浪潮 [蓝光原盘] Waves 2019 1080p BluRaycd AVC DTS-HD MA 5.1-DiSRUPTION 45.45GB

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* R! q; k  M6 p, j◎译　　名　浪潮
; W. q7 t  N7 M/ j6 K% ]$ ^◎片　　名　Waves
◎年　　代　2019
◎产　　地　美国
* S2 ], f  `( F  F/ \, {) q◎类　　别　剧情/爱情
  N8 F) M# F& c4 ]1 @* h◎语　　言　英语
◎上映日期　2019-08-30(特柳赖德电影节)/2019-11-15(美国)
◎IMDb评分  7.6/10 from 19,401 users
◎IMDb链接  https://www.imdb.com/title/tt8652728/
◎豆瓣评分　6.8/10 from 4,727 users
& }6 {& F" `* }4 \1 _" W◎豆瓣链接　https://movie.douban.com/subject/30263576/
3 }' Y1 _/ ~! q9 S  |) _◎文件格式　x264 + DTS
◎视频尺寸　1920 x 1080
+ `$ n$ n- ^& g8 e- D* v# i◎文件大小　1DVD 45.45 GiB
◎片　　长　2:15:45.929 (h:m:s.ms)
, J$ z% Q1 i" [3 P6 J# F0 j◎导　　演　特里·爱德华·沙尔茨 Trey Edward Shults
◎编　　剧　特里·爱德华·沙尔茨 Trey Edward Shults
◎主　　演　卢卡斯·赫奇斯 Lucas Hedges
! z5 I0 c: ~) x! F1 d- s# \4 K: G: \　　　　　  斯特林·K·布朗 Sterling K. Brown
　　　　　  亚历克萨·德米 Alexa Demie
9 Y/ Y  I9 k4 `3 V! I. L7 p) j　　　　　  小克利夫顿·克林斯 Clifton Collins Jr.
2 }+ M! i' l! D0 ~' t; D　　　　　  芮妮·戈兹贝里 Renee Goldsberry
　　　　　  泰勒·拉塞尔 Taylor Russell
+ ]" m: {/ k+ V% Y8 H　　　　　  小凯文·哈里森 Kelvin Harrison Jr.
& W2 d/ |' b  i! S0 b) ^　　　　　  大卫·加雷利克 David Garelik
1 T) T& V1 N' X, ~( E7 s" |3 {( X　　　　　  尼尔·哈夫 Neal Huff
! E$ b1 J1 U1 V9 q- k　　　　　  克利夏·费尔柴尔德 Krisha Fairchild
　　　　　  阿维斯·玛丽·巴尼斯 Avis-Marie Barnes
# W0 t; S3 L& f  m" \　　　　　  吉恩·麦克·丹尼尔斯 Gene Mack Daniels
* R3 S$ r1 c  Q+ B6 S# d# A　　　　　  莎伦·菲弗 Sharon Pfeiffer
　　　　　  Hanna Balicki
　　　　　  Steve Heinz
5 H! L2 T) H9 e$ \. |  n7 l　　　　　  Sidnei Barboza
　　　　　  Ellen Marguerite Cullivan

0 z6 W: S6 ?. i- r3 z2 v◎标　　签　美国 | 爱情 | 青春 | 音乐 | 剧情 | 2019 | 电影 | A24

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　　卢卡斯·赫奇斯、斯特尔林·K布朗、小凯文·哈里森(《泥土之界》《黑夜造访》)、泰勒·罗素(《忽然七日》《迷失太空》)加盟A24打造的音乐题材新片《浪潮》(Waves)，特里·爱德华·沙尔茨(《黑夜造访》《克利夏》)自编自导，下月在佛罗里达州开拍。

/ U9 {/ E5 L4 B( j2 ^/ z. x　　讲述两对年轻情侣在情感的雷区中成长和相爱的故事，被描述为“一部充满戏剧性的歌舞片，有着全新的视角，是一首充满活力、感人肺腑的当代青少年生活的颂歌”。影片几乎全程与音乐同步，将一些标志性的当代歌曲与奥斯卡得主Trent Reznor＆Atticus Ross(《社交网络》《龙纹身的女孩》)的原创配乐结合在一起。
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$ N3 M- ?4 O5 n& E( g* f4 E' }　　Traces the journey of a suburban family - led by a well-intentioned but domineering father - as they navigate love, forgiveness, and coming together in the aftermath of a loss.

