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U.S. Marshal Bovard comes to a small border town to identify and arrest a fugitive but the whole town seems determined to prevent the marshal from doing his job.
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◎译 名 刽子手/硬汉柔情$ ^ r) e q. Y2 D! U
◎片 名 The Hangman
( d7 V/ o) Q# i9 U1 G" Y◎年 代 1959
8 |; L! }; B" L( `1 a {◎产 地 美国
% [. |5 I1 w. A0 C6 N& I◎类 别 西部) y2 `1 e+ P* Y' z, E" W
◎语 言 英语
, s6 A S& A* X" p/ |. o% ^◎上映日期 1959-06-17(美国)( d$ J7 r& H1 ?. K7 }, x7 s" I9 r
◎IMDb评分 6.6/10 from 681 users, C) t, A% A' _+ t
◎IMDb链接 https://www.imdb.com/title/tt0052877/
+ d/ I8 [& L! |0 e1 Q- C% G◎豆瓣评分 0/10 from 0 users" k; d* ?& ~5 d9 [" U
◎豆瓣链接 https://movie.douban.com/subject/3783065/
4 Y+ k" L; v5 j1 J◎文件格式 x264 + DTS
+ H P1 z. M, W7 g% h◎视频尺寸 1920 x 1080
8 ?) z9 n9 M( B0 z3 n/ O◎文件大小 1DVD 16.04 GiB
' j [* O! L; H7 r$ x4 N G◎片 长 1 h 26 min
) R9 M# l, Q' s; E2 ^" D/ Y; I◎导 演 迈克尔·柯蒂斯 Michael Curtiz# L, _6 t. r7 e2 L
◎编 剧 达德利·尼柯尔斯 Dudley Nichols- q* T# ?+ w) l' @
◎主 演 罗伯特·泰勒 Robert Taylor+ R5 E3 K4 y0 ]' X. x3 `
蒂娜·露易丝 Tina Louise
& o( G2 S% g' y5 m6 u& ]. l 杰克·罗德 Jack Lord
' i, X+ ]( I! p3 h9 I 詹姆斯·韦斯特菲尔德 James Westerfield/ z! L. K9 K3 M
费斯·帕克 Fess Parker
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◎标 签 西部 | RobertTaylor | 美国 | 动作 | Michael_Curtiz | D迈克尔·柯蒂斯 | (待下 | 迈克尔·柯蒂斯0 S/ X& a8 K6 Z: K# |) J& o& T0 `
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◎简 介 s. l0 _( t! A1 k
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一位绰号为“绞刑犯”的法警,因为他在追捕通缉犯方面的过往记录,追踪一名抢劫嫌疑犯到了一个小镇。然而,这名男子在镇上很有名,也很受欢迎,市民们团结在一起,试图帮助他避免被捕。
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, n, x$ v* p2 c% K: U A marshal nicknamed "The Hangman" because of his track record in hunting down and capturing wanted criminals traces a robbery suspect to a small town. However, the man is known and liked in the town, and the citizens band together to try to help him avoid capture.
