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0 p; ?- s% F& C p+ g0 b◎译 名 第五波/第五毁灭(台)/第五天劫(港)
1 ^* j! y& s/ e# w6 t◎片 名 The 5th Wave
, K2 D. Y4 R( c7 X8 E' G◎年 代 2016 c" s9 f( g2 r, ^: j! s: S3 b
◎产 地 美国0 m" j% O7 N# n: c. A
◎类 别 动作/科幻/惊悚/冒险
! h# S9 ~& g5 x( O8 y' S$ @◎语 言 英语& I4 \5 n* V7 D# u; u- q
◎上映日期 2016-01-14(澳大利亚)/2016-01-22(美国)) T* K; N1 y0 ~. {2 p9 n* B( x
◎IMDb评分 5.2/10 from 77,848 users# [7 A/ k3 u4 i+ ^4 j! a; z" b
◎IMDb链接 https://www.imdb.com/title/tt2304933// x% @5 p; `) K3 C/ z# ]
◎豆瓣评分 4.6/10 from 9,487 users
( i' N4 B4 F6 u0 q1 [- F◎豆瓣链接 https://movie.douban.com/subject/25866686/' X1 n- o9 h) Z3 `' _
◎文件格式 x265 + DTS + TrueHD 2 o( @) G v p J D* E/ |8 I
◎视频尺寸 3840 x 2160
`' p7 y9 p# g$ _% H# q◎文件大小 55.29 GiB, B( D; K- x* c" E* a
◎片 长 1 h 52 min u- W- Y4 D0 l6 w6 Q Z" Q
◎导 演 J 布莱克森 J Blakeson8 {7 L% S5 |# a% b& t, Q0 w
◎主 演 科洛·莫瑞兹 Chloë Moretz
/ e) F$ L; q5 K9 |# `* M4 X6 n8 w! Y 尼克·罗宾森 Nick Robinson; \' v/ c: c; j# u: n9 `! b
朗·里维斯顿 Ron Livingston
% X( j) r, [& ]3 H2 | 玛姬·丝弗 Maggie Siff* {* y: ]9 S0 [' p: V! m# w' B
亚历克斯·罗伊 Alex Roe
$ i/ X1 A0 X4 I2 z 玛丽亚·贝罗 Maria Bello, \8 |8 K1 E2 d1 N5 ^9 w1 j
麦卡·梦露 Maika Monroe
$ J2 ^' b2 e# K, s8 H" U8 B 列维·施瑞博尔 Liev Schreiber+ r9 ?9 y( z+ S: y
扎克瑞·亚瑟 Zackary Arthur
m7 T8 ]6 ^: k' G, {( D3 M; | 托尼·雷沃罗利 Tony Revolori
9 `6 z- Q* o o) g 特丽莎·贝特曼 Talitha Bateman6 L, @' p' p5 l7 Z4 V8 K l
" c! v: A: u' H( @1 K4 W, d◎简 介- K! C$ h: ~9 _% `- B# }0 p
% P+ v# X' t+ @" j8 h/ ]! V+ J6 p | 某日，人类赖以生存的家园地球遭到了外星人的猛烈袭击，现代设施和发达科技均遭受到了毁灭性的打击，人类文明仿佛一下子退回了石器时代。凯西（科洛·格蕾斯·莫瑞兹 Chloe Grace Moretz 饰）和弟弟山姆（扎克瑞·亚瑟 Zackary Arthur 饰）在灾难之中失去了母亲，姐弟两人顾不上悲伤，跟随着父亲奥利弗（朗·里维斯顿 Ron Livingston 饰）来到难民营避难。
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# [: t" e( h0 e% }4 d$ f. E 沃斯上校（列维·施瑞博尔 Liev Schreiber 饰）带领着军队来到了难民营，他们带走了孩子们，并且声称之后会回来接遗留下来的成年人，凯西和山姆依依不舍的离开了父亲。山姆心爱的泰迪熊落在了难民营，凯西返回寻找，哪知道外星人拥有了能够寄宿在人类体内的能力，导致难民营中发生了动乱。混乱之中，凯西和山姆失散了，为了寻找弟弟，凯西毅然踏上了充满了危险的旅途。
, ^2 I2 W. @% `4 Q
% L/ n3 r7 o6 R Four waves of increasingly deadly attacks have left most of Earth in ruin. Against a backdrop of fear and distrust Cassie is on the run desperately trying to save her younger brother. As she prepares for the inevitable and lethal fifth wave Cassie teams up with a young man who may become her final hope - if she can only trust him.
