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[蓝光原盘] 异种1 [蓝光原盘 重制版] Species 1995 NEW REMASTERED 1080p BluRaycd AVC DTS-HD MA 5.1-iNTEGRUM 35.90GB & 57.17GB

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卓越贡献勋章

迅雷电影 发表于 2017-7-2 11:27:35 | 显示全部楼层 |阅读模式
A group of scientists try to track down and trap a killer alien seductress before she successfully mates with a human.! k8 h& A' `$ V+ K  ]

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◎译  名 异种+ I; E/ A& N+ s/ m; w
◎片  名 Species  i/ D9 w( A: W9 d
◎年  代 1995* @6 [9 f$ r" j7 N8 m
◎产  地 美国! J# |2 q* e( H9 W) B# e
◎类  别 动作/恐怖/科幻* [$ A" O6 k8 I0 T* i4 W
◎语  言 英语/葡萄牙语9 B" {* i/ I  |+ E; F: V# t
◎上映日期 1995-07-07
8 o5 \; A, u3 e- i* K! z' u◎IMDb评分  5.8/10 from 63,920 users
9 ^* H. V, Q5 Q* X◎IMDb链接  https://www.imdb.com/title/tt0114508/
0 f' z# Z. o: ]9 E◎豆瓣评分 6.4/10 from 10,203 users8 o/ K* e& C4 m0 T+ z% L' q4 J+ \
◎豆瓣链接 https://movie.douban.com/subject/1293442/
- s  K- s& `4 D; K! _◎文件格式 x264 + DTS0 c* U* L2 p; t2 J: Q
◎视频尺寸 1920 x 1080
- l  A0 C* u5 X$ s6 K◎文件大小 1DVD 35.90 GB & 57.17 GiB
" \* B5 b" h0 l6 t  q& H◎片  长 1:48:20.916 (h:m:s.ms) & 1:48:19.743 (h:m:s.ms)
) W8 |! C  J7 m◎导  演 罗杰·唐纳森 Roger Donaldson
; h6 s1 M, t1 s. F, F6 L9 j" R. w◎编  剧 丹尼斯·费尔德曼 Dennis Feldman
" B* C/ D$ k+ G9 i& I2 ?7 ?' A+ P◎演  员 本·金斯利 Ben Kingsley
$ M1 b2 T4 V  |# c4 |$ b0 D       迈克尔·马德森 Michael Madsen
5 Z5 ^7 c; G, D: X, k- X% ^7 r$ h       阿尔弗雷德·莫里纳 Alfred Molina
/ {! H9 P9 n/ A- m' K2 l       福里斯特·惠特克 Forest Whitaker
1 G: E; |* o2 g7 D, |5 v       玛格·海根柏格 Marg Helgenberger
0 }0 p5 V/ g( F9 R, |' V) x$ N       娜塔莎·亨斯屈奇 Natasha Henstridge( X3 l" E$ u4 z9 b2 c
       米歇尔·威廉姆斯 Michelle Williams
! }- d0 f) B8 `( s       乔丹·朗德 Jordan Lund
; @0 L+ V1 X! F/ @8 n       大卫·詹森 David Jensen3 e: }% e0 a4 L# K* o- q
       伊斯特·斯高特 Esther Scott7 ~0 H/ D! u4 ]9 \# I4 |/ _) k' l
       威廉·尤泰 William Utay' W% L% q* `& n: `
       赫塔威尔 Herta Ware
5 p- j# M0 `7 S* H6 o       威廉姆·鲍姆利尔 William Bumiller
* `/ Q8 m2 }4 n/ H8 u       卡洛琳·巴克利 Caroline Barclay  A; F! [/ R, O, F' Y
       马修·阿什福德 Matthew Ashford
4 y+ J7 R9 _) b9 U8 Y       安东尼·吉德拉 Anthony Guidera% }6 X- ]8 N6 |
       Sara Lise
4 b* m; |0 \5 x       维普哈布莱 Whip Hubley0 A0 V8 e' @# H1 v0 X' d& s
