战争游戏/真假战争 [蓝光原盘] WarGames 1983 1080p BluRaycd AVC DTS-HD MA 5.1-FGT 35.85GB

A young man finds a back door into a military central computer in which reality is confused with game-playing, possibly starting World War III.
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◎译　　名　战争游戏/真假战争
◎片　　名　War Games / WarGames
- n' [2 i. s" g◎年　　代　1983
◎产　　地　美国
◎类　　别　剧情/惊悚
9 c0 d/ I4 e5 y- \- s# j7 D7 v+ @( I◎语　　言　英语
! I* l" I3 T9 i: g◎上映日期　1983-06-03(美国)/1983-12-22
◎IMDb评分  7.1/10 from 97,731 users
◎IMDb链接  https://www.imdb.com/title/tt0086567/
◎豆瓣评分　7.3/10 from 1,628 users
◎豆瓣链接　https://movie.douban.com/subject/1293522/
◎文件格式　x264 + DTS
◎视频尺寸　1920 x 1080
2 D: `. ~( @5 M# y0 P$ |◎文件大小　1DVD 35.85 GiB
◎片　　长　1:52:42.630 (h:m:s.ms)
* q1 a( t+ m8 m9 L% X, c◎导　　演　约翰·班德汉姆 John Badham
◎编　　剧　劳伦斯·拉斯科 Lawrence Lasker
　　　　　  Walter F. Parkes
　　　　　  Walon Green
◎主　　演　马修·布罗德里克 Matthew Broderick
0 M# f9 P! x3 S3 N/ k　　　　　  艾丽·西蒂 Ally Sheedy
　　　　　  约翰·伍德 John Wood
　　　　　  Dabney Coleman
　　　　　  Barry Corbin
　　　　　  艾伦·布卢门菲尔德 Alan Blumenfeld

◎标　　签　科幻 | 美国 | 黑客 | 战争 | 美国电影 | 1983 | 剧情 | 虚拟

◎标　　语　唯一获胜的举措是不玩
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* y1 ?* B7 i: T9 e: N% n( ^　　大卫·莱特曼（马修·布罗德里克饰）是一位天才少年，他将业余时间全都投在了电脑游戏上。一天，他通过搜索，搜到了一台网络电脑，简单破解后，他开始玩一个叫做“全球热核战争”的游戏，一个模拟世界大战的游戏。
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/ U5 a: r) T  p! j# p3 D! ]　　但大卫并不知道，隐藏在“全球热核战争”之后的，竟是美国军方的战争操作计划响应系统（WOPR）。这个机密系统控制着美国军方的武器，而大卫启动的“全球热核战争”游戏竟然导致系统自动准备发射核弹！

　　第三次世界大战一触即发，各国军队严阵以待，而大卫不得不行动起来，他要用自己的黑客技术阻止电脑发射核弹，阻止这一切。
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　　A young computer whizz kid accidentally connects into a top secret super-computer which has complete control over the U.S. nuclear arsenal. It challenges him to a game between America and Russia, and he innocently starts the countdown to World War 3. Can he convince the computer he wanted to play a game and not the real thing?
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◎获奖情况
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) t9 N1 R% l1 `( d6 x* |3 o7 r* D　　第56届奥斯卡金像奖 (1984)
　　最佳原创剧本(提名) 沃尔特·F·帕克斯/劳伦斯·拉斯科
　　最佳摄影(提名) 威廉·弗兰克
' H/ T( ]  N. }$ S- d( m　　最佳音响(提名) 亚伦·罗琴/迈克尔·J·科胡特/威利·D·伯顿/卡洛斯·德拉里奥斯
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3. Disc Title:     WarGames.1983.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT
   
4. Disc Size:      38,489,171,339 bytes
   
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WarGames Blu-ray, Video Quality   
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' C4 g0 }$ m% L4 ^* L! pWarGames was shot by the late William A. Fraker (Bullitt, Rosemary's Baby), one of the great cameramen from the old studio system who remained constantly in demand after its demise, winning the A.S.C.'s lifetime achievement award in 2000. The film looks superb on Fox/MGM's 1080p, AVC-encoded Blu-ray, very much like the style of film that a DP of Fraker's vintage was shooting in an era before home video had changed the audience's perception of what was considered pleasing to the eye: textured, low-contrast, delicately detailed, with just enough color saturation to distinguish hues without bleeding or overstatement. This was an image photographed for large-screen projection and never intended to "pop" off of small screens in living rooms (or on handheld devices), and it has been faithfully rendered as it was intended to be seen. The depth of detail is particularly evident in scenes like the wide shots of the Crystal Palace command center, where you can make out individual people at desks and maps on each of the individual screens. To take another example, in the scene where Professor Falken lands in a helicopter, the figure of the pilot sitting next to him is clearly visible, which has not been the case in any previous home video version of the film.

Grain is plainly evident but not distracting, and there is no indication of high frequency filtering or artificial sharpening. No compression errors were in evidence.

1 L0 D7 G; ?6 l" m5 rWarGames Blu-ray, Audio Quality   
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WarGames was released in Dolby Stereo, and IMDb indicates a 70mm release with six-track sound. The Blu-ray's DTS-HD MA 5.1 certainly sounds like an original mix and not a remix created at a later date. (The film's sound mix was nominated for an Oscar.) Bass extension, always the strong suit of the 70mm sound format, is deep and powerful, and this becomes immediately evident during the prologue sequence when the missiles begin their pre-launch sequence in their silos. In the elaborate finale at Crystal Palace, the computer-simulated missile strikes resound with repeated deep tones. The playful electronic score by Arthur B. Rubinstein (Badham's usual film composer) bounces back and forth between left and right speakers, taking more advantage of the stereo separation than most contemporary scores. The dialogue is always clear.

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