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; Q, u; F. S. s. v4 ~5 C      Video
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2 j4 h" X. W9 E- OTitle : The.5th.Wave.2016.2160p.BluRaycd.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT
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* `2 K, [" L4 F' w0 \1 F
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2 k. T; \$ V/ ?( _9 zTitle : The.5th.Wave.2016.2160p.BluRaycd.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT
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) j5 M) C! j. @' }9 m z c0 n/ rCodec ID : S_HDMV/PGS- ]& H" x" j4 J( k% q
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; p& w! M( N4 f P7 ]# nDuration : 1 h 44 min
, F9 c2 I- b( Y, JBit rate : 28.4 kb/s
. _2 P' D+ }5 n; q; U. z$ I5 E8 S; TCount of elements : 2452
$ U% A9 D8 X& P% I# k" vStream size : 21.1 MiB (0%): ^* j6 [1 X( R
Title : English-PGS$ l( L% J3 a7 \2 i
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Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
3 W& k$ H- l8 g! P! h2 a+ p+ dDuration : 1 h 44 min
+ Q9 `4 M) L' C" `! O9 i+ q; ]Bit rate : 28.4 kb/s( ?) ]- _, R, h
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( ~5 P3 |( u( V" f. n* GStream size : 21.1 MiB (0%)$ D" T" H5 o% u2 U
Title : English-PGS/ a# X9 ^2 E( s& N0 h) T$ j! D
Language : English
. ~8 r0 s9 \; `- K* |Default : No6 w/ j9 S; M6 d. f N# j. L
Forced : No* ^' b$ P9 T M+ R. G4 O2 Q
# U+ N1 i) I6 T4 m' E9 s+ MText #3! \( ?# {9 B/ {! F5 N
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7 G3 e% B, C* Y) A3 R& a, PMuxing mode : zlib
) w* p# ^/ X6 E. bCodec ID : S_HDMV/PGS/ H h8 p9 E0 k% K# h: l7 h' w
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Duration : 1 h 45 min N6 k) o/ `8 G& x4 ?0 K
Bit rate : 31.4 kb/s7 p! p6 s7 u9 c& F$ A; s
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h7 M3 L K5 i! GTitle : English-SDH-PGS9 U+ x& b. x' F/ U
Language : English; A4 p0 F' v" f3 n- ^/ \- ?
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- }; D' Q4 @5 y& G, LFormat : PGS
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5 X9 E0 }0 N6 r( WCodec ID : S_HDMV/PGS j( G+ R% W. e9 j) k" T5 g8 b
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs5 y0 u- ?8 m3 Z1 e5 {; c8 j# t6 Z
Duration : 1 h 50 min* Y; e7 r! ~( N, K
Bit rate : 13.6 kb/s
; |% F6 y M3 M$ P: TCount of elements : 2480
$ T3 R/ x" x& Y4 y. lStream size : 10.8 MiB (0%)
& K/ X8 Q$ _2 S3 h* C; y* ITitle : Arabic-PGS0 r4 g# m: m# o# s) j
Language : Arabic
' ?8 E: h z' h4 p3 D+ @8 lDefault : No* v8 I3 X. L' h9 Q6 ]
Forced : No
, n P% ]6 K2 t' m* v( a9 o# O
6 `7 h- S* v+ C, K4 [+ u/ IText #5
3 X* A) D" W; C: D1 zID : 16+ u: z; ^9 F- C' P
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Muxing mode : zlib9 p1 r! w0 ^$ F9 W1 C1 m( A1 @
Codec ID : S_HDMV/PGS
( u1 o7 |, V1 F' ^. _5 RCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs N k F( I+ }4 d/ L/ q3 X
Duration : 1 h 49 min# G3 J8 h5 \! P" t4 P! j8 |0 I7 G
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a2 R; D- h# `( cCount of elements : 1715
