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[4K极清电影] 不可饶恕/豪情盖天 [4K蓝光原盘 自带中字] Unforgiven 1992 2160p BluRaycd HEVC DTS-HD MA5.1-HDRINVASION 59.90GB

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迅雷电影 发表于 2017-12-1 01:05:03 | 显示全部楼层 |阅读模式
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◎译  名 不可饶恕/豪情盖天(港)/杀无赦(台)/不被饶恕的人5 ^; D' x- k; O. P
◎片  名 Unforgiven
) z5 H' C: ~7 U. E: h1 m; t! o◎年  代 1992' r# d# O) K6 ~2 X' `. T- ?
◎产  地 美国' X' G' M, J3 p+ O
◎类  别 剧情/西部
* B! I8 t: k: t& E& o7 S◎语  言 英语
& p4 X9 I+ S0 g1 P: `# R  h◎上映日期 1992-08-03(美国)
$ j: }* g' |) i◎IMDb评分  8.2/10 from 307,441 users
- ?6 j/ \; c- l8 m' p: w◎IMDb链接  https://www.imdb.com/title/tt0105695/
; A2 m+ U; T% i◎豆瓣评分 8.4/10 from 31,258 users  W' K" Q. w# s3 Y' I
◎豆瓣链接 https://movie.douban.com/subject/1293566/7 @; E3 q% Z& p2 R2 n
◎文件格式 x265 + DTS
9 X& ^3 b5 g0 w( u◎视频尺寸 3840 x 2160* m0 [; j! Y9 k0 J- J
◎文件大小 1DVD 59.90 GiB
7 E1 F9 x9 o! D1 p3 l" Y8 r2 i◎片  长 2:10:39.581 (h:m:s.ms): b' e/ n; t- f
◎导  演 克林特·伊斯特伍德 Clint Eastwood
# D9 T. C5 @9 `& _2 O( Y& y: B◎主  演 克林特·伊斯特伍德 Clint Eastwood! P6 C( N* M% g, {5 M
      吉恩·哈克曼 Gene Hackman6 r' a" \7 Z9 t1 K9 T& I. ?
      摩根·弗里曼 Morgan Freeman
" V( O2 W6 K" q7 I0 }8 h+ h5 f! H      理查德·哈里斯 Richard Harris$ C! ?  `- C8 E9 K4 o2 A  ?. a2 P( `
      杰姆·沃尔福特 Jaimz Woolvett
1 O* F: Q$ E) ?  B      绍尔·鲁宾内克 Saul Rubinek
) U3 R2 ?& B- m: v8 b: j      弗兰西丝·费舍 Frances Fisher
1 `% n# U; I% ^- r" u0 V      安娜·莱文 Anna Levine
9 g, m8 n; ^, F  n% A      大卫·木西 David Mucci
' G2 G  h$ }, r* g5 {# b9 f# j      罗伯·坎贝尔 Rob Campbell
3 {7 J: K) \$ z4 |" V      安东尼·詹姆斯 Anthony James
  D' v0 ~+ E$ s* S8 A  |' ]5 p# q! U      塔拉·弗莱德里克 Tara Frederick9 l6 U  z' U" t# M- y
      贝弗利·埃略特 Beverley Elliott
% d- C$ [( L; M! K, [+ K  u  l      莉萨·雷波-马特尔 Liisa Repo-Martell, f. ~8 O! s( |$ B
      乔西·史密斯 Josie Smith
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◎简  介
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2 O0 h  W- N6 Y* ~4 X  Retired, down-on-their-luck outlaws who pick up their guns one last time to collect a bounty offered by the vengeful prostitutes of the remote Wyoming town of Big Whiskey.
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, G% p5 y2 b' i" D2 P: ^7 Q$ i  堪萨斯的农民威廉(克林特·伊斯特伍德 Clint Eastwood )年轻时曾是出名的杀手和劫匪,然而当遇上了克劳迪亚后,他的生活开始彻底改变。威廉和克劳迪亚结婚生子后,洗手不干,一家人过着幸福的生活。好景不长,克劳迪亚不久故去,威廉独立带着两个孩子过着清贫宁静的生活。- b, f6 n- ?$ U* i" \1 z

- e% V: Q) |% m$ p, o. Z& l  这时,该地区发生了一起牛仔醉酒殴打妓女并将其毁容的恶性事件,坏蛋警长达格特(吉恩·哈克曼 Gene Hackman 饰)只将此事草草了结,凶手仍逍遥法外。当地妓女纷纷捐钱,要求悬红1000美金请杀手来伸张正义。“思科菲尔德小子”找到威廉,要求合伙干这票买卖。为了给孩子们一个幸福富足的家庭,威廉终于答应再次出山。; t7 z- ]& |0 D

