒂安·考奇 Sebastian Koch
2 A" o) g2 L# M7 e9 ~) N8 u6 t　　　　　　佩特拉·施密特-夏勒 Petra Schmidt-Schaller
6 T; `' U( C/ {- Q& X& @$ g　　　　　　卡尔·马克维斯 Karl Markovics
　　　　　　布鲁诺·甘茨 Bruno Ganz
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/ s& I. ~$ t7 Y2 _8 k5 ?: ~% Q$ F◎简　　介

　　马丁·哈里斯博士（连姆·尼森 Liam Neeson 饰）到柏林参加学术交流，却不幸遭遇了一场车祸，昏迷中醒来的他发现自己整个人生都被偷走了，妻子伊丽莎白（詹纽瑞·琼斯 January Jones 饰）不再认识他，而另一个人（艾丹·奎因 Aidan Quinn 饰） 取代了他的身份，成了哈里斯博士，光明正大出现在学术会议里，似乎所有人都认为那才是真正的哈里斯博士，令马丁十分迷惑。没有人相信马丁的说辞，柏林当地警署对他的申诉置若罔闻，又似乎有人开始追杀他。异国他乡，举目无亲，身陷险境，是人们的记忆被偷走了？还是自己脑袋出了问题？又或者背后有惊天阴谋？马丁走投无路之时，一个神秘女人吉娜（戴安·克鲁格 Diane Kruger 饰）出现了，似乎能帮他找到事情的真相……

　　A man awakens from a coma, only to discover that someone has taken on his identity and that no one, (not even his wife), believes him. With the help of a young woman, he sets out to prove who he is.
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Unknown Blu-ray, Video Quality  
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/ B0 C) o; N0 T- z$ ]No unevenness here. Unknown's 1080p/AVC-encoded transfer is a cold-blooded killer, dispensing scene after scene with methodical precision. Detail is exacting down to the last pore or errant hair. Fine textures are clean, distinct and wonderfully resolved, edge definition is sharp enough to draw blood (without any troubling ringing), delineation is remarkably revealing and grain, however mild and unobtrusive it may be, is intact. And it isn't just closeups of Neeson's weary mug or Jones' smooth skin that look fantastic; establishing shots and wider angles are equally impressive and only a few scenes exhibit very little softness. Moreover, Flavio Labiano's wintry, intentionally green-skewed palette is striking and relatively lifelike (even at its bleakest), primaries make their presence known, fleshtones are thoroughly convincing and black levels are deep and satisfying (barring a handful of muted shadows). And I didn't stumble across any significant oddities -- banding, aliasing, smearing and the like -- other than the faintest hint of artifacting in three scenes. (Most won't even notice it, though. I almost missed it, myself.) All in all, Unknown's high definition video presentation is a spectacular one.   
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- V2 ]7 G6 k/ B: K) ~% zUnknown Blu-ray, Audio Quality  


Warner's immersive DTS-HD Master Audio 5.1 surround track is a tasty genre treat as well. Low-end output is reasonably restrained at first, but as soon as Unknown begins injecting car chases and assassins into the mix, the LFE channel leans back, digs in its heels and lets out a mighty yawp. The rear speakers follow suit, creating believable but subdued environments as Dr. Harris searches for the truth, then unleashing hell as his life collapses around him. Directional effects and cross-channels pans are smooth and precise, dynamics are invigorating and fidelity is outstanding. Through it all, dialogue remains crystal clear, perfectly prioritized and realistically grounded in the tone and tenor of Harris' precarious Berlin excursions. No matter what trouble he finds himself in, no matter how chaotic the circumstances become, nary a line or a word fall by the wayside. If anything, John Ottman and Alexander Rudd's driving score is crowded out of the soundscape on a few, largely negligible occasions. That said, any related issues most certainly trace back to the film's original sound design, not Warner's lossless efforts. Unknown didn't quite do it for me, but its AV presentation worked wonders.

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