& o5 b( H$ Z& e) F, y$ K7 f; LStream size : 17.0 MiB (0%)
% b d- ~, N* i- h" qTitle : Danish-PGS4 s' j8 T, x8 U( `9 D
Language : Danish7 j. R9 m% ~9 @, r
Default : No
4 T' I3 a1 L0 f, u% a' ~. @Forced : No% x) O! M L& G' L
& [: N" l" j( F* g) }Text #60 W& Y. b+ f6 x7 g: S, `* O1 `
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( }& |; S+ |. L$ E- FFormat : PGS! H2 Z2 C) u7 P @& u7 K: n6 ~
Muxing mode : zlib. s! \) p2 F6 L' k- A9 I# s
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Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
, k! ?: m: s( eDuration : 1 h 49 min
' H' _$ H! w9 \Bit rate : 20.7 kb/s
' }3 L9 W4 ~& `# Z( pCount of elements : 16803 e) Y. l4 W- W* j! x
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+ M$ [- B( B! t6 h5 |Title : Dutch-PGS
# b3 b# M4 F* U: }; R7 d8 YLanguage : Dutch
9 R. L" n6 t2 I: ?Default : No. Y5 V" c+ I( k8 }3 I( {4 E: g9 H
Forced : No
8 n5 n" ~0 H' B$ A. q7 B$ k. c
- h1 c6 G0 |4 z4 S0 NText #7
* k g( U( y+ t$ R; f' X6 L0 DID : 18
; ~' Q2 g6 f% n- ~, d5 W) QFormat : PGS# g$ p4 x5 v' r5 |) L* \
Muxing mode : zlib
Q5 x( O/ Y7 xCodec ID : S_HDMV/PGS, B1 ~% n% h% @# R' z: [. _
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs/ F+ y+ s9 l6 y* J# m1 T& z
Duration : 1 h 49 min4 D, a( D0 B+ L- o+ y9 z
Bit rate : 20.5 kb/s
, b8 Q* S) t7 [% M' G: eCount of elements : 2182
% W! ?9 P3 U1 ?# J- HStream size : 16.1 MiB (0%)
* ?6 `( y# C B% K3 ^Title : Finnish-PGS
) X; Z/ r9 ^# c. F% ^# mLanguage : Finnish" @' r+ {$ w) ?& ^0 e1 p
Default : No, M5 d( w% ~ C Y; k
Forced : No$ H" q/ n& P* j0 L
5 d! ^$ r, W: x2 M5 \; a/ P0 x1 o
Text #8% A9 e. }% f- j+ t& e" i
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Format : PGS
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7 P$ o5 M# N' z) SCodec ID : S_HDMV/PGS
6 r& h0 g6 R/ f0 n5 [9 HCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
3 p. S$ A3 P8 M$ ^5 B0 f/ xDuration : 1 h 49 min
+ E$ r% q, K" D3 y' W2 C1 NBit rate : 19.5 kb/s
$ G9 r( a; b5 YCount of elements : 2064* ] r1 j$ U# h+ f! \! x
Stream size : 15.3 MiB (0%)
9 m' O" Q6 v8 Z, u$ ]Title : French-PGS
8 P6 a2 }* r) m6 ?! PLanguage : French3 W2 q1 k7 Q7 d. b/ L+ Z
Default : No- t( {, m' O6 E# f. i; R" _3 i. H
Forced : No
. Z3 H- |$ l- w8 J; O6 h7 ]0 J, S$ _' U1 z8 M
Text #9
5 T) }! k1 q' @ ~4 c+ t3 pID : 20! d8 B4 Z5 b4 q) i
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7 R$ o6 y2 l; B6 E' PCodec ID : S_HDMV/PGS
# e0 z2 M0 d/ wCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
' T, `5 P `) M, K: Q% i" f0 TDuration : 1 h 49 min
) w+ n& }+ I0 p, J" Z* |Bit rate : 25.3 kb/s2 u7 o$ X9 j( M; e
Count of elements : 2296
( Y1 `. ?$ s5 v* I$ s: ~ s; S* _1 \Stream size : 19.9 MiB (0%)/ y7 [1 t4 K0 |
Title : German-PGS
9 u( ]+ \! W' `3 L4 aLanguage : German* A% a. F& ?% l( p! j
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Forced : No
& n7 i8 o: ^* U& V- }* A' M6 R1 h- F- y1 k' J4 Z
Text #10
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- O+ A/ _% N- h8 H6 TCodec ID : S_HDMV/PGS+ v3 p. U1 p8 w