       帕特里夏·贝尔彻 Patricia Belcher
. M, g; c+ I" |$ O; r9 Y; l       理查德·凡西 Richard Fancy: p6 L5 c2 O8 b+ T
       爱德·斯通 Ed Stone
$ C* V4 |& J& V( l4 P' o       丹德里·泰勒 Dendrie Taylor
$ }" O( }8 r+ e8 y2 d+ G/ E7 d: ~+ m       达娜·喜 Dana Hee; q* B( n+ v+ A+ q
       弗兰克·维尔克 Frank Welker
4 \2 v3 K8 j7 {) u' [( M       安德泽·巴特科维卡 Andrzej Bartkowiak$ U9 S; \' D7 ^. A; O% M
       Jellybean Benítez/ z* Z) `- e- C/ n2 Z$ Y. Z' ^
       Jimmy Chunga
! O2 T& f' v2 n- Y& |5 X9 a       罗杰·唐纳森 Roger Donaldson) R) k/ P/ `; B! i4 o
       James Ent0 j( ~+ M6 W* F! R
       扎克·克努森 Zak Knutson
& Q# M9 |; G' r* N. N9 I2 Q       Coati Mundi6 U$ [' J. B( d) ]- {
       Peter Wick
9 i$ r+ v* J, ]       克里斯托弗·杨 Christopher Young
4 K; k# D: ~, h7 n7 x3 [! A$ V       安德泽·巴特科维卡 Andrzej Bartkowiak
, j/ w. e6 L* V: r& d) C& c       康拉德·巴夫四世 Conrad Buff IV& U1 P- l; ?1 I" G- S
       凯茜·桑德里奇 Cathy Sandrich
4 p# Z2 B2 ]' o1 j7 {) f0 s; V: K       Amanda Mackey Johnson
2 l- n' K  w0 A& A# i5 [       丹·韦伯斯特 Dan Webster
2 V/ Z/ k3 S. w8 Q0 n1 o! V! D       乔·汤普金斯 Joe I. Tompkins; U5 S. ~* f1 |" X4 M$ f$ r# w! L
       Nina Paskowitz1 ~" p% h" H4 M
       Kenny Myers
( c) q& X  E2 Z: ?+ e' O       史蒂夫·约翰逊 Steve Johnson- a; Y$ Y* T  A* ~" ?, N
       Tracey Levy Tracey Levy
: C8 \( i7 C- G       戴维·沃马克 David Womark
# Z/ i0 |9 z/ s, U2 @7 F       Suzie Pelissier Suzie Pelissier
5 ^3 R/ _4 z- {( v5 E       李·奥尔洛夫 Lee Orloff; A- A5 T$ W" N2 f
       Ellen Somers Ellen Somers
! t7 U, I3 ~1 f* ~       David A. Smith David A. Smith
, C7 {" i* e5 f: m* L) ~% O4 x       朗·西蒙森 Ron Simonson
! N( e; V; d" U& F3 C3 Q       Olivier Sarda Olivier Sarda4 A: s- f6 z6 j9 A/ B
       Ray Moore Ray Moore
( W# ~; v* S2 Z$ W/ |8 R       米歇尔·莫恩 Michele Moen
8 C( f$ N: W0 C: O- z/ g       Meher Gourjian Meher Gourjian
; O1 W  e, f' d0 ?       卡林·乔伊 Karin Joy# v9 Y% v; w  A  Q0 q# p
       雅克·斯特罗维斯 Jacques Stroweis- O# u6 L9 N! Q# ^* K0 X
       David Jones David Jones
  s: t9 N0 f2 s( E* u       吉姆·瑞吉尔 Jim Rygiel$ Y) }' r: x, \1 K; \8 n' {. [
       戴尔·拜尔 Dale Baer( {# m6 [- o6 m3 R4 L- X
       克里斯托尔·道德 Crystal Dowd: m# I5 E6 x+ U' }5 g) d
       马可·伍斯特 Marco Wuest
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◎简  介   ( U- P" M& |2 c, p& G

