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In 2035, a technophobic cop investigates a crime that may have been perpetrated by a robot, which leads to a larger threat to humanity.
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◎译 名 我,机器人/智能叛变(港)/机械公敌(台)
& I& q4 ]" k* E" F8 k- Z7 M" n◎片 名 I, Robot
8 e2 }; I0 s' o0 f. t+ ~# c5 X◎年 代 20048 N) ]/ ~/ b( K6 \2 h) O
◎产 地 美国/德国( @6 `! o: H5 }) \+ }
◎类 别 动作/科幻/悬疑/惊悚
( t7 e ~6 E3 a4 X: o5 V: ~; f8 y) ?◎语 言 英语
# ~% o/ K6 b" x) I◎上映日期 2004-07-16(美国)
' J8 @" Y: h# p! x% N0 H+ K◎IMDb评分 7.1/10 from 571,679 users: u9 c. u {& S' w
◎IMDb链接 https://www.imdb.com/title/tt0343818/; I4 ]1 O; ?& m+ {/ c4 N% H! _" }3 Z
◎豆瓣评分 8.2/10 from 282,768 users
: T$ @- {) r$ E7 N◎豆瓣链接 https://movie.douban.com/subject/1308843/2 g1 _5 T0 Z; [( T6 f1 s
◎文件格式 x264 + DTS0 h0 e. Y8 [6 \* f) Q' E
◎视频尺寸 1920 x 1080! ?: V* \% S1 O/ G. @% c! L w
◎文件大小 1DVD 37.45 GiB & 36.72 GiB
, X7 [% W ]4 e/ p' E◎片 长 1:54:44.878 (h:m:s.ms)2 z1 g; o& N( o( c/ {1 i3 P
◎导 演 亚历克斯·普罗亚斯 Alex Proyas* d% P' B1 z7 f) T
◎副 导 演 金波·兰道 Kimble Rendall
6 K& i0 t0 a! M# v- w% I, j Kathy Houghton 6 m' [+ V! v. w1 a
Eddy Hardy / @' _- C( _( i# x! _/ L
安迪·阿姆斯特朗 Andy Armstrong
% C, Z2 W% O1 n, l6 Z◎编 剧 杰夫·温塔 Jeff Vintar3 s: j& H' @& {; p2 m
阿齐瓦·高斯曼 Akiva Goldsman
6 p% }) G2 D: Q7 P2 f 艾萨克·阿西莫夫 Isaac Asimov5 r7 V P" S* A3 C; h
◎制 片 人 Michel Shane - m. c6 S+ ? j. f; E# Z- ]
Emma Watts
1 r3 m8 ^/ K }( g2 ] 劳伦斯·马克 Laurence Mark) `; p `) Y$ ?* _& E' ?
詹姆斯·拉西特 James Lassiter
7 e; g1 L, x6 z$ z, E/ n3 t 威尔·史密斯 Will Smith2 ^& E9 f7 V3 V: B/ ^* u1 a7 o
Steven R. McGlothen
/ Q$ z) V6 x9 a* Q: R9 n2 s 约翰·戴维斯 John Davis' u- Y L( D$ M3 j% n5 d8 A* l
◎演 员 威尔·史密斯 Will Smith
: `: o- j) a/ A2 A3 Y& | 布里吉特·莫伊纳汉 Bridget Moynahan
/ e& _: t9 {9 d% [: \2 Y 艾伦·图代克 Alan Tudyk1 y& Q" }7 g. }6 r/ K" j3 p
詹姆斯·克伦威尔 James Cromwell
) B" C1 A1 f5 j( S- h* O 布鲁斯·格林伍德 Bruce Greenwood- r* [1 w( J" V9 c1 `
齐·麦克布赖德 Chi McBride