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
4 \7 Q4 F9 i) [! d$ l$ b4 m* DDuration : 1 h 44 min
0 u8 H7 u n; _$ M! R9 i/ O DBit rate : 26.7 kb/s' G) k' s0 e+ `8 p" J7 s; q2 e
Count of elements : 2048+ x' k3 `2 t3 ^" Z9 y# F
Stream size : 19.9 MiB (0%)
$ U7 m- G X. I! y( T& |Title : Italian-PGS+ Q2 N4 ^4 j- H* V& W4 d3 A: d
Language : Italian: `5 r& q7 k: p& t" G9 m
Default : No/ ^) Y$ q2 h- y* u2 W' t4 |8 b: z) E
Forced : No c3 u: g7 H9 h) H& m+ {1 E
6 J6 q/ s; D3 f
Text #11
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5 R. U7 L" x* S1 w' _Duration : 1 h 50 min
# @8 \4 Z, E* N$ t# \6 D: {+ pBit rate : 19.2 kb/s
4 s9 {. o1 _2 B# C) K+ s; K% }Count of elements : 2050/ F/ W: i( J# ?) l8 @
Stream size : 15.2 MiB (0%)
9 j# E2 Y; D; T; P$ ?Title : Norwegian-PGS. g3 ?% _" _% O/ U; S
Language : Norwegian% k; p }& g+ r; v
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. `4 I( R! o4 NForced : No
9 t+ T8 l* ?7 l8 Q# s# X' y1 F1 ^' H, [" G: _* x) R
Text #12
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Format : PGS
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Codec ID : S_HDMV/PGS. _8 N/ L" `1 N$ ~1 @% m* f" e3 H
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs6 c2 C3 O7 b# s& b) ?# [$ |
Duration : 1 h 50 min
- v- n% N6 v7 |* v( O$ nBit rate : 23.7 kb/s$ q# q- h" {5 ?
Count of elements : 2312( |6 v' _" N3 l% U, |
Stream size : 18.7 MiB (0%)2 R% R4 S0 e; _$ z$ y" v& \
Title : Portuguese-PGS N" ^/ {: s s" s' ?9 H
Language : Portuguese
0 i3 |7 \. c: I, k; eDefault : No- t- }6 t8 H/ R1 q* G
Forced : No
( W7 b; S, F( s
3 H8 u3 _6 e6 k0 o+ _6 b0 `% E: H8 mText #13
3 N) m7 B8 R0 @5 P$ [ID : 24( \$ v' u& L! ^$ D0 ~2 R
Format : PGS
. i4 V* S- [3 k2 [: f# U1 \/ BMuxing mode : zlib2 q; d9 s( ?- I. P! `& C' B0 i) J
Codec ID : S_HDMV/PGS
4 Y. u9 ~' R6 @- j3 v( {Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs, _1 K+ o }2 v' X; Q
Duration : 1 h 44 min5 ^" y1 g* q4 V- Z; H
Bit rate : 24.9 kb/s
( I4 w- J" p; g/ {* d! l- MCount of elements : 22704 _# f/ J4 f* p% \
Stream size : 18.6 MiB (0%)3 ?4 f0 x$ ?+ N' T2 D$ o' m
Title : Spanish-PGS
; g% E w: L, o# yLanguage : Spanish# K! j( I) U% |- H7 x& m$ Z
Default : No0 l" F4 [" ]. ~
Forced : No+ q2 ]( f( I; I9 F, P% S7 y
9 M: ~; J) ?9 \, aText #142 }! \ C( O9 d" ^1 c( _+ y2 F
ID : 250 M" u# T& L3 U: x9 X: i7 O4 Y
Format : PGS
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: q3 |5 S' g6 e, I, y# BCodec ID : S_HDMV/PGS
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: B( E; C; ?7 Z% y( EDuration : 1 h 49 min
Z _' d. H" i5 ~0 v4 xBit rate : 20.1 kb/s
9 \, O g- |1 H; Y$ u" b* P( S. s5 aCount of elements : 1580
- a, N; O2 k* K; K0 ?Stream size : 15.8 MiB (0%)+ ?& S3 Y% }6 G4 o* D
Title : Swedish-PGS Q% L' x0 u. O. l; e
Language : Swedish
9 S4 R7 B5 B" NDefault : No* j2 g+ a8 ?8 S, ]* @0 ~
Forced : No5 B: p" ?1 X: x5 I& q* `, S
! N1 f0 K7 K" D. c: zText #15
9 k" [, ]6 W j; r$ i' o' l8 y8 \( yID : 26
9 w1 g6 T4 x3 K$ k% v4 u+ wFormat : PGS
" j' d M4 W# B# _- [Muxing mode : zlib