- D/ R7 V6 q8 e) C; Y1 Y" U  自20世纪70年代开始,美国政府实施了名为SETI的计划,30年来不间断的用射电望远镜扫描宇宙空间,旨在寻找外星生物和相关文明。在犹他州的德威市,有一所隶属政府的实验室,这里正在进行一项秘密试验。在此之前,人类曾受到外星文明发回的信息,其中包括外星生物的DNA组成和生命重组的方法。犹他州实验室的科学家们利用外星人提供的资料培养出拥有外星人DNA的新人类“塞尔”。出于某种原因,政府决定中止这项实验,但其中一个塞尔却逃出实验室。她将给人类带来怎样的影响?8 H4 l) X, r' u6 I3 k
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  本片荣获1996年MTV电影奖最佳银幕之吻奖、1995年科环宇宙杂志最佳化妆奖、1995年Sitges-Catalonian国际电影节最佳特效奖。
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8 X2 M! j" y# U, i  q9 R1 D6 |& S  When a beautiful human-alien hybrid escapes from observation, scientist Xavier Fitch dispatches a crew of experts to find her before she is able to fulfill her horrific purpose: to mate with unsuspecting men and produce offspring that could destroy mankind. As her deadly biological clock ticks rapidly, Fitch and his team are hurled into a desperate battle in which the fate of humanity itself hangs in the balance!+ N5 m9 H- H9 U3 q; ^  T

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Species Blu-ray, Video Quality   0 g/ N& F& |) ?* N" \3 y

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Species had three US DVD releases, which doesn't even count its inclusion in a Species Trilogy box set courtesy of MGM. The latter also put out a very early Blu-ray using the antiquated MPEG-2 codec. Donaldson's eleventh feature also received overseas editions courtesy of Fox which employed the superior MPEG-4 codec. However, all BDs prior to 2017 were struck from the same master. I own the MGM BD-25 and the first two reels look derived from a recycled theatrical print. There are numerous print artifacts, flecks, and other blemishes that seem to crop up in every other shot. The transfer improves for the remainder of the feature although occasional blips do appear.' x+ Q% U% D" k8 A* Y% c

* ]& R% b  f# Y* u6 P+ c' mShout! Factory has given the movie's interpositive a new 4K Scan on disc one's AVC-encoded BD-50. The transfer sports a mean video bitrate of 35000 kbps, which outpaces both the MGM (17184 kbps) and EU Fox (20296 kbps). Comparing the three, the MGM/Fox seems to suffer from artificial brightness. It's also vertically stretched at times. The Shout! is noticeably darker. The color temperature has also been tweaked. Shout! has imbued it with a blue-gray tinge. The new transfer also shows more information on the edges. If one examines Screenshot #s 2, 3, 6, 7, 12, 16, & 19 and compares them with the old transfer, s/he will see a cleaner picture. The Shout! is definitely smoother and more film-like. It retains a thin layer of grain. It's not perfect as the label may have applied de-noising techniques. It also exposes the limitations of the pre-CGI effects. My video score is 4.25.2 D  |  }1 H. k; y+ }/ N3 H