) I* s$ k% M* F, d. k: Q. @5 y8 J 杰瑞·瓦塞尔曼 Jerry Wasserman
4 t u+ m9 R6 ~$ U9 o9 b1 K+ _7 C4 F4 T 彼得·新田 Peter Shinkoda
8 i( f3 p& b7 L 特瑞·陈 Terry Chen& l8 ]& B8 ~+ p8 N" u1 z [* P
戴维·哈索姆 David Haysom) v1 @" H3 f2 Q& M% p& r
阿伦·道格拉斯 Aaron Douglas- r) J4 l3 t) p4 r# V8 K' B
艾米丽·坦南特 Emily Tennant
9 ]8 u. o& O+ w( p 希亚·拉博夫 Shia LaBeouf
. `9 X+ ^# j5 S Tiffany Lyndall-Knight
& |* M! X5 F4 H' n6 C% _8 F6 L) ? 安吉拉·穆尔 Angela Moore/ _/ z3 a6 |+ O) {: E- h
Aaron Joseph
% B8 ~- m0 a6 n, M7 F& \ 西蒙·本克 Simon Baker% s( l" |5 a! J# a* Z/ _/ U
菲利普·米切尔 Phillip Mitchell
( i- a4 S9 g* B 琳娜·泽格 Lynnanne Zager# Y) g- i! S# M& z" ~6 a
贾斯汀·罗杰斯豪尔 Justin Rodgers Hall: x$ [. b' o2 Q8 I) \; ^
◎音 乐 马可·贝尔崔米 Marco Beltrami* d' r: {( i/ O, f, `( Y
◎动作特技 克里斯·索耶尔 Chris Sayour
/ ]0 T! T$ R3 w- t6 A◎视觉特效 让·勒庞 Jean Lapointe
6 d5 Z4 I% F+ M$ c# x 卡林·乔伊 Karin Joy
: K* b2 V9 z7 \: N 丹·赖蒙 Dan Lemmon
: z7 e" o, d3 K# s 布莱恩·范特·赫尔 Brian Van't Hul7 m( K, S1 l0 m
乔·莱特瑞 Joe Letteri8 Z1 v% S7 G/ {7 f$ F h/ n
Mark Tait Lewis
; q0 G, [1 i: n Matt Logue
) Y3 t$ V) [ P! F2 e% ^ 雷·麦金太尔 Ray McIntyre Jr.
- `& b, @) {% W' M: [( w Nick McKenzie " q) v7 ~ J, Y1 }1 i1 R* b9 n
Matthias Menz
5 ]( y$ c4 b; H: Z* r% S# G' ^ X" S Rich Thorne
# u/ `) O& K+ o# z9 \* M P! i! [ Hanzhi Tang
$ P( }9 c8 Y% ^2 k6 \ Mark Spatny
$ b. }1 U! q- s6 \ 佐藤淳 Atsushi Sato( K- z, t$ L2 r( ]
Olivier Sarda ; b. D! x8 X }! Z2 e: b
埃里克·纳什 Erik Nash+ ^. D, m0 p3 x6 E0 e# L9 @" H! u V
Alfred Mürrle
3 }1 W. ^$ m- [9 H# G# q 布赖恩·莫伊兰 Brian Moylan$ R) J2 Y' a7 z; g3 {1 j$ v
Mike Hardison - `- x% M, g1 g, O8 w5 o0 B
Dale Fay # x& n' y5 u* w' p y1 w
丹·帕特森 Dan Patterson
5 x% { {8 S3 u) S6 W* u Scott Tessier : r# I0 c$ I5 c
Todd Daugherty 3 @5 T9 k R5 T% F5 J. D T
Bob Scarabelli 8 S5 Y9 A: R; b' Z6 J7 R/ ?5 I
Tristam Gieni 5 i C2 W6 x, Q/ |) p' S
Steven Hansen
! a: ~# H8 h1 V+ M7 ?2 K John Baurley
R# P9 ?) r* B9 R# E8 l Charles Darby
! X e; I3 o6 k Eric Leven
0 ^8 s4 r- Q1 p# O5 T0 L9 K Jose A. Ortiz Jr.