) h7 F  E# F$ O3 F/ g* {* l6 k  The town of Big Whisky is full of normal people trying to lead quiet lives. Cowboys try to make a living. Sheriff 'Little Bill' tries to build a house and keep a heavy-handed order. The town whores just try to get by.Then a couple of cowboys cut up a whore. Dissatisfied with Bill's justice the prostitutes put a bounty on the cowboys. The bounty attracts a young gun billing himself as 'The Schofield Kid' and aging killer William Munny. Munny reformed for his young wife and has been raising crops and two children in peace. But his wife is gone. Farm life is hard. And Munny is no good at it. So he calls his old partner Ned saddles his ornery nag and rides off to kill one more time blurring the lines between heroism and villainy man and myth.
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% o1 g- p, l: |1 P◎获奖情况
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) [! d- G' S& @% I2 P  第65届奥斯卡金像奖  (1993)
( n. r/ @3 }" h* @  最佳影片 克林特·伊斯特伍德+ U" K6 K1 k( Y8 G' E: L- x# P& j6 K
  最佳导演 克林特·伊斯特伍德
3 t# W( D: B+ G! Q  最佳男主角(提名) 克林特·伊斯特伍德1 K, L; I6 W# A" l
  最佳男配角 吉恩·哈克曼
( w" c8 W' D: ], [  最佳原创剧本(提名) 大卫·韦伯·皮普尔斯, F# z# S! H$ j2 D7 a
  最佳剪辑 乔尔·考克斯
5 d' B, y" [/ E9 c: K  最佳摄影(提名) 杰克·N·格林5 C* O. ~, x4 u4 Z. [8 s& ]+ S( c
  最佳音响(提名) Rob Young / Vern Poore / 莱斯·弗莱舒尔兹 / Rick Alexander6 O4 J4 Z$ L% |  O) H" Q- X
  最佳艺术指导(提名) Henry Bumstead / Janice Blackie-Goodine
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, I( O" g3 y7 Z0 n* r% G  第46届英国电影学院奖  (1993)
  \( p4 J7 ^# J# C  电影奖 最佳影片(提名) 克林特·伊斯特伍德# [! C$ A/ s# s) q0 g4 Z0 S, u' r- Q
  电影奖 最佳导演(提名) 克林特·伊斯特伍德
: f3 |2 z; P8 B6 t! G; o  电影奖 最佳男配角 吉恩·哈克曼" u" t; M& Q: d, _
  电影奖 最佳原创剧本(提名) 大卫·韦伯·皮普尔斯
3 {: Q2 B9 b. g- T3 G  电影奖 最佳摄影(提名) 杰克·N·格林
5 ]  K8 j& }& Q! h9 ^2 o# M, x* e  电影奖 最佳音效(提名) 阿兰·罗伯特·默里 / Rob Young / Vern Poore / 莱斯·弗莱舒尔兹 / Walter Newman / Rick Alexander/ h+ a: k  @9 O1 B" f

1 v1 F5 C; P  f  第17届日本电影学院奖  (1994)
6 W' E% `' U' j0 O  最佳外语片(提名)8 w: ?* g3 [0 I0 e1 w: w2 B$ Q
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  第18届报知映画赏  (1993)
+ R6 ?3 [6 E( ~% C/ ?  海外作品奖 克林特·伊斯特伍德3 O9 ]+ o8 S! G
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  3. Disc Title:     Unforgiven.1992.2160p.BluRayCD.HEVC.DTS-HD.MA.5.1-HDRINVASION  ^7 `6 @" q# z0 ~
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1 a! j" k$ ]! p5 x+ s: Z(Note: Screenshots accompanying this review are taken from the newly remastered 1080p Blu-ray included with the UHD. Watch for 4K screenshots at a later date.)0 D! k1 s4 S; V; `3 ~) @