( n+ X, j' |* F/ @1 I4 XShout! has provided twelve chapter selections (the MGM/Fox had more).
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9 ]9 f+ z9 |2 \Species Blu-ray, Audio Quality   
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! C. y5 z/ t- \  ^, ?# |" EShout! has given Species's theatrical DTS mix a DTS-HD Master Audio 5.1 Surround (2017 kbps, 24-bit) and a DTS-HD Master Audio 2.0 Stereo (2030 kbps, 24-bit). I've always been an LPCM purist so I savor MGM's mix on the old Blu-ray. Admittedly, the "core" of Shout!'s DTS-HD MA sounds very similar to MGM's. Directionality, effects, and music originate from the same sources. Dialogue is almost always easy to hear and comprehend. Christopher Young's score has a dreamy and airy quality about it. I have appreciated and gotten more out of the composer's compositions each time I've watched Species. Marty was not high on MGM's uncompressed audio but I like it if not more than the Shout!. MGM encode it at a bitrate of 4608 kbps although it's disappointing the bit-depth is only 16. If I had to choose between the two lossless 5.1 tracks on the two editions, I would go with the MGM probably because the dynamic amplitude seemed greater to my ears. MGM's LPCM wasn't one of the best in the first years of the format but it was an impressive early effort, especially for a 1995 film., H1 b! j: z' R4 _6 i) e: U5 s0 K; W

) L5 O. x1 x. ]0 BShout! has supplied optional English SDH for the movie. MGM's SDH seem more complete as they indicate on the screen which song/artist is playing.
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, V9 u. J5 {4 ~Species Blu-ray, Video Quality   
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7 w* I' f- j7 M& ~1 x. a  JSpecies evolves onto Blu-ray but apparently lost a few genes or strands of DNA along the way. This is a baseline, at best, HD presentation. It's a bit more crisp and detailed than standard definition, but on the whole it disappoints and lags far behind superior HD titles. The print shows some heavy wear and tear over the opening title sequence, which tones down as the movie gets going, though stray hairs, scratches, white speckles, and random pops linger through until the end. The image ranges from sharp to fuzzy, usually settling into a middle ground that's not a whole lot more crisp than a good unconverted DVD image. Fine detail is fair at best; faces are occasionally sharp and nicely textured, but again the norm is something that's not far removed from lower-grade sources. Colors are similarly displayed; they're not terribly vibrant in most scenes, whether in several bright outdoor scenes or in the film's underground finale. The image is flat and grain seems to appear and disappear at will. Blocking and banding are present but not heavy. This is a serviceable transfer at best; it certainly doesn't stack up to today's standards but it does surpass the DVD, though not by leaps and bounds. Hopefully a re-issue will be in order at some point in the future (Species: The 20th Anniversary Edition in 2015?).
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Species Blu-ray, Audio Quality   4 u* m3 i5 A! B6 w! l% U9 m
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Species' Blu-ray debut births a PCM 5.1 uncompressed soundtrack that's not all that. It's adequate, but far from superior, lacking in range and energy no matter the audible circumstance. It lacks precision clarity, too, giving music a slightly unrefined presence. Still, spacing is fair, and the surrounds noticeably, but not dominantly, lend their aid in the creation of somewhat immersive musical cues. Action sound effects are disappointing; explosions lack both power and a strong low end element. They aren't wholly indistinct, just sharply lacking in raw strength. Even a scene where an adult Sil goes clubbing in search of the perfect mate lacks the commanding presence one would expect of such an environment. Ambience is minimal at best; rarely does the listener feel even partway immersed into any locale in the film. Fortunately, dialogue is crisp and grounded in the center channel. The absence of a more vigorous music and effects presence means dialogue never has to worry about becoming drowned out. Much like the video presentations, this track isn't a total disappointment, but it could definitely stand a little more juice.3 N  x% U% z% U
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Thomas 发表于 2023-4-1 16:53:01 | 显示全部楼层
经典,收藏了,谢谢楼主

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sclzywxl 发表于 2023-4-7 17:18:35 | 显示全部楼层
啥也不说了,楼主就是给力!) ^. [& h! }/ Q4 O
The decisive Replies sink is I get the sinking feeling great sense of accomplishment!: h- G, Z' Z8 r3 k% j# h0 n# u

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sawas 发表于 2023-4-22 09:11:17 | 显示全部楼层
That is awesome!

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