- H! M$ [: J# f: g) [Codec ID : S_HDMV/PGS9 e* S4 I' t, w+ c* k; U2 h% b( R6 n
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
6 x6 v. Z) N6 Z, MDuration : 1 h 44 min) w$ [5 ^1 c( R4 o6 R" e5 z, A
Bit rate : 28.5 kb/s
( K! p& _) }$ |# \Count of elements : 2478
: v+ k( h( v; W1 T% z3 [, HStream size : 21.2 MiB (0%)0 d l0 P7 M1 Q( U" c$ W
Title : Turkish-PGS4 h- [' Y$ W4 }9 e, H
Language : Turkish$ K& ~! M! C7 _
Default : No
: |( q7 j3 M" k% L8 JForced : No1 [" J" j% n( I+ {% N3 u* X2 N' w
) Q( {2 O% U N6 a" E& N# qText #161 R- E% Q$ w0 N: X0 k8 a
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Format : PGS
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Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
5 ]' A" _. b0 d0 g0 E& [/ LDuration : 1 h 48 min
. D8 Z+ K, n. Y" {Bit rate : 81.8 kb/s( V- S; _9 d+ F8 d
Count of elements : 4562
7 I5 X$ z' m9 r, q4 F- nStream size : 63.2 MiB (0%)% `% b7 d( h5 L) { a' n9 _
Title : English-COMMENTARY-PGS
3 O+ D6 I- k1 T2 a" {; B d, ALanguage : English. u) E' w4 B. G3 ?9 s0 f
Default : No# g% ]; [1 H2 `# ?
Forced : No
; U' k" k% _8 z& b- g# ]* P' \! n" f' g0 ~( V9 ?1 [3 s
Text #173 o, _# A) {6 y1 t0 k
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6 z$ i! i" W6 tFormat : PGS
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Codec ID : S_HDMV/PGS
" _6 S( o, \* }$ C& RCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
' ?! f6 H; y3 o7 g+ V2 jDuration : 1 h 48 min) X$ F( G( _' S+ I3 V0 y
Bit rate : 70.3 kb/s w- ?8 N: p8 h6 p* Q
Count of elements : 4264
- ^5 j% b8 X; a7 v6 d" O5 lStream size : 54.3 MiB (0%)1 _* A/ H5 c5 B
Title : Dutch-COMMENTARY-PGS
j( o( ~8 ?2 K R/ sLanguage : Dutch+ r0 y7 B0 `8 E- v) @* j) p
Default : No P8 b. C! H( j R; p. K1 R
Forced : No
2 W, g. V1 K: t
9 } n0 w( h# H5 @5 {Text #18
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Codec ID : S_HDMV/PGS8 i( K" Z1 ]* j; s5 T. G
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
4 ?9 y9 }1 `- {( M" @" b, l) U, zDuration : 1 h 48 min
C& W+ Q9 G# D8 G, IBit rate : 65.4 kb/s, @% ~( K. J0 Q
Count of elements : 4560/ @2 @# V% }* N+ W* ~
Stream size : 50.5 MiB (0%)
% M9 m1 i K/ h) S. @: W& X5 ?Title : French-COMMENTARY-PGS
% `( f$ G/ y$ U) JLanguage : French5 t9 J, V$ g0 s/ `6 J* W) V; k
Default : No
0 J. U+ [" A$ J( I# F- K RForced : No
# Z* v9 n8 O e6 F# k: t: I
* q2 y: l9 {8 ]Text #193 u3 `( S9 x+ b/ g. x
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; A+ x# w) i+ W5 c) o) e0 |8 k) A# t6 NFormat : PGS
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Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
, g) y/ }# ]7 a% P p, C- n/ W! uDuration : 1 h 48 min
4 ]* l4 p9 J. r, L) L7 B \! V# PBit rate : 72.6 kb/s7 |1 X& g- T$ W& ]% |; |5 m
Count of elements : 4560
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# C( w9 m O# P* p6 TTitle : German-COMMENTARY-PGS( X6 U. p0 a7 Z% ]* d% w
Language : German
0 D1 P2 z1 X+ M7 [9 {Default : No
- I6 g! g1 M8 a" hForced : No
- f3 f! O C- |1 H8 u* o$ a
o7 q Q! J1 jText #20& r! ]8 E# I r( h