2 L; Y' r E5 f; r2 b1 d0 c3 I 马特·艾特肯 Matt Aitken. K. E) b- W1 ~ X' V& }( J
Roger Ames Berger
& L2 k( K5 D, N: k( e 小约翰·安德鲁·伯顿 John Andrew Berton Jr.0 L) E% ?& r4 }7 C$ g7 I6 j+ F
Yanick Bourgie
% k3 C7 s% |8 f: O$ K# s+ f. r Sonja Burchard % s3 |7 Q; Z0 ?* s0 }
格雷格·巴特勒 Greg Butler
' X, l S2 c0 K1 M$ I5 ^4 G% t G·G·海特曼·戴默斯 G.G. Heitmann Demers
1 ~! I T2 t* S: m( g0 z Tor-Bjorn Olsson
6 i# J4 R+ v- g$ f% w, _' k Derek Wentworth " {6 N3 Z4 e' W4 Y# p
Miae Kang * N& i9 f* }7 A
迪伦·科尔 Dylan Cole
" h* i5 R6 W- x& ^ Cyndi Ochs $ R" S7 s2 J6 S4 B; q0 i! e1 O
盖伊·威廉斯 Guy Williams; N$ b7 l4 ^- Q# u0 B
Kara Vandeleur/ n% |9 z& ]9 d" ?% O" Q
Geoff Tobin
$ R! @( o8 @' p c& s+ d0 C Cameron Smith
) g+ i; s/ ~( K6 j Marco Revelant
9 J! }, c/ W! b2 c' F Paul Jenness
, J* n* Z: x i/ Q# m: {1 H Craig Calvert . ?3 F. R( O" \
Adam de Bosch Kemper
5 _2 C8 g* e. d: c Jessica Cowley $ l9 ^$ r$ j. b% F: b
Patrick Kalyn
5 U5 G7 e% }& Q/ ]8 w0 |, E 哈米什·舒马赫 Hamish Schumacher
$ Z B# n( ~6 ~+ @ M1 p3 p% n 史蒂夫·普雷格 Steve Preeg
, n! \. V8 o7 F+ L1 ^ Steve Cronin
: G3 R( B6 i% @$ m David McLean
0 o+ A2 ^+ k9 ^/ ^ Rachael Haupt , P& l/ T* }- z3 s3 ~ t- |
Bradley Mullennix
6 C) `8 c# m1 r; L* @. ` R·克里斯托弗·怀特 R. Christopher White
* R6 Z3 e5 c, T Matthias Wittmann
) d& X- D! f. Z; b0 B- o/ F" ` 曼尼·王 Manny Wong/ T) C1 ?( w3 K+ g' A
Chris Y. Yang 1 e$ i# H- x$ t: C" C3 t. ^
Marvyn Young + } g* e4 _: r: Z
Richard Dexter
' O* x- G i( P' U7 J+ Z 达格·伊瓦索伊 Dag Ivarsoy j/ a& _ ]" X' a! k/ ~% C p3 A
Geoffrey Hancock
% u, `. g# v& m 艾琳·莫兰 Eileen Moran1 a1 y9 Z( Y: s# a
保罗·兰伯特 Paul Lambert
1 i2 c) n0 d: r8 V7 P( h1 P 安德鲁·R·琼斯 Andrew R. Jones
6 D2 S$ A7 w4 Z b4 @6 C Steven Hornby ( e2 [- `( X, D0 l* |- [ z
Roger Shortt + B5 |: E$ _5 C7 T
诺曼·凯茨 Norman Cates
: E. M9 Q8 }4 `+ A Les Quinn
. ` Q/ n$ f! g: G* k. K4 Z1 {! ^ Lars Johansson 5 d, R, s8 `7 K7 s8 K2 m3 Y
Kevin Little
0 x' |" Z) e# ?8 _ Janelle Croshaw 4 w1 P, g$ O y% Z; b( y
Graeme Demmocks # d3 ^3 ~1 P& U$ j
斯科特·E·安德森 Scott E. Anderson
( w1 W n: V$ s2 j/ i) } Andrew Loschin
, w, j- D2 v; ]0 @& ^ Colin Alway 2 e& V: M* G8 k' i$ [$ A o C
Bernd Angerer
2 @- d& x5 x/ g8 `. k! ~8 e 西蒙·阿格 Simon Ager
( z2 M; {& r) O; D _# v! R Louise Barkholt
5 V& F$ q4 Z: J9 G$ P4 G3 \6 z Lyndon Barrois
! ]1 V- d0 L0 m, a2 j7 l4 b 肖恩·迪韦罗 Sean Devereaux
. a: p g9 A& C% c1 Q% i6 R5 K, m 布赖恩·贝根 Brian Begun
( ~* c7 U/ G+ B" j+ S8 L5 J Kelly Bechtle-Woods
' V) u9 s' T8 r4 `, g 肯特·埃斯特普 Kent Estep
& {! F6 [: M* h! X" P+ t1 T Fiona Foster + ~$ p E' g* Z& z# i2 a2 `
Timothy Hoffman
d! P! k2 C% a2 X; m Eric Fox Hays
& s, i$ F! d; I0 {9 n& C6 M 伊万·雅格布斯 Evan Jacobs
+ L' n: M8 L! E" l 斯科特·罗斯 Scott Ross/ ^7 G; o. Z/ f
Mark Hosack
. R- u1 O0 C0 N5 D7 ~, | 埃里克·温基斯特 Erik Winquist% ~* c1 V" M& W! J( x7 o
Paul Thompson % ?+ X% H: m: o }
杰米森·弗莱 Jamieson Fry
5 \( A$ ?% B( E' z, N9 r8 f Jerry Andrews ! B' s0 ^/ `2 Y6 Z( W
凯文·范霍克 Kevin VanHook& ^. g* m1 J' Q4 r* U
Antoine Simkine - ]8 |4 V( a" c