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( X5 `6 X: v# Z" x* @( }Video
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Format : AVC
9 l" j' H, y+ ]1 A4 A6 a8 OFormat/Info : Advanced Video Codec$ o" L1 y+ U) ?' o: H L
Format profile : High@L4.1
$ U4 m; z% v1 L* p7 {# CFormat settings : CABAC / 4 Ref Frames
* Z0 H3 R5 T6 T0 e" @Format settings, CABAC : Yes
, v; W& ?( F( L% x' r$ iFormat settings, Reference frames : 4 frames% U1 V) I' G, O0 A/ x+ L9 P
Codec ID : V_MPEG4/ISO/AVC6 P' k8 Q, t, Q) }$ @' T
Duration : 1 h 26 min# N: A! K& ~2 p6 \0 J
Bit rate mode : Variable
+ G5 T. f3 f+ ]1 q3 dBit rate : 25.0 Mb/s. p/ F& m; o* p7 Q1 n9 l* @
Maximum bit rate : 30.0 Mb/s' Y* ^2 b. x; D; R6 ^
Width : 1 920 pixels
% c+ G/ G e- h5 H6 ZHeight : 1 080 pixels4 I [; e: c2 I. M* s0 [" h$ Q
Display aspect ratio : 16:9
; t! P1 G- v1 s4 K* b, mFrame rate mode : Constant" v0 Z- U' j3 B9 R
Frame rate : 23.976 (24000/1001) FPS
% N' U) a w4 Z1 T# }$ q. l4 e7 CStandard : Component. o3 r! z2 U( N/ `1 P+ M4 u( A
Color space : YUV
6 h* U4 k. R: Q$ M }: |Chroma subsampling : 4:2:0
/ r* k0 \2 k* U3 p' J% `Bit depth : 8 bits' q; f1 o" Y) _" J K
Scan type : Progressive' I z& _8 p/ B7 x/ q
Bits/(Pixel*Frame) : 0.5034 i4 Y/ k# X7 _+ t) Q
Stream size : 15.0 GiB (94%)
E/ r* x$ L) y* S* k2 HTitle : The.Hangman.1959.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.2.0-FGT8 V4 U" N5 S! N) a0 S9 D
Writing library : x264 core 136
6 a. C# n9 W6 q8 s2 gEncoding settings : cabac=1 / ref=4 / deblock=1:0:0 / analyse=0x3:0x133 / me=umh / subme=9 / psy=1 / psy_rd=1.00:0.00 / mixed_ref=1 / me_range=16 / chroma_me=1 / trellis=2 / 8x8dct=1 / cqm=2 / deadzone=21,11 / fast_pskip=1 / chroma_qp_offset=-4 / threads=6 / lookahead_threads=1 / sliced_threads=0 / slices=4 / nr=0 / decimate=1 / interlaced=0 / bluray_compat=1 / stitchable=1 / constrained_intra=0 / bframes=3 / b_pyramid=0 / b_adapt=2 / b_bias=0 / direct=3 / weightb=1 / open_gop=1 / weightp=1 / keyint=24 / keyint_min=1 / scenecut=40 / intra_refresh=0 / rc_lookahead=24 / rc=2pass / mbtree=1 / bitrate=25000 / ratetol=1.0 / qcomp=0.60 / qpmin=5 / qpmax=69 / qpstep=4 / cplxblur=20.0 / qblur=0.5 / vbv_maxrate=30000 / vbv_bufsize=30000 / nal_hrd=vbr / ip_ratio=1.40 / aq=1:1.00' r) C3 e( Q& P# T8 e' J
Language : English
. r4 a1 ^* J2 g5 bDefault : No7 U+ k0 M( t0 _/ E! D$ n
Forced : No# l+ @* ?+ a" a( W& n( |
Color range : Limited
' E& v- ^ r: w6 `) p( J/ AColor primaries : BT.709/ j% {: Z' a3 |" b6 B
Transfer characteristics : BT.709
% D) [4 A# B' s9 e% v8 W; cMatrix coefficients : BT.709
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+ ]% F' x: r( S' [* sAudio
1 C2 y; C+ n% @1 i6 `0 S3 `ID : 2
, [5 M6 t4 l& [Format : DTS XLL! c. X" E% i5 @
Format/Info : Digital Theater Systems, C# T3 J$ G& E2 [0 b3 _* Y: q
Commercial name : DTS-HD Master Audio
( ~5 C1 Z# i( q9 q1 pCodec ID : A_DTS
& V! I `' T7 `. Z! @1 IDuration : 1 h 26 min- } r+ L: w1 {2 G3 K" [
Bit rate mode : Variable
1 A! I" n' I- n, [Bit rate : 1 678 kb/s5 x- t! Z; u$ ] L# \, S
Channel(s) : 2 channels
5 U( B2 U3 A, u \" n* v! ISampling rate : 48.0 kHz# @9 @& K2 L0 J
Frame rate : 93.750 FPS (512 SPF)
1 @, {4 E! Q* C* PBit depth : 16 bits
3 S, w/ C0 }7 n4 l/ L" x. OCompression mode : Lossless1 b% B0 q+ w$ P- l+ f/ J& T
Stream size : 1.01 GiB (6%)
3 r; L# m6 [( x6 |. H$ ]& T jTitle : The.Hangman.1959.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.2.0-FGT