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Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
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/ Z2 T6 S( w& M7 k* bTitle : Italian-COMMENTARY-PGS
7 D1 Y5 X4 }( ULanguage : Italian% \. ?5 r) y0 o' C/ k4 T
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& O) M# J" ~. j
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$ ~$ `) A# q! Y" c3 \# n0 H. U9 XStream size : 54.5 MiB (0%)2 Y7 C2 O. `% F1 D2 s
Title : Portuguese-COMMENTARY-PGS- g# @+ s" F( ] I/ v1 v
Language : Portuguese; |0 t# O6 u3 q( ~$ J+ b W" Q" t* @
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! y B9 K" D5 U. y0 T" W: L0 |8 P. T+ [
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) P% Q# k6 u6 z/ M5 j- f' Z7 MCodec ID : S_HDMV/PGS
$ s4 P: k# O6 e9 j- k; b; MCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs( \* l- h6 }" \9 g: v& O4 v* d
Duration : 1 h 48 min
# k. N7 a+ {# G& }3 hBit rate : 71.2 kb/s6 R8 F3 c% k& P4 ?0 B* d- ?
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* d" D. J5 Z) m8 g ]! jStream size : 55.0 MiB (0%)# k' r6 X0 m( e# o" l( ^% L" o5 {
Title : Spanish-COMMENTARY-PGS8 D! t2 H8 j3 q7 i
Language : Spanish
* X6 D4 z- k H" gDefault : No4 H* p( O6 v& {
Forced : No, n- L! f% f* u
# g; C1 Z) c8 M* s9 l
Menu# n0 D% o7 a/ R5 @2 d! E
00:00:00.000 : en:Chapter 10 e# S# H* {) I9 d8 `
00:03:48.561 : en:Chapter 24 @/ l d0 \ N& N1 x- F$ g% |8 M
00:09:05.836 : en:Chapter 3
, j9 T% Q( C. n# O1 H3 ?% |00:16:01.335 : en:Chapter 4
( y' L0 ~. g$ N8 G s) E* t4 C+ s00:20:46.036 : en:Chapter 5
+ ~9 [! ]7 U: U8 i: h00:28:43.430 : en:Chapter 60 J1 h" _# b# h; y% Y( W! j
00:37:41.968 : en:Chapter 7- `- V2 `9 j. g. p
00:45:50.956 : en:Chapter 8 H0 ~# l% h, K! P4 Y8 a
00:54:19.714 : en:Chapter 9" d6 R$ s6 Z+ j4 Y) a
00:59:47.709 : en:Chapter 10
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4 l/ h& z, h; O01:18:13.230 : en:Chapter 13
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9 A; F5 e6 ?' m2 o) S01:43:07.431 : en:Chapter 16  / n6 J" _; _+ n+ A' L# v8 F7 K
+ [$ O* T4 v1 U7 H6 f" }4 q: hThe Fifth Wave's 2160p/HDR-enabled presentation isn't in any way poor or even technically flawed, but it never rises to the level of "substantial improvement" over the 1080p presentation, which is also included on a separate disc in this set. Sitting down to watch the movie without pausing to make A-B comparisons results in an experience that never feels in any way radically different from the 1080p transfer. Granted, that was reviewed a week or so before getting a chance to watch the UHD, but that's close enough to note that, maybe beyond a little more buoyant and saturated colors and mildly sharper details on a few surfaces (heavily textured military gear in particular), there's simply not a lot of added visual muscle here. According to the movie's IMDB page, the movie was finished at 2K, and that is presumably the source for this release, making it more similar to Concussion and less so Sony's first wave of UHD discs that contained movies sourced from 4K masters.