乔纳森·埃格斯塔德 Jonathan Egstad
" U' L, v) E3 c1 }% ~9 z8 K% _ 大卫·伯顿 David Burton
* g3 _0 X# H. q! E' G3 `$ V Jan Stoltz
% |) X8 ^ h8 E4 v7 q/ [9 Q& H/ h 胡安·卡洛斯·巴尔加斯 Juan Carlos Vargas: ^; m, w2 ?3 v) p% `) p+ }% E
埃里克·赛恩登 Eric Saindon) o) `9 |5 T% L- \) ?
斯蒂芬·罗森包姆 Stephen Rosenbaum
: ~) k& m) }$ n, ]$ q Paul Howarth
# w7 y/ b4 X- C: H Kory Juul 5 P7 A- p2 c; x9 q9 ~
埃里克·斯基尔 Erick Schiele
5 M, d# { l, f2 d7 S/ |' w Jennifer Meislohn * r2 }% q* y. X# Q
Mike L. Murphy
5 q1 q$ ]5 w; d 彼得·奈 Peter Nye* h \* ^0 E) y6 S
约翰·尼尔森 John Nelson
. ~5 b" y: x$ a9 E8 d5 q 比尔·尼尔 Bill Neil# B+ z8 E1 Y( A7 U+ [' Q: y
沙恩·朗吉 Shane Rangi& c1 A" x- k4 \9 }. [9 p/ v2 a
保罗·弗明格 Paul Furminger
0 z7 q; ?% c$ f Bryan Devereaux " {6 M# d# q- w2 \5 y2 a) s
Matt Welford
! @% _8 @4 y( ~! V. ~ Marc Roth
; x7 u$ b$ q' \+ H" Y( N0 c 查尔斯·泰特 Charles Tait* ^/ v- q% n( Z9 `: b! }
Wes Sargent , x) W) ?( m) \9 ]
Brian Gyss 6 v; ]# _! R. X6 W2 T
Piotr Karwas
- T3 x% `; F: j l" ?$ } Lorraine Rozon
6 }- H9 S( c1 F3 j1 c& s Jeff Schanz # ~) ^8 t$ k9 k/ F v
Phil Greig
6 Q( F% g# ?2 L1 q8 z! L3 j Lee Pierce , K; N8 A' `! t" f; _
Scott Paquin
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- D8 z8 v+ j; e◎简 介
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公元2035年,是人和机器人和谐相处的社会,智能机器人作为最好的生产工具和人类伙伴,逐渐深入人类生活的各个领域,而由于机器人“三大法则”的限制,人类对机器人充满信任,很多机器人甚至已经成为家庭成员。
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总部位于芝加哥的USR公司开发出了更先进的NS-5型超能机器人,然而就在新产品上市前夕,机器人的创造者阿尔弗莱德·朗宁博士却在公司内离奇自杀。: p3 K. Y4 J% h- q! ~* z
2 ?* H2 G% a8 W- X/ w) v 黑人警探戴尔·斯普纳(威尔·史密斯 饰)接手了此案的调查,由于不愉快的往事,斯普纳对机器人充满了怀疑,不相信人类与机器人能够和谐共处。他根据对朗宁博士生前在3D投影机内留下的信息分析和对自杀现场的勘查,怀疑对象锁定了朗宁博士自己研制的NS-5型机器人桑尼,而公司总裁劳伦斯·罗伯逊似乎也与此事有关。7 @) @" v* F& R. }" j0 K- E
( x3 l( y n5 f" _ 斯普纳结识了专门研究机器人心理的女科学家苏珊·凯文(碧姬·奈娜汉 饰),随着二人调查的深入,真相一步一步被揭露出来:机器人竟然具备了自我进化的能力,他们对“三大法则”有了自己的理解,他们随时会转化成整个人类的“机械公敌”。
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斯普纳和凯文开始了对抗机器人的行动,一场制造者和被制造者之间的战争拉开序幕。
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In 2035, robots are an everyday household item, and everyone trusts them, except one, slightly paranoid detective investigating what he alone believes is a crime perpetrated by a robot. The case leads him to discover a far more frightening threat to the human race.% n( z& e$ \7 ?8 ]
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第77届奥斯卡金像奖 (2005)
+ I# k5 m4 g9 o1 Z4 w5 p 最佳视觉效果(提名) 约翰·尼尔森,安德鲁·R·琼斯,埃里克·纳什,乔·莱特瑞/ j7 z1 K' Q6 X. K( v5 N
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复制代码 I, Robot 3D Blu-ray, Video Quality - J( t, [5 H, R/ b- H