( `2 r2 E! f* {! y* w0 DLanguage : English8 V/ x. g. b6 `9 ~
Default : Yes. m/ w- P0 y" Z# e5 D3 f
Forced : No
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Menu
4 ^0 c0 [1 e( c1 ^6 c- O00:00:00.000 : en:Chapter 017 f. y2 U1 _6 z% i3 p
00:10:00.558 : en:Chapter 02
x( r& Y% @) t1 M3 f" U" j4 i00:20:01.116 : en:Chapter 03
7 y3 r7 T8 E+ s' o' k- E6 O' P8 T5 _00:30:01.841 : en:Chapter 04
7 i6 H4 i% h( Z7 e1 @0 u$ d2 f$ i00:40:02.566 : en:Chapter 05% S- Y1 q3 d4 D2 _# a" ]( M
00:50:02.958 : en:Chapter 06
3 l$ X: [6 s8 i- C& @! @. M01:00:03.850 : en:Chapter 07
- U, R5 E& `) y* M& }2 [* b, Z01:10:04.283 : en:Chapter 087 N: n% t% R" z V4 n& n# c, }' I
01:20:04.966 : en:Chapter 09 5 [% }' `3 W: `! P0 s; V
0 w) c( z$ M: J/ F( m+ r- V4 f, XThe Hangman Blu-ray, Video Quality
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; O! ]: H2 i* A- B8 f M SThe Hangman is presented on Blu-ray courtesy of Olive Films with an AVC encoded 1080p transfer in 1.78:1. In terms of typical damage like scratches and blemishes, The Hangman's elements are in surprisingly good shape. What hampers this transfer is some recurrent flicker, some of which is really bad (the worst example happens at circa 36:00 and lasts for a couple of seconds). Contrast is also slightly inconsistent at times, with a number of outdoor shots looking just slightly blown out, with whites that are too milky and some faded blacks. The bulk of this high definition presentation looks really rather good, however. The image is often nicely crisp and well detailed, and Loyal Griggs' cinematography is rendered very accurately. That said, there are occasional times when the image becomes strangely soft and overly grainy, as if it sourced from different elements than the bulk of the film (see Screencap 15, the one with Parker and Louise carrying packages, for a good example). It's a little unusual to see a black and white Western from 1959, but the dusty ambience of the little town that Bovard finds himself in is captured quite well here, and while there's no really thrilling depth of field to be found throughout this picture, the more intimate surroundings look decently sharp and should please those who aren't expecting a totally top notch looking transfer. As with most previous Olive Films releases, there doesn't appear to have been any digital tweaking whatsoever, so what you see is indeed what you get.
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1 q$ N V# {& v% o z$ K5 ~The Hangman Blu-ray, Audio Quality . o* A+ G2 Q6 W4 ]2 \2 w
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O K" W0 Q$ }+ [4 _9 [2 q/ `, nThe Hangman features a lossless DTS-HD Master Audio Mono mix that suffices quite well for this smaller scale Western, a film which really doesn't offer a wealth of opportunity for any soundtrack—let alone a stereo one—to really show off. With only a couple of unambitious quasi-action pieces in the film (which amount to some fist fights and a few shots being fired), The Hangman instead relies almost entirely on quiet dialogue scenes, and those are presented quite effectively here. Harry Sukman's nicely dramatic score is also well represented, with especially appealingly full midrange. There is no damage to report on this track.
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