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On a direct A-B comparison, yes, the UHD fares a bit better. Blacks appear more uniform and realistic. Skin tones a little fuller. Colors more dense. Improvements in details are not often striking. Take a dialogue exchange between Cassie and her mother in chapter three. Each of them are wearing a protective mask. The words "Kimberly-Clark" are clearly legible on both. Little fabric details don't seem immediately more appreciable in 4K, but very close examination does show some very fine, porous textures in the middle of the mask that are completely lost on the 1080p, which favors a simple white field instead. Still, it's such a minuscule improvement that even the most demanding viewers probably won't lose any sleep over the 1080p disc's subtle differentiation. Besides, in motion rather than examining dueling stills, it hardly makes a difference. That same scene is a good example of the UHD disc toning down brightness, a bit, favoring a more reserved, less blindingly dynamic splash. That same effect carries through. A few minutes later, Cassie, her brother, and her father are walking to the camp. Look at the 18:20-ish mark that sees them walking through a roadway devastated by the flooding. The sun is hitting green and fall leaves above. The effect is noticeably more bright on the 1080p and more reserved in 4K. Detailing, particularly evident on leaves, seems a tad bit sharper on 4K. One of the biggest differences does come on the aforementioned military vests. The thick stitching and complex velcro surfaces reveal an easily identifiable boost in raw texture, enough that the difference was clear even without the A-B comparison. Making that direct comparison, anyway, does reveal just how much of a leap is to be enjoyed. But is the opportunity to see more of Liev Schreiber's and, a bit later in the movie, Maria Bello's uniform textures worth the added price of 4K admission? Eh, maybe. This review was conducted on a 65" screen, which is big enough to see a difference, but probably not big enough to fully appreciate it. There's no doubt that The 5th Wave's UHD improves on the 1080p, but it's by no means a startling, jaw-dropping, must-see, redefine-the-movie increase. - w% \# l2 [9 p& E# I
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The 5th Wave's Dolby Atmos soundtrack offers a nice, at times even substantial, improvement over the already excellent 5.1 track accompanying the standard 1080p Blu-ray release. This review is based on a 7.1.4 setup, which is the "traditional" seven-channel plus subwoofer configuration with the addition of four "object" or "overhead" speakers to the mix. Sony's Atmos presentation both solidifies core details while adding life to several key moments, both in terms of the extra surround-back speakers and the limited "aggressive" use of the overhead speakers. In a general sense, the Atmos track makes for a solid refinement of smaller details while bringing some added, and welcome, immersion to the proceedings. Music is notably fuller and more effortlessly immersive. While it never feels like notes are spilling down from the ceiling, the added surround channels create a more unified, full-sounding presentation that gives music a little more kick. Clarity certainly never wavers, and the result is a richer listen that, honestly, 5.1-only listeners won't necessarily miss, but that Atmos listeners will appreciate. Likewise, chaotic action scenes reap the benefits of the added speakers, particularly in some early moments where trees collapse and flooding waters punish the listening area with full-stage saturation that, again, offers a more dynamic and thoroughly defined effect that enjoys perhaps not more raw power, but certainly more entry points into the listening area that all but leave the listener soaked when aliens flood the coastal cities. Gunshots ring out with more immersive reverberation, particularly in the convenience store early in the movie. Smaller atmospheric details prove notably more precise and capable of creating a more fully realized environment, particularly in quieter outdoor scenes. Several discrete overhead effects are present, perhaps the most obvious being a helicopter flyover in chapter six that listeners can almost feel whooshing overhead. The sensation is real and the effect very well done. Dialogue remains well prioritized throughout, rounding a very impressive and, at several junctures, reference-worthy Atmos track into form.
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