" y4 {! c) m1 JIn stark contrast to Michael Mann's avowedly revisionist remaster of Heat in 4K, the newversions of Unforgiven were prepared with strict instructions from Eastwood and his team topreserve the look and feel of the original film with its Oscar-nominated cinematography by JackN. Green (Serenity), one of the film's nine nominations. Unlike Warner's UHD of Goodfellas,which was out-sourced, the 4K master of Unforgiven was entirely prepared by Warner's MotionPicture Imaging facility, which has been responsible for all the important catalog restorationsreleased by the studio and has become the "go to" post house for the Warner Archive Collection.MPI scanned Unforgiven's original camera negative at 4K, followed by extensive and meticulouscolor correction in both SDR and HDR by two of the facility's senior colorists. Side-by-side testswere conducted using a freshly minted answer print to satisfy all involved that the final productrepresents the best possible reproduction of the film screened for audiences in 1992. The finished4K master was reviewed and approved by Clint Eastwood and his team.
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3 i( h7 W$ }% b+ }9 r1 E: tIt will be interesting to see how the UHD enthusiast community reacts to Warner's 2160p,HEVC/H.265-encoded UHD of Unforgiven, because the differences between the 4K treatmentand its accompanying 1080p rendition don't immediately leap off the screen. In the film's darkersequences—and Unforgiven has many of them—the high-resolution scan of the negativeprovides little or no increase in visible detail, because it simply isn't there in the originalphotography. Eastwood's affinity for darkness in interiors and night scenes is well-established,and sequences like the cowboys' attack on Delilah (Anna Levine) and the final showdownbetween William Munny (Eastwood) and Little Bill Daggett (Gene Hackman) play out in dimlylit recesses with figures moving between deep shadow and half-shadow and facial expressionsoften reduced to outlines in the gloom. The UHD/HDR colorists have resisted any temptation toadd artificial visibility to such sequences through intensified brightness or heightened contrast;these scenes remain as dark as they were intended. Indeed, on close examination, the UHD iseven slightly darker than the Blu-ray iterations, utilizing HDR's enhanced delineation of blacksto maintain the integrity of the image in even the dimmest light.2 K7 X6 I! {/ z: a+ d
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Where the increased resolution really shines is in Unforgiven's spacious and varied landscapes,most of which were shot in Alberta. The grass, trees, dusty terrain and colorful rock formationsform an expressive background to the long journey from Munny's cabin to Big Whiskey,Wyoming, as Will and Ned Logan (Morgan Freeman) catch up with each other and eventuallyconnect with hot-tempered wannabe gunslinger, The Schofield Kid (Jaimz Woolvett). In thetheater, I remember being knocked back in my seat by the grandeur of these vistas, whichcontrasts so sharply with the three partners' corrupt destination and ignoble purpose. The UHD'sincreased resolution renders these surroundings with sparkling immediacy, and the gentle HDRtreatment makes them vivid without overemphasis. The same improvements are observable inlater outdoor scenes like the ambush of Davey (Rob Campbell) and the famous sequence whereWill and The Kid have a weighty conversation while awaiting the arrival of Little Sue (TaraFrederick) with their payment.
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. Q+ k+ v( i- N  k9 {The sticker prominently affixed to every UHD disc touts the "brighter, deeper, more lifelikecolors" of HDR, but the HDR treatment of Unforgiven demonstrates that these descriptions maybe at odds. The colors of this UHD are "more lifelike", but they certainly are not "brighter" or"deeper". I would describe them as more refined. Perhaps most noticeably, the UHD's fleshtoneslack the consistently ruddy cast that is evident even on the remastered Blu-ray, presumably aproduct of that format's less expansive color space. On the UHD, faces are reddened by the glowof candles, lamplight and campfires, but in natural light they lose a slight red "push" that isvisible on the Blu-ray (and was even more pronounced in the previous Blu-ray). It's a subtle but effective adjustment, enhancing the realism of characters even as the story elevates them intomyth. (The reds and oranges of the sunsets that open and close the film remain as intense asever.)* J* m6 k$ p; m# ~

* J4 Y8 ]  A  [' R0 N5 A/ `9 j& kThe 4K/HDR rendition of Unforgiven may not be the disc you drop into the player to wow yourfriends, but it fulfills the format's promise of bringing classic cinema into the home with newlevels of accuracy and intensity. It's the first UHD I've reviewed that deserves highest marks forits treatment of a 4K source—not only for what it does, but also for what it does not do.* N# o" G$ G# J: O5 L! o" ]5 g
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[System calibrated using a Klein K10-A Colorimeter with a custom profile created with a Colorimetry Research CR250 Spectraradiometer, powered by SpectracCal CalMAN 2016 5.7, using the Samsung Reference 2016 UHD HDR Blu-ray test disc authored by Florian Friedrich from AV Top in Munich, Germany. Calibration performed by Kevin Miller of ISFTV.]+ z" `* X4 p7 g) J# G2 M  D

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! J# p2 x3 }% b* k' A  m! |Unforgiven was released to theaters in Dolby Stereo, which was remixed for 5.1 for the film'sDVD release. The 2006 Blu-ray offered the same mix in lossy Dolby Digital, but the UHD and remastered Blu-ray arrive with a lossless 5.1 soundtrack encoded in DTS-HD MA. Whetherbecause of the lossless format or through tweaking of the mix (or a combination of the two), thenew soundtrack offers readily audible improvements. Gunfire, especially of rifles, is more intense andhas a greater kick, with deeper bass extension. It's especially noticeable when Will and Ned firstapproach The Kid, who is firing wildly in their direction (and elsewhere) after spotting twofigures pursuing him. Similar intensity is apparent in Davey's ambush, as Ned and Will taketurns with Ned's rifle, and also in the hail of gunfire featured in the film's climax. Theforeboding thunder that accompanies both the opening and closing scenes in Big Whiskey, andreappears periodically through the film, rumbles at a deeper level and, as before, rolls through thesurrounds. The dialogue remains audible and properly localized, and Lennie Niehaus' score (withits theme composed by Eastwood) supplies an elegiac counterpoint to the violence onscreen.
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