  S- ~4 z8 e$ r. {' v1 A◎获奖情况
7 ?  l8 V8 f) Y+ I5 t( B: d* M! C; d
　　第91届美国国家评论协会奖(2019)
　　年度佳片
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　　第35届美国独立精神奖(2020)
　　最佳女配角(提名) 泰勒·拉塞尔
9 u# N* U0 j+ ?  e  X
　　第29届哥谭独立电影奖(2019)
2 S& U2 y% w. r+ J　　最佳影片(提名)
　　年度突破演员 泰勒·拉塞尔
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$ R1 f1 g) v( i2 F5 P　　第32届芝加哥影评人协会奖(2019)
　　最具潜力演员(提名) 泰勒·拉塞尔

, Y& Q7 ?* ]7 j% a4 r' @　　第4届亚特兰大影评人协会奖(2019)
3 J  P' `; n) D, v! o9 g. ^9 Z: }9 ~! f　　突破表演奖 小凯文·哈里森
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1. DISC INFO:
   
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3. Disc Title:     Waves.2019.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-DiSRUPTION
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4. Disc Size:      48,787,839,315 bytes
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5. Protection:     AACS
   
6. Extras:         BD-Java
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7. BDInfo:         0.7.5.7 (compatible layout created by DVDFab 11.0.6.9)
   
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9. PLAYLIST REPORT:
   
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11. Name:                   00664.MPLS  
    
12. Length:                 2:15:45.929 (h:m:s.ms)
    
13. Size:                   38,892,607,488 bytes
    
14. Total Bitrate:          38.20 Mbps
    
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20. MPEG-4 AVC Video        32341 kbps          1080p / 23.976 fps / 16:9 / High Profile 4.1
    
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26. DTS-HD Master Audio             English         3668 kbps       5.1 / 48 kHz / 3668 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
    
27. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps
    
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33. Presentation Graphics           English         37.828 kbps                    
    
34. Presentation Graphics           Spanish         24.698 kbps

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Waves Blu-ray, Video Quality   
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- B8 ~. _, d! \0 h, B* @. V! pWaves is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in a variety of aspect ratios, as will be discussed below. The four aspect ratios documented in the screenshots accompanying this review are 2.67:1, 2.40:1, 1.85:1 and 1.35:1, which I believe may be the sum total throughout the film, though I admittedly may have missed something (let me know via private message if I have, and I'll happily update the review*). Shults kind of discursively mentions some of the transitions in his commentary, but I have to say I'm not entirely sure either his stated rationale or the actual changes in aspect ratio really do much other than initially call attention to themselves. I will say that I did find the change to the narrowest aspect ratio (1.35:1) the most effective since it comes at the "climax" mentioned above in the main body of the review and seems to put an inescapable claustrophobic ambience on Tyler at a critical moment. Some of the other changes just frankly struck me as random. The IMDb lists Arri Alexas as having captured the imagery (with a 2K DI, again according to the IMDb), but as can probably be made out in some of the screenshots accompanying this review, digital grain has been added, giving the film a just slightly mottled appearance at times. There are some intentionally almost impressionistic moments during some party scenes (see screenshot 11) where detail levels are understandably minimal, but on the whole I found detail and fine detail levels to be generally excellent throughout some rather wide variances in not just aspect ratios, but grading and lighting choices. There are some really evocative uses of color throughout the film, some of which reminded me in a way of another Florida set movie dealing with an African American experience, Moonlight.
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. f+ Y# }' n* R3 a2 [8 h+ g) SUpdate: A member kindly private messaged me to say that there is indeed a fifth aspect ratio that I didn't include in the screencaptures. It measures approximately 3.00:1.

Waves Blu-ray, Audio Quality   
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' f- `5 e) f) k2 _$ R0 cWaves has a DTS-HD Master Audio 5.1 mix that offers what I personally consider to be one of the more interesting listening experiences I've had in a dramatic film lately. The film is awash (pun intended) in both music and sound effects, the latter of which often waft through the soundstage like the film's title. In fact, the sound design here can almost be overwhelming at times, but it's notable that all of the main dramatic dialogue moments come through without any problems whatsoever, even if other elements are present. There's near constant immersion in this track, albeit in appropriate volleys of "crest" and "trough". Trent Reznor and Atticus Ross provide another really interesting score, with a few other source cues also being utilized, but for me personally, it was the really interesting use of ostensibly non-musical elements like the big washes of what might either be wind or water that gave this film's soundtrack its most distinctive element.

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