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I, Robot doesn't adhere very well to the three laws of post-conversion 3D releases: depth, dazzle, and value. OK, so those where made up on the spot, but truly, this release offers none of those. Fox has chosen to open the image to a 1.78:1 aspect ratio for this release rather than retaining the theatrical exhibition and Blu-ray home video ratio of 2.34:1. The result is a little information gained on the top and bottom and a bit lopped off on the sides. This review contains ten approximately corresponding screenshots that show the differences between this and the theatrical exhibition and original Blu-ray ratio from the previous high definition release (the 2.34 shots may be accessed through the link to the original release above; ten additional 1.78:1 screenshots are also included for viewing herein). The 2D attributes are otherwise fine. Light grain remans, and a few white speckles appear from time to time. The transfer displays the film's cold, sterile, overwhelmingly white and gray color shades nicely, capturing the film's tone with precision and presenting even subtle variations in shade with striking accuracy. Even better, the image remains bright even in 3D and doesn't look even slightly darker than its 2D-only counterpart. Fine detail is superb, from complex skin textures down to the smallest of the smooth robot intricacies. A hint of aliasing is visible in a couple of shots (notably a cityscape shot around the 6:25 mark), but this is otherwise a strong general presentation.
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On the other hand, the benefits of the 3D conversion are largely negligible. To be sure, I, Robot almost cries out for a fabulous 3D presentation, but the results are lackluster, to be kind. Generally, the transfer produces a wishy-washy sense of depth. It's somewhat impressive here and not so impressive there, and the good comes and goes with what seems to be an arbitrary pattern. Some shots offer pronounced depth across a relatively short room, while other shots of sprawling lobbies or deep glimpses down the USR headquarters building look no more deep than they do in the 2D version. Some shots that cry out for stunning 3D don't get it, and other, random shots (sometimes, sort of) do. An early text overlay introducing the city and date looks quite nice as it hovers off the screen and well above the image, and is probably the single showcase 3D shot in the entire movie. Even various scenes featuring floating bubbles lack visual pizzaz; the bubbles never appear very shapely and only rarely seem to float about with any real sense of space. A shootout near the end of the film does fling some debris towards the audience for the most pronounced "wow" moment in the film. Otherwise, this one's disappointing. The movie does indeed seem ripe for a 3D conversion, but the end result doesn't really make for such a drastic 3D experience or value added over the already strong 2D presentation to warrant the cost in dollars and time.
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" T: ~5 C: ^9 r/ e7 e3 u: CI, Robot features what appears to be the same lossless soundtrack from the 2D-only release. See the link above for a full review.' n# q' U8